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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D853EB it is the complementary color #27AC14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D853EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D853EB shade: #DD53E6, #EE65F9, #FF77FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D853EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D853EB shade: #D853EB, #C741D8, #B62FC5, #A51DB2 and #940B9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D853EB shade: #D852EB, #EB52D5, #EB52AB, #EB5282 and #EB5259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D853EB shade: #D852EB, #AE52EB, #8552EB, #5C52EB and #5252EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D853EB shade matches the following richer shades: #D852EB and #E342FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D853EB shade: #D852EB, #CC61DB, #C071CB, #B481BC and #A890AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D853EB shade: #8552EB, #AD52EB, #D652EB, #EB52D6 and #EB52AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D853EB shade: #BA19D1, #CF2DE6, #D852EB, #E076EF and #E89BF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D853EB shade: #D853EB, #EB5C52 and #52EB99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D853EB shade: #D853EB, #EBD652 and #52EBD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D853EB shade: #D853EB, #EB5C52, #66EB52 and #52E0EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D853EB shade: #D853EB, #EB8A52, #66EB52 and #52B3EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

Complementary color

CMYK 77 / 0 / 88 / 33

HEX #27AC14

RGB 39 172 20

HSL 112.5, 0.79%, 0.38%

LAB 61.64, -60.24, 59.39

 

CMYK 4 / 64 / 0 / 10

HEX #DD53E6

RGB 221 83 230

HSL 296.33, 0.75%, 0.61%

LAB 59.23, 71.69, -48.98

 

CMYK 4 / 59 / 0 / 2

HEX #EE65F9

RGB 238 101 249

HSL 295.54, 0.93%, 0.69%

LAB 65.22, 71.6, -49.89

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

CMYK 8 / 70 / 0 / 15

HEX #C741D8

RGB 199 65 216

HSL 293.25, 0.66%, 0.55%

LAB 52.82, 71.19, -51.46

 

CMYK 8 / 76 / 0 / 23

HEX #B62FC5

RGB 182 47 197

HSL 294, 0.61%, 0.48%

LAB 46.99, 70.39, -50.02

 

CMYK 7 / 84 / 0 / 30

HEX #A51DB2

RGB 165 29 178

HSL 294.77, 0.72%, 0.41%

LAB 41.36, 68.74, -48.05

 

CMYK 7 / 93 / 0 / 38

HEX #940B9F

RGB 148 11 159

HSL 295.54, 0.87%, 0.33%

LAB 36.06, 65.85, -45.35

 

CMYK 8 / 65 / 0 / 8

HEX #D852EB

RGB 216 82 235

HSL 292.55, 0.79%, 0.62%

LAB 58.63, 71.82, -52.76

 

CMYK 0 / 65 / 9 / 8

HEX #EB52D5

RGB 235 82 213

HSL 308.63, 0.79%, 0.62%

LAB 60.34, 72.66, -37.52

 

CMYK 0 / 65 / 27 / 8

HEX #EB52AB

RGB 235 82 171

HSL 325.1, 0.79%, 0.62%

LAB 58.64, 66.91, -16.11

 

CMYK 0 / 65 / 45 / 8

HEX #EB5282

RGB 235 82 130

HSL 341.18, 0.79%, 0.62%

LAB 57.37, 62.46, 5.99

 

CMYK 0 / 65 / 62 / 8

HEX #EB5259

RGB 235 82 89

HSL 357.25, 0.79%, 0.62%

LAB 56.5, 59.29, 28.84

 

CMYK 8 / 65 / 0 / 8

HEX #D852EB

RGB 216 82 235

HSL 292.55, 0.79%, 0.62%

LAB 58.63, 71.82, -52.76

 

CMYK 26 / 65 / 0 / 8

HEX #AE52EB

RGB 174 82 235

HSL 276.08, 0.79%, 0.62%

LAB 52.98, 62.63, -62.12

 

CMYK 43 / 65 / 0 / 8

HEX #8552EB

RGB 133 82 235

HSL 260, 0.79%, 0.62%

LAB 48.28, 54.35, -69.95

 

CMYK 61 / 65 / 0 / 8

HEX #5C52EB

RGB 92 82 235

HSL 243.92, 0.79%, 0.62%

LAB 44.67, 47.45, -76

 

CMYK 65 / 65 / 0 / 8

HEX #5252EB

RGB 82 82 235

HSL 240, 0.79%, 0.62%

LAB 43.98, 46.07, -77.15

 

CMYK 8 / 65 / 0 / 8

HEX #D852EB

RGB 216 82 235

HSL 292.55, 0.79%, 0.62%

LAB 58.63, 71.82, -52.76

 

CMYK 9 / 74 / 0 / 2

HEX #E342FA

RGB 227 66 250

HSL 292.5, 0.95%, 0.62%

LAB 59.09, 82.31, -60.29

 

CMYK 8 / 65 / 0 / 8

HEX #D852EB

RGB 216 82 235

HSL 292.55, 0.79%, 0.62%

LAB 58.63, 71.82, -52.76

 

CMYK 7 / 56 / 0 / 14

HEX #CC61DB

RGB 204 97 219

HSL 292.62, 0.63%, 0.62%

LAB 58.51, 59.56, -44.08

 

CMYK 5 / 44 / 0 / 20

HEX #C071CB

RGB 192 113 203

HSL 292.67, 0.46%, 0.62%

LAB 59.28, 45.23, -33.95

 

CMYK 4 / 31 / 0 / 26

HEX #B481BC

RGB 180 129 188

HSL 291.86, 0.31%, 0.62%

LAB 60.81, 29.84, -23.19

 

CMYK 2 / 16 / 0 / 33

HEX #A890AC

RGB 168 144 172

HSL 291.43, 0.14%, 0.62%

LAB 62.72, 14.12, -11.35

 

CMYK 43 / 65 / 0 / 8

HEX #8552EB

RGB 133 82 235

HSL 260, 0.79%, 0.62%

LAB 48.28, 54.35, -69.95

 

CMYK 26 / 65 / 0 / 8

HEX #AD52EB

RGB 173 82 235

HSL 275.69, 0.79%, 0.62%

LAB 52.86, 62.42, -62.33

 

CMYK 9 / 65 / 0 / 8

HEX #D652EB

RGB 214 82 235

HSL 291.76, 0.79%, 0.62%

LAB 58.35, 71.37, -53.23

 

CMYK 0 / 65 / 9 / 8

HEX #EB52D6

RGB 235 82 214

HSL 308.24, 0.79%, 0.62%

LAB 60.38, 72.81, -38.01

 

CMYK 0 / 65 / 26 / 8

HEX #EB52AD

RGB 235 82 173

HSL 324.31, 0.79%, 0.62%

LAB 58.71, 67.16, -17.16

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D1

RGB 186 25 209

HSL 292.5, 0.79%, 0.46%

LAB 46.63, 78.27, -57.49

 

CMYK 10 / 80 / 0 / 10

HEX #CF2DE6

RGB 207 45 230

HSL 292.54, 0.79%, 0.54%

LAB 52.79, 81.14, -59.37

 

CMYK 8 / 65 / 0 / 8

HEX #D852EB

RGB 216 82 235

HSL 292.55, 0.79%, 0.62%

LAB 58.63, 71.82, -52.76

 

CMYK 6 / 51 / 0 / 6

HEX #E076EF

RGB 224 118 239

HSL 292.56, 0.79%, 0.7%

LAB 65.78, 58.54, -43.62

 

CMYK 5 / 36 / 0 / 5

HEX #E89BF3

RGB 232 155 243

HSL 292.5, 0.79%, 0.78%

LAB 74.23, 42.77, -32.57

 

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

CMYK 0 / 61 / 65 / 8

HEX #EB5C52

RGB 235 92 82

HSL 3.92, 0.79%, 0.62%

LAB 57.97, 54.66, 34.67

 

CMYK 65 / 0 / 35 / 8

HEX #52EB99

RGB 82 235 153

HSL 147.84, 0.79%, 0.62%

LAB 83.71, -58.44, 28.27

 

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

CMYK 0 / 9 / 65 / 8

HEX #EBD652

RGB 235 214 82

HSL 51.76, 0.79%, 0.62%

LAB 85.18, -7.62, 65.42

 

CMYK 65 / 0 / 9 / 8

HEX #52EBD6

RGB 82 235 214

HSL 171.76, 0.79%, 0.62%

LAB 85.03, -44.84, -1.64

 

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

CMYK 0 / 61 / 65 / 8

HEX #EB5C52

RGB 235 92 82

HSL 3.92, 0.79%, 0.62%

LAB 57.97, 54.66, 34.67

 

CMYK 57 / 0 / 65 / 8

HEX #66EB52

RGB 102 235 82

HSL 112.16, 0.79%, 0.62%

LAB 83.36, -64.16, 61.19

 

CMYK 65 / 5 / 0 / 8

HEX #52E0EB

RGB 82 224 235

HSL 184.31, 0.79%, 0.62%

LAB 82.43, -34.21, -16.59

 

CMYK 8 / 65 / 0 / 8

HEX #D853EB

RGB 216 83 235

HSL 292.5, 0.79%, 0.62%

LAB 58.77, 71.42, -52.54

 

CMYK 0 / 41 / 65 / 8

HEX #EB8A52

RGB 235 138 82

HSL 21.96, 0.79%, 0.62%

LAB 66.86, 32.17, 45.27

 

CMYK 57 / 0 / 65 / 8

HEX #66EB52

RGB 102 235 82

HSL 112.16, 0.79%, 0.62%

LAB 83.36, -64.16, 61.19

 

CMYK 65 / 24 / 0 / 8

HEX #52B3EB

RGB 82 179 235

HSL 201.96, 0.79%, 0.62%

LAB 69.49, -11.51, -36.39

 

Description

Color code: HEX #D853EB | qconv.com Color code: HEX #D853EB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 83 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 83 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 65 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 65% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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