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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D86750 it is the complementary color #2798AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D86750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D86750 shade: #DD674B, #EE795E, #FF8B71, #FF9D84 and #FFAF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D86750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D86750 shade: #D86750, #C7553D, #B6432A, #A53117 and #941F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D86750 shade: #D8674F and #D84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D86750 shade: #D8674F, #D88C4F, #D8B04F, #D8D54F and #B6D84F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D86750 shade matches the following richer shades: #D8674F, #EA5B3E and #FB502D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D86750 shade: #D8674F, #C77261, #B67D72, #A48983 and #939495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D86750 shade: #D84F82, #D84F5D, #D8664F, #D88B4F and #D8AF4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D86750 shade: #AF3D26, #D1492E, #D8674F, #E08471 and #E7A193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D86750 shade: #D86750, #A6D84F and #4F6FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D86750 shade: #D86750, #4FD866 and #664FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D86750 shade: #D86750, #A6D84F, #4FC2D8 and #824FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D86750 shade: #D86750, #7DD84F, #4FC2D8 and #AB4FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

Complementary color

CMYK 78 / 13 / 0 / 31

HEX #2798AF

RGB 39 152 175

HSL 190.15, 0.64%, 0.42%

LAB 58.02, -22.64, -20.83

 

CMYK 0 / 53 / 66 / 13

HEX #DD674B

RGB 221 103 75

HSL 11.51, 0.68%, 0.58%

LAB 57.64, 44.16, 37.64

 

CMYK 0 / 49 / 61 / 7

HEX #EE795E

RGB 238 121 94

HSL 11.25, 0.81%, 0.65%

LAB 63.88, 42.8, 35.44

 

CMYK 0 / 45 / 56 / 0

HEX #FF8B71

RGB 255 139 113

HSL 10.99, 1%, 0.72%

LAB 70.12, 41.51, 33.47

 

CMYK 0 / 38 / 48 / 0

HEX #FF9D84

RGB 255 157 132

HSL 12.2, 1%, 0.76%

LAB 74.22, 33.92, 28.54

 

CMYK 0 / 31 / 41 / 0

HEX #FFAF97

RGB 255 175 151

HSL 13.85, 1%, 0.8%

LAB 78.55, 26.44, 24.14

 

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

CMYK 0 / 57 / 69 / 22

HEX #C7553D

RGB 199 85 61

HSL 10.43, 0.55%, 0.51%

LAB 50.66, 43.95, 36.28

 

CMYK 0 / 63 / 77 / 29

HEX #B6432A

RGB 182 67 42

HSL 10.71, 0.63%, 0.44%

LAB 44.41, 45.27, 38.96

 

CMYK 0 / 70 / 86 / 35

HEX #A53117

RGB 165 49 23

HSL 10.99, 0.76%, 0.37%

LAB 38.3, 46.38, 41.69

 

CMYK 0 / 79 / 97 / 42

HEX #941F04

RGB 148 31 4

HSL 11.25, 0.95%, 0.3%

LAB 32.45, 46.96, 43.78

 

CMYK 0 / 52 / 63 / 15

HEX #D8674F

RGB 216 103 79

HSL 10.51, 0.64%, 0.58%

LAB 56.94, 42.54, 34.42

 

CMYK 0 / 63 / 63 / 15

HEX #D84F4F

RGB 216 79 79

HSL 0, 0.64%, 0.58%

LAB 52.68, 53.69, 29.13

 

CMYK 0 / 52 / 63 / 15

HEX #D8674F

RGB 216 103 79

HSL 10.51, 0.64%, 0.58%

LAB 56.94, 42.54, 34.42

 

CMYK 0 / 35 / 63 / 15

HEX #D88C4F

RGB 216 140 79

HSL 26.72, 0.64%, 0.58%

LAB 64.9, 23.19, 43.9

 

CMYK 0 / 19 / 63 / 15

HEX #D8B04F

RGB 216 176 79

HSL 42.48, 0.64%, 0.58%

LAB 73.68, 3.86, 53.85

 

CMYK 0 / 1 / 63 / 15

HEX #D8D54F

RGB 216 213 79

HSL 58.69, 0.64%, 0.58%

LAB 83.31, -15.17, 64.19

 

CMYK 16 / 0 / 63 / 15

HEX #B6D84F

RGB 182 216 79

HSL 74.89, 0.64%, 0.58%

LAB 81.63, -30.38, 61.66

 

CMYK 0 / 52 / 63 / 15

HEX #D8674F

RGB 216 103 79

HSL 10.51, 0.64%, 0.58%

LAB 56.94, 42.54, 34.42

 

CMYK 0 / 61 / 74 / 8

HEX #EA5B3E

RGB 234 91 62

HSL 10.12, 0.8%, 0.58%

LAB 57.39, 53.76, 44.86

 

CMYK 0 / 68 / 82 / 2

HEX #FB502D

RGB 251 80 45

HSL 10.19, 0.96%, 0.58%

LAB 58.45, 63.31, 55.28

 

CMYK 0 / 52 / 63 / 15

HEX #D8674F

RGB 216 103 79

HSL 10.51, 0.64%, 0.58%

LAB 56.94, 42.54, 34.42

 

CMYK 0 / 43 / 51 / 22

HEX #C77261

RGB 199 114 97

HSL 10, 0.48%, 0.58%

LAB 57.11, 31.7, 24

 

CMYK 0 / 31 / 37 / 29

HEX #B67D72

RGB 182 125 114

HSL 9.71, 0.32%, 0.58%

LAB 57.87, 20.73, 14.94

 

CMYK 0 / 16 / 20 / 36

HEX #A48983

RGB 164 137 131

HSL 10.91, 0.15%, 0.58%

LAB 59.36, 9.24, 7.03

 

CMYK 1 / 1 / 0 / 42

HEX #939495

RGB 147 148 149

HSL 210, 0.01%, 0.58%

LAB 61.27, -0.16, -0.66

 

CMYK 0 / 63 / 40 / 15

HEX #D84F82

RGB 216 79 130

HSL 337.66, 0.64%, 0.58%

LAB 53.82, 57.94, 0.45

 

CMYK 0 / 63 / 57 / 15

HEX #D84F5D

RGB 216 79 93

HSL 353.87, 0.64%, 0.58%

LAB 52.93, 54.64, 21.22

 

CMYK 0 / 53 / 63 / 15

HEX #D8664F

RGB 216 102 79

HSL 10.07, 0.64%, 0.58%

LAB 56.75, 43.03, 34.18

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 19 / 63 / 15

HEX #D8AF4F

RGB 216 175 79

HSL 42.04, 0.64%, 0.58%

LAB 73.43, 4.39, 53.57

 

CMYK 0 / 65 / 78 / 31

HEX #AF3D26

RGB 175 61 38

HSL 10.07, 0.64%, 0.42%

LAB 42.14, 45.28, 38.36

 

CMYK 0 / 65 / 78 / 18

HEX #D1492E

RGB 209 73 46

HSL 9.94, 0.64%, 0.5%

LAB 50.12, 52.27, 44.23

 

CMYK 0 / 52 / 63 / 15

HEX #D8674F

RGB 216 103 79

HSL 10.51, 0.64%, 0.58%

LAB 56.94, 42.54, 34.42

 

CMYK 0 / 41 / 50 / 12

HEX #E08471

RGB 224 132 113

HSL 10.27, 0.64%, 0.66%

LAB 64.6, 33.35, 25.49

 

CMYK 0 / 30 / 36 / 9

HEX #E7A193

RGB 231 161 147

HSL 10, 0.64%, 0.74%

LAB 72.62, 24.24, 17.74

 

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

CMYK 23 / 0 / 63 / 15

HEX #A6D84F

RGB 166 216 79

HSL 81.9, 0.64%, 0.58%

LAB 80.62, -36.55, 60.27

 

CMYK 63 / 49 / 0 / 15

HEX #4F6FD8

RGB 79 111 216

HSL 225.99, 0.64%, 0.58%

LAB 49.48, 21.47, -57.48

 

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

CMYK 63 / 0 / 53 / 15

HEX #4FD866

RGB 79 216 102

HSL 130.07, 0.64%, 0.58%

LAB 77.12, -60.28, 45.06

 

CMYK 53 / 63 / 0 / 15

HEX #664FD8

RGB 102 79 216

HSL 250.07, 0.64%, 0.58%

LAB 43.32, 44.98, -67.37

 

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

CMYK 23 / 0 / 63 / 15

HEX #A6D84F

RGB 166 216 79

HSL 81.9, 0.64%, 0.58%

LAB 80.62, -36.55, 60.27

 

CMYK 63 / 10 / 0 / 15

HEX #4FC2D8

RGB 79 194 216

HSL 189.64, 0.64%, 0.58%

LAB 73.03, -25.65, -20.63

 

CMYK 40 / 63 / 0 / 15

HEX #824FD8

RGB 130 79 216

HSL 262.34, 0.64%, 0.58%

LAB 46.04, 50.36, -62.84

 

CMYK 0 / 52 / 63 / 15

HEX #D86750

RGB 216 103 80

HSL 10.15, 0.64%, 0.58%

LAB 56.96, 42.6, 33.88

 

CMYK 42 / 0 / 63 / 15

HEX #7DD84F

RGB 125 216 79

HSL 99.85, 0.64%, 0.58%

LAB 78.48, -50.85, 57.33

 

CMYK 63 / 10 / 0 / 15

HEX #4FC2D8

RGB 79 194 216

HSL 189.64, 0.64%, 0.58%

LAB 73.03, -25.65, -20.63

 

CMYK 21 / 63 / 0 / 15

HEX #AB4FD8

RGB 171 79 216

HSL 280.29, 0.64%, 0.58%

LAB 50.93, 59.29, -54.71

 

Description

Color code: HEX #D86750 | qconv.com Color code: HEX #D86750 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 103 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 103 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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