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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D892AC it is the complementary color #276D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D892AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D892AC shade: #DD92A7, #EEA4BA, #FFB6CD, #FFC8E0 and #FFDAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D892AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D892AC shade: #D892AC, #C78099, #B66E86, #A55C73 and #944A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D892AC shade: #D892AC, #D89299 and #D89292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D892AC shade: #D892AC, #D892BF, #D892D2, #CB92D8 and #B992D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D892AC shade matches the following richer shades: #D892AC, #E486A9, #F07AA6 and #FC6EA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D892AC shade: #D892AC, #CC9EAF, #C0AAB2, #B4B6B5 and #A8C2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D892AC shade: #D892D2, #D892BF, #D892AD, #D8929A and #D89D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D892AC shade: #C2567E, #CD7495, #D892AC, #E3B1C3 and #EECFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D892AC shade: #D892AC, #D8CB92 and #92C9D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D892AC shade: #D892AC, #ADD892 and #92ADD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D892AC shade: #D892AC, #D8CB92, #92D8BD and #929FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D892AC shade: #D892AC, #D0D892, #92D8BD and #9A92D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

Complementary color

CMYK 64 / 0 / 24 / 57

HEX #276D53

RGB 39 109 83

HSL 157.71, 0.47%, 0.29%

LAB 41.21, -28.68, 8.14

 

CMYK 0 / 34 / 24 / 13

HEX #DD92A7

RGB 221 146 167

HSL 343.2, 0.52%, 0.72%

LAB 68.55, 31.16, 0.7

 

CMYK 0 / 31 / 22 / 7

HEX #EEA4BA

RGB 238 164 186

HSL 342.16, 0.69%, 0.79%

LAB 75, 30.4, -0.18

 

CMYK 0 / 29 / 20 / 0

HEX #FFB6CD

RGB 255 182 205

HSL 341.1, 1%, 0.86%

LAB 81.36, 29.69, -1

 

CMYK 0 / 22 / 12 / 0

HEX #FFC8E0

RGB 255 200 224

HSL 333.82, 1%, 0.89%

LAB 85.98, 23.18, -4.39

 

CMYK 0 / 15 / 5 / 0

HEX #FFDAF3

RGB 255 218 243

HSL 319.46, 1%, 0.93%

LAB 90.72, 16.92, -7.43

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 36 / 23 / 22

HEX #C78099

RGB 199 128 153

HSL 338.87, 0.39%, 0.64%

LAB 61.55, 30.88, -1.92

 

CMYK 0 / 40 / 26 / 29

HEX #B66E86

RGB 182 110 134

HSL 340, 0.33%, 0.57%

LAB 54.88, 31.73, -0.94

 

CMYK 0 / 44 / 30 / 35

HEX #A55C73

RGB 165 92 115

HSL 341.1, 0.29%, 0.5%

LAB 48.12, 32.63, 0.19

 

CMYK 0 / 50 / 35 / 42

HEX #944A60

RGB 148 74 96

HSL 342.16, 0.33%, 0.44%

LAB 41.28, 33.57, 1.53

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 32 / 29 / 15

HEX #D89299

RGB 216 146 153

HSL 354, 0.47%, 0.71%

LAB 67.62, 27.38, 7.13

 

CMYK 0 / 32 / 32 / 15

HEX #D89292

RGB 216 146 146

HSL 0, 0.47%, 0.71%

LAB 67.45, 26.46, 10.81

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 32 / 12 / 15

HEX #D892BF

RGB 216 146 191

HSL 321.43, 0.47%, 0.71%

LAB 68.69, 33.13, -12.55

 

CMYK 0 / 32 / 3 / 15

HEX #D892D2

RGB 216 146 210

HSL 305.14, 0.47%, 0.71%

LAB 69.33, 36.43, -22.14

 

CMYK 6 / 32 / 0 / 15

HEX #CB92D8

RGB 203 146 216

HSL 288.86, 0.47%, 0.71%

LAB 68.18, 33.4, -27.36

 

CMYK 14 / 32 / 0 / 15

HEX #B992D8

RGB 185 146 216

HSL 273.43, 0.47%, 0.71%

LAB 66.39, 27.76, -30.26

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 41 / 26 / 11

HEX #E486A9

RGB 228 134 169

HSL 337.66, 0.64%, 0.71%

LAB 66.83, 40.26, -2.83

 

CMYK 0 / 49 / 31 / 6

HEX #F07AA6

RGB 240 122 166

HSL 337.63, 0.8%, 0.71%

LAB 65.9, 50, -2.32

 

CMYK 0 / 56 / 35 / 1

HEX #FC6EA3

RGB 252 110 163

HSL 337.61, 0.96%, 0.71%

LAB 65.35, 59.16, -1.23

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 23 / 14 / 20

HEX #CC9EAF

RGB 204 158 175

HSL 337.83, 0.31%, 0.71%

LAB 69.74, 19.73, -2.22

 

CMYK 0 / 11 / 7 / 25

HEX #C0AAB2

RGB 192 170 178

HSL 338.18, 0.15%, 0.71%

LAB 71.67, 9.34, -1.19

 

CMYK 1 / 0 / 1 / 29

HEX #B4B6B5

RGB 180 182 181

HSL 150, 0.01%, 0.71%

LAB 73.87, -0.88, 0.25

 

CMYK 13 / 0 / 5 / 24

HEX #A8C2B8

RGB 168 194 184

HSL 156.92, 0.18%, 0.71%

LAB 76.3, -10.77, 2.06

 

CMYK 0 / 32 / 3 / 15

HEX #D892D2

RGB 216 146 210

HSL 305.14, 0.47%, 0.71%

LAB 69.33, 36.43, -22.14

 

CMYK 0 / 32 / 12 / 15

HEX #D892BF

RGB 216 146 191

HSL 321.43, 0.47%, 0.71%

LAB 68.69, 33.13, -12.55

 

CMYK 0 / 32 / 20 / 15

HEX #D892AD

RGB 216 146 173

HSL 336.86, 0.47%, 0.71%

LAB 68.15, 30.25, -3.31

 

CMYK 0 / 32 / 29 / 15

HEX #D8929A

RGB 216 146 154

HSL 353.14, 0.47%, 0.71%

LAB 67.64, 27.52, 6.6

 

CMYK 0 / 27 / 32 / 15

HEX #D89D92

RGB 216 157 146

HSL 9.43, 0.47%, 0.71%

LAB 70.03, 20.51, 14.44

 

CMYK 0 / 56 / 35 / 24

HEX #C2567E

RGB 194 86 126

HSL 337.78, 0.47%, 0.55%

LAB 51.42, 47.33, -1.09

 

CMYK 0 / 43 / 27 / 20

HEX #CD7495

RGB 205 116 149

HSL 337.75, 0.47%, 0.63%

LAB 59.56, 38.88, -2.45

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 22 / 14 / 11

HEX #E3B1C3

RGB 227 177 195

HSL 338.4, 0.47%, 0.79%

LAB 77.11, 20.93, -2.14

 

CMYK 0 / 13 / 8 / 7

HEX #EECFDA

RGB 238 207 218

HSL 338.71, 0.48%, 0.87%

LAB 85.94, 12.63, -1.44

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 6 / 32 / 15

HEX #D8CB92

RGB 216 203 146

HSL 48.86, 0.47%, 0.71%

LAB 81.5, -3.96, 30.11

 

CMYK 32 / 7 / 0 / 15

HEX #92C9D8

RGB 146 201 216

HSL 192.86, 0.47%, 0.71%

LAB 77.78, -14.14, -13.18

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 20 / 0 / 32 / 15

HEX #ADD892

RGB 173 216 146

HSL 96.86, 0.47%, 0.71%

LAB 81.88, -26.56, 30.06

 

CMYK 32 / 20 / 0 / 15

HEX #92ADD8

RGB 146 173 216

HSL 216.86, 0.47%, 0.71%

LAB 70.15, 0.84, -24.75

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 0 / 6 / 32 / 15

HEX #D8CB92

RGB 216 203 146

HSL 48.86, 0.47%, 0.71%

LAB 81.5, -3.96, 30.11

 

CMYK 32 / 0 / 13 / 15

HEX #92D8BD

RGB 146 216 189

HSL 156.86, 0.47%, 0.71%

LAB 81.23, -27.71, 6.35

 

CMYK 32 / 26 / 0 / 15

HEX #929FD8

RGB 146 159 216

HSL 228.86, 0.47%, 0.71%

LAB 66.42, 8.67, -30.48

 

CMYK 0 / 32 / 20 / 15

HEX #D892AC

RGB 216 146 172

HSL 337.71, 0.47%, 0.71%

LAB 68.12, 30.1, -2.79

 

CMYK 4 / 0 / 32 / 15

HEX #D0D892

RGB 208 216 146

HSL 66.86, 0.47%, 0.71%

LAB 84.28, -13.66, 33.67

 

CMYK 32 / 0 / 13 / 15

HEX #92D8BD

RGB 146 216 189

HSL 156.86, 0.47%, 0.71%

LAB 81.23, -27.71, 6.35

 

CMYK 29 / 32 / 0 / 15

HEX #9A92D8

RGB 154 146 216

HSL 246.86, 0.47%, 0.71%

LAB 63.66, 18.4, -34.71

 

Description

Color code: HEX #D892AC | qconv.com Color code: HEX #D892AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 146 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 146 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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