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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85F5E it is the complementary color #27A0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85F5E shade: #DD5F59, #EE716C, #FF837F, #FF9592 and #FFA7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85F5E shade: #D85F5E, #C74D4B, #B63B38, #A52925 and #941712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85F5E shade: #D8605F and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85F5E shade: #D8605F, #D8815F, #D8A15F, #D8C25F and #CED85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85F5E shade matches the following richer shades: #D8605F, #E8504F and #F8403F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85F5E shade: #D8605F, #C8706F, #B8807F, #A88F8F and #989F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85F5E shade: #D85FA0, #D85F7F, #D85F5F, #D87F5F and #D8A05F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85F5E shade: #B82E2D, #D03F3E, #D8605F, #E08180 and #E8A2A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85F5E shade: #D85F5E, #C0D85F and #5F8FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85F5E shade: #D85F5E, #5FD85F and #5F5FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85F5E shade: #D85F5E, #C0D85F, #5FD8D8 and #775FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85F5E shade: #D85F5E, #9CD85F, #5FD8D8 and #9C5FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

Complementary color

CMYK 76 / 1 / 0 / 37

HEX #27A0A1

RGB 39 160 161

HSL 180.49, 0.61%, 0.39%

LAB 60.02, -31.07, -9.87

 

CMYK 0 / 57 / 60 / 13

HEX #DD5F59

RGB 221 95 89

HSL 2.73, 0.66%, 0.61%

LAB 56.36, 48.89, 28.2

 

CMYK 0 / 53 / 55 / 7

HEX #EE716C

RGB 238 113 108

HSL 2.31, 0.79%, 0.68%

LAB 62.57, 47.76, 25.95

 

CMYK 0 / 49 / 50 / 0

HEX #FF837F

RGB 255 131 127

HSL 1.87, 1%, 0.75%

LAB 68.77, 46.64, 24

 

CMYK 0 / 42 / 43 / 0

HEX #FF9592

RGB 255 149 146

HSL 1.65, 1%, 0.79%

LAB 72.78, 39.41, 18.95

 

CMYK 0 / 35 / 35 / 0

HEX #FFA7A5

RGB 255 167 165

HSL 1.33, 1%, 0.82%

LAB 77.05, 32.21, 14.5

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

CMYK 0 / 61 / 62 / 22

HEX #C74D4B

RGB 199 77 75

HSL 0.97, 0.53%, 0.54%

LAB 49.44, 48.52, 26.78

 

CMYK 0 / 68 / 69 / 29

HEX #B63B38

RGB 182 59 56

HSL 1.43, 0.53%, 0.47%

LAB 43.3, 49.38, 29.76

 

CMYK 0 / 75 / 78 / 35

HEX #A52925

RGB 165 41 37

HSL 1.88, 0.63%, 0.4%

LAB 37.33, 49.85, 33.28

 

CMYK 0 / 84 / 88 / 42

HEX #941712

RGB 148 23 18

HSL 2.31, 0.78%, 0.33%

LAB 31.7, 49.54, 37.14

 

CMYK 0 / 56 / 56 / 15

HEX #D8605F

RGB 216 96 95

HSL 0.5, 0.61%, 0.61%

LAB 55.88, 47.08, 23.96

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 56 / 56 / 15

HEX #D8605F

RGB 216 96 95

HSL 0.5, 0.61%, 0.61%

LAB 55.88, 47.08, 23.96

 

CMYK 0 / 40 / 56 / 15

HEX #D8815F

RGB 216 129 95

HSL 16.86, 0.61%, 0.61%

LAB 62.61, 30.25, 32.66

 

CMYK 0 / 25 / 56 / 15

HEX #D8A15F

RGB 216 161 95

HSL 32.73, 0.61%, 0.61%

LAB 70.12, 13.03, 41.95

 

CMYK 0 / 10 / 56 / 15

HEX #D8C25F

RGB 216 194 95

HSL 49.09, 0.61%, 0.61%

LAB 78.47, -4.43, 51.84

 

CMYK 5 / 0 / 56 / 15

HEX #CED85F

RGB 206 216 95

HSL 64.96, 0.61%, 0.61%

LAB 83.47, -19.63, 57.34

 

CMYK 0 / 56 / 56 / 15

HEX #D8605F

RGB 216 96 95

HSL 0.5, 0.61%, 0.61%

LAB 55.88, 47.08, 23.96

 

CMYK 0 / 66 / 66 / 9

HEX #E8504F

RGB 232 80 79

HSL 0.39, 0.77%, 0.61%

LAB 55.54, 58.55, 33.28

 

CMYK 0 / 74 / 75 / 3

HEX #F8403F

RGB 248 64 63

HSL 0.32, 0.93%, 0.61%

LAB 56.07, 68.5, 43.58

 

CMYK 0 / 56 / 56 / 15

HEX #D8605F

RGB 216 96 95

HSL 0.5, 0.61%, 0.61%

LAB 55.88, 47.08, 23.96

 

CMYK 0 / 44 / 45 / 22

HEX #C8706F

RGB 200 112 111

HSL 0.67, 0.45%, 0.61%

LAB 57.09, 34.53, 15.94

 

CMYK 0 / 30 / 31 / 28

HEX #B8807F

RGB 184 128 127

HSL 1.05, 0.29%, 0.61%

LAB 59.12, 21.54, 9.26

 

CMYK 0 / 15 / 15 / 34

HEX #A88F8F

RGB 168 143 143

HSL 0, 0.13%, 0.61%

LAB 61.61, 9.37, 3.48

 

CMYK 4 / 0 / 0 / 38

HEX #989F9F

RGB 152 159 159

HSL 180, 0.04%, 0.61%

LAB 64.94, -2.49, -0.87

 

CMYK 0 / 56 / 26 / 15

HEX #D85FA0

RGB 216 95 160

HSL 327.77, 0.61%, 0.61%

LAB 57.39, 54.45, -11.9

 

CMYK 0 / 56 / 41 / 15

HEX #D85F7F

RGB 216 95 127

HSL 344.13, 0.61%, 0.61%

LAB 56.4, 50.49, 5.96

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 41 / 56 / 15

HEX #D87F5F

RGB 216 127 95

HSL 15.87, 0.61%, 0.61%

LAB 62.17, 31.31, 32.1

 

CMYK 0 / 26 / 56 / 15

HEX #D8A05F

RGB 216 160 95

HSL 32.23, 0.61%, 0.61%

LAB 69.87, 13.57, 41.66

 

CMYK 0 / 75 / 76 / 28

HEX #B82E2D

RGB 184 46 45

HSL 0.43, 0.61%, 0.45%

LAB 41.74, 54.43, 34.51

 

CMYK 0 / 70 / 70 / 18

HEX #D03F3E

RGB 208 63 62

HSL 0.41, 0.61%, 0.53%

LAB 48.65, 56.61, 33.75

 

CMYK 0 / 56 / 56 / 15

HEX #D8605F

RGB 216 96 95

HSL 0.5, 0.61%, 0.61%

LAB 55.88, 47.08, 23.96

 

CMYK 0 / 42 / 43 / 12

HEX #E08180

RGB 224 129 128

HSL 0.62, 0.61%, 0.69%

LAB 64.25, 36.41, 16.59

 

CMYK 0 / 30 / 31 / 9

HEX #E8A2A1

RGB 232 162 161

HSL 0.85, 0.61%, 0.77%

LAB 73.27, 25.82, 10.98

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

CMYK 11 / 0 / 56 / 15

HEX #C0D85F

RGB 192 216 95

HSL 71.9, 0.61%, 0.61%

LAB 82.46, -25.22, 55.91

 

CMYK 56 / 34 / 0 / 15

HEX #5F8FD8

RGB 95 143 216

HSL 216.2, 0.61%, 0.61%

LAB 59.01, 5.12, -42.27

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

CMYK 56 / 0 / 56 / 15

HEX #5FD85F

RGB 95 216 95

HSL 120, 0.61%, 0.61%

LAB 77.5, -57.6, 48.9

 

CMYK 56 / 56 / 0 / 15

HEX #5F5FD8

RGB 95 95 216

HSL 240, 0.61%, 0.61%

LAB 46.41, 34.24, -62.38

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

CMYK 11 / 0 / 56 / 15

HEX #C0D85F

RGB 192 216 95

HSL 71.9, 0.61%, 0.61%

LAB 82.46, -25.22, 55.91

 

CMYK 56 / 0 / 0 / 15

HEX #5FD8D8

RGB 95 216 216

HSL 180, 0.61%, 0.61%

LAB 79.9, -33.52, -10.24

 

CMYK 45 / 56 / 0 / 15

HEX #775FD8

RGB 119 95 216

HSL 251.9, 0.61%, 0.61%

LAB 48.34, 39.11, -59.17

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5E

RGB 216 95 94

HSL 0.49, 0.61%, 0.61%

LAB 55.68, 47.48, 24.28

 

CMYK 28 / 0 / 56 / 15

HEX #9CD85F

RGB 156 216 95

HSL 89.75, 0.61%, 0.61%

LAB 80.18, -38.85, 52.71

 

CMYK 56 / 0 / 0 / 15

HEX #5FD8D8

RGB 95 216 216

HSL 180, 0.61%, 0.61%

LAB 79.9, -33.52, -10.24

 

CMYK 28 / 56 / 0 / 15

HEX #9C5FD8

RGB 156 95 216

HSL 270.25, 0.61%, 0.61%

LAB 52.07, 47.75, -52.98

 

Description

Color code: HEX #D85F5E | qconv.com Color code: HEX #D85F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 95 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 95 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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