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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8615D it is the complementary color #279EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8615D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8615D shade: #DD6158, #EE736B, #FF857E, #FF9791 and #FFA9A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8615D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8615D shade: #D8615D, #C74F4A, #B63D37, #A52B24 and #941911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8615D shade: #D8635F and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8615D shade: #D8635F, #D8845F, #D8A45F, #D8C55F and #CBD85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8615D shade matches the following richer shades: #D8635F, #E8544F and #F8453F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8615D shade: #D8635F, #C8726F, #B8817F, #A8908F and #989F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8615D shade: #D85F9E, #D85F7D, #D8615F, #D8815F and #D8A25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8615D shade: #B8312D, #D0423E, #D8635F, #E08380 and #E8A4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8615D shade: #D8615D, #BED85F and #5F8DD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8615D shade: #D8615D, #5FD861 and #615FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8615D shade: #D8615D, #BED85F, #5FD6D8 and #795FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8615D shade: #D8615D, #9AD85F, #5FD6D8 and #9E5FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

Complementary color

CMYK 76 / 2 / 0 / 36

HEX #279EA2

RGB 39 158 162

HSL 181.95, 0.61%, 0.39%

LAB 59.43, -29.8, -11.32

 

CMYK 0 / 56 / 60 / 13

HEX #DD6158

RGB 221 97 88

HSL 4.06, 0.66%, 0.61%

LAB 56.71, 47.87, 29.22

 

CMYK 0 / 52 / 55 / 7

HEX #EE736B

RGB 238 115 107

HSL 3.66, 0.79%, 0.68%

LAB 62.93, 46.71, 26.99

 

CMYK 0 / 48 / 51 / 0

HEX #FF857E

RGB 255 133 126

HSL 3.26, 1%, 0.75%

LAB 69.14, 45.57, 25.06

 

CMYK 0 / 41 / 43 / 0

HEX #FF9791

RGB 255 151 145

HSL 3.27, 1%, 0.78%

LAB 73.18, 38.28, 20.05

 

CMYK 0 / 34 / 36 / 0

HEX #FFA9A4

RGB 255 169 164

HSL 3.3, 1%, 0.82%

LAB 77.47, 31.05, 15.63

 

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

CMYK 0 / 60 / 63 / 22

HEX #C74F4A

RGB 199 79 74

HSL 2.4, 0.53%, 0.54%

LAB 49.77, 47.54, 27.78

 

CMYK 0 / 66 / 70 / 29

HEX #B63D37

RGB 182 61 55

HSL 2.83, 0.54%, 0.46%

LAB 43.59, 48.49, 30.7

 

CMYK 0 / 74 / 78 / 35

HEX #A52B24

RGB 165 43 36

HSL 3.26, 0.64%, 0.39%

LAB 37.58, 49.09, 34.12

 

CMYK 0 / 83 / 89 / 42

HEX #941911

RGB 148 25 17

HSL 3.66, 0.79%, 0.32%

LAB 31.88, 48.99, 37.79

 

CMYK 0 / 54 / 56 / 15

HEX #D8635F

RGB 216 99 95

HSL 1.98, 0.61%, 0.61%

LAB 56.44, 45.64, 24.69

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 54 / 56 / 15

HEX #D8635F

RGB 216 99 95

HSL 1.98, 0.61%, 0.61%

LAB 56.44, 45.64, 24.69

 

CMYK 0 / 39 / 56 / 15

HEX #D8845F

RGB 216 132 95

HSL 18.35, 0.61%, 0.61%

LAB 63.28, 28.65, 33.51

 

CMYK 0 / 24 / 56 / 15

HEX #D8A45F

RGB 216 164 95

HSL 34.21, 0.61%, 0.61%

LAB 70.85, 11.42, 42.85

 

CMYK 0 / 9 / 56 / 15

HEX #D8C55F

RGB 216 197 95

HSL 50.58, 0.61%, 0.61%

LAB 79.25, -5.98, 52.74

 

CMYK 6 / 0 / 56 / 15

HEX #CBD85F

RGB 203 216 95

HSL 66.45, 0.61%, 0.61%

LAB 83.25, -20.84, 57.02

 

CMYK 0 / 54 / 56 / 15

HEX #D8635F

RGB 216 99 95

HSL 1.98, 0.61%, 0.61%

LAB 56.44, 45.64, 24.69

 

CMYK 0 / 64 / 66 / 9

HEX #E8544F

RGB 232 84 79

HSL 1.96, 0.77%, 0.61%

LAB 56.15, 56.9, 34.02

 

CMYK 0 / 72 / 75 / 3

HEX #F8453F

RGB 248 69 63

HSL 1.95, 0.93%, 0.61%

LAB 56.66, 66.87, 44.22

 

CMYK 0 / 54 / 56 / 15

HEX #D8635F

RGB 216 99 95

HSL 1.98, 0.61%, 0.61%

LAB 56.44, 45.64, 24.69

 

CMYK 0 / 43 / 45 / 22

HEX #C8726F

RGB 200 114 111

HSL 2.02, 0.45%, 0.61%

LAB 57.52, 33.47, 16.53

 

CMYK 0 / 30 / 31 / 28

HEX #B8817F

RGB 184 129 127

HSL 2.11, 0.29%, 0.61%

LAB 59.36, 20.98, 9.61

 

CMYK 0 / 14 / 15 / 34

HEX #A8908F

RGB 168 144 143

HSL 2.4, 0.13%, 0.61%

LAB 61.87, 8.81, 3.85

 

CMYK 4 / 0 / 0 / 38

HEX #989F9F

RGB 152 159 159

HSL 180, 0.04%, 0.61%

LAB 64.94, -2.49, -0.87

 

CMYK 0 / 56 / 27 / 15

HEX #D85F9E

RGB 216 95 158

HSL 328.76, 0.61%, 0.61%

LAB 57.32, 54.18, -10.84

 

CMYK 0 / 56 / 42 / 15

HEX #D85F7D

RGB 216 95 125

HSL 345.12, 0.61%, 0.61%

LAB 56.35, 50.28, 7.06

 

CMYK 0 / 55 / 56 / 15

HEX #D8615F

RGB 216 97 95

HSL 0.99, 0.61%, 0.61%

LAB 56.06, 46.6, 24.2

 

CMYK 0 / 40 / 56 / 15

HEX #D8815F

RGB 216 129 95

HSL 16.86, 0.61%, 0.61%

LAB 62.61, 30.25, 32.66

 

CMYK 0 / 25 / 56 / 15

HEX #D8A25F

RGB 216 162 95

HSL 33.22, 0.61%, 0.61%

LAB 70.36, 12.49, 42.25

 

CMYK 0 / 73 / 76 / 28

HEX #B8312D

RGB 184 49 45

HSL 1.73, 0.61%, 0.45%

LAB 42.12, 53.38, 34.93

 

CMYK 0 / 68 / 70 / 18

HEX #D0423E

RGB 208 66 62

HSL 1.64, 0.61%, 0.53%

LAB 49.07, 55.46, 34.25

 

CMYK 0 / 54 / 56 / 15

HEX #D8635F

RGB 216 99 95

HSL 1.98, 0.61%, 0.61%

LAB 56.44, 45.64, 24.69

 

CMYK 0 / 42 / 43 / 12

HEX #E08380

RGB 224 131 128

HSL 1.87, 0.61%, 0.69%

LAB 64.67, 35.37, 17.18

 

CMYK 0 / 29 / 31 / 9

HEX #E8A4A1

RGB 232 164 161

HSL 2.54, 0.61%, 0.77%

LAB 73.73, 24.76, 11.63

 

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

CMYK 12 / 0 / 56 / 15

HEX #BED85F

RGB 190 216 95

HSL 72.89, 0.61%, 0.61%

LAB 82.32, -26, 55.72

 

CMYK 56 / 35 / 0 / 15

HEX #5F8DD8

RGB 95 141 216

HSL 217.19, 0.61%, 0.61%

LAB 58.45, 6.29, -43.14

 

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

CMYK 56 / 0 / 55 / 15

HEX #5FD861

RGB 95 216 97

HSL 120.99, 0.61%, 0.61%

LAB 77.52, -57.35, 48

 

CMYK 55 / 56 / 0 / 15

HEX #615FD8

RGB 97 95 216

HSL 240.99, 0.61%, 0.61%

LAB 46.56, 34.62, -62.14

 

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

CMYK 12 / 0 / 56 / 15

HEX #BED85F

RGB 190 216 95

HSL 72.89, 0.61%, 0.61%

LAB 82.32, -26, 55.72

 

CMYK 56 / 1 / 0 / 15

HEX #5FD6D8

RGB 95 214 216

HSL 180.99, 0.61%, 0.61%

LAB 79.32, -32.57, -11.11

 

CMYK 44 / 56 / 0 / 15

HEX #795FD8

RGB 121 95 216

HSL 252.89, 0.61%, 0.61%

LAB 48.52, 39.55, -58.87

 

CMYK 0 / 55 / 57 / 15

HEX #D8615D

RGB 216 97 93

HSL 1.95, 0.61%, 0.61%

LAB 56.03, 46.45, 25.31

 

CMYK 29 / 0 / 56 / 15

HEX #9AD85F

RGB 154 216 95

HSL 90.74, 0.61%, 0.61%

LAB 80.07, -39.57, 52.55

 

CMYK 56 / 1 / 0 / 15

HEX #5FD6D8

RGB 95 214 216

HSL 180.99, 0.61%, 0.61%

LAB 79.32, -32.57, -11.11

 

CMYK 27 / 56 / 0 / 15

HEX #9E5FD8

RGB 158 95 216

HSL 271.24, 0.61%, 0.61%

LAB 52.3, 48.25, -52.6

 

Description

Color code: HEX #D8615D | qconv.com Color code: HEX #D8615D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 97 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 97 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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