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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D857A3 it is the complementary color #27A85C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D857A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D857A3 shade: #DD579E, #EE69B1, #FF7BC4, #FF8DD7 and #FF9FEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D857A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D857A3 shade: #D857A3, #C74590, #B6337D, #A5216A and #940F57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D857A3 shade: #D756A2, #D7567F, #D7565C and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D857A3 shade: #D756A2, #D756C5, #C756D7, #A456D7 and #8156D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D857A3 shade matches the following richer shades: #D756A2, #E845A5 and #F934A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D857A3 shade: #D756A2, #C6679F, #B5779C, #A58899 and #949996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D857A3 shade: #C656D7, #D756C6, #D756A3, #D75681 and #D7565E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D857A3 shade: #B12979, #CF3490, #D756A2, #DF77B4 and #E798C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D857A3 shade: #D857A3, #D7A356 and #56D7D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D857A3 shade: #D857A3, #A3D756 and #56A3D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D857A3 shade: #D857A3, #D7A356, #56D789 and #5689D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D857A3 shade: #D857A3, #D7CA56, #56D789 and #5663D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

Complementary color

CMYK 77 / 0 / 45 / 34

HEX #27A85C

RGB 39 168 92

HSL 144.65, 0.62%, 0.41%

LAB 60.97, -51.31, 29.68

 

CMYK 0 / 61 / 29 / 13

HEX #DD579E

RGB 221 87 158

HSL 328.21, 0.66%, 0.6%

LAB 56.74, 59.27, -11.63

 

CMYK 0 / 56 / 26 / 7

HEX #EE69B1

RGB 238 105 177

HSL 327.52, 0.8%, 0.67%

LAB 62.89, 58.81, -13.09

 

CMYK 0 / 52 / 23 / 0

HEX #FF7BC4

RGB 255 123 196

HSL 326.82, 1%, 0.74%

LAB 69.05, 58.21, -14.33

 

CMYK 0 / 45 / 16 / 0

HEX #FF8DD7

RGB 255 141 215

HSL 321.05, 1%, 0.78%

LAB 73.03, 52.25, -18.86

 

CMYK 0 / 38 / 8 / 0

HEX #FF9FEA

RGB 255 159 234

HSL 313.13, 1%, 0.81%

LAB 77.28, 46.2, -22.8

 

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

CMYK 0 / 65 / 28 / 22

HEX #C74590

RGB 199 69 144

HSL 325.38, 0.54%, 0.53%

LAB 49.99, 58.67, -13.89

 

CMYK 0 / 72 / 31 / 29

HEX #B6337D

RGB 182 51 125

HSL 326.11, 0.56%, 0.46%

LAB 43.94, 58.46, -11.83

 

CMYK 0 / 80 / 36 / 35

HEX #A5216A

RGB 165 33 106

HSL 326.82, 0.67%, 0.39%

LAB 38.07, 57.55, -9.16

 

CMYK 0 / 90 / 41 / 42

HEX #940F57

RGB 148 15 87

HSL 327.52, 0.82%, 0.32%

LAB 32.54, 55.5, -5.6

 

CMYK 0 / 60 / 25 / 16

HEX #D756A2

RGB 215 86 162

HSL 324.65, 0.62%, 0.59%

LAB 55.8, 58.46, -15.48

 

CMYK 0 / 60 / 41 / 16

HEX #D7567F

RGB 215 86 127

HSL 340.93, 0.62%, 0.59%

LAB 54.69, 54.29, 3.48

 

CMYK 0 / 60 / 57 / 16

HEX #D7565C

RGB 215 86 92

HSL 357.21, 0.62%, 0.59%

LAB 53.89, 51.16, 23.06

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 60 / 25 / 16

HEX #D756A2

RGB 215 86 162

HSL 324.65, 0.62%, 0.59%

LAB 55.8, 58.46, -15.48

 

CMYK 0 / 60 / 8 / 16

HEX #D756C5

RGB 215 86 197

HSL 308.37, 0.62%, 0.59%

LAB 57.21, 63.57, -33.54

 

CMYK 7 / 60 / 0 / 16

HEX #C756D7

RGB 199 86 215

HSL 292.56, 0.62%, 0.59%

LAB 55.79, 62.57, -46.17

 

CMYK 24 / 60 / 0 / 16

HEX #A456D7

RGB 164 86 215

HSL 276.28, 0.62%, 0.59%

LAB 51.21, 54.1, -53.73

 

CMYK 40 / 60 / 0 / 16

HEX #8156D7

RGB 129 86 215

HSL 260, 0.62%, 0.59%

LAB 47.27, 46.11, -60.27

 

CMYK 0 / 60 / 25 / 16

HEX #D756A2

RGB 215 86 162

HSL 324.65, 0.62%, 0.59%

LAB 55.8, 58.46, -15.48

 

CMYK 0 / 70 / 29 / 9

HEX #E845A5

RGB 232 69 165

HSL 324.66, 0.78%, 0.59%

LAB 56.22, 70.16, -16.34

 

CMYK 0 / 79 / 33 / 2

HEX #F934A8

RGB 249 52 168

HSL 324.67, 0.94%, 0.59%

LAB 57.49, 79.66, -15.89

 

CMYK 0 / 60 / 25 / 16

HEX #D756A2

RGB 215 86 162

HSL 324.65, 0.62%, 0.59%

LAB 55.8, 58.46, -15.48

 

CMYK 0 / 48 / 20 / 22

HEX #C6679F

RGB 198 103 159

HSL 324.63, 0.45%, 0.59%

LAB 56.3, 44.69, -13.21

 

CMYK 0 / 34 / 14 / 29

HEX #B5779C

RGB 181 119 156

HSL 324.19, 0.3%, 0.59%

LAB 57.48, 29.85, -9.91

 

CMYK 0 / 18 / 7 / 35

HEX #A58899

RGB 165 136 153

HSL 324.83, 0.14%, 0.59%

LAB 59.81, 13.95, -4.91

 

CMYK 3 / 0 / 2 / 40

HEX #949996

RGB 148 153 150

HSL 144, 0.02%, 0.59%

LAB 62.74, -2.38, 0.94

 

CMYK 8 / 60 / 0 / 16

HEX #C656D7

RGB 198 86 215

HSL 292.09, 0.62%, 0.59%

LAB 55.65, 62.33, -46.4

 

CMYK 0 / 60 / 8 / 16

HEX #D756C6

RGB 215 86 198

HSL 307.91, 0.62%, 0.59%

LAB 57.25, 63.72, -34.04

 

CMYK 0 / 60 / 24 / 16

HEX #D756A3

RGB 215 86 163

HSL 324.19, 0.62%, 0.59%

LAB 55.83, 58.6, -16.01

 

CMYK 0 / 60 / 40 / 16

HEX #D75681

RGB 215 86 129

HSL 340, 0.62%, 0.59%

LAB 54.75, 54.5, 2.38

 

CMYK 0 / 60 / 56 / 16

HEX #D7565E

RGB 215 86 94

HSL 356.28, 0.62%, 0.59%

LAB 53.93, 51.31, 21.94

 

CMYK 0 / 77 / 32 / 31

HEX #B12979

RGB 177 41 121

HSL 324.71, 0.62%, 0.43%

LAB 41.71, 59.98, -12.82

 

CMYK 0 / 75 / 30 / 19

HEX #CF3490

RGB 207 52 144

HSL 324.39, 0.62%, 0.51%

LAB 49.17, 66.9, -15

 

CMYK 0 / 60 / 25 / 16

HEX #D756A2

RGB 215 86 162

HSL 324.65, 0.62%, 0.59%

LAB 55.8, 58.46, -15.48

 

CMYK 0 / 47 / 19 / 13

HEX #DF77B4

RGB 223 119 180

HSL 324.81, 0.62%, 0.67%

LAB 63.49, 47.84, -14.11

 

CMYK 0 / 34 / 14 / 9

HEX #E798C7

RGB 231 152 199

HSL 324.3, 0.62%, 0.75%

LAB 71.94, 36.32, -11.96

 

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

CMYK 0 / 24 / 60 / 16

HEX #D7A356

RGB 215 163 86

HSL 35.81, 0.62%, 0.59%

LAB 70.39, 10.85, 46.77

 

CMYK 60 / 0 / 0 / 16

HEX #56D7D7

RGB 86 215 215

HSL 180, 0.62%, 0.59%

LAB 79.32, -34.91, -10.6

 

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

CMYK 24 / 0 / 60 / 16

HEX #A3D756

RGB 163 215 86

HSL 84.19, 0.62%, 0.59%

LAB 80.21, -36.66, 56.83

 

CMYK 60 / 24 / 0 / 16

HEX #56A3D7

RGB 86 163 215

HSL 204.19, 0.62%, 0.59%

LAB 64.22, -8.42, -33.58

 

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

CMYK 0 / 24 / 60 / 16

HEX #D7A356

RGB 215 163 86

HSL 35.81, 0.62%, 0.59%

LAB 70.39, 10.85, 46.77

 

CMYK 60 / 0 / 36 / 16

HEX #56D789

RGB 86 215 137

HSL 143.72, 0.62%, 0.59%

LAB 77.51, -52.88, 28.17

 

CMYK 60 / 36 / 0 / 16

HEX #5689D7

RGB 86 137 215

HSL 216.28, 0.62%, 0.59%

LAB 56.86, 6.53, -45.13

 

CMYK 0 / 60 / 25 / 15

HEX #D857A3

RGB 216 87 163

HSL 324.65, 0.62%, 0.59%

LAB 56.15, 58.45, -15.52

 

CMYK 0 / 6 / 60 / 16

HEX #D7CA56

RGB 215 202 86

HSL 53.95, 0.62%, 0.59%

LAB 80.38, -9.6, 58.07

 

CMYK 60 / 0 / 36 / 16

HEX #56D789

RGB 86 215 137

HSL 143.72, 0.62%, 0.59%

LAB 77.51, -52.88, 28.17

 

CMYK 60 / 54 / 0 / 16

HEX #5663D7

RGB 86 99 215

HSL 233.95, 0.62%, 0.59%

LAB 46.72, 29.82, -61.34

 

Description

Color code: HEX #D857A3 | qconv.com Color code: HEX #D857A3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 87 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 87 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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