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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8AC56 it is the complementary color #2753A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8AC56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8AC56 shade: #DDAC51, #EEBE64, #FFD077, #FFE28A and #FFF49D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8AC56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8AC56 shade: #D8AC56, #C79A43, #B68830, #A5761D and #94640A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8AC56 shade: #D8AC55, #D88855, #D86555 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8AC56 shade: #D8AC55, #D8CF55, #BED855, #9AD855 and #77D855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8AC56 shade matches the following richer shades: #D8AC55, #E9B144 and #FAB733

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8AC56 shade: #D8AC55, #C7A665, #B6A176, #A69B87 and #959698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8AC56 shade: #D86455, #D88755, #D8AA55, #D8CD55 and #C0D855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8AC56 shade: #B28328, #D19B33, #D8AC55, #E0BC76 and #E8CD98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8AC56 shade: #D8AC56, #68D855 and #7655D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8AC56 shade: #D8AC56, #55D8AA and #AA55D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8AC56 shade: #D8AC56, #68D855, #5583D8 and #C555D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8AC56 shade: #D8AC56, #55D868, #5583D8 and #D855C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

Complementary color

CMYK 77 / 51 / 0 / 34

HEX #2753A9

RGB 39 83 169

HSL 219.69, 0.63%, 0.41%

LAB 36.9, 16.33, -50.57

 

CMYK 0 / 22 / 63 / 13

HEX #DDAC51

RGB 221 172 81

HSL 39, 0.67%, 0.59%

LAB 73.2, 8.24, 52.53

 

CMYK 0 / 20 / 58 / 7

HEX #EEBE64

RGB 238 190 100

HSL 39.13, 0.8%, 0.66%

LAB 79.57, 7.16, 51.28

 

CMYK 0 / 18 / 53 / 0

HEX #FFD077

RGB 255 208 119

HSL 39.26, 1%, 0.73%

LAB 85.86, 6.22, 49.99

 

CMYK 0 / 11 / 46 / 0

HEX #FFE28A

RGB 255 226 138

HSL 45.13, 1%, 0.77%

LAB 90.55, -1.3, 46.5

 

CMYK 0 / 4 / 38 / 0

HEX #FFF49D

RGB 255 244 157

HSL 53.27, 1%, 0.81%

LAB 95.33, -8.41, 43.23

 

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

CMYK 0 / 23 / 66 / 22

HEX #C79A43

RGB 199 154 67

HSL 39.55, 0.54%, 0.52%

LAB 66.26, 7.61, 50.73

 

CMYK 0 / 25 / 74 / 29

HEX #B68830

RGB 182 136 48

HSL 39.4, 0.58%, 0.45%

LAB 59.68, 8.97, 51.73

 

CMYK 0 / 28 / 82 / 35

HEX #A5761D

RGB 165 118 29

HSL 39.26, 0.7%, 0.38%

LAB 53, 10.59, 52.18

 

CMYK 0 / 32 / 93 / 42

HEX #94640A

RGB 148 100 10

HSL 39.13, 0.87%, 0.31%

LAB 46.22, 12.55, 51.36

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 53 / 61 / 15

HEX #D86555

RGB 216 101 85

HSL 7.33, 0.63%, 0.59%

LAB 56.65, 43.92, 30.68

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 4 / 61 / 15

HEX #D8CF55

RGB 216 207 85

HSL 55.88, 0.63%, 0.59%

LAB 81.77, -11.79, 60.05

 

CMYK 12 / 0 / 61 / 15

HEX #BED855

RGB 190 216 85

HSL 71.91, 0.63%, 0.59%

LAB 82.23, -26.79, 59.97

 

CMYK 29 / 0 / 61 / 15

HEX #9AD855

RGB 154 216 85

HSL 88.4, 0.63%, 0.59%

LAB 79.98, -40.49, 56.85

 

CMYK 45 / 0 / 61 / 15

HEX #77D855

RGB 119 216 85

HSL 104.43, 0.63%, 0.59%

LAB 78.28, -52.13, 54.49

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 24 / 71 / 9

HEX #E9B144

RGB 233 177 68

HSL 39.64, 0.79%, 0.59%

LAB 75.57, 9.94, 61.17

 

CMYK 0 / 27 / 80 / 2

HEX #FAB733

RGB 250 183 51

HSL 39.8, 0.95%, 0.59%

LAB 78.71, 13.3, 71.19

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 17 / 49 / 22

HEX #C7A665

RGB 199 166 101

HSL 39.8, 0.47%, 0.59%

LAB 69.72, 3.76, 37.99

 

CMYK 0 / 12 / 35 / 29

HEX #B6A176

RGB 182 161 118

HSL 40.31, 0.3%, 0.59%

LAB 67.08, 1.31, 25.23

 

CMYK 0 / 7 / 19 / 35

HEX #A69B87

RGB 166 155 135

HSL 38.71, 0.15%, 0.59%

LAB 64.4, 0.62, 11.94

 

CMYK 2 / 1 / 0 / 40

HEX #959698

RGB 149 150 152

HSL 220, 0.01%, 0.59%

LAB 62.06, 0.03, -1.19

 

CMYK 0 / 54 / 61 / 15

HEX #D86455

RGB 216 100 85

HSL 6.87, 0.63%, 0.59%

LAB 56.46, 44.41, 30.44

 

CMYK 0 / 38 / 61 / 15

HEX #D88755

RGB 216 135 85

HSL 22.9, 0.63%, 0.59%

LAB 63.82, 26.28, 39.53

 

CMYK 0 / 21 / 61 / 15

HEX #D8AA55

RGB 216 170 85

HSL 38.93, 0.63%, 0.59%

LAB 72.23, 7.46, 49.4

 

CMYK 0 / 5 / 61 / 15

HEX #D8CD55

RGB 216 205 85

HSL 54.96, 0.63%, 0.59%

LAB 81.25, -10.78, 59.47

 

CMYK 11 / 0 / 61 / 15

HEX #C0D855

RGB 192 216 85

HSL 70.99, 0.63%, 0.59%

LAB 82.36, -26, 60.16

 

CMYK 0 / 26 / 78 / 30

HEX #B28328

RGB 178 131 40

HSL 39.57, 0.63%, 0.43%

LAB 57.9, 9.6, 53.11

 

CMYK 0 / 26 / 76 / 18

HEX #D19B33

RGB 209 155 51

HSL 39.49, 0.63%, 0.51%

LAB 67.45, 10.6, 59.14

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 16 / 47 / 12

HEX #E0BC76

RGB 224 188 118

HSL 39.62, 0.63%, 0.67%

LAB 77.95, 3.98, 40.08

 

CMYK 0 / 12 / 34 / 9

HEX #E8CD98

RGB 232 205 152

HSL 39.75, 0.63%, 0.75%

LAB 83.49, 1.94, 29.88

 

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

CMYK 52 / 0 / 61 / 15

HEX #68D855

RGB 104 216 85

HSL 111.3, 0.63%, 0.59%

LAB 77.7, -56.41, 53.68

 

CMYK 45 / 61 / 0 / 15

HEX #7655D8

RGB 118 85 216

HSL 255.11, 0.63%, 0.59%

LAB 46.05, 44.63, -62.87

 

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

CMYK 61 / 0 / 21 / 15

HEX #55D8AA

RGB 85 216 170

HSL 158.93, 0.63%, 0.59%

LAB 78.43, -46.75, 12.12

 

CMYK 21 / 61 / 0 / 15

HEX #AA55D8

RGB 170 85 216

HSL 278.93, 0.63%, 0.59%

LAB 51.84, 56.23, -53.26

 

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

CMYK 52 / 0 / 61 / 15

HEX #68D855

RGB 104 216 85

HSL 111.3, 0.63%, 0.59%

LAB 77.7, -56.41, 53.68

 

CMYK 61 / 39 / 0 / 15

HEX #5583D8

RGB 85 131 216

HSL 218.93, 0.63%, 0.59%

LAB 55.2, 10.27, -48.33

 

CMYK 9 / 61 / 0 / 15

HEX #C555D8

RGB 197 85 216

HSL 291.3, 0.63%, 0.59%

LAB 55.41, 62.71, -47.36

 

CMYK 0 / 20 / 60 / 15

HEX #D8AC56

RGB 216 172 86

HSL 39.69, 0.63%, 0.59%

LAB 72.74, 6.46, 49.51

 

CMYK 61 / 0 / 52 / 15

HEX #55D868

RGB 85 216 104

HSL 128.7, 0.63%, 0.59%

LAB 77.31, -58.75, 44.38

 

CMYK 61 / 39 / 0 / 15

HEX #5583D8

RGB 85 131 216

HSL 218.93, 0.63%, 0.59%

LAB 55.2, 10.27, -48.33

 

CMYK 0 / 61 / 9 / 15

HEX #D855C5

RGB 216 85 197

HSL 308.7, 0.63%, 0.59%

LAB 57.2, 64.25, -33.54

 

Description

Color code: HEX #D8AC56 | qconv.com Color code: HEX #D8AC56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 172 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 172 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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