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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D86B75 it is the complementary color #27948A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D86B75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D86B75 shade: #DD6B70, #EE7D83, #FF8F96, #FFA1A9 and #FFB3BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D86B75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D86B75 shade: #D86B75, #C75962, #B6474F, #A5353C and #942329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D86B75 shade: #D76A74 and #D76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D86B75 shade: #D76A74, #D76A91, #D76AAF, #D76ACD and #C56AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D86B75 shade matches the following richer shades: #D76A74, #E75B67 and #F64B5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D86B75 shade: #D76A74, #C87980, #B9888D, #AA9899 and #9AA7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D86B75 shade: #D76AAF, #D76A92, #D76A75, #D77C6A and #D7996A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D86B75 shade: #BD323F, #CF4956, #D76A74, #E08B92 and #E9ABB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D86B75 shade: #D86B75, #CCD76A and #6AA1D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D86B75 shade: #D86B75, #75D76A and #6A75D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D86B75 shade: #D86B75, #CCD76A, #6AD7CC and #756AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D86B75 shade: #D86B75, #ACD76A, #6AD7CC and #966AD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

Complementary color

CMYK 74 / 0 / 7 / 42

HEX #27948A

RGB 39 148 138

HSL 174.5, 0.58%, 0.37%

LAB 55.53, -32.16, -3.44

 

CMYK 0 / 52 / 49 / 13

HEX #DD6B70

RGB 221 107 112

HSL 357.37, 0.63%, 0.64%

LAB 59.03, 44.95, 18.49

 

CMYK 0 / 47 / 45 / 7

HEX #EE7D83

RGB 238 125 131

HSL 356.81, 0.77%, 0.71%

LAB 65.34, 43.9, 16.7

 

CMYK 0 / 44 / 41 / 0

HEX #FF8F96

RGB 255 143 150

HSL 356.25, 1%, 0.78%

LAB 71.63, 42.87, 15.14

 

CMYK 0 / 37 / 34 / 0

HEX #FFA1A9

RGB 255 161 169

HSL 354.89, 1%, 0.82%

LAB 75.83, 35.81, 10.59

 

CMYK 0 / 30 / 26 / 0

HEX #FFB3BC

RGB 255 179 188

HSL 352.89, 1%, 0.85%

LAB 80.25, 28.85, 6.57

 

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

CMYK 0 / 55 / 51 / 22

HEX #C75962

RGB 199 89 98

HSL 355.09, 0.5%, 0.56%

LAB 52.03, 44.66, 16.58

 

CMYK 0 / 61 / 57 / 29

HEX #B6474F

RGB 182 71 79

HSL 355.68, 0.44%, 0.5%

LAB 45.66, 45.62, 18.91

 

CMYK 0 / 68 / 64 / 35

HEX #A5353C

RGB 165 53 60

HSL 356.25, 0.51%, 0.43%

LAB 39.36, 46.38, 21.77

 

CMYK 0 / 76 / 72 / 42

HEX #942329

RGB 148 35 41

HSL 356.81, 0.62%, 0.36%

LAB 33.26, 46.69, 25.34

 

CMYK 0 / 51 / 46 / 16

HEX #D76A74

RGB 215 106 116

HSL 354.5, 0.58%, 0.63%

LAB 58.05, 43.68, 14.69

 

CMYK 0 / 51 / 51 / 16

HEX #D76A6A

RGB 215 106 106

HSL 0, 0.58%, 0.63%

LAB 57.84, 42.74, 20.2

 

CMYK 0 / 51 / 46 / 16

HEX #D76A74

RGB 215 106 116

HSL 354.5, 0.58%, 0.63%

LAB 58.05, 43.68, 14.69

 

CMYK 0 / 51 / 33 / 16

HEX #D76A91

RGB 215 106 145

HSL 338.53, 0.58%, 0.63%

LAB 58.79, 46.91, -1.11

 

CMYK 0 / 51 / 19 / 16

HEX #D76AAF

RGB 215 106 175

HSL 322.02, 0.58%, 0.63%

LAB 59.75, 51.01, -17

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACD

RGB 215 106 205

HSL 305.5, 0.58%, 0.63%

LAB 60.93, 55.79, -32.3

 

CMYK 8 / 51 / 0 / 16

HEX #C56AD7

RGB 197 106 215

HSL 290.09, 0.58%, 0.63%

LAB 59.05, 52.58, -41.04

 

CMYK 0 / 51 / 46 / 16

HEX #D76A74

RGB 215 106 116

HSL 354.5, 0.58%, 0.63%

LAB 58.05, 43.68, 14.69

 

CMYK 0 / 61 / 55 / 9

HEX #E75B67

RGB 231 91 103

HSL 354.86, 0.74%, 0.63%

LAB 57.51, 55.14, 21.91

 

CMYK 0 / 70 / 63 / 4

HEX #F64B5B

RGB 246 75 91

HSL 354.39, 0.9%, 0.63%

LAB 57.44, 65.51, 29.27

 

CMYK 0 / 51 / 46 / 16

HEX #D76A74

RGB 215 106 116

HSL 354.5, 0.58%, 0.63%

LAB 58.05, 43.68, 14.69

 

CMYK 0 / 40 / 36 / 22

HEX #C87980

RGB 200 121 128

HSL 354.68, 0.42%, 0.63%

LAB 59.45, 31.65, 9.41

 

CMYK 0 / 26 / 24 / 27

HEX #B9888D

RGB 185 136 141

HSL 353.88, 0.26%, 0.63%

LAB 61.52, 19.47, 4.7

 

CMYK 0 / 11 / 10 / 33

HEX #AA9899

RGB 170 152 153

HSL 356.67, 0.1%, 0.63%

LAB 64.41, 6.81, 1.89

 

CMYK 8 / 0 / 1 / 35

HEX #9AA7A6

RGB 154 167 166

HSL 175.38, 0.07%, 0.63%

LAB 67.47, -4.76, -1.06

 

CMYK 0 / 51 / 19 / 16

HEX #D76AAF

RGB 215 106 175

HSL 322.02, 0.58%, 0.63%

LAB 59.75, 51.01, -17

 

CMYK 0 / 51 / 32 / 16

HEX #D76A92

RGB 215 106 146

HSL 337.98, 0.58%, 0.63%

LAB 58.82, 47.04, -1.65

 

CMYK 0 / 51 / 46 / 16

HEX #D76A75

RGB 215 106 117

HSL 353.94, 0.58%, 0.63%

LAB 58.07, 43.78, 14.14

 

CMYK 0 / 42 / 51 / 16

HEX #D77C6A

RGB 215 124 106

HSL 9.91, 0.58%, 0.63%

LAB 61.57, 33.45, 25.18

 

CMYK 0 / 29 / 51 / 16

HEX #D7996A

RGB 215 153 106

HSL 25.87, 0.58%, 0.63%

LAB 68.22, 17.88, 33.82

 

CMYK 0 / 74 / 67 / 26

HEX #BD323F

RGB 189 50 63

HSL 354.39, 0.58%, 0.47%

LAB 43.45, 55.45, 26.02

 

CMYK 0 / 65 / 58 / 19

HEX #CF4956

RGB 207 73 86

HSL 354.18, 0.58%, 0.55%

LAB 50.34, 53.72, 21.67

 

CMYK 0 / 51 / 46 / 16

HEX #D76A74

RGB 215 106 116

HSL 354.5, 0.58%, 0.63%

LAB 58.05, 43.68, 14.69

 

CMYK 0 / 38 / 35 / 12

HEX #E08B92

RGB 224 139 146

HSL 355.06, 0.58%, 0.71%

LAB 66.82, 33.2, 10.04

 

CMYK 0 / 27 / 24 / 9

HEX #E9ABB1

RGB 233 171 177

HSL 354.19, 0.58%, 0.79%

LAB 75.84, 23.57, 5.9

 

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

CMYK 5 / 0 / 51 / 16

HEX #CCD76A

RGB 204 215 106

HSL 66.06, 0.58%, 0.63%

LAB 83.17, -19.02, 51.93

 

CMYK 51 / 25 / 0 / 16

HEX #6AA1D7

RGB 106 161 215

HSL 209.72, 0.58%, 0.63%

LAB 64.53, -3.11, -33.04

 

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

CMYK 46 / 0 / 51 / 16

HEX #75D76A

RGB 117 215 106

HSL 113.94, 0.58%, 0.63%

LAB 78.12, -49.95, 44.67

 

CMYK 51 / 46 / 0 / 16

HEX #6A75D7

RGB 106 117 215

HSL 233.94, 0.58%, 0.63%

LAB 52.61, 22.77, -51.81

 

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

CMYK 5 / 0 / 51 / 16

HEX #CCD76A

RGB 204 215 106

HSL 66.06, 0.58%, 0.63%

LAB 83.17, -19.02, 51.93

 

CMYK 51 / 0 / 5 / 16

HEX #6AD7CC

RGB 106 215 204

HSL 173.94, 0.58%, 0.63%

LAB 79.63, -33.96, -4.19

 

CMYK 46 / 51 / 0 / 16

HEX #756AD7

RGB 117 106 215

HSL 246.06, 0.58%, 0.63%

LAB 50.68, 31.89, -54.85

 

CMYK 0 / 50 / 46 / 15

HEX #D86B75

RGB 216 107 117

HSL 354.5, 0.58%, 0.63%

LAB 58.41, 43.63, 14.64

 

CMYK 20 / 0 / 51 / 16

HEX #ACD76A

RGB 172 215 106

HSL 83.67, 0.58%, 0.63%

LAB 80.97, -31.42, 48.78

 

CMYK 51 / 0 / 5 / 16

HEX #6AD7CC

RGB 106 215 204

HSL 173.94, 0.58%, 0.63%

LAB 79.63, -33.96, -4.19

 

CMYK 30 / 51 / 0 / 16

HEX #966AD7

RGB 150 106 215

HSL 264.22, 0.58%, 0.63%

LAB 53.71, 39.97, -49.84

 

Description

Color code: HEX #D86B75 | qconv.com Color code: HEX #D86B75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 107 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 107 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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