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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85D3C it is the complementary color #27A2C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85D3C shade: #DD5D37, #EE6F4A, #FF815D, #FF9370 and #FFA583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85D3C shade: #D85D3C, #C74B29, #B63916, #A52703 and #941500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85D3C shade: #D85C3B and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85D3C shade: #D85C3B, #D8873B, #D8B13B, #D5D83B and #ABD83B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85D3C shade matches the following richer shades: #D85C3B, #EB5128 and #FE4615

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85D3C shade: #D85C3B, #C5674E, #B27261, #9F7D74 and #8C8887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85D3C shade: #D83B70, #D83B46, #D85B3B, #D8843B and #D8AE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85D3C shade: #A13B20, #C44827, #D85C3B, #DF795E and #E69680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85D3C shade: #D85D3C, #99D83B and #3B5BD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85D3C shade: #D85D3C, #3BD85B and #5B3BD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85D3C shade: #D85D3C, #99D83B, #3BB9D8 and #7A3BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85D3C shade: #D85D3C, #6AD83B, #3BB9D8 and #A93BD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

Complementary color

CMYK 80 / 17 / 0 / 24

HEX #27A2C3

RGB 39 162 195

HSL 192.69, 0.67%, 0.46%

LAB 61.84, -21.21, -26.25

 

CMYK 0 / 58 / 75 / 13

HEX #DD5D37

RGB 221 93 55

HSL 13.73, 0.71%, 0.54%

LAB 55.56, 47.95, 45.89

 

CMYK 0 / 53 / 69 / 7

HEX #EE6F4A

RGB 238 111 74

HSL 13.54, 0.83%, 0.61%

LAB 61.69, 46.52, 43.55

 

CMYK 0 / 49 / 64 / 0

HEX #FF815D

RGB 255 129 93

HSL 13.33, 1%, 0.68%

LAB 67.84, 45.11, 41.36

 

CMYK 0 / 42 / 56 / 0

HEX #FF9370

RGB 255 147 112

HSL 14.69, 1%, 0.72%

LAB 71.76, 37.38, 36.1

 

CMYK 0 / 35 / 49 / 0

HEX #FFA583

RGB 255 165 131

HSL 16.45, 1%, 0.76%

LAB 75.95, 29.68, 31.37

 

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

CMYK 0 / 62 / 79 / 22

HEX #C74B29

RGB 199 75 41

HSL 12.91, 0.66%, 0.47%

LAB 48.68, 47.73, 44.76

 

CMYK 0 / 69 / 88 / 29

HEX #B63916

RGB 182 57 22

HSL 13.13, 0.78%, 0.4%

LAB 42.66, 48.96, 47.05

 

CMYK 0 / 76 / 98 / 35

HEX #A52703

RGB 165 39 3

HSL 13.33, 0.96%, 0.33%

LAB 36.85, 49.76, 48.49

 

CMYK 0 / 86 / 100 / 42

HEX #941500

RGB 148 21 0

HSL 8.51, 1%, 0.29%

LAB 31.42, 49.74, 44.72

 

CMYK 0 / 57 / 73 / 15

HEX #D85C3B

RGB 216 92 59

HSL 12.61, 0.67%, 0.54%

LAB 54.63, 46.77, 42.58

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 57 / 73 / 15

HEX #D85C3B

RGB 216 92 59

HSL 12.61, 0.67%, 0.54%

LAB 54.63, 46.77, 42.58

 

CMYK 0 / 38 / 73 / 15

HEX #D8873B

RGB 216 135 59

HSL 29.04, 0.67%, 0.54%

LAB 63.54, 24.75, 52.1

 

CMYK 0 / 18 / 73 / 15

HEX #D8B13B

RGB 216 177 59

HSL 45.1, 0.67%, 0.54%

LAB 73.78, 2.23, 62.43

 

CMYK 1 / 0 / 73 / 15

HEX #D5D83B

RGB 213 216 59

HSL 61.15, 0.67%, 0.54%

LAB 83.74, -18.94, 71.93

 

CMYK 21 / 0 / 73 / 15

HEX #ABD83B

RGB 171 216 59

HSL 77.2, 0.67%, 0.54%

LAB 80.79, -35.92, 68.07

 

CMYK 0 / 57 / 73 / 15

HEX #D85C3B

RGB 216 92 59

HSL 12.61, 0.67%, 0.54%

LAB 54.63, 46.77, 42.58

 

CMYK 0 / 66 / 83 / 8

HEX #EB5128

RGB 235 81 40

HSL 12.62, 0.83%, 0.54%

LAB 55.79, 57.58, 54.11

 

CMYK 0 / 72 / 92 / 0

HEX #FE4615

RGB 254 70 21

HSL 12.62, 0.99%, 0.54%

LAB 57.56, 67.34, 64.13

 

CMYK 0 / 57 / 73 / 15

HEX #D85C3B

RGB 216 92 59

HSL 12.61, 0.67%, 0.54%

LAB 54.63, 46.77, 42.58

 

CMYK 0 / 48 / 60 / 23

HEX #C5674E

RGB 197 103 78

HSL 12.61, 0.51%, 0.54%

LAB 54.16, 35.18, 30.92

 

CMYK 0 / 36 / 46 / 30

HEX #B27261

RGB 178 114 97

HSL 12.59, 0.34%, 0.54%

LAB 54.41, 23.3, 19.91

 

CMYK 0 / 21 / 27 / 38

HEX #9F7D74

RGB 159 125 116

HSL 12.56, 0.18%, 0.54%

LAB 55.38, 11.77, 9.92

 

CMYK 0 / 3 / 4 / 45

HEX #8C8887

RGB 140 136 135

HSL 12, 0.02%, 0.54%

LAB 57.01, 1.3, 1.06

 

CMYK 0 / 73 / 48 / 15

HEX #D83B70

RGB 216 59 112

HSL 339.75, 0.67%, 0.54%

LAB 50.57, 63.81, 6.55

 

CMYK 0 / 73 / 68 / 15

HEX #D83B46

RGB 216 59 70

HSL 355.8, 0.67%, 0.54%

LAB 49.7, 60.94, 30.68

 

CMYK 0 / 58 / 73 / 15

HEX #D85B3B

RGB 216 91 59

HSL 12.23, 0.67%, 0.54%

LAB 54.45, 47.24, 42.38

 

CMYK 0 / 39 / 73 / 15

HEX #D8843B

RGB 216 132 59

HSL 27.9, 0.67%, 0.54%

LAB 62.86, 26.36, 51.39

 

CMYK 0 / 19 / 73 / 15

HEX #D8AE3B

RGB 216 174 59

HSL 43.95, 0.67%, 0.54%

LAB 73.01, 3.82, 61.68

 

CMYK 0 / 63 / 80 / 37

HEX #A13B20

RGB 161 59 32

HSL 12.56, 0.67%, 0.38%

LAB 39.26, 40.87, 37.81

 

CMYK 0 / 63 / 80 / 23

HEX #C44827

RGB 196 72 39

HSL 12.61, 0.67%, 0.46%

LAB 47.65, 47.93, 44.57

 

CMYK 0 / 57 / 73 / 15

HEX #D85C3B

RGB 216 92 59

HSL 12.61, 0.67%, 0.54%

LAB 54.63, 46.77, 42.58

 

CMYK 0 / 46 / 58 / 13

HEX #DF795E

RGB 223 121 94

HSL 12.56, 0.67%, 0.62%

LAB 61.8, 37.11, 32.38

 

CMYK 0 / 35 / 44 / 10

HEX #E69680

RGB 230 150 128

HSL 12.94, 0.67%, 0.7%

LAB 69.61, 27.61, 24.03

 

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

CMYK 29 / 0 / 73 / 15

HEX #99D83B

RGB 153 216 59

HSL 84.08, 0.67%, 0.54%

LAB 79.73, -42.72, 66.67

 

CMYK 73 / 58 / 0 / 15

HEX #3B5BD8

RGB 59 91 216

HSL 227.77, 0.67%, 0.54%

LAB 43.32, 31.14, -67.51

 

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

CMYK 73 / 0 / 58 / 15

HEX #3BD85B

RGB 59 216 91

HSL 132.23, 0.67%, 0.54%

LAB 76.56, -65.28, 49.38

 

CMYK 58 / 73 / 0 / 15

HEX #5B3BD8

RGB 91 59 216

HSL 252.23, 0.67%, 0.54%

LAB 38.39, 54.12, -75.47

 

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

CMYK 29 / 0 / 73 / 15

HEX #99D83B

RGB 153 216 59

HSL 84.08, 0.67%, 0.54%

LAB 79.73, -42.72, 66.67

 

CMYK 73 / 14 / 0 / 15

HEX #3BB9D8

RGB 59 185 216

HSL 191.85, 0.67%, 0.54%

LAB 69.88, -24, -25.47

 

CMYK 44 / 73 / 0 / 15

HEX #7A3BD8

RGB 122 59 216

HSL 264.08, 0.67%, 0.54%

LAB 41.57, 58.78, -70.15

 

CMYK 0 / 57 / 72 / 15

HEX #D85D3C

RGB 216 93 60

HSL 12.69, 0.67%, 0.54%

LAB 54.82, 46.35, 42.27

 

CMYK 51 / 0 / 73 / 15

HEX #6AD83B

RGB 106 216 59

HSL 102.04, 0.67%, 0.54%

LAB 77.57, -58.1, 63.82

 

CMYK 73 / 14 / 0 / 15

HEX #3BB9D8

RGB 59 185 216

HSL 191.85, 0.67%, 0.54%

LAB 69.88, -24, -25.47

 

CMYK 22 / 73 / 0 / 15

HEX #A93BD8

RGB 169 59 216

HSL 282.04, 0.67%, 0.54%

LAB 47.65, 67.29, -59.99

 

Description

Color code: HEX #D85D3C | qconv.com Color code: HEX #D85D3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 93 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 93 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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