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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85D5E it is the complementary color #27A2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85D5E shade: #DD5D59, #EE6F6C, #FF817F, #FF9392 and #FFA5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85D5E shade: #D85D5E, #C74B4B, #B63938, #A52725 and #941512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85D5E shade: #D85F60 and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85D5E shade: #D85F60, #D85F81, #D85FA1, #D85FC2 and #CE5FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85D5E shade matches the following richer shades: #D85F60, #E84F50 and #F83F40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85D5E shade: #D85F60, #C86F70, #B87F80, #A88F8F and #989F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85D5E shade: #D85FA2, #D85F81, #D85F61, #D87D5F and #D89E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85D5E shade: #B82D2E, #D03E3F, #D85F60, #E08081 and #E8A1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85D5E shade: #D85D5E, #C2D85F and #5F91D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85D5E shade: #D85D5E, #61D85F and #5F61D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85D5E shade: #D85D5E, #C2D85F, #5FD8D6 and #755FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85D5E shade: #D85D5E, #9ED85F, #5FD8D6 and #9A5FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

Complementary color

CMYK 76 / 0 / 1 / 36

HEX #27A2A1

RGB 39 162 161

HSL 179.51, 0.61%, 0.39%

LAB 60.64, -32.03, -8.94

 

CMYK 0 / 58 / 60 / 13

HEX #DD5D59

RGB 221 93 89

HSL 1.82, 0.66%, 0.61%

LAB 56.01, 49.82, 27.75

 

CMYK 0 / 53 / 55 / 7

HEX #EE6F6C

RGB 238 111 108

HSL 1.38, 0.79%, 0.68%

LAB 62.19, 48.73, 25.46

 

CMYK 0 / 49 / 50 / 0

HEX #FF817F

RGB 255 129 127

HSL 0.94, 1%, 0.75%

LAB 68.38, 47.62, 23.48

 

CMYK 0 / 42 / 43 / 0

HEX #FF9392

RGB 255 147 146

HSL 0.55, 1%, 0.79%

LAB 72.36, 40.43, 18.38

 

CMYK 0 / 35 / 35 / 0

HEX #FFA5A5

RGB 255 165 165

HSL 0, 1%, 0.82%

LAB 76.61, 33.25, 13.88

 

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 69 / 69 / 29

HEX #B63938

RGB 182 57 56

HSL 0.48, 0.53%, 0.47%

LAB 43, 50.2, 29.4

 

CMYK 0 / 76 / 78 / 35

HEX #A52725

RGB 165 39 37

HSL 0.94, 0.63%, 0.4%

LAB 37.09, 50.54, 33.01

 

CMYK 0 / 86 / 88 / 42

HEX #941512

RGB 148 21 18

HSL 1.38, 0.78%, 0.33%

LAB 31.52, 50.04, 36.99

 

CMYK 0 / 56 / 56 / 15

HEX #D85F60

RGB 216 95 96

HSL 359.5, 0.61%, 0.61%

LAB 55.71, 47.64, 23.16

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 56 / 56 / 15

HEX #D85F60

RGB 216 95 96

HSL 359.5, 0.61%, 0.61%

LAB 55.71, 47.64, 23.16

 

CMYK 0 / 56 / 40 / 15

HEX #D85F81

RGB 216 95 129

HSL 343.14, 0.61%, 0.61%

LAB 56.45, 50.71, 4.86

 

CMYK 0 / 56 / 25 / 15

HEX #D85FA1

RGB 216 95 161

HSL 327.27, 0.61%, 0.61%

LAB 57.42, 54.58, -12.43

 

CMYK 0 / 56 / 10 / 15

HEX #D85FC2

RGB 216 95 194

HSL 310.91, 0.61%, 0.61%

LAB 58.68, 59.41, -29.53

 

CMYK 5 / 56 / 0 / 15

HEX #CE5FD8

RGB 206 95 216

HSL 295.04, 0.61%, 0.61%

LAB 58.29, 60.46, -42.73

 

CMYK 0 / 56 / 56 / 15

HEX #D85F60

RGB 216 95 96

HSL 359.5, 0.61%, 0.61%

LAB 55.71, 47.64, 23.16

 

CMYK 0 / 66 / 66 / 9

HEX #E84F50

RGB 232 79 80

HSL 359.61, 0.77%, 0.61%

LAB 55.41, 59, 32.54

 

CMYK 0 / 75 / 74 / 3

HEX #F83F40

RGB 248 63 64

HSL 359.68, 0.93%, 0.61%

LAB 55.97, 68.85, 42.92

 

CMYK 0 / 56 / 56 / 15

HEX #D85F60

RGB 216 95 96

HSL 359.5, 0.61%, 0.61%

LAB 55.71, 47.64, 23.16

 

CMYK 0 / 45 / 44 / 22

HEX #C86F70

RGB 200 111 112

HSL 359.33, 0.45%, 0.61%

LAB 56.9, 35.17, 15.09

 

CMYK 0 / 31 / 30 / 28

HEX #B87F80

RGB 184 127 128

HSL 358.95, 0.29%, 0.61%

LAB 58.91, 22.23, 8.38

 

CMYK 0 / 15 / 15 / 34

HEX #A88F8F

RGB 168 143 143

HSL 0, 0.13%, 0.61%

LAB 61.61, 9.37, 3.48

 

CMYK 4 / 0 / 0 / 38

HEX #989F9F

RGB 152 159 159

HSL 180, 0.04%, 0.61%

LAB 64.94, -2.49, -0.87

 

CMYK 0 / 56 / 25 / 15

HEX #D85FA2

RGB 216 95 162

HSL 326.78, 0.61%, 0.61%

LAB 57.46, 54.71, -12.96

 

CMYK 0 / 56 / 40 / 15

HEX #D85F81

RGB 216 95 129

HSL 343.14, 0.61%, 0.61%

LAB 56.45, 50.71, 4.86

 

CMYK 0 / 56 / 55 / 15

HEX #D85F61

RGB 216 95 97

HSL 359.01, 0.61%, 0.61%

LAB 55.73, 47.71, 22.61

 

CMYK 0 / 42 / 56 / 15

HEX #D87D5F

RGB 216 125 95

HSL 14.88, 0.61%, 0.61%

LAB 61.73, 32.37, 31.55

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5F

RGB 216 158 95

HSL 31.24, 0.61%, 0.61%

LAB 69.38, 14.65, 41.06

 

CMYK 0 / 76 / 75 / 28

HEX #B82D2E

RGB 184 45 46

HSL 359.57, 0.61%, 0.45%

LAB 41.63, 54.8, 33.81

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3F

RGB 208 62 63

HSL 359.59, 0.61%, 0.53%

LAB 48.53, 57.04, 33.03

 

CMYK 0 / 56 / 56 / 15

HEX #D85F60

RGB 216 95 96

HSL 359.5, 0.61%, 0.61%

LAB 55.71, 47.64, 23.16

 

CMYK 0 / 43 / 42 / 12

HEX #E08081

RGB 224 128 129

HSL 359.38, 0.61%, 0.69%

LAB 64.06, 37.04, 15.76

 

CMYK 0 / 31 / 30 / 9

HEX #E8A1A2

RGB 232 161 162

HSL 359.15, 0.61%, 0.77%

LAB 73.06, 26.49, 10.13

 

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

CMYK 10 / 0 / 56 / 15

HEX #C2D85F

RGB 194 216 95

HSL 70.91, 0.61%, 0.61%

LAB 82.6, -24.43, 56.11

 

CMYK 56 / 33 / 0 / 15

HEX #5F91D8

RGB 95 145 216

HSL 215.21, 0.61%, 0.61%

LAB 59.56, 3.95, -41.39

 

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

CMYK 55 / 0 / 56 / 15

HEX #61D85F

RGB 97 216 95

HSL 119.01, 0.61%, 0.61%

LAB 77.57, -57.1, 48.99

 

CMYK 56 / 55 / 0 / 15

HEX #5F61D8

RGB 95 97 216

HSL 239.01, 0.61%, 0.61%

LAB 46.9, 33.02, -61.6

 

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

CMYK 10 / 0 / 56 / 15

HEX #C2D85F

RGB 194 216 95

HSL 70.91, 0.61%, 0.61%

LAB 82.6, -24.43, 56.11

 

CMYK 56 / 0 / 1 / 15

HEX #5FD8D6

RGB 95 216 214

HSL 179.01, 0.61%, 0.61%

LAB 79.84, -34.05, -9.26

 

CMYK 46 / 56 / 0 / 15

HEX #755FD8

RGB 117 95 216

HSL 250.91, 0.61%, 0.61%

LAB 48.16, 38.68, -59.46

 

CMYK 0 / 57 / 56 / 15

HEX #D85D5E

RGB 216 93 94

HSL 359.51, 0.61%, 0.61%

LAB 55.31, 48.43, 23.8

 

CMYK 27 / 0 / 56 / 15

HEX #9ED85F

RGB 158 216 95

HSL 88.76, 0.61%, 0.61%

LAB 80.3, -38.13, 52.87

 

CMYK 56 / 0 / 1 / 15

HEX #5FD8D6

RGB 95 216 214

HSL 179.01, 0.61%, 0.61%

LAB 79.84, -34.05, -9.26

 

CMYK 29 / 56 / 0 / 15

HEX #9A5FD8

RGB 154 95 216

HSL 269.26, 0.61%, 0.61%

LAB 51.85, 47.26, -53.34

 

Description

Color code: HEX #D85D5E | qconv.com Color code: HEX #D85D5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 93 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 93 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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