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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D88F7ACE it is the complementary color #277085CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D88F7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D88F7ACE shade: #DD8F75CE, #EEA188CE, #FFB39BCE, #FFC5AECE and #FFD7C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D88F7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D88F7ACE shade: #D88F7ACE, #C77D67CE, #B66B54CE, #A55941CE and #94472ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D88F7ACE shade: #D88E79 and #D87979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D88F7ACE shade: #D88E79, #D8A879, #D8C179, #D5D879 and #BBD879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D88F7ACE shade matches the following richer shades: #D88E79, #E6866B and #F47E5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D88F7ACE shade: #D88E79, #CA9687, #BC9D95, #AEA5A3 and #A0ADB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D88F7ACE shade: #D87997, #D8797D, #D88D79, #D8A779 and #D8C079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D88F7ACE shade: #C55839, #CF7359, #D88E79, #E1A999 and #EBC4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D88F7ACE shade: #D88F7A, #B0D879 and #798AD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D88F7ACE shade: #D88F7A, #79D88D and #8D79D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D88F7ACE shade: #D88F7A, #B0D879, #79C3D8 and #A079D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D88F7ACE shade: #D88F7A, #94D879, #79C3D8 and #BD79D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 35 / 12

HEX #D88F7ACE

RGBA 216 143 122 0.81

HSLA 13.4, 0.55%, 0.66%, 0.81

LABA 66.25, 25.26, 22.53, 0.81

 

Complementary color

CMYK 57 / 13 / 0 / 39

HEX #277085CE

RGBA 39 112 133 0.81

HSLA 193.4, 0.55%, 0.34%, 0.81

LABA 43.82, -15.18, -18.12, 0.81

 

CMYK 0 / 29 / 38 / 11

HEX #DD8F75CE

RGBA 221 143 117 0.81

HSLA 15, 0.6%, 0.66%, 0.81

LABA 66.75, 26.72, 26.07, 0.81

 

CMYK 0 / 26 / 35 / 5

HEX #EEA188CE

RGBA 238 161 136 0.81

HSLA 14.71, 0.75%, 0.73%, 0.81

LABA 73.18, 25.7, 24.64, 0.81

 

CMYK 0 / 24 / 32 / 0

HEX #FFB39BCE

RGBA 255 179 155 0.81

HSLA 14.4, 1%, 0.8%, 0.81

LABA 79.54, 24.79, 23.34, 0.81

 

CMYK 0 / 18 / 26 / 0

HEX #FFC5AECE

RGBA 255 197 174 0.81

HSLA 17.04, 1%, 0.84%, 0.81

LABA 84.09, 17.59, 19.5, 0.81

 

CMYK 0 / 13 / 20 / 0

HEX #FFD7C1CE

RGBA 255 215 193 0.81

HSLA 21.29, 1%, 0.88%, 0.81

LABA 88.79, 10.72, 16.05, 0.81

 

CMYK 0 / 27 / 35 / 12

HEX #D88F7ACE

RGBA 216 143 122 0.81

HSLA 13.4, 0.55%, 0.66%, 0.81

LABA 66.25, 25.26, 22.53, 0.81

 

CMYK 0 / 30 / 39 / 18

HEX #C77D67CE

RGBA 199 125 103 0.81

HSLA 13.75, 0.46%, 0.59%, 0.81

LABA 59.7, 26.33, 24.02, 0.81

 

CMYK 0 / 33 / 44 / 23

HEX #B66B54CE

RGBA 182 107 84 0.81

HSLA 14.08, 0.4%, 0.52%, 0.81

LABA 53.06, 27.53, 25.69, 0.81

 

CMYK 0 / 37 / 49 / 29

HEX #A55941CE

RGBA 165 89 65 0.81

HSLA 14.4, 0.43%, 0.45%, 0.81

LABA 46.35, 28.88, 27.6, 0.81

 

CMYK 0 / 42 / 56 / 34

HEX #94472ECE

RGBA 148 71 46 0.81

HSLA 14.71, 0.53%, 0.38%, 0.81

LABA 39.58, 30.39, 29.79, 0.81

 

CMYK 0 / 34 / 44 / 15

HEX #D88E79

RGB 216 142 121

HSL 13.26, 0.55%, 0.66%

LAB 66, 25.69, 22.75

 

CMYK 0 / 44 / 44 / 15

HEX #D87979

RGB 216 121 121

HSL 0, 0.55%, 0.66%

LAB 61.35, 36.87, 16.41

 

CMYK 0 / 34 / 44 / 15

HEX #D88E79

RGB 216 142 121

HSL 13.26, 0.55%, 0.66%

LAB 66, 25.69, 22.75

 

CMYK 0 / 22 / 44 / 15

HEX #D8A879

RGB 216 168 121

HSL 29.68, 0.55%, 0.66%

LAB 72.22, 11.66, 31.01

 

CMYK 0 / 11 / 44 / 15

HEX #D8C179

RGB 216 193 121

HSL 45.47, 0.55%, 0.66%

LAB 78.53, -1.59, 39.14

 

CMYK 1 / 0 / 44 / 15

HEX #D5D879

RGB 213 216 121

HSL 61.89, 0.55%, 0.66%

LAB 84.3, -14.53, 46.29

 

CMYK 13 / 0 / 44 / 15

HEX #BBD879

RGB 187 216 121

HSL 78.32, 0.55%, 0.66%

LAB 82.41, -24.63, 43.53

 

CMYK 0 / 34 / 44 / 15

HEX #D88E79

RGB 216 142 121

HSL 13.26, 0.55%, 0.66%

LAB 66, 25.69, 22.75

 

CMYK 0 / 42 / 53 / 10

HEX #E6866B

RGB 230 134 107

HSL 13.17, 0.71%, 0.66%

LAB 65.7, 34.09, 30.4

 

CMYK 0 / 48 / 62 / 4

HEX #F47E5D

RGB 244 126 93

HSL 13.11, 0.87%, 0.66%

LAB 65.71, 42.49, 38.42

 

CMYK 0 / 34 / 44 / 15

HEX #D88E79

RGB 216 142 121

HSL 13.26, 0.55%, 0.66%

LAB 66, 25.69, 22.75

 

CMYK 0 / 26 / 33 / 21

HEX #CA9687

RGB 202 150 135

HSL 13.43, 0.39%, 0.66%

LAB 66.61, 17.48, 15.55

 

CMYK 0 / 16 / 21 / 26

HEX #BC9D95

RGB 188 157 149

HSL 12.31, 0.23%, 0.66%

LAB 67.26, 10.18, 8.46

 

CMYK 0 / 5 / 6 / 32

HEX #AEA5A3

RGB 174 165 163

HSL 10.91, 0.06%, 0.66%

LAB 68.43, 2.88, 2.19

 

CMYK 10 / 2 / 0 / 31

HEX #A0ADB1

RGB 160 173 177

HSL 194.12, 0.1%, 0.66%

LAB 69.85, -3.72, -3.61

 

CMYK 0 / 44 / 30 / 15

HEX #D87997

RGB 216 121 151

HSL 341.05, 0.55%, 0.66%

LAB 62.09, 40.4, 0.27

 

CMYK 0 / 44 / 42 / 15

HEX #D8797D

RGB 216 121 125

HSL 357.47, 0.55%, 0.66%

LAB 61.44, 37.29, 14.24

 

CMYK 0 / 35 / 44 / 15

HEX #D88D79

RGB 216 141 121

HSL 12.63, 0.55%, 0.66%

LAB 65.77, 26.23, 22.44

 

CMYK 0 / 23 / 44 / 15

HEX #D8A779

RGB 216 167 121

HSL 29.05, 0.55%, 0.66%

LAB 71.97, 12.2, 30.69

 

CMYK 0 / 11 / 44 / 15

HEX #D8C079

RGB 216 192 121

HSL 44.84, 0.55%, 0.66%

LAB 78.27, -1.07, 38.81

 

CMYK 0 / 55 / 71 / 23

HEX #C55839

RGB 197 88 57

HSL 13.29, 0.55%, 0.5%

LAB 50.86, 41.54, 38.62

 

CMYK 0 / 44 / 57 / 19

HEX #CF7359

RGB 207 115 89

HSL 13.22, 0.55%, 0.58%

LAB 58.27, 33.63, 30.23

 

CMYK 0 / 34 / 44 / 15

HEX #D88E79

RGB 216 142 121

HSL 13.26, 0.55%, 0.66%

LAB 66, 25.69, 22.75

 

CMYK 0 / 25 / 32 / 12

HEX #E1A999

RGB 225 169 153

HSL 13.33, 0.55%, 0.74%

LAB 73.99, 18.4, 16.27

 

CMYK 0 / 17 / 21 / 8

HEX #EBC4B9

RGB 235 196 185

HSL 13.2, 0.56%, 0.82%

LAB 82.19, 12.17, 10.69

 

CMYK 0 / 34 / 44 / 15

HEX #D88F7A

RGB 216 143 122

HSL 13.4, 0.55%, 0.66%

LAB 66.25, 25.26, 22.53

 

CMYK 19 / 0 / 44 / 15

HEX #B0D879

RGB 176 216 121

HSL 85.26, 0.55%, 0.66%

LAB 81.69, -28.75, 42.47

 

CMYK 44 / 36 / 0 / 15

HEX #798AD8

RGB 121 138 216

HSL 229.26, 0.55%, 0.66%

LAB 59.16, 14.07, -41.93

 

CMYK 0 / 34 / 44 / 15

HEX #D88F7A

RGB 216 143 122

HSL 13.4, 0.55%, 0.66%

LAB 66.25, 25.26, 22.53

 

CMYK 44 / 0 / 35 / 15

HEX #79D88D

RGB 121 216 141

HSL 132.63, 0.55%, 0.66%

LAB 79.1, -44.01, 28.45

 

CMYK 35 / 44 / 0 / 15

HEX #8D79D8

RGB 141 121 216

HSL 252.63, 0.55%, 0.66%

LAB 56.38, 29.26, -46.21

 

CMYK 0 / 34 / 44 / 15

HEX #D88F7A

RGB 216 143 122

HSL 13.4, 0.55%, 0.66%

LAB 66.25, 25.26, 22.53

 

CMYK 19 / 0 / 44 / 15

HEX #B0D879

RGB 176 216 121

HSL 85.26, 0.55%, 0.66%

LAB 81.69, -28.75, 42.47

 

CMYK 44 / 10 / 0 / 15

HEX #79C3D8

RGB 121 195 216

HSL 193.26, 0.55%, 0.66%

LAB 74.86, -17.58, -17.71

 

CMYK 26 / 44 / 0 / 15

HEX #A079D8

RGB 160 121 216

HSL 264.63, 0.55%, 0.66%

LAB 58.14, 34.43, -43.32

 

CMYK 0 / 34 / 44 / 15

HEX #D88F7A

RGB 216 143 122

HSL 13.4, 0.55%, 0.66%

LAB 66.25, 25.26, 22.53

 

CMYK 31 / 0 / 44 / 15

HEX #94D879

RGB 148 216 121

HSL 102.95, 0.55%, 0.66%

LAB 80.06, -38.67, 40.08

 

CMYK 44 / 10 / 0 / 15

HEX #79C3D8

RGB 121 195 216

HSL 193.26, 0.55%, 0.66%

LAB 74.86, -17.58, -17.71

 

CMYK 13 / 44 / 0 / 15

HEX #BD79D8

RGB 189 121 216

HSL 282.95, 0.55%, 0.66%

LAB 61.18, 42.71, -38.33

 

Description

Color code: HEX #D88F7ACE | qconv.com Color code: HEX #D88F7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 143 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 143 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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