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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85D7ACE it is the complementary color #27A285CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85D7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85D7ACE shade: #DD5D75CE, #EE6F88CE, #FF819BCE, #FF93AECE and #FFA5C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85D7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85D7ACE shade: #D85D7ACE, #C74B67CE, #B63954CE, #A52741CE and #94152ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85D7ACE shade: #D85F7B and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85D7ACE shade: #D85F7B, #D85F9C, #D85FBD, #D35FD8 and #B25FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85D7ACE shade matches the following richer shades: #D85F7B, #E84F73 and #F83F6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85D7ACE shade: #D85F7B, #C86F84, #B87F8D, #A88F95 and #989F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85D7ACE shade: #D85FBE, #D85F9E, #D85F7D, #D8615F and #D8815F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85D7ACE shade: #B82D4D, #D03E60, #D85F7B, #E08097 and #E8A1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85D7ACE shade: #D85D7A, #D8D25F and #5FAED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85D7ACE shade: #D85D7A, #7DD85F and #5F7DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85D7ACE shade: #D85D7A, #D8D25F, #5FD8BA and #5F65D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85D7ACE shade: #D85D7A, #BAD85F, #5FD8BA and #7D5FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 35 / 12

HEX #D85D7ACE

RGBA 216 93 122 0.81

HSLA 345.85, 0.61%, 0.61%, 0.81

LABA 55.92, 50.91, 8.21, 0.81

 

Complementary color

CMYK 62 / 0 / 15 / 30

HEX #27A285CE

RGBA 39 162 133 0.81

HSLA 165.85, 0.61%, 0.39%, 0.81

LABA 59.86, -39.89, 5.7, 0.81

 

CMYK 0 / 47 / 38 / 11

HEX #DD5D75CE

RGBA 221 93 117 0.81

HSLA 348.75, 0.65%, 0.62%, 0.81

LABA 56.57, 52.1, 12.18, 0.81

 

CMYK 0 / 43 / 35 / 5

HEX #EE6F88CE

RGBA 238 111 136 0.81

HSLA 348.19, 0.79%, 0.68%, 0.81

LABA 62.78, 51.25, 10.26, 0.81

 

CMYK 0 / 40 / 32 / 0

HEX #FF819BCE

RGBA 255 129 155 0.81

HSLA 347.62, 1%, 0.75%, 0.81

LABA 68.99, 50.35, 8.62, 0.81

 

CMYK 0 / 34 / 26 / 0

HEX #FF93AECE

RGBA 255 147 174 0.81

HSLA 345, 1%, 0.79%, 0.81

LABA 73.01, 43.6, 3.79, 0.81

 

CMYK 0 / 29 / 20 / 0

HEX #FFA5C1CE

RGBA 255 165 193 0.81

HSLA 341.33, 1%, 0.82%, 0.81

LABA 77.29, 36.85, -0.44, 0.81

 

CMYK 0 / 46 / 35 / 12

HEX #D85D7ACE

RGBA 216 93 122 0.81

HSLA 345.85, 0.61%, 0.61%, 0.81

LABA 55.92, 50.91, 8.21, 0.81

 

CMYK 0 / 50 / 39 / 18

HEX #C74B67CE

RGBA 199 75 103 0.81

HSLA 346.45, 0.53%, 0.54%, 0.81

LABA 49.68, 51.62, 10.34, 0.81

 

CMYK 0 / 56 / 44 / 23

HEX #B63954CE

RGBA 182 57 84 0.81

HSLA 347.04, 0.52%, 0.47%, 0.81

LABA 43.52, 52.07, 12.95, 0.81

 

CMYK 0 / 62 / 49 / 29

HEX #A52741CE

RGBA 165 39 65 0.81

HSLA 347.62, 0.62%, 0.4%, 0.81

LABA 37.54, 52.02, 16.23, 0.81

 

CMYK 0 / 70 / 56 / 34

HEX #94152ECE

RGBA 148 21 46 0.81

HSLA 348.19, 0.75%, 0.33%, 0.81

LABA 31.87, 51.09, 20.45, 0.81

 

CMYK 0 / 56 / 43 / 15

HEX #D85F7B

RGB 216 95 123

HSL 346.12, 0.61%, 0.61%

LAB 56.3, 50.08, 8.16

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 56 / 43 / 15

HEX #D85F7B

RGB 216 95 123

HSL 346.12, 0.61%, 0.61%

LAB 56.3, 50.08, 8.16

 

CMYK 0 / 56 / 28 / 15

HEX #D85F9C

RGB 216 95 156

HSL 329.75, 0.61%, 0.61%

LAB 57.25, 53.92, -9.77

 

CMYK 0 / 56 / 13 / 15

HEX #D85FBD

RGB 216 95 189

HSL 313.39, 0.61%, 0.61%

LAB 58.47, 58.63, -26.99

 

CMYK 2 / 56 / 0 / 15

HEX #D35FD8

RGB 211 95 216

HSL 297.52, 0.61%, 0.61%

LAB 58.97, 61.75, -41.61

 

CMYK 18 / 56 / 0 / 15

HEX #B25FD8

RGB 178 95 216

HSL 281.16, 0.61%, 0.61%

LAB 54.67, 53.27, -48.69

 

CMYK 0 / 56 / 43 / 15

HEX #D85F7B

RGB 216 95 123

HSL 346.12, 0.61%, 0.61%

LAB 56.3, 50.08, 8.16

 

CMYK 0 / 66 / 50 / 9

HEX #E84F73

RGB 232 79 115

HSL 345.88, 0.77%, 0.61%

LAB 56.07, 61.42, 12.93

 

CMYK 0 / 75 / 57 / 3

HEX #F83F6A

RGB 248 63 106

HSL 346.05, 0.93%, 0.61%

LAB 56.64, 71.02, 19.47

 

CMYK 0 / 56 / 43 / 15

HEX #D85F7B

RGB 216 95 123

HSL 346.12, 0.61%, 0.61%

LAB 56.3, 50.08, 8.16

 

CMYK 0 / 45 / 34 / 22

HEX #C86F84

RGB 200 111 132

HSL 345.84, 0.45%, 0.61%

LAB 57.38, 37.49, 4.15

 

CMYK 0 / 31 / 23 / 28

HEX #B87F8D

RGB 184 127 141

HSL 345.26, 0.29%, 0.61%

LAB 59.24, 24.1, 1.39

 

CMYK 0 / 15 / 11 / 34

HEX #A88F95

RGB 168 143 149

HSL 345.6, 0.13%, 0.61%

LAB 61.77, 10.4, 0.3

 

CMYK 4 / 0 / 1 / 38

HEX #989F9E

RGB 152 159 158

HSL 171.43, 0.04%, 0.61%

LAB 64.92, -2.69, -0.35

 

CMYK 0 / 56 / 12 / 15

HEX #D85FBE

RGB 216 95 190

HSL 312.89, 0.61%, 0.61%

LAB 58.51, 58.78, -27.5

 

CMYK 0 / 56 / 27 / 15

HEX #D85F9E

RGB 216 95 158

HSL 328.76, 0.61%, 0.61%

LAB 57.32, 54.18, -10.84

 

CMYK 0 / 56 / 42 / 15

HEX #D85F7D

RGB 216 95 125

HSL 345.12, 0.61%, 0.61%

LAB 56.35, 50.28, 7.06

 

CMYK 0 / 55 / 56 / 15

HEX #D8615F

RGB 216 97 95

HSL 0.99, 0.61%, 0.61%

LAB 56.06, 46.6, 24.2

 

CMYK 0 / 40 / 56 / 15

HEX #D8815F

RGB 216 129 95

HSL 16.86, 0.61%, 0.61%

LAB 62.61, 30.25, 32.66

 

CMYK 0 / 76 / 58 / 28

HEX #B82D4D

RGB 184 45 77

HSL 346.19, 0.61%, 0.45%

LAB 42.16, 56.52, 15.5

 

CMYK 0 / 70 / 54 / 18

HEX #D03E60

RGB 208 62 96

HSL 346.03, 0.61%, 0.53%

LAB 49.13, 59.12, 14.04

 

CMYK 0 / 56 / 43 / 15

HEX #D85F7B

RGB 216 95 123

HSL 346.12, 0.61%, 0.61%

LAB 56.3, 50.08, 8.16

 

CMYK 0 / 43 / 33 / 12

HEX #E08097

RGB 224 128 151

HSL 345.63, 0.61%, 0.69%

LAB 64.58, 39.6, 4.01

 

CMYK 0 / 31 / 23 / 9

HEX #E8A1B2

RGB 232 161 178

HSL 345.63, 0.61%, 0.77%

LAB 73.45, 28.69, 1.89

 

CMYK 0 / 57 / 44 / 15

HEX #D85D7A

RGB 216 93 122

HSL 345.85, 0.61%, 0.61%

LAB 55.92, 50.91, 8.21

 

CMYK 0 / 3 / 56 / 15

HEX #D8D25F

RGB 216 210 95

HSL 57.02, 0.61%, 0.61%

LAB 82.66, -12.59, 56.63

 

CMYK 56 / 19 / 0 / 15

HEX #5FAED8

RGB 95 174 216

HSL 200.83, 0.61%, 0.61%

LAB 67.77, -12.34, -28.62

 

CMYK 0 / 57 / 44 / 15

HEX #D85D7A

RGB 216 93 122

HSL 345.85, 0.61%, 0.61%

LAB 55.92, 50.91, 8.21

 

CMYK 42 / 0 / 56 / 15

HEX #7DD85F

RGB 125 216 95

HSL 105.12, 0.61%, 0.61%

LAB 78.64, -49.26, 50.51

 

CMYK 56 / 42 / 0 / 15

HEX #5F7DD8

RGB 95 125 216

HSL 225.12, 0.61%, 0.61%

LAB 54.09, 15.88, -50.06

 

CMYK 0 / 57 / 44 / 15

HEX #D85D7A

RGB 216 93 122

HSL 345.85, 0.61%, 0.61%

LAB 55.92, 50.91, 8.21

 

CMYK 0 / 3 / 56 / 15

HEX #D8D25F

RGB 216 210 95

HSL 57.02, 0.61%, 0.61%

LAB 82.66, -12.59, 56.63

 

CMYK 56 / 0 / 14 / 15

HEX #5FD8BA

RGB 95 216 186

HSL 165.12, 0.61%, 0.61%

LAB 79.09, -41.1, 4.6

 

CMYK 56 / 53 / 0 / 15

HEX #5F65D8

RGB 95 101 216

HSL 237.02, 0.61%, 0.61%

LAB 47.88, 30.58, -60.01

 

CMYK 0 / 57 / 44 / 15

HEX #D85D7A

RGB 216 93 122

HSL 345.85, 0.61%, 0.61%

LAB 55.92, 50.91, 8.21

 

CMYK 14 / 0 / 56 / 15

HEX #BAD85F

RGB 186 216 95

HSL 74.88, 0.61%, 0.61%

LAB 82.04, -27.57, 55.33

 

CMYK 56 / 0 / 14 / 15

HEX #5FD8BA

RGB 95 216 186

HSL 165.12, 0.61%, 0.61%

LAB 79.09, -41.1, 4.6

 

CMYK 42 / 56 / 0 / 15

HEX #7D5FD8

RGB 125 95 216

HSL 254.88, 0.61%, 0.61%

LAB 48.89, 40.44, -58.26

 

Description

Color code: HEX #D85D7ACE | qconv.com Color code: HEX #D85D7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 93 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 93 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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