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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D86F56 it is the complementary color #2790A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D86F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D86F56 shade: #DD6F51, #EE8164, #FF9377, #FFA58A and #FFB79D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D86F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D86F56 shade: #D86F56, #C75D43, #B64B30, #A5391D and #94270A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D86F56 shade: #D86E55 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D86F56 shade: #D86E55, #D89155, #D8B555, #D8D855 and #B5D855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D86F56 shade matches the following richer shades: #D86E55, #E96444 and #FA5933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D86F56 shade: #D86E55, #C77865, #B68376, #A68D87 and #959898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D86F56 shade: #D85583, #D85560, #D86D55, #D89055 and #D8B355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D86F56 shade: #B24328, #D15133, #D86E55, #E08B76 and #E8A798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D86F56 shade: #D86F56, #A6D855 and #5571D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D86F56 shade: #D86F56, #55D86D and #6D55D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D86F56 shade: #D86F56, #A6D855, #55C0D8 and #8755D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D86F56 shade: #D86F56, #7ED855, #55C0D8 and #AF55D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

Complementary color

CMYK 77 / 15 / 0 / 34

HEX #2790A9

RGB 39 144 169

HSL 191.54, 0.63%, 0.41%

LAB 55.32, -20.44, -21.54

 

CMYK 0 / 50 / 63 / 13

HEX #DD6F51

RGB 221 111 81

HSL 12.86, 0.67%, 0.59%

LAB 59.28, 40.55, 36.34

 

CMYK 0 / 46 / 58 / 7

HEX #EE8164

RGB 238 129 100

HSL 12.61, 0.8%, 0.66%

LAB 65.59, 39.19, 34.31

 

CMYK 0 / 42 / 53 / 0

HEX #FF9377

RGB 255 147 119

HSL 12.35, 1%, 0.73%

LAB 71.87, 37.93, 32.48

 

CMYK 0 / 35 / 46 / 0

HEX #FFA58A

RGB 255 165 138

HSL 13.85, 1%, 0.77%

LAB 76.07, 30.34, 27.78

 

CMYK 0 / 28 / 38 / 0

HEX #FFB79D

RGB 255 183 157

HSL 15.92, 1%, 0.81%

LAB 80.49, 22.91, 23.58

 

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

CMYK 0 / 53 / 66 / 22

HEX #C75D43

RGB 199 93 67

HSL 11.82, 0.54%, 0.52%

LAB 52.26, 40.36, 34.83

 

CMYK 0 / 59 / 74 / 29

HEX #B64B30

RGB 182 75 48

HSL 12.09, 0.58%, 0.45%

LAB 45.89, 41.79, 37.31

 

CMYK 0 / 65 / 82 / 35

HEX #A5391D

RGB 165 57 29

HSL 12.35, 0.7%, 0.38%

LAB 39.6, 43.15, 39.94

 

CMYK 0 / 74 / 93 / 42

HEX #94270A

RGB 148 39 10

HSL 12.61, 0.87%, 0.31%

LAB 33.5, 44.22, 42.08

 

CMYK 0 / 49 / 61 / 15

HEX #D86E55

RGB 216 110 85

HSL 11.45, 0.63%, 0.59%

LAB 58.42, 39.42, 32.91

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 49 / 61 / 15

HEX #D86E55

RGB 216 110 85

HSL 11.45, 0.63%, 0.59%

LAB 58.42, 39.42, 32.91

 

CMYK 0 / 33 / 61 / 15

HEX #D89155

RGB 216 145 85

HSL 27.48, 0.63%, 0.59%

LAB 66.14, 20.9, 42.3

 

CMYK 0 / 16 / 61 / 15

HEX #D8B555

RGB 216 181 85

HSL 43.97, 0.63%, 0.59%

LAB 75.02, 1.62, 52.57

 

CMYK 0 / 0 / 61 / 15

HEX #D8D855

RGB 216 216 85

HSL 60, 0.63%, 0.59%

LAB 84.16, -16.28, 62.62

 

CMYK 16 / 0 / 61 / 15

HEX #B5D855

RGB 181 216 85

HSL 76.03, 0.63%, 0.59%

LAB 81.62, -30.33, 59.13

 

CMYK 0 / 49 / 61 / 15

HEX #D86E55

RGB 216 110 85

HSL 11.45, 0.63%, 0.59%

LAB 58.42, 39.42, 32.91

 

CMYK 0 / 57 / 71 / 9

HEX #E96444

RGB 233 100 68

HSL 11.64, 0.79%, 0.59%

LAB 58.84, 49.61, 43.27

 

CMYK 0 / 64 / 80 / 2

HEX #FA5933

RGB 250 89 51

HSL 11.46, 0.95%, 0.59%

LAB 59.62, 59.63, 53.51

 

CMYK 0 / 49 / 61 / 15

HEX #D86E55

RGB 216 110 85

HSL 11.45, 0.63%, 0.59%

LAB 58.42, 39.42, 32.91

 

CMYK 0 / 40 / 49 / 22

HEX #C77865

RGB 199 120 101

HSL 11.63, 0.47%, 0.59%

LAB 58.52, 28.85, 23.59

 

CMYK 0 / 28 / 35 / 29

HEX #B68376

RGB 182 131 118

HSL 12.19, 0.3%, 0.59%

LAB 59.42, 17.89, 14.8

 

CMYK 0 / 15 / 19 / 35

HEX #A68D87

RGB 166 141 135

HSL 11.61, 0.15%, 0.59%

LAB 60.7, 8.41, 6.68

 

CMYK 2 / 0 / 0 / 40

HEX #959898

RGB 149 152 152

HSL 180, 0.01%, 0.59%

LAB 62.6, -1.08, -0.39

 

CMYK 0 / 61 / 39 / 15

HEX #D85583

RGB 216 85 131

HSL 338.93, 0.63%, 0.59%

LAB 54.8, 55.47, 1.28

 

CMYK 0 / 61 / 56 / 15

HEX #D85560

RGB 216 85 96

HSL 354.96, 0.63%, 0.59%

LAB 53.96, 52.25, 20.83

 

CMYK 0 / 50 / 61 / 15

HEX #D86D55

RGB 216 109 85

HSL 10.99, 0.63%, 0.59%

LAB 58.22, 39.93, 32.66

 

CMYK 0 / 33 / 61 / 15

HEX #D89055

RGB 216 144 85

HSL 27.02, 0.63%, 0.59%

LAB 65.91, 21.44, 42.02

 

CMYK 0 / 17 / 61 / 15

HEX #D8B355

RGB 216 179 85

HSL 43.05, 0.63%, 0.59%

LAB 74.51, 2.68, 51.99

 

CMYK 0 / 62 / 78 / 30

HEX #B24328

RGB 178 67 40

HSL 11.74, 0.63%, 0.43%

LAB 43.7, 43.74, 39.07

 

CMYK 0 / 61 / 76 / 18

HEX #D15133

RGB 209 81 51

HSL 11.39, 0.63%, 0.51%

LAB 51.47, 48.98, 43.04

 

CMYK 0 / 49 / 61 / 15

HEX #D86E55

RGB 216 110 85

HSL 11.45, 0.63%, 0.59%

LAB 58.42, 39.42, 32.91

 

CMYK 0 / 38 / 47 / 12

HEX #E08B76

RGB 224 139 118

HSL 11.89, 0.63%, 0.67%

LAB 66.23, 30.12, 24.89

 

CMYK 0 / 28 / 34 / 9

HEX #E8A798

RGB 232 167 152

HSL 11.25, 0.63%, 0.75%

LAB 74.23, 22.02, 17.26

 

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

CMYK 23 / 0 / 61 / 15

HEX #A6D855

RGB 166 216 85

HSL 82.9, 0.63%, 0.59%

LAB 80.67, -36.08, 57.82

 

CMYK 61 / 48 / 0 / 15

HEX #5571D8

RGB 85 113 216

HSL 227.18, 0.63%, 0.59%

LAB 50.33, 21.29, -56.09

 

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

CMYK 61 / 0 / 50 / 15

HEX #55D86D

RGB 85 216 109

HSL 130.99, 0.63%, 0.59%

LAB 77.37, -58.05, 42.05

 

CMYK 50 / 61 / 0 / 15

HEX #6D55D8

RGB 109 85 216

HSL 250.99, 0.63%, 0.59%

LAB 45.23, 42.84, -64.25

 

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

CMYK 23 / 0 / 61 / 15

HEX #A6D855

RGB 166 216 85

HSL 82.9, 0.63%, 0.59%

LAB 80.67, -36.08, 57.82

 

CMYK 61 / 11 / 0 / 15

HEX #55C0D8

RGB 85 192 216

HSL 190.99, 0.63%, 0.59%

LAB 72.62, -23.63, -21.23

 

CMYK 38 / 61 / 0 / 15

HEX #8755D8

RGB 135 85 216

HSL 262.9, 0.63%, 0.59%

LAB 47.76, 48.22, -60.03

 

CMYK 0 / 49 / 60 / 15

HEX #D86F56

RGB 216 111 86

HSL 11.54, 0.63%, 0.59%

LAB 58.64, 38.98, 32.63

 

CMYK 42 / 0 / 61 / 15

HEX #7ED855

RGB 126 216 85

HSL 101.22, 0.63%, 0.59%

LAB 78.58, -49.98, 54.91

 

CMYK 61 / 11 / 0 / 15

HEX #55C0D8

RGB 85 192 216

HSL 190.99, 0.63%, 0.59%

LAB 72.62, -23.63, -21.23

 

CMYK 19 / 61 / 0 / 15

HEX #AF55D8

RGB 175 85 216

HSL 281.22, 0.63%, 0.59%

LAB 52.47, 57.41, -52.2

 

Description

Color code: HEX #D86F56 | qconv.com Color code: HEX #D86F56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 111 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 111 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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