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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D88F80 it is the complementary color #27707F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D88F80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D88F80 shade: #DD8F7B, #EEA18E, #FFB3A1, #FFC5B4 and #FFD7C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D88F80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D88F80 shade: #D88F80, #C77D6D, #B66B5A, #A55947 and #944734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D88F80 shade: #D78D7E and #D77E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D88F80 shade: #D78D7E, #D7A67E, #D7BE7E, #D7D67E and #C1D77E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D88F80 shade matches the following richer shades: #D78D7E, #E58471 and #F37C63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D88F80 shade: #D78D7E, #CA968C, #BC9F99, #AFA8A7 and #A1B1B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D88F80 shade: #D77E9F, #D77E87, #D78D7E, #D7A57E and #D7BD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D88F80 shade: #C4563F, #CE725F, #D78D7E, #E1A99E and #EBC5BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D88F80 shade: #D88F80, #B7D77E and #7E93D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D88F80 shade: #D88F80, #7ED78D and #8D7ED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D88F80 shade: #D88F80, #B7D77E, #7EC9D7 and #9F7ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D88F80 shade: #D88F80, #9CD77E, #7EC9D7 and #BA7ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

Complementary color

CMYK 69 / 12 / 0 / 50

HEX #27707F

RGB 39 112 127

HSL 190.23, 0.53%, 0.33%

LAB 43.58, -17.2, -14.88

 

CMYK 0 / 35 / 44 / 13

HEX #DD8F7B

RGB 221 143 123

HSL 12.24, 0.59%, 0.67%

LAB 66.86, 27.32, 22.9

 

CMYK 0 / 32 / 40 / 7

HEX #EEA18E

RGB 238 161 142

HSL 11.88, 0.74%, 0.75%

LAB 73.3, 26.35, 21.53

 

CMYK 0 / 30 / 37 / 0

HEX #FFB3A1

RGB 255 179 161

HSL 11.49, 1%, 0.82%

LAB 79.66, 25.46, 20.29

 

CMYK 0 / 23 / 29 / 0

HEX #FFC5B4

RGB 255 197 180

HSL 13.6, 1%, 0.85%

LAB 84.22, 18.36, 16.49

 

CMYK 0 / 16 / 22 / 0

HEX #FFD7C7

RGB 255 215 199

HSL 17.14, 1%, 0.89%

LAB 88.92, 11.55, 13.08

 

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

CMYK 0 / 37 / 45 / 22

HEX #C77D6D

RGB 199 125 109

HSL 10.67, 0.45%, 0.6%

LAB 59.81, 26.93, 20.77

 

CMYK 0 / 41 / 51 / 29

HEX #B66B5A

RGB 182 107 90

HSL 11.09, 0.39%, 0.53%

LAB 53.17, 28.08, 22.38

 

CMYK 0 / 46 / 57 / 35

HEX #A55947

RGB 165 89 71

HSL 11.49, 0.4%, 0.46%

LAB 46.44, 29.36, 24.22

 

CMYK 0 / 52 / 65 / 42

HEX #944734

RGB 148 71 52

HSL 11.88, 0.48%, 0.39%

LAB 39.67, 30.78, 26.39

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 41 / 41 / 16

HEX #D77E7E

RGB 215 126 126

HSL 0, 0.53%, 0.67%

LAB 62.4, 34.4, 14.99

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 23 / 41 / 16

HEX #D7A67E

RGB 215 166 126

HSL 26.97, 0.53%, 0.67%

LAB 71.71, 12.87, 27.64

 

CMYK 0 / 12 / 41 / 16

HEX #D7BE7E

RGB 215 190 126

HSL 43.15, 0.53%, 0.67%

LAB 77.75, 0.1, 35.55

 

CMYK 0 / 0 / 41 / 16

HEX #D7D67E

RGB 215 214 126

HSL 59.33, 0.53%, 0.67%

LAB 83.99, -12.23, 43.48

 

CMYK 10 / 0 / 41 / 16

HEX #C1D77E

RGB 193 215 126

HSL 74.83, 0.53%, 0.67%

LAB 82.62, -21.29, 41.41

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 42 / 51 / 10

HEX #E58471

RGB 229 132 113

HSL 9.83, 0.69%, 0.67%

LAB 65.24, 35.27, 26.46

 

CMYK 0 / 49 / 59 / 5

HEX #F37C63

RGB 243 124 99

HSL 10.42, 0.86%, 0.67%

LAB 65.26, 43.52, 34.57

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 26 / 31 / 21

HEX #CA968C

RGB 202 150 140

HSL 9.68, 0.37%, 0.67%

LAB 66.72, 18.13, 12.91

 

CMYK 0 / 15 / 19 / 26

HEX #BC9F99

RGB 188 159 153

HSL 10.29, 0.21%, 0.67%

LAB 67.86, 9.7, 7.09

 

CMYK 0 / 4 / 5 / 31

HEX #AFA8A7

RGB 175 168 167

HSL 7.5, 0.05%, 0.67%

LAB 69.4, 2.33, 1.4

 

CMYK 11 / 2 / 0 / 29

HEX #A1B1B5

RGB 161 177 181

HSL 192, 0.12%, 0.67%

LAB 71.12, -4.72, -3.94

 

CMYK 0 / 41 / 26 / 16

HEX #D77E9F

RGB 215 126 159

HSL 337.75, 0.53%, 0.67%

LAB 63.24, 38.52, -2.64

 

CMYK 0 / 41 / 37 / 16

HEX #D77E87

RGB 215 126 135

HSL 353.93, 0.53%, 0.67%

LAB 62.61, 35.43, 10.15

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 23 / 41 / 16

HEX #D7A57E

RGB 215 165 126

HSL 26.29, 0.53%, 0.67%

LAB 71.46, 13.41, 27.31

 

CMYK 0 / 12 / 41 / 16

HEX #D7BD7E

RGB 215 189 126

HSL 42.47, 0.53%, 0.67%

LAB 77.49, 0.63, 35.21

 

CMYK 0 / 56 / 68 / 23

HEX #C4563F

RGB 196 86 63

HSL 10.38, 0.53%, 0.51%

LAB 50.39, 42.46, 34.74

 

CMYK 0 / 45 / 54 / 19

HEX #CE725F

RGB 206 114 95

HSL 10.27, 0.53%, 0.59%

LAB 58.02, 34.26, 26.5

 

CMYK 0 / 34 / 41 / 16

HEX #D78D7E

RGB 215 141 126

HSL 10.11, 0.53%, 0.67%

LAB 65.75, 26.38, 19.61

 

CMYK 0 / 25 / 30 / 12

HEX #E1A99E

RGB 225 169 158

HSL 9.85, 0.53%, 0.75%

LAB 74.1, 19.05, 13.69

 

CMYK 0 / 16 / 20 / 8

HEX #EBC5BD

RGB 235 197 189

HSL 10.43, 0.53%, 0.83%

LAB 82.52, 12.23, 9.03

 

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

CMYK 15 / 0 / 41 / 16

HEX #B7D77E

RGB 183 215 126

HSL 81.57, 0.53%, 0.67%

LAB 81.93, -25.08, 40.4

 

CMYK 41 / 32 / 0 / 16

HEX #7E93D7

RGB 126 147 215

HSL 225.84, 0.53%, 0.67%

LAB 61.83, 9.8, -37.15

 

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

CMYK 41 / 0 / 34 / 16

HEX #7ED78D

RGB 126 215 141

HSL 130.11, 0.53%, 0.67%

LAB 79.02, -42.15, 28.38

 

CMYK 34 / 41 / 0 / 16

HEX #8D7ED7

RGB 141 126 215

HSL 250.11, 0.53%, 0.67%

LAB 57.55, 26.07, -43.8

 

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

CMYK 15 / 0 / 41 / 16

HEX #B7D77E

RGB 183 215 126

HSL 81.57, 0.53%, 0.67%

LAB 81.93, -25.08, 40.4

 

CMYK 41 / 7 / 0 / 16

HEX #7EC9D7

RGB 126 201 215

HSL 189.44, 0.53%, 0.67%

LAB 76.75, -19.68, -14.29

 

CMYK 26 / 41 / 0 / 16

HEX #9F7ED7

RGB 159 126 215

HSL 262.25, 0.53%, 0.67%

LAB 59.16, 31.06, -41.16

 

CMYK 0 / 34 / 41 / 15

HEX #D88F80

RGB 216 143 128

HSL 10.23, 0.53%, 0.67%

LAB 66.37, 25.91, 19.36

 

CMYK 27 / 0 / 41 / 16

HEX #9CD77E

RGB 156 215 126

HSL 99.78, 0.53%, 0.67%

LAB 80.28, -34.83, 37.95

 

CMYK 41 / 7 / 0 / 16

HEX #7EC9D7

RGB 126 201 215

HSL 189.44, 0.53%, 0.67%

LAB 76.75, -19.68, -14.29

 

CMYK 13 / 41 / 0 / 16

HEX #BA7ED7

RGB 186 126 215

HSL 280.45, 0.53%, 0.67%

LAB 61.88, 38.91, -36.69

 

Description

Color code: HEX #D88F80 | qconv.com Color code: HEX #D88F80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 143 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 143 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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