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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85DD8 it is the complementary color #27A227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85DD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85DD8 shade: #DD5DD3, #EE6FE6, #FF81F9, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85DD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85DD8 shade: #D85DD8, #C74BC5, #B639B2, #A5279F and #94158C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85DD8 shade: #D85FD8, #D85FB7, #D85F97, #D85F76 and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85DD8 shade: #D85FD8, #B75FD8, #975FD8, #765FD8 and #5F5FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85DD8 shade matches the following richer shades: #D85FD8, #E84FE8 and #F83FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85DD8 shade: #D85FD8, #C86FC8, #B87FB8, #A88FA8 and #989F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85DD8 shade: #985FD8, #B85FD8, #D85FD8, #D85FB8 and #D85F98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85DD8 shade: #B82DB8, #D03ED0, #D85FD8, #E080E0 and #E8A1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85DD8 shade: #D85DD8, #D8775F and #5FD8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85DD8 shade: #D85DD8, #D8D85F and #5FD8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85DD8 shade: #D85DD8, #D8775F, #5FD85F and #5FC0D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85DD8 shade: #D85DD8, #D89C5F, #5FD85F and #5F9CD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

Complementary color

CMYK 76 / 0 / 76 / 36

HEX #27A227

RGB 39 162 39

HSL 120, 0.61%, 0.39%

LAB 58.43, -56, 51.08

 

CMYK 0 / 58 / 5 / 13

HEX #DD5DD3

RGB 221 93 211

HSL 304.69, 0.65%, 0.62%

LAB 59.8, 64.38, -37.38

 

CMYK 0 / 53 / 3 / 7

HEX #EE6FE6

RGB 238 111 230

HSL 303.78, 0.79%, 0.68%

LAB 65.95, 64, -38.24

 

CMYK 0 / 49 / 2 / 0

HEX #FF81F9

RGB 255 129 249

HSL 302.86, 1%, 0.75%

LAB 72.09, 63.47, -38.95

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

CMYK 0 / 62 / 1 / 22

HEX #C74BC5

RGB 199 75 197

HSL 300.97, 0.53%, 0.54%

LAB 53.17, 64.09, -40.03

 

CMYK 0 / 69 / 2 / 29

HEX #B639B2

RGB 182 57 178

HSL 301.92, 0.52%, 0.47%

LAB 47.09, 63.87, -38.76

 

CMYK 0 / 76 / 4 / 35

HEX #A5279F

RGB 165 39 159

HSL 302.86, 0.62%, 0.4%

LAB 41.14, 63, -37.06

 

CMYK 0 / 86 / 5 / 42

HEX #94158C

RGB 148 21 140

HSL 303.78, 0.75%, 0.33%

LAB 35.45, 61.12, -34.71

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 0 / 56 / 15 / 15

HEX #D85FB7

RGB 216 95 183

HSL 316.36, 0.61%, 0.61%

LAB 58.23, 57.71, -23.92

 

CMYK 0 / 56 / 30 / 15

HEX #D85F97

RGB 216 95 151

HSL 332.23, 0.61%, 0.61%

LAB 57.09, 53.28, -7.09

 

CMYK 0 / 56 / 45 / 15

HEX #D85F76

RGB 216 95 118

HSL 348.6, 0.61%, 0.61%

LAB 56.18, 49.58, 10.93

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 15 / 56 / 0 / 15

HEX #B75FD8

RGB 183 95 216

HSL 283.64, 0.61%, 0.61%

LAB 55.29, 54.54, -47.66

 

CMYK 30 / 56 / 0 / 15

HEX #975FD8

RGB 151 95 216

HSL 267.77, 0.61%, 0.61%

LAB 51.52, 46.53, -53.89

 

CMYK 45 / 56 / 0 / 15

HEX #765FD8

RGB 118 95 216

HSL 251.4, 0.61%, 0.61%

LAB 48.25, 38.9, -59.32

 

CMYK 56 / 56 / 0 / 15

HEX #5F5FD8

RGB 95 95 216

HSL 240, 0.61%, 0.61%

LAB 46.41, 34.24, -62.38

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 0 / 66 / 0 / 9

HEX #E84FE8

RGB 232 79 232

HSL 300, 0.77%, 0.61%

LAB 60.4, 76.02, -48.13

 

CMYK 0 / 75 / 0 / 3

HEX #F83FF8

RGB 248 63 248

HSL 300, 0.93%, 0.61%

LAB 61.9, 86.92, -54.51

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 0 / 45 / 0 / 22

HEX #C86FC8

RGB 200 111 200

HSL 300, 0.45%, 0.61%

LAB 59.72, 48.08, -31.48

 

CMYK 0 / 31 / 0 / 28

HEX #B87FB8

RGB 184 127 184

HSL 300, 0.29%, 0.61%

LAB 60.63, 31.48, -21.16

 

CMYK 0 / 15 / 0 / 34

HEX #A88FA8

RGB 168 143 168

HSL 300, 0.13%, 0.61%

LAB 62.34, 13.9, -9.65

 

CMYK 4 / 0 / 4 / 38

HEX #989F98

RGB 152 159 152

HSL 120, 0.04%, 0.61%

LAB 64.75, -3.85, 2.77

 

CMYK 30 / 56 / 0 / 15

HEX #985FD8

RGB 152 95 216

HSL 268.26, 0.61%, 0.61%

LAB 51.63, 46.77, -53.71

 

CMYK 15 / 56 / 0 / 15

HEX #B85FD8

RGB 184 95 216

HSL 284.13, 0.61%, 0.61%

LAB 55.41, 54.8, -47.46

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 0 / 56 / 15 / 15

HEX #D85FB8

RGB 216 95 184

HSL 315.87, 0.61%, 0.61%

LAB 58.27, 57.86, -24.43

 

CMYK 0 / 56 / 30 / 15

HEX #D85F98

RGB 216 95 152

HSL 331.74, 0.61%, 0.61%

LAB 57.12, 53.4, -7.63

 

CMYK 0 / 76 / 0 / 28

HEX #B82DB8

RGB 184 45 184

HSL 300, 0.61%, 0.45%

LAB 46.35, 69.24, -43.43

 

CMYK 0 / 70 / 0 / 18

HEX #D03ED0

RGB 208 62 208

HSL 300, 0.61%, 0.53%

LAB 53.39, 72.81, -45.9

 

CMYK 0 / 56 / 0 / 15

HEX #D85FD8

RGB 216 95 216

HSL 300, 0.61%, 0.61%

LAB 59.65, 63.04, -40.48

 

CMYK 0 / 43 / 0 / 12

HEX #E080E0

RGB 224 128 224

HSL 300, 0.61%, 0.69%

LAB 67.03, 50.84, -33.37

 

CMYK 0 / 31 / 0 / 9

HEX #E8A1E8

RGB 232 161 232

HSL 300, 0.61%, 0.77%

LAB 75.12, 37.55, -25.23

 

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

CMYK 0 / 45 / 56 / 15

HEX #D8775F

RGB 216 119 95

HSL 11.9, 0.61%, 0.61%

LAB 60.44, 35.52, 29.9

 

CMYK 56 / 0 / 22 / 15

HEX #5FD8A8

RGB 95 216 168

HSL 156.2, 0.61%, 0.61%

LAB 78.68, -45.19, 13.58

 

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

CMYK 0 / 0 / 56 / 15

HEX #D8D85F

RGB 216 216 95

HSL 60, 0.61%, 0.61%

LAB 84.24, -15.58, 58.42

 

CMYK 56 / 0 / 0 / 15

HEX #5FD8D8

RGB 95 216 216

HSL 180, 0.61%, 0.61%

LAB 79.9, -33.52, -10.24

 

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

CMYK 0 / 45 / 56 / 15

HEX #D8775F

RGB 216 119 95

HSL 11.9, 0.61%, 0.61%

LAB 60.44, 35.52, 29.9

 

CMYK 56 / 0 / 56 / 15

HEX #5FD85F

RGB 95 216 95

HSL 120, 0.61%, 0.61%

LAB 77.5, -57.6, 48.9

 

CMYK 56 / 11 / 0 / 15

HEX #5FC0D8

RGB 95 192 216

HSL 191.9, 0.61%, 0.61%

LAB 72.95, -21.77, -20.7

 

CMYK 0 / 57 / 0 / 15

HEX #D85DD8

RGB 216 93 216

HSL 300, 0.61%, 0.61%

LAB 59.33, 63.92, -40.99

 

CMYK 0 / 28 / 56 / 15

HEX #D89C5F

RGB 216 156 95

HSL 30.25, 0.61%, 0.61%

LAB 68.9, 15.72, 40.47

 

CMYK 56 / 0 / 56 / 15

HEX #5FD85F

RGB 95 216 95

HSL 120, 0.61%, 0.61%

LAB 77.5, -57.6, 48.9

 

CMYK 56 / 28 / 0 / 15

HEX #5F9CD8

RGB 95 156 216

HSL 209.75, 0.61%, 0.61%

LAB 62.65, -2.39, -36.56

 

Description

Color code: HEX #D85DD8 | qconv.com Color code: HEX #D85DD8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 93 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 93 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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