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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D865D2 it is the complementary color #279A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D865D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D865D2: #DD65CD, #EE77E0, #FF89F3, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D865D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D865D2: #D865D2, #C753BF, #B641AC, #A52F99 and #941D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

Complementary color

CMYK 75 / 0 / 71 / 40

HEX #279A2D

RGB 39 154 45

HSL 123.13, 0.6%, 0.38%

LAB 55.82, -52.84, 46.12

 

CMYK 0 / 54 / 7 / 13

HEX #DD65CD

RGB 221 101 205

HSL 308, 0.64%, 0.63%

LAB 60.86, 59.83, -32.34

 

CMYK 0 / 50 / 6 / 7

HEX #EE77E0

RGB 238 119 224

HSL 307.06, 0.78%, 0.7%

LAB 67.09, 59.29, -33.13

 

CMYK 0 / 46 / 5 / 0

HEX #FF89F3

RGB 255 137 243

HSL 306.1, 1%, 0.77%

LAB 73.3, 58.66, -33.8

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 58 / 4 / 22

HEX #C753BF

RGB 199 83 191

HSL 304.14, 0.51%, 0.55%

LAB 54.12, 59.68, -35.08

 

CMYK 0 / 64 / 5 / 29

HEX #B641AC

RGB 182 65 172

HSL 305.13, 0.47%, 0.48%

LAB 47.89, 59.79, -33.98

 

CMYK 0 / 72 / 7 / 35

HEX #A52F99

RGB 165 47 153

HSL 306.1, 0.56%, 0.42%

LAB 41.74, 59.43, -32.5

 

CMYK 0 / 80 / 9 / 42

HEX #941D86

RGB 148 29 134

HSL 307.06, 0.67%, 0.35%

LAB 35.78, 58.26, -30.48

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 54 / 12 / 15

HEX #D863BF

RGB 216 99 191

HSL 312.82, 0.6%, 0.62%

LAB 59.24, 57.1, -26.95

 

CMYK 0 / 54 / 21 / 15

HEX #D863AB

RGB 216 99 171

HSL 323.08, 0.6%, 0.62%

LAB 58.47, 54.1, -16.63

 

CMYK 0 / 54 / 30 / 15

HEX #D86398

RGB 216 99 152

HSL 332.82, 0.6%, 0.62%

LAB 57.84, 51.52, -6.57

 

CMYK 0 / 54 / 39 / 15

HEX #D86384

RGB 216 99 132

HSL 343.08, 0.6%, 0.62%

LAB 57.26, 49.13, 4.26

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 50 / 0 / 95

HEX #0C060C

RGB 12 6 12

HSL 300, 0.33%, 0.04%

LAB 2.12, 2.45, -1.75

 

CMYK 0 / 54 / 3 / 75

HEX #3F1D3D

RGB 63 29 61

HSL 303.53, 0.37%, 0.18%

LAB 16.86, 22.01, -13.4

 

CMYK 0 / 54 / 3 / 55

HEX #72356F

RGB 114 53 111

HSL 302.95, 0.37%, 0.33%

LAB 32.42, 35.57, -21.75

 

CMYK 0 / 53 / 3 / 35

HEX #A54DA0

RGB 165 77 160

HSL 303.41, 0.36%, 0.47%

LAB 46.77, 47.72, -28.81

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 40 / 54 / 15

HEX #D88163

RGB 216 129 99

HSL 15.38, 0.6%, 0.62%

LAB 62.68, 30.58, 30.55

 

CMYK 54 / 0 / 19 / 15

HEX #63D8AF

RGB 99 216 175

HSL 158.97, 0.6%, 0.62%

LAB 78.96, -42.79, 10.28

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 3 / 0 / 54 / 15

HEX #D2D863

RGB 210 216 99

HSL 63.08, 0.6%, 0.62%

LAB 83.82, -17.7, 56.02

 

CMYK 54 / 3 / 0 / 15

HEX #63D2D8

RGB 99 210 216

HSL 183.08, 0.6%, 0.62%

LAB 78.29, -29.9, -12.63

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 40 / 54 / 15

HEX #D88163

RGB 216 129 99

HSL 15.38, 0.6%, 0.62%

LAB 62.68, 30.58, 30.55

 

CMYK 54 / 0 / 51 / 15

HEX #63D869

RGB 99 216 105

HSL 123.08, 0.6%, 0.62%

LAB 77.75, -55.34, 44.54

 

CMYK 54 / 13 / 0 / 15

HEX #63BBD8

RGB 99 187 216

HSL 194.87, 0.6%, 0.62%

LAB 71.66, -18.39, -22.65

 

CMYK 0 / 53 / 3 / 15

HEX #D865D2

RGB 216 101 210

HSL 303.13, 0.6%, 0.62%

LAB 60.39, 59.28, -35.94

 

CMYK 0 / 25 / 54 / 15

HEX #D8A363

RGB 216 163 99

HSL 32.82, 0.6%, 0.62%

LAB 70.66, 12.28, 40.57

 

CMYK 54 / 0 / 51 / 15

HEX #63D869

RGB 99 216 105

HSL 123.08, 0.6%, 0.62%

LAB 77.75, -55.34, 44.54

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

Description

Color code: HEX #D865D2 | qconv.com Color code: HEX #D865D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 101 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 101 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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