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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D885D7 it is the complementary color #277A28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D885D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D885D7 shade: #DD85D2, #EE97E5, #FFA9F8, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D885D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D885D7 shade: #D885D7, #C773C4, #B661B1, #A54F9E and #943D8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D885D7 shade: #D883D7, #D883C0, #D883A9, #D88392 and #D88383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D885D7 shade: #D883D7, #C283D8, #AB83D8, #9483D8 and #8383D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D885D7 shade matches the following richer shades: #D883D7, #E576E4 and #F269F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D885D7 shade: #D883D7, #CB90CA, #BD9DBD, #B0ABB0 and #A3B8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D885D7 shade: #AB83D8, #C183D8, #D883D8, #D883C1 and #D883AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D885D7 shade: #C444C2, #CE64CD, #D883D7, #E2A2E1 and #ECC2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D885D7 shade: #D885D7, #D89483 and #83D8B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D885D7 shade: #D885D7, #D8D883 and #83D8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D885D7 shade: #D885D7, #D89483, #83D883 and #83C7D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D885D7 shade: #D885D7, #D8AD83, #83D883 and #83ADD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

Complementary color

CMYK 68 / 0 / 67 / 52

HEX #277A28

RGB 39 122 40

HSL 120.72, 0.52%, 0.32%

LAB 44.95, -41.95, 36.57

 

CMYK 0 / 40 / 5 / 13

HEX #DD85D2

RGB 221 133 210

HSL 307.5, 0.56%, 0.69%

LAB 67.13, 44.89, -25.47

 

CMYK 0 / 37 / 4 / 7

HEX #EE97E5

RGB 238 151 229

HSL 306.21, 0.72%, 0.76%

LAB 73.52, 44.15, -25.98

 

CMYK 0 / 34 / 3 / 0

HEX #FFA9F8

RGB 255 169 248

HSL 304.88, 1%, 0.83%

LAB 79.85, 43.44, -26.44

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

CMYK 0 / 42 / 2 / 22

HEX #C773C4

RGB 199 115 196

HSL 302.14, 0.43%, 0.62%

LAB 60.24, 44.98, -28.43

 

CMYK 0 / 47 / 3 / 29

HEX #B661B1

RGB 182 97 177

HSL 303.53, 0.37%, 0.55%

LAB 53.67, 45.7, -27.87

 

CMYK 0 / 52 / 4 / 35

HEX #A54F9E

RGB 165 79 158

HSL 304.88, 0.35%, 0.48%

LAB 47.05, 46.36, -27.18

 

CMYK 0 / 59 / 6 / 42

HEX #943D8B

RGB 148 61 139

HSL 306.21, 0.42%, 0.41%

LAB 40.41, 46.85, -26.3

 

CMYK 0 / 39 / 0 / 15

HEX #D883D7

RGB 216 131 215

HSL 300.71, 0.52%, 0.68%

LAB 66.32, 45.28, -29.54

 

CMYK 0 / 39 / 11 / 15

HEX #D883C0

RGB 216 131 192

HSL 316.94, 0.52%, 0.68%

LAB 65.47, 41.28, -17.98

 

CMYK 0 / 39 / 22 / 15

HEX #D883A9

RGB 216 131 169

HSL 333.18, 0.52%, 0.68%

LAB 64.72, 37.67, -6.12

 

CMYK 0 / 39 / 32 / 15

HEX #D88392

RGB 216 131 146

HSL 349.41, 0.52%, 0.68%

LAB 64.09, 34.5, 6.01

 

CMYK 0 / 39 / 39 / 15

HEX #D88383

RGB 216 131 131

HSL 0, 0.52%, 0.68%

LAB 63.73, 32.69, 14.02

 

CMYK 0 / 39 / 0 / 15

HEX #D883D7

RGB 216 131 215

HSL 300.71, 0.52%, 0.68%

LAB 66.32, 45.28, -29.54

 

CMYK 10 / 39 / 0 / 15

HEX #C283D8

RGB 194 131 216

HSL 284.47, 0.52%, 0.68%

LAB 63.88, 38.79, -34.07

 

CMYK 21 / 39 / 0 / 15

HEX #AB83D8

RGB 171 131 216

HSL 268.24, 0.52%, 0.68%

LAB 61.52, 31.93, -37.93

 

CMYK 31 / 39 / 0 / 15

HEX #9483D8

RGB 148 131 216

HSL 252, 0.52%, 0.68%

LAB 59.42, 25.34, -41.37

 

CMYK 39 / 39 / 0 / 15

HEX #8383D8

RGB 131 131 216

HSL 240, 0.52%, 0.68%

LAB 58.05, 20.75, -43.62

 

CMYK 0 / 39 / 0 / 15

HEX #D883D7

RGB 216 131 215

HSL 300.71, 0.52%, 0.68%

LAB 66.32, 45.28, -29.54

 

CMYK 0 / 48 / 0 / 10

HEX #E576E4

RGB 229 118 228

HSL 300.54, 0.68%, 0.68%

LAB 65.92, 57.92, -37.27

 

CMYK 0 / 57 / 0 / 5

HEX #F269F1

RGB 242 105 241

HSL 300.44, 0.84%, 0.68%

LAB 66.01, 69.52, -44.2

 

CMYK 0 / 39 / 0 / 15

HEX #D883D7

RGB 216 131 215

HSL 300.71, 0.52%, 0.68%

LAB 66.32, 45.28, -29.54

 

CMYK 0 / 29 / 0 / 20

HEX #CB90CA

RGB 203 144 202

HSL 301.02, 0.36%, 0.68%

LAB 67.21, 31.8, -21.07

 

CMYK 0 / 17 / 0 / 26

HEX #BD9DBD

RGB 189 157 189

HSL 300, 0.2%, 0.68%

LAB 68.47, 17.45, -12.06

 

CMYK 0 / 3 / 0 / 31

HEX #B0ABB0

RGB 176 171 176

HSL 300, 0.03%, 0.68%

LAB 70.52, 2.72, -1.94

 

CMYK 11 / 0 / 11 / 28

HEX #A3B8A3

RGB 163 184 163

HSL 120, 0.13%, 0.68%

LAB 72.7, -11.25, 8.24

 

CMYK 21 / 39 / 0 / 15

HEX #AB83D8

RGB 171 131 216

HSL 268.24, 0.52%, 0.68%

LAB 61.52, 31.93, -37.93

 

CMYK 11 / 39 / 0 / 15

HEX #C183D8

RGB 193 131 216

HSL 283.76, 0.52%, 0.68%

LAB 63.78, 38.49, -34.25

 

CMYK 0 / 39 / 0 / 15

HEX #D883D8

RGB 216 131 216

HSL 300, 0.52%, 0.68%

LAB 66.36, 45.46, -30.04

 

CMYK 0 / 39 / 11 / 15

HEX #D883C1

RGB 216 131 193

HSL 316.24, 0.52%, 0.68%

LAB 65.5, 41.44, -18.49

 

CMYK 0 / 39 / 21 / 15

HEX #D883AB

RGB 216 131 171

HSL 331.76, 0.52%, 0.68%

LAB 64.78, 37.97, -7.16

 

CMYK 0 / 65 / 1 / 23

HEX #C444C2

RGB 196 68 194

HSL 300.94, 0.52%, 0.52%

LAB 51.57, 65.66, -40.86

 

CMYK 0 / 51 / 0 / 19

HEX #CE64CD

RGB 206 100 205

HSL 300.57, 0.52%, 0.6%

LAB 58.64, 56.15, -35.94

 

CMYK 0 / 39 / 0 / 15

HEX #D883D7

RGB 216 131 215

HSL 300.71, 0.52%, 0.68%

LAB 66.32, 45.28, -29.54

 

CMYK 0 / 28 / 0 / 11

HEX #E2A2E1

RGB 226 162 225

HSL 300.94, 0.52%, 0.76%

LAB 74.47, 33.82, -22.46

 

CMYK 0 / 18 / 0 / 7

HEX #ECC2EB

RGB 236 194 235

HSL 301.43, 0.53%, 0.84%

LAB 83.13, 21.81, -14.68

 

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

CMYK 0 / 31 / 39 / 15

HEX #D89483

RGB 216 148 131

HSL 12, 0.52%, 0.68%

LAB 67.59, 23.56, 19.36

 

CMYK 39 / 0 / 16 / 15

HEX #83D8B6

RGB 131 216 182

HSL 156, 0.52%, 0.68%

LAB 80.36, -33.41, 8.72

 

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

CMYK 0 / 0 / 39 / 15

HEX #D8D883

RGB 216 216 131

HSL 60, 0.52%, 0.68%

LAB 84.66, -12.32, 41.87

 

CMYK 39 / 0 / 0 / 15

HEX #83D8D8

RGB 131 216 216

HSL 180, 0.52%, 0.68%

LAB 81.23, -25.67, -8.11

 

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

CMYK 0 / 31 / 39 / 15

HEX #D89483

RGB 216 148 131

HSL 12, 0.52%, 0.68%

LAB 67.59, 23.56, 19.36

 

CMYK 39 / 0 / 39 / 15

HEX #83D883

RGB 131 216 131

HSL 120, 0.52%, 0.68%

LAB 79.37, -42.7, 34.01

 

CMYK 39 / 8 / 0 / 15

HEX #83C7D8

RGB 131 199 216

HSL 192, 0.52%, 0.68%

LAB 76.45, -17.13, -15.25

 

CMYK 0 / 38 / 0 / 15

HEX #D885D7

RGB 216 133 215

HSL 300.72, 0.52%, 0.68%

LAB 66.73, 44.23, -28.9

 

CMYK 0 / 20 / 39 / 15

HEX #D8AD83

RGB 216 173 131

HSL 29.65, 0.52%, 0.68%

LAB 73.63, 10.07, 27.53

 

CMYK 39 / 0 / 39 / 15

HEX #83D883

RGB 131 216 131

HSL 120, 0.52%, 0.68%

LAB 79.37, -42.7, 34.01

 

CMYK 39 / 20 / 0 / 15

HEX #83ADD8

RGB 131 173 216

HSL 210.35, 0.52%, 0.68%

LAB 69.23, -3.3, -26.22

 

Description

Color code: HEX #D885D7 | qconv.com Color code: HEX #D885D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 133 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 133 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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