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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D89FF5 it is the complementary color #27600A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D89FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D89FF5 shade: #DD9FF0, #EEB1FF, #FFC3FF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D89FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D89FF5 shade: #D89FF5, #C78DE2, #B67BCF, #A569BC and #9457A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D89FF5 shade: #D89EF5, #EF9EF5, #F59EE3, #F59ECC and #F59EB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D89FF5 shade: #D89EF5, #C09EF5, #A99EF5 and #9E9EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D89FF5 shade matches the following richer shades: #D89EF5 and #DA95FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D89FF5 shade: #D89EF5, #D5A7EC, #D2AFE3, #CFB8DB and #CCC1D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D89FF5 shade: #A89EF5, #BF9EF5, #D69EF5, #EE9EF5 and #F59EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D89FF5 shade: #B953ED, #C879F1, #D89EF5, #E7C3F9 and #F6E9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D89FF5 shade: #D89FF5, #F59EAB and #9EF5B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D89FF5 shade: #D89FF5, #F5D69E and #9EF5D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D89FF5 shade: #D89FF5, #F59EAB, #BCF59E and #9EF5E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D89FF5 shade: #D89FF5, #F5AB9E, #BCF59E and #9EE8F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

Complementary color

CMYK 59 / 0 / 90 / 62

HEX #27600A

RGB 39 96 10

HSL 99.77, 0.81%, 0.21%

LAB 35.63, -34.29, 38.82

 

CMYK 8 / 34 / 0 / 6

HEX #DD9FF0

RGB 221 159 240

HSL 285.93, 0.73%, 0.78%

LAB 73.84, 36.71, -31.64

 

CMYK 7 / 31 / 0 / 0

HEX #EEB1FF

RGB 238 177 255

HSL 286.92, 1%, 0.85%

LAB 80.09, 35.26, -29.98

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

CMYK 12 / 38 / 0 / 11

HEX #C78DE2

RGB 199 141 226

HSL 280.94, 0.59%, 0.72%

LAB 67.04, 36.92, -34.68

 

CMYK 12 / 41 / 0 / 19

HEX #B67BCF

RGB 182 123 207

HSL 282.14, 0.47%, 0.65%

LAB 60.44, 37.68, -34.48

 

CMYK 12 / 44 / 0 / 26

HEX #A569BC

RGB 165 105 188

HSL 283.37, 0.38%, 0.57%

LAB 53.74, 38.47, -34.27

 

CMYK 12 / 49 / 0 / 34

HEX #9457A9

RGB 148 87 169

HSL 284.63, 0.32%, 0.5%

LAB 46.94, 39.28, -34.02

 

CMYK 12 / 36 / 0 / 4

HEX #D89EF5

RGB 216 158 245

HSL 280, 0.81%, 0.79%

LAB 73.31, 36.74, -35.22

 

CMYK 2 / 36 / 0 / 4

HEX #EF9EF5

RGB 239 158 245

HSL 295.86, 0.81%, 0.79%

LAB 75.7, 43.69, -31.34

 

CMYK 0 / 36 / 7 / 4

HEX #F59EE3

RGB 245 158 227

HSL 312.41, 0.81%, 0.79%

LAB 75.71, 42.38, -21.49

 

CMYK 0 / 36 / 17 / 4

HEX #F59ECC

RGB 245 158 204

HSL 328.28, 0.81%, 0.79%

LAB 74.97, 38.67, -10.02

 

CMYK 0 / 36 / 27 / 4

HEX #F59EB4

RGB 245 158 180

HSL 344.83, 0.81%, 0.79%

LAB 74.29, 35.2, 2.18

 

CMYK 12 / 36 / 0 / 4

HEX #D89EF5

RGB 216 158 245

HSL 280, 0.81%, 0.79%

LAB 73.31, 36.74, -35.22

 

CMYK 22 / 36 / 0 / 4

HEX #C09EF5

RGB 192 158 245

HSL 263.45, 0.81%, 0.79%

LAB 71.04, 29.63, -38.92

 

CMYK 31 / 36 / 0 / 4

HEX #A99EF5

RGB 169 158 245

HSL 247.59, 0.81%, 0.79%

LAB 69.1, 23.1, -42.1

 

CMYK 36 / 36 / 0 / 4

HEX #9E9EF5

RGB 158 158 245

HSL 240, 0.81%, 0.79%

LAB 68.25, 20.11, -43.49

 

CMYK 12 / 36 / 0 / 4

HEX #D89EF5

RGB 216 158 245

HSL 280, 0.81%, 0.79%

LAB 73.31, 36.74, -35.22

 

CMYK 14 / 41 / 0 / 1

HEX #DA95FD

RGB 218 149 253

HSL 279.81, 0.96%, 0.79%

LAB 71.89, 43.78, -41.77

 

CMYK 12 / 36 / 0 / 4

HEX #D89EF5

RGB 216 158 245

HSL 280, 0.81%, 0.79%

LAB 73.31, 36.74, -35.22

 

CMYK 10 / 29 / 0 / 7

HEX #D5A7EC

RGB 213 167 236

HSL 280, 0.64%, 0.79%

LAB 74.72, 29.11, -28.18

 

CMYK 7 / 23 / 0 / 11

HEX #D2AFE3

RGB 210 175 227

HSL 280.38, 0.48%, 0.79%

LAB 76.01, 21.99, -21.35

 

CMYK 5 / 16 / 0 / 14

HEX #CFB8DB

RGB 207 184 219

HSL 279.43, 0.33%, 0.79%

LAB 77.67, 14.54, -14.53

 

CMYK 3 / 8 / 0 / 18

HEX #CCC1D2

RGB 204 193 210

HSL 278.82, 0.16%, 0.79%

LAB 79.4, 6.96, -7.12

 

CMYK 31 / 36 / 0 / 4

HEX #A89EF5

RGB 168 158 245

HSL 246.9, 0.81%, 0.79%

LAB 69.02, 22.82, -42.23

 

CMYK 22 / 36 / 0 / 4

HEX #BF9EF5

RGB 191 158 245

HSL 262.76, 0.81%, 0.79%

LAB 70.96, 29.34, -39.07

 

CMYK 13 / 36 / 0 / 4

HEX #D69EF5

RGB 214 158 245

HSL 278.62, 0.81%, 0.79%

LAB 73.12, 36.14, -35.54

 

CMYK 3 / 36 / 0 / 4

HEX #EE9EF5

RGB 238 158 245

HSL 295.17, 0.81%, 0.79%

LAB 75.59, 43.39, -31.52

 

CMYK 0 / 36 / 7 / 4

HEX #F59EE5

RGB 245 158 229

HSL 311.03, 0.81%, 0.79%

LAB 75.78, 42.72, -22.47

 

CMYK 22 / 65 / 0 / 7

HEX #B953ED

RGB 185 83 237

HSL 279.74, 0.81%, 0.63%

LAB 54.67, 64.96, -60.45

 

CMYK 17 / 50 / 0 / 5

HEX #C879F1

RGB 200 121 241

HSL 279.5, 0.81%, 0.71%

LAB 63.59, 51, -48.36

 

CMYK 12 / 36 / 0 / 4

HEX #D89EF5

RGB 216 158 245

HSL 280, 0.81%, 0.79%

LAB 73.31, 36.74, -35.22

 

CMYK 7 / 22 / 0 / 2

HEX #E7C3F9

RGB 231 195 249

HSL 280, 0.82%, 0.87%

LAB 83.37, 22.29, -21.84

 

CMYK 3 / 8 / 0 / 1

HEX #F6E9FD

RGB 246 233 253

HSL 279, 0.83%, 0.95%

LAB 93.87, 7.92, -8.08

 

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

CMYK 0 / 36 / 30 / 4

HEX #F59EAB

RGB 245 158 171

HSL 351.03, 0.81%, 0.79%

LAB 74.07, 34.01, 6.81

 

CMYK 36 / 0 / 27 / 4

HEX #9EF5B4

RGB 158 245 180

HSL 135.17, 0.81%, 0.79%

LAB 89.8, -39.39, 23.2

 

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

CMYK 0 / 13 / 36 / 4

HEX #F5D69E

RGB 245 214 158

HSL 38.62, 0.81%, 0.79%

LAB 86.98, 3.02, 31.65

 

CMYK 36 / 0 / 13 / 4

HEX #9EF5D6

RGB 158 245 214

HSL 158.62, 0.81%, 0.79%

LAB 90.52, -32.87, 6.66

 

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

CMYK 0 / 36 / 30 / 4

HEX #F59EAB

RGB 245 158 171

HSL 351.03, 0.81%, 0.79%

LAB 74.07, 34.01, 6.81

 

CMYK 23 / 0 / 36 / 4

HEX #BCF59E

RGB 188 245 158

HSL 99.31, 0.81%, 0.79%

LAB 90.99, -33.3, 36.21

 

CMYK 36 / 0 / 5 / 4

HEX #9EF5E8

RGB 158 245 232

HSL 171.03, 0.81%, 0.79%

LAB 90.96, -29.01, -2.05

 

CMYK 12 / 35 / 0 / 4

HEX #D89FF5

RGB 216 159 245

HSL 279.77, 0.81%, 0.79%

LAB 73.54, 36.2, -34.87

 

CMYK 0 / 30 / 36 / 4

HEX #F5AB9E

RGB 245 171 158

HSL 8.97, 0.81%, 0.79%

LAB 76.68, 25.55, 17.62

 

CMYK 23 / 0 / 36 / 4

HEX #BCF59E

RGB 188 245 158

HSL 99.31, 0.81%, 0.79%

LAB 90.99, -33.3, 36.21

 

CMYK 36 / 5 / 0 / 4

HEX #9EE8F5

RGB 158 232 245

HSL 188.97, 0.81%, 0.79%

LAB 87.76, -19.68, -13.59

 

Description

Color code: HEX #D89FF5 | qconv.com Color code: HEX #D89FF5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 159 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 159 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 35 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 35% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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