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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D855AF it is the complementary color #27AA50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D855AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D855AF shade: #DD55AA, #EE67BD, #FF79D0, #FF8BE3 and #FF9DF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D855AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D855AF shade: #D855AF, #C7439C, #B63189, #A51F76 and #940D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D855AF shade: #D855AF, #D8558C, #D85568 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D855AF shade: #D855AF, #D855D3, #BB55D8, #9755D8 and #7355D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D855AF shade matches the following richer shades: #D855AF, #E944B5 and #FA33BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D855AF shade: #D855AF, #C765A9, #B676A2, #A6879C and #959896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D855AF shade: #BA55D8, #D855D4, #D855B1, #D8558E and #D8556B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D855AF shade: #B22887, #D1339F, #D855AF, #E076BF and #E898CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D855AF shade: #D855AF, #D89655 and #55D8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D855AF shade: #D855AF, #B1D855 and #55B1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D855AF shade: #D855AF, #D89655, #55D87C and #5596D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D855AF shade: #D855AF, #D8BE55, #55D87C and #556FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

Complementary color

CMYK 77 / 0 / 53 / 33

HEX #27AA50

RGB 39 170 80

HSL 138.78, 0.63%, 0.41%

LAB 61.45, -54, 36.44

 

CMYK 0 / 62 / 23 / 13

HEX #DD55AA

RGB 221 85 170

HSL 322.5, 0.67%, 0.6%

LAB 56.85, 61.68, -18.45

 

CMYK 0 / 57 / 21 / 7

HEX #EE67BD

RGB 238 103 189

HSL 321.78, 0.8%, 0.67%

LAB 62.97, 61.33, -19.81

 

CMYK 0 / 53 / 18 / 0

HEX #FF79D0

RGB 255 121 208

HSL 321.04, 1%, 0.74%

LAB 69.1, 60.81, -20.95

 

CMYK 0 / 45 / 11 / 0

HEX #FF8BE3

RGB 255 139 227

HSL 314.48, 1%, 0.77%

LAB 73.07, 55.09, -25.4

 

CMYK 0 / 38 / 4 / 0

HEX #FF9DF6

RGB 255 157 246

HSL 305.51, 1%, 0.81%

LAB 77.3, 49.24, -29.27

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 66 / 22 / 22

HEX #C7439C

RGB 199 67 156

HSL 319.55, 0.54%, 0.52%

LAB 50.16, 61.05, -20.77

 

CMYK 0 / 73 / 25 / 29

HEX #B63189

RGB 182 49 137

HSL 320.3, 0.58%, 0.45%

LAB 44.16, 60.65, -18.82

 

CMYK 0 / 81 / 28 / 35

HEX #A51F76

RGB 165 31 118

HSL 321.04, 0.68%, 0.38%

LAB 38.35, 59.49, -16.27

 

CMYK 0 / 91 / 33 / 42

HEX #940D63

RGB 148 13 99

HSL 321.78, 0.84%, 0.32%

LAB 32.89, 57.12, -12.86

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 61 / 35 / 15

HEX #D8558C

RGB 216 85 140

HSL 334.81, 0.63%, 0.59%

LAB 55.06, 56.47, -3.65

 

CMYK 0 / 61 / 52 / 15

HEX #D85568

RGB 216 85 104

HSL 351.3, 0.63%, 0.59%

LAB 54.13, 52.89, 16.33

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 61 / 2 / 15

HEX #D855D3

RGB 216 85 211

HSL 302.29, 0.63%, 0.59%

LAB 57.85, 66.5, -40.5

 

CMYK 13 / 61 / 0 / 15

HEX #BB55D8

RGB 187 85 216

HSL 286.72, 0.63%, 0.59%

LAB 54.05, 60.29, -49.6

 

CMYK 30 / 61 / 0 / 15

HEX #9755D8

RGB 151 85 216

HSL 270.23, 0.63%, 0.59%

LAB 49.54, 51.8, -57.07

 

CMYK 47 / 61 / 0 / 15

HEX #7355D8

RGB 115 85 216

HSL 253.74, 0.63%, 0.59%

LAB 45.77, 44.03, -63.34

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 71 / 22 / 9

HEX #E944B5

RGB 233 68 181

HSL 318.91, 0.79%, 0.59%

LAB 56.87, 72.71, -24.62

 

CMYK 0 / 80 / 25 / 2

HEX #FA33BC

RGB 250 51 188

HSL 318.69, 0.95%, 0.59%

LAB 58.34, 82.34, -26.16

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 49 / 15 / 22

HEX #C765A9

RGB 199 101 169

HSL 318.37, 0.47%, 0.59%

LAB 56.4, 47.56, -18.85

 

CMYK 0 / 35 / 11 / 29

HEX #B676A2

RGB 182 118 162

HSL 318.75, 0.3%, 0.59%

LAB 57.57, 31.78, -13.23

 

CMYK 0 / 19 / 6 / 35

HEX #A6879C

RGB 166 135 156

HSL 319.35, 0.15%, 0.59%

LAB 59.74, 15.44, -6.71

 

CMYK 2 / 0 / 1 / 40

HEX #959896

RGB 149 152 150

HSL 140, 0.01%, 0.59%

LAB 62.55, -1.47, 0.66

 

CMYK 14 / 61 / 0 / 15

HEX #BA55D8

RGB 186 85 216

HSL 286.26, 0.63%, 0.59%

LAB 53.91, 60.05, -49.82

 

CMYK 0 / 61 / 2 / 15

HEX #D855D4

RGB 216 85 212

HSL 301.83, 0.63%, 0.59%

LAB 57.89, 66.67, -40.99

 

CMYK 0 / 61 / 18 / 15

HEX #D855B1

RGB 216 85 177

HSL 317.86, 0.63%, 0.59%

LAB 56.36, 61.25, -23.33

 

CMYK 0 / 61 / 34 / 15

HEX #D8558E

RGB 216 85 142

HSL 333.89, 0.63%, 0.59%

LAB 55.12, 56.7, -4.74

 

CMYK 0 / 61 / 50 / 15

HEX #D8556B

RGB 216 85 107

HSL 349.92, 0.63%, 0.59%

LAB 54.19, 53.15, 14.65

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 76 / 24 / 18

HEX #D1339F

RGB 209 51 159

HSL 318.99, 0.63%, 0.51%

LAB 50.01, 69.49, -22.64

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 47 / 15 / 12

HEX #E076BF

RGB 224 118 191

HSL 318.68, 0.63%, 0.67%

LAB 63.81, 50.33, -19.84

 

CMYK 0 / 34 / 11 / 9

HEX #E898CF

RGB 232 152 207

HSL 318.75, 0.63%, 0.75%

LAB 72.31, 37.96, -15.81

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 31 / 61 / 15

HEX #D89655

RGB 216 150 85

HSL 29.77, 0.63%, 0.59%

LAB 67.33, 18.21, 43.71

 

CMYK 61 / 0 / 6 / 15

HEX #55D8CB

RGB 85 216 203

HSL 174.05, 0.63%, 0.59%

LAB 79.25, -38.73, -4.29

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 18 / 0 / 61 / 15

HEX #B1D855

RGB 177 216 85

HSL 77.86, 0.63%, 0.59%

LAB 81.35, -31.89, 58.77

 

CMYK 61 / 18 / 0 / 15

HEX #55B1D8

RGB 85 177 216

HSL 197.86, 0.63%, 0.59%

LAB 68.27, -15.88, -27.89

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 31 / 61 / 15

HEX #D89655

RGB 216 150 85

HSL 29.77, 0.63%, 0.59%

LAB 67.33, 18.21, 43.71

 

CMYK 61 / 0 / 43 / 15

HEX #55D87C

RGB 85 216 124

HSL 137.86, 0.63%, 0.59%

LAB 77.58, -55.73, 34.89

 

CMYK 61 / 31 / 0 / 15

HEX #5596D8

RGB 85 150 216

HSL 210.23, 0.63%, 0.59%

LAB 60.52, -0.94, -39.93

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 12 / 61 / 15

HEX #D8BE55

RGB 216 190 85

HSL 48.09, 0.63%, 0.59%

LAB 77.33, -3.08, 55.16

 

CMYK 61 / 0 / 43 / 15

HEX #55D87C

RGB 85 216 124

HSL 137.86, 0.63%, 0.59%

LAB 77.58, -55.73, 34.89

 

CMYK 61 / 49 / 0 / 15

HEX #556FD8

RGB 85 111 216

HSL 228.09, 0.63%, 0.59%

LAB 49.81, 22.53, -56.94

 

Description

Color code: HEX #D855AF | qconv.com Color code: HEX #D855AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 85 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 85 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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