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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D876C8 it is the complementary color #278937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D876C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D876C8 shade: #DD76C3, #EE88D6, #FF9AE9, #FFACFC and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D876C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D876C8 shade: #D876C8, #C764B5, #B652A2, #A5408F and #942E7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D876C8 shade: #D874C7, #D874AC, #D87491, #D87477 and #D87474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D876C8 shade: #D874C7, #CD74D8, #B274D8, #9774D8 and #7C74D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D876C8 shade matches the following richer shades: #D874C7, #E665D1 and #F557DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D876C8 shade: #D874C7, #C982BE, #BB91B4, #AC9FAA and #9EAEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D876C8 shade: #B174D8, #CC74D8, #D874C9, #D874AE and #D87493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D876C8 shade: #C237AB, #CF54BB, #D874C7, #E194D4 and #EAB4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D876C8 shade: #D876C8, #D89774 and #74D8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D876C8 shade: #D876C8, #C9D874 and #74C9D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D876C8 shade: #D876C8, #D89774, #74D883 and #74B5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D876C8 shade: #D876C8, #D8B574, #74D883 and #7497D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

Complementary color

CMYK 72 / 0 / 60 / 46

HEX #278937

RGB 39 137 55

HSL 129.8, 0.56%, 0.35%

LAB 50.21, -45.71, 35.39

 

CMYK 0 / 47 / 12 / 13

HEX #DD76C3

RGB 221 118 195

HSL 315.15, 0.6%, 0.66%

LAB 63.56, 50.03, -22.51

 

CMYK 0 / 43 / 10 / 7

HEX #EE88D6

RGB 238 136 214

HSL 314.12, 0.75%, 0.73%

LAB 69.92, 49.31, -23.23

 

CMYK 0 / 40 / 9 / 0

HEX #FF9AE9

RGB 255 154 233

HSL 313.07, 1%, 0.8%

LAB 76.23, 48.58, -23.86

 

CMYK 0 / 33 / 1 / 0

HEX #FFACFC

RGB 255 172 252

HSL 302.17, 1%, 0.84%

LAB 80.62, 42.59, -27.41

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

CMYK 0 / 50 / 9 / 22

HEX #C764B5

RGB 199 100 181

HSL 310.91, 0.47%, 0.59%

LAB 56.68, 50.01, -25.35

 

CMYK 0 / 55 / 11 / 29

HEX #B652A2

RGB 182 82 162

HSL 312, 0.41%, 0.52%

LAB 50.2, 50.6, -24.48

 

CMYK 0 / 61 / 13 / 35

HEX #A5408F

RGB 165 64 143

HSL 313.07, 0.44%, 0.45%

LAB 43.73, 50.98, -23.36

 

CMYK 0 / 69 / 16 / 42

HEX #942E7C

RGB 148 46 124

HSL 314.12, 0.53%, 0.38%

LAB 37.31, 50.98, -21.88

 

CMYK 0 / 46 / 8 / 15

HEX #D874C7

RGB 216 116 199

HSL 310.2, 0.56%, 0.65%

LAB 62.69, 50.16, -26.17

 

CMYK 0 / 46 / 20 / 15

HEX #D874AC

RGB 216 116 172

HSL 326.4, 0.56%, 0.65%

LAB 61.71, 45.9, -12.31

 

CMYK 0 / 46 / 33 / 15

HEX #D87491

RGB 216 116 145

HSL 342.6, 0.56%, 0.65%

LAB 60.9, 42.21, 1.98

 

CMYK 0 / 46 / 45 / 15

HEX #D87477

RGB 216 116 119

HSL 358.2, 0.56%, 0.65%

LAB 60.27, 39.26, 16.05

 

CMYK 0 / 46 / 46 / 15

HEX #D87474

RGB 216 116 116

HSL 0, 0.56%, 0.65%

LAB 60.2, 38.96, 17.68

 

CMYK 0 / 46 / 8 / 15

HEX #D874C7

RGB 216 116 199

HSL 310.2, 0.56%, 0.65%

LAB 62.69, 50.16, -26.17

 

CMYK 5 / 46 / 0 / 15

HEX #CD74D8

RGB 205 116 216

HSL 293.4, 0.56%, 0.65%

LAB 62.02, 49.95, -36.88

 

CMYK 18 / 46 / 0 / 15

HEX #B274D8

RGB 178 116 216

HSL 277.2, 0.56%, 0.65%

LAB 58.89, 42.26, -42

 

CMYK 30 / 46 / 0 / 15

HEX #9774D8

RGB 151 116 216

HSL 261, 0.56%, 0.65%

LAB 56.12, 34.81, -46.57

 

CMYK 43 / 46 / 0 / 15

HEX #7C74D8

RGB 124 116 216

HSL 244.8, 0.56%, 0.65%

LAB 53.74, 27.87, -50.49

 

CMYK 0 / 46 / 8 / 15

HEX #D874C7

RGB 216 116 199

HSL 310.2, 0.56%, 0.65%

LAB 62.69, 50.16, -26.17

 

CMYK 0 / 56 / 9 / 10

HEX #E665D1

RGB 230 101 209

HSL 309.77, 0.72%, 0.65%

LAB 62.28, 62.94, -32.29

 

CMYK 0 / 64 / 11 / 4

HEX #F557DB

RGB 245 87 219

HSL 309.87, 0.89%, 0.65%

LAB 62.8, 74.09, -36.95

 

CMYK 0 / 46 / 8 / 15

HEX #D874C7

RGB 216 116 199

HSL 310.2, 0.56%, 0.65%

LAB 62.69, 50.16, -26.17

 

CMYK 0 / 35 / 5 / 21

HEX #C982BE

RGB 201 130 190

HSL 309.3, 0.4%, 0.65%

LAB 63.43, 36.55, -20.12

 

CMYK 0 / 22 / 4 / 27

HEX #BB91B4

RGB 187 145 180

HSL 310, 0.24%, 0.65%

LAB 65.05, 21.74, -12.17

 

CMYK 0 / 8 / 1 / 33

HEX #AC9FAA

RGB 172 159 170

HSL 309.23, 0.07%, 0.65%

LAB 66.88, 6.76, -4

 

CMYK 9 / 0 / 7 / 32

HEX #9EAEA1

RGB 158 174 161

HSL 131.25, 0.09%, 0.65%

LAB 69.55, -8.1, 4.76

 

CMYK 18 / 46 / 0 / 15

HEX #B174D8

RGB 177 116 216

HSL 276.6, 0.56%, 0.65%

LAB 58.78, 41.98, -42.18

 

CMYK 6 / 46 / 0 / 15

HEX #CC74D8

RGB 204 116 216

HSL 292.8, 0.56%, 0.65%

LAB 61.9, 49.67, -37.08

 

CMYK 0 / 46 / 7 / 15

HEX #D874C9

RGB 216 116 201

HSL 309, 0.56%, 0.65%

LAB 62.77, 50.5, -27.18

 

CMYK 0 / 46 / 19 / 15

HEX #D874AE

RGB 216 116 174

HSL 325.2, 0.56%, 0.65%

LAB 61.78, 46.2, -13.35

 

CMYK 0 / 46 / 32 / 15

HEX #D87493

RGB 216 116 147

HSL 341.4, 0.56%, 0.65%

LAB 60.95, 42.46, 0.91

 

CMYK 0 / 72 / 12 / 24

HEX #C237AB

RGB 194 55 171

HSL 309.93, 0.56%, 0.49%

LAB 48.44, 66.29, -32.38

 

CMYK 0 / 59 / 10 / 19

HEX #CF54BB

RGB 207 84 187

HSL 309.76, 0.56%, 0.57%

LAB 55.27, 60.72, -30.9

 

CMYK 0 / 46 / 8 / 15

HEX #D874C7

RGB 216 116 199

HSL 310.2, 0.56%, 0.65%

LAB 62.69, 50.16, -26.17

 

CMYK 0 / 34 / 6 / 12

HEX #E194D4

RGB 225 148 212

HSL 310.13, 0.56%, 0.73%

LAB 70.83, 38.63, -20.88

 

CMYK 0 / 23 / 4 / 8

HEX #EAB4E1

RGB 234 180 225

HSL 310, 0.56%, 0.81%

LAB 79.37, 26.81, -14.98

 

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

CMYK 0 / 30 / 46 / 15

HEX #D89774

RGB 216 151 116

HSL 21, 0.56%, 0.65%

LAB 68.02, 20.32, 28.18

 

CMYK 46 / 0 / 12 / 15

HEX #74D8BF

RGB 116 216 191

HSL 165, 0.56%, 0.65%

LAB 79.95, -35.27, 3.26

 

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

CMYK 7 / 0 / 46 / 15

HEX #C9D874

RGB 201 216 116

HSL 69, 0.56%, 0.65%

LAB 83.33, -19.75, 47.32

 

CMYK 46 / 7 / 0 / 15

HEX #74C9D8

RGB 116 201 216

HSL 189, 0.56%, 0.65%

LAB 76.34, -21.82, -15.49

 

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

CMYK 0 / 30 / 46 / 15

HEX #D89774

RGB 216 151 116

HSL 21, 0.56%, 0.65%

LAB 68.02, 20.32, 28.18

 

CMYK 46 / 0 / 39 / 15

HEX #74D883

RGB 116 216 131

HSL 129, 0.56%, 0.65%

LAB 78.73, -47.05, 33.05

 

CMYK 46 / 16 / 0 / 15

HEX #74B5D8

RGB 116 181 216

HSL 201, 0.56%, 0.65%

LAB 70.68, -11.44, -24.08

 

CMYK 0 / 45 / 7 / 15

HEX #D876C8

RGB 216 118 200

HSL 309.8, 0.56%, 0.65%

LAB 63.12, 49.32, -26.08

 

CMYK 0 / 16 / 46 / 15

HEX #D8B574

RGB 216 181 116

HSL 39, 0.56%, 0.65%

LAB 75.39, 4.22, 37.72

 

CMYK 46 / 0 / 39 / 15

HEX #74D883

RGB 116 216 131

HSL 129, 0.56%, 0.65%

LAB 78.73, -47.05, 33.05

 

CMYK 46 / 30 / 0 / 15

HEX #7497D8

RGB 116 151 216

HSL 219, 0.56%, 0.65%

LAB 62.34, 5.24, -36.96

 

Description

Color code: HEX #D876C8 | qconv.com Color code: HEX #D876C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 118 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 118 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 7 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 7% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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