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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8736B it is the complementary color #278C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8736B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8736B shade: #DD7366, #EE8579, #FF978C, #FFA99F and #FFBBB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8736B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8736B shade: #D8736B, #C76158, #B64F45, #A53D32 and #942B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8736B shade: #D7726A and #D76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8736B shade: #D7726A, #D78F6A, #D7AD6A, #D7CA6A and #C7D76A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8736B shade matches the following richer shades: #D7726A, #E7655B and #F6584B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8736B shade: #D7726A, #C87F79, #B98C88, #AA9998 and #9AA6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8736B shade: #D76A9D, #D76A80, #D7716A, #D78E6A and #D7AC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8736B shade: #BD3C32, #CF5349, #D7726A, #E0918B and #E9B0AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8736B shade: #D8736B, #BAD76A and #6A8ED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8736B shade: #D8736B, #6AD771 and #716AD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8736B shade: #D8736B, #BAD76A, #6AD0D7 and #876AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8736B shade: #D8736B, #99D76A, #6AD0D7 and #A86AD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

Complementary color

CMYK 74 / 5 / 0 / 42

HEX #278C94

RGB 39 140 148

HSL 184.4, 0.58%, 0.37%

LAB 53.3, -25.2, -12.52

 

CMYK 0 / 48 / 54 / 13

HEX #DD7366

RGB 221 115 102

HSL 6.55, 0.64%, 0.63%

LAB 60.42, 40.06, 26.07

 

CMYK 0 / 44 / 49 / 7

HEX #EE8579

RGB 238 133 121

HSL 6.15, 0.77%, 0.7%

LAB 66.77, 38.88, 24.26

 

CMYK 0 / 41 / 45 / 0

HEX #FF978C

RGB 255 151 140

HSL 5.74, 1%, 0.77%

LAB 73.08, 37.78, 22.66

 

CMYK 0 / 34 / 38 / 0

HEX #FFA99F

RGB 255 169 159

HSL 6.25, 1%, 0.81%

LAB 77.36, 30.47, 18.2

 

CMYK 0 / 27 / 30 / 0

HEX #FFBBB2

RGB 255 187 178

HSL 7.01, 1%, 0.85%

LAB 81.85, 23.34, 14.23

 

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

CMYK 0 / 51 / 56 / 22

HEX #C76158

RGB 199 97 88

HSL 4.86, 0.5%, 0.56%

LAB 53.38, 39.82, 24.26

 

CMYK 0 / 57 / 62 / 29

HEX #B64F45

RGB 182 79 69

HSL 5.31, 0.45%, 0.49%

LAB 46.93, 41.05, 26.55

 

CMYK 0 / 63 / 70 / 35

HEX #A53D32

RGB 165 61 50

HSL 5.74, 0.53%, 0.42%

LAB 40.52, 42.24, 29.26

 

CMYK 0 / 71 / 79 / 42

HEX #942B1F

RGB 148 43 31

HSL 6.15, 0.65%, 0.35%

LAB 34.24, 43.2, 32.46

 

CMYK 0 / 47 / 51 / 16

HEX #D7726A

RGB 215 114 106

HSL 4.4, 0.58%, 0.63%

LAB 59.45, 38.67, 22.36

 

CMYK 0 / 51 / 51 / 16

HEX #D76A6A

RGB 215 106 106

HSL 0, 0.58%, 0.63%

LAB 57.84, 42.74, 20.2

 

CMYK 0 / 47 / 51 / 16

HEX #D7726A

RGB 215 114 106

HSL 4.4, 0.58%, 0.63%

LAB 59.45, 38.67, 22.36

 

CMYK 0 / 33 / 51 / 16

HEX #D78F6A

RGB 215 143 106

HSL 20.37, 0.58%, 0.63%

LAB 65.85, 23.28, 30.78

 

CMYK 0 / 20 / 51 / 16

HEX #D7AD6A

RGB 215 173 106

HSL 36.88, 0.58%, 0.63%

LAB 73.14, 7.12, 40.01

 

CMYK 0 / 6 / 51 / 16

HEX #D7CA6A

RGB 215 202 106

HSL 52.84, 0.58%, 0.63%

LAB 80.59, -8.05, 49.08

 

CMYK 7 / 0 / 51 / 16

HEX #C7D76A

RGB 199 215 106

HSL 68.81, 0.58%, 0.63%

LAB 82.8, -21.01, 51.4

 

CMYK 0 / 47 / 51 / 16

HEX #D7726A

RGB 215 114 106

HSL 4.4, 0.58%, 0.63%

LAB 59.45, 38.67, 22.36

 

CMYK 0 / 56 / 61 / 9

HEX #E7655B

RGB 231 101 91

HSL 4.29, 0.74%, 0.63%

LAB 59.02, 49.75, 30.77

 

CMYK 0 / 64 / 70 / 4

HEX #F6584B

RGB 246 88 75

HSL 4.56, 0.9%, 0.63%

LAB 59.05, 59.65, 40.29

 

CMYK 0 / 47 / 51 / 16

HEX #D7726A

RGB 215 114 106

HSL 4.4, 0.58%, 0.63%

LAB 59.45, 38.67, 22.36

 

CMYK 0 / 37 / 40 / 22

HEX #C87F79

RGB 200 127 121

HSL 4.56, 0.42%, 0.63%

LAB 60.64, 27.56, 15.1

 

CMYK 0 / 24 / 26 / 27

HEX #B98C88

RGB 185 140 136

HSL 4.9, 0.26%, 0.63%

LAB 62.38, 16.5, 8.77

 

CMYK 0 / 10 / 11 / 33

HEX #AA9998

RGB 170 153 152

HSL 3.33, 0.1%, 0.63%

LAB 64.64, 6.08, 2.8

 

CMYK 8 / 1 / 0 / 35

HEX #9AA6A7

RGB 154 166 167

HSL 184.62, 0.07%, 0.63%

LAB 67.23, -4.02, -1.98

 

CMYK 0 / 51 / 27 / 16

HEX #D76A9D

RGB 215 106 157

HSL 331.93, 0.58%, 0.63%

LAB 59.15, 48.46, -7.54

 

CMYK 0 / 51 / 40 / 16

HEX #D76A80

RGB 215 106 128

HSL 347.89, 0.58%, 0.63%

LAB 58.33, 44.92, 8.11

 

CMYK 0 / 47 / 51 / 16

HEX #D7716A

RGB 215 113 106

HSL 3.85, 0.58%, 0.63%

LAB 59.25, 39.18, 22.09

 

CMYK 0 / 34 / 51 / 16

HEX #D78E6A

RGB 215 142 106

HSL 19.82, 0.58%, 0.63%

LAB 65.62, 23.82, 30.48

 

CMYK 0 / 20 / 51 / 16

HEX #D7AC6A

RGB 215 172 106

HSL 36.33, 0.58%, 0.63%

LAB 72.89, 7.65, 39.7

 

CMYK 0 / 68 / 74 / 26

HEX #BD3C32

RGB 189 60 50

HSL 4.32, 0.58%, 0.47%

LAB 44.63, 51.03, 35.12

 

CMYK 0 / 60 / 65 / 19

HEX #CF5349

RGB 207 83 73

HSL 4.48, 0.58%, 0.55%

LAB 51.76, 48.46, 31.13

 

CMYK 0 / 47 / 51 / 16

HEX #D7726A

RGB 215 114 106

HSL 4.4, 0.58%, 0.63%

LAB 59.45, 38.67, 22.36

 

CMYK 0 / 35 / 38 / 12

HEX #E0918B

RGB 224 145 139

HSL 4.24, 0.58%, 0.71%

LAB 67.99, 29.17, 15.61

 

CMYK 0 / 24 / 27 / 9

HEX #E9B0AB

RGB 233 176 171

HSL 4.84, 0.58%, 0.79%

LAB 76.87, 20.06, 10.64

 

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

CMYK 13 / 0 / 51 / 16

HEX #BAD76A

RGB 186 215 106

HSL 75.96, 0.58%, 0.63%

LAB 81.88, -26.09, 50.09

 

CMYK 51 / 34 / 0 / 16

HEX #6A8ED7

RGB 106 142 215

HSL 220.18, 0.58%, 0.63%

LAB 59.27, 7.8, -41.26

 

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

CMYK 51 / 0 / 47 / 16

HEX #6AD771

RGB 106 215 113

HSL 123.85, 0.58%, 0.63%

LAB 77.79, -52.05, 40.77

 

CMYK 47 / 51 / 0 / 16

HEX #716AD7

RGB 113 106 215

HSL 243.85, 0.58%, 0.63%

LAB 50.36, 30.98, -55.38

 

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

CMYK 13 / 0 / 51 / 16

HEX #BAD76A

RGB 186 215 106

HSL 75.96, 0.58%, 0.63%

LAB 81.88, -26.09, 50.09

 

CMYK 51 / 3 / 0 / 16

HEX #6AD0D7

RGB 106 208 215

HSL 183.85, 0.58%, 0.63%

LAB 77.92, -27.77, -12.62

 

CMYK 37 / 51 / 0 / 16

HEX #876AD7

RGB 135 106 215

HSL 255.96, 0.58%, 0.63%

LAB 52.25, 36.17, -52.25

 

CMYK 0 / 47 / 50 / 15

HEX #D8736B

RGB 216 115 107

HSL 4.4, 0.58%, 0.63%

LAB 59.82, 38.62, 22.31

 

CMYK 29 / 0 / 51 / 16

HEX #99D76A

RGB 153 215 106

HSL 94.13, 0.58%, 0.63%

LAB 79.85, -38.33, 47.16

 

CMYK 51 / 3 / 0 / 16

HEX #6AD0D7

RGB 106 208 215

HSL 183.85, 0.58%, 0.63%

LAB 77.92, -27.77, -12.62

 

CMYK 22 / 51 / 0 / 16

HEX #A86AD7

RGB 168 106 215

HSL 274.13, 0.58%, 0.63%

LAB 55.62, 44.71, -46.68

 

Description

Color code: HEX #D8736B | qconv.com Color code: HEX #D8736B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 115 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 115 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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