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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85E2F it is the complementary color #27A1D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85E2F shade: #DD5E2A, #EE703D, #FF8250, #FF9463 and #FFA676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85E2F shade: #D85E2F, #C74C1C, #B63A09, #A52800 and #941600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85E2F shade: #D86031, #D83331 and #D83131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85E2F shade: #D86031, #D88D31, #D8B931, #C9D831 and #9CD831

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85E2F shade matches the following richer shades: #D86031 and #EC571E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85E2F shade: #D86031, #C46845, #B07159, #9C7A6D and #898381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85E2F shade: #D8315E, #D83131, #D85E31, #D88A31 and #D8B731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85E2F shade: #99401D, #BC4E24, #D86031, #DE7B54 and #E59577

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85E2F shade: #D85E2F, #8AD831 and #3148D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85E2F shade: #D85E2F, #31D85E and #5E31D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85E2F shade: #D85E2F, #8AD831, #31ABD8 and #7F31D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85E2F shade: #D85E2F, #58D831, #31ABD8 and #B131D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

Complementary color

CMYK 81 / 23 / 0 / 18

HEX #27A1D0

RGB 39 161 208

HSL 196.69, 0.68%, 0.48%

LAB 62.06, -16.26, -33.15

 

CMYK 0 / 57 / 81 / 13

HEX #DD5E2A

RGB 221 94 42

HSL 17.43, 0.72%, 0.52%

LAB 55.63, 47.02, 52.21

 

CMYK 0 / 53 / 74 / 7

HEX #EE703D

RGB 238 112 61

HSL 17.29, 0.84%, 0.59%

LAB 61.74, 45.43, 50.21

 

CMYK 0 / 49 / 69 / 0

HEX #FF8250

RGB 255 130 80

HSL 17.14, 1%, 0.66%

LAB 67.88, 43.89, 48.15

 

CMYK 0 / 42 / 61 / 0

HEX #FF9463

RGB 255 148 99

HSL 18.85, 1%, 0.69%

LAB 71.79, 35.94, 42.99

 

CMYK 0 / 35 / 54 / 0

HEX #FFA676

RGB 255 166 118

HSL 21.02, 1%, 0.73%

LAB 75.97, 28.03, 38.27

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 0 / 62 / 86 / 22

HEX #C74C1C

RGB 199 76 28

HSL 16.84, 0.75%, 0.45%

LAB 48.75, 46.9, 50.79

 

CMYK 0 / 68 / 95 / 29

HEX #B63A09

RGB 182 58 9

HSL 16.99, 0.91%, 0.37%

LAB 42.75, 48.34, 51.63

 

CMYK 0 / 76 / 100 / 35

HEX #A52800

RGB 165 40 0

HSL 14.55, 1%, 0.32%

LAB 36.96, 49.37, 49.72

 

CMYK 0 / 85 / 100 / 42

HEX #941600

RGB 148 22 0

HSL 8.92, 1%, 0.29%

LAB 31.51, 49.49, 44.78

 

CMYK 0 / 56 / 77 / 15

HEX #D86031

RGB 216 96 49

HSL 16.89, 0.68%, 0.52%

LAB 55.26, 44.45, 48.32

 

CMYK 0 / 76 / 77 / 15

HEX #D83331

RGB 216 51 49

HSL 0.72, 0.68%, 0.52%

LAB 48.5, 62.65, 41.35

 

CMYK 0 / 77 / 77 / 15

HEX #D83131

RGB 216 49 49

HSL 0, 0.68%, 0.52%

LAB 48.28, 63.25, 41.12

 

CMYK 0 / 56 / 77 / 15

HEX #D86031

RGB 216 96 49

HSL 16.89, 0.68%, 0.52%

LAB 55.26, 44.45, 48.32

 

CMYK 0 / 35 / 77 / 15

HEX #D88D31

RGB 216 141 49

HSL 33.05, 0.68%, 0.52%

LAB 64.86, 21.09, 57.72

 

CMYK 0 / 14 / 77 / 15

HEX #D8B931

RGB 216 185 49

HSL 48.86, 0.68%, 0.52%

LAB 75.77, -2.38, 67.91

 

CMYK 7 / 0 / 77 / 15

HEX #C9D831

RGB 201 216 49

HSL 65.39, 0.68%, 0.52%

LAB 82.78, -24.32, 73.81

 

CMYK 28 / 0 / 77 / 15

HEX #9CD831

RGB 156 216 49

HSL 81.56, 0.68%, 0.52%

LAB 79.84, -42.14, 70.04

 

CMYK 0 / 56 / 77 / 15

HEX #D86031

RGB 216 96 49

HSL 16.89, 0.68%, 0.52%

LAB 55.26, 44.45, 48.32

 

CMYK 0 / 63 / 87 / 7

HEX #EC571E

RGB 236 87 30

HSL 16.6, 0.84%, 0.52%

LAB 56.82, 55.2, 59.13

 

CMYK 0 / 56 / 77 / 15

HEX #D86031

RGB 216 96 49

HSL 16.89, 0.68%, 0.52%

LAB 55.26, 44.45, 48.32

 

CMYK 0 / 47 / 65 / 23

HEX #C46845

RGB 196 104 69

HSL 16.54, 0.52%, 0.52%

LAB 54.1, 33.65, 35.81

 

CMYK 0 / 36 / 49 / 31

HEX #B07159

RGB 176 113 89

HSL 16.55, 0.36%, 0.52%

LAB 53.77, 22.21, 23.61

 

CMYK 0 / 22 / 30 / 39

HEX #9C7A6D

RGB 156 122 109

HSL 16.6, 0.19%, 0.52%

LAB 54.12, 11.25, 12.17

 

CMYK 0 / 4 / 6 / 46

HEX #898381

RGB 137 131 129

HSL 15, 0.03%, 0.52%

LAB 55.21, 1.87, 1.88

 

CMYK 0 / 77 / 56 / 15

HEX #D8315E

RGB 216 49 94

HSL 343.83, 0.68%, 0.52%

LAB 49.01, 65.56, 15.33

 

CMYK 0 / 77 / 77 / 15

HEX #D83131

RGB 216 49 49

HSL 0, 0.68%, 0.52%

LAB 48.28, 63.25, 41.12

 

CMYK 0 / 56 / 77 / 15

HEX #D85E31

RGB 216 94 49

HSL 16.17, 0.68%, 0.52%

LAB 54.89, 45.41, 47.95

 

CMYK 0 / 36 / 77 / 15

HEX #D88A31

RGB 216 138 49

HSL 31.98, 0.68%, 0.52%

LAB 64.16, 22.71, 57.05

 

CMYK 0 / 15 / 77 / 15

HEX #D8B731

RGB 216 183 49

HSL 48.14, 0.68%, 0.52%

LAB 75.26, -1.33, 67.44

 

CMYK 0 / 58 / 81 / 40

HEX #99401D

RGB 153 64 29

HSL 16.94, 0.68%, 0.36%

LAB 38.77, 35.26, 38.41

 

CMYK 0 / 59 / 81 / 26

HEX #BC4E24

RGB 188 78 36

HSL 16.58, 0.68%, 0.44%

LAB 47.32, 42.12, 45.25

 

CMYK 0 / 56 / 77 / 15

HEX #D86031

RGB 216 96 49

HSL 16.89, 0.68%, 0.52%

LAB 55.26, 44.45, 48.32

 

CMYK 0 / 45 / 62 / 13

HEX #DE7B54

RGB 222 123 84

HSL 16.96, 0.68%, 0.6%

LAB 61.94, 34.97, 37.97

 

CMYK 0 / 35 / 48 / 10

HEX #E59577

RGB 229 149 119

HSL 16.36, 0.68%, 0.68%

LAB 69.1, 26.86, 28.26

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 36 / 0 / 77 / 15

HEX #8AD831

RGB 138 216 49

HSL 88.02, 0.68%, 0.52%

LAB 78.89, -48.62, 68.8

 

CMYK 77 / 67 / 0 / 15

HEX #3148D8

RGB 49 72 216

HSL 231.74, 0.68%, 0.52%

LAB 38.28, 41.99, -75.76

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 77 / 0 / 56 / 15

HEX #31D85E

RGB 49 216 94

HSL 136.17, 0.68%, 0.52%

LAB 76.42, -66.29, 47.81

 

CMYK 56 / 77 / 0 / 15

HEX #5E31D8

RGB 94 49 216

HSL 256.17, 0.68%, 0.52%

LAB 36.99, 59.29, -77.77

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 36 / 0 / 77 / 15

HEX #8AD831

RGB 138 216 49

HSL 88.02, 0.68%, 0.52%

LAB 78.89, -48.62, 68.8

 

CMYK 77 / 21 / 0 / 15

HEX #31ABD8

RGB 49 171 216

HSL 196.17, 0.68%, 0.52%

LAB 65.54, -17.9, -32.17

 

CMYK 41 / 77 / 0 / 15

HEX #7F31D8

RGB 127 49 216

HSL 268.02, 0.68%, 0.52%

LAB 40.68, 63.82, -71.57

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 59 / 0 / 77 / 15

HEX #58D831

RGB 88 216 49

HSL 105.99, 0.68%, 0.52%

LAB 76.93, -63.41, 66.25

 

CMYK 77 / 21 / 0 / 15

HEX #31ABD8

RGB 49 171 216

HSL 196.17, 0.68%, 0.52%

LAB 65.54, -17.9, -32.17

 

CMYK 18 / 77 / 0 / 15

HEX #B131D8

RGB 177 49 216

HSL 285.99, 0.68%, 0.52%

LAB 47.63, 72.22, -59.97

 

Description

Color code: HEX #D85E2F | qconv.com Color code: HEX #D85E2F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 94 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 94 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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