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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D84F3C it is the complementary color #27B0C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D84F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D84F3C shade: #DD4F37, #EE614A, #FF735D, #FF8570 and #FF9783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D84F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D84F3C shade: #D84F3C, #C73D29, #B62B16, #A51903 and #940700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D84F3C shade: #D84E3B and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D84F3C shade: #D84E3B, #D8793B, #D8A33B, #D8CD3B and #B9D83B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D84F3C shade matches the following richer shades: #D84E3B, #EB4028 and #FE3215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D84F3C shade: #D84E3B, #C55D4E, #B26B61, #9F7974 and #8C8887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D84F3C shade: #D83B7D, #D83B53, #D84D3B, #D8773B and #D8A13B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D84F3C shade: #A13020, #C43A27, #D84E3B, #DF6D5E and #E68C80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D84F3C shade: #D84F3C, #A7D83B and #3B68D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D84F3C shade: #D84F3C, #3BD84D and #4D3BD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D84F3C shade: #D84F3C, #A7D83B, #3BC6D8 and #6D3BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D84F3C shade: #D84F3C, #77D83B, #3BC6D8 and #9C3BD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

Complementary color

CMYK 80 / 10 / 0 / 24

HEX #27B0C3

RGB 39 176 195

HSL 187.31, 0.67%, 0.46%

LAB 66.08, -28.32, -19.76

 

CMYK 0 / 64 / 75 / 13

HEX #DD4F37

RGB 221 79 55

HSL 8.67, 0.71%, 0.54%

LAB 53.21, 54.17, 43.4

 

CMYK 0 / 59 / 69 / 7

HEX #EE614A

RGB 238 97 74

HSL 8.41, 0.83%, 0.61%

LAB 59.18, 53.04, 40.65

 

CMYK 0 / 55 / 64 / 0

HEX #FF735D

RGB 255 115 93

HSL 8.15, 1%, 0.68%

LAB 65.21, 51.82, 38.17

 

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

 

CMYK 0 / 41 / 49 / 0

HEX #FF9783

RGB 255 151 131

HSL 9.68, 1%, 0.76%

LAB 72.91, 36.93, 27.35

 

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

CMYK 0 / 69 / 79 / 22

HEX #C73D29

RGB 199 61 41

HSL 7.59, 0.66%, 0.47%

LAB 46.5, 53.61, 42.59

 

CMYK 0 / 76 / 88 / 29

HEX #B62B16

RGB 182 43 22

HSL 7.88, 0.78%, 0.4%

LAB 40.78, 54.11, 45.55

 

CMYK 0 / 85 / 98 / 35

HEX #A51903

RGB 165 25 3

HSL 8.15, 0.96%, 0.33%

LAB 35.4, 53.83, 47.76

 

CMYK 0 / 95 / 100 / 42

HEX #940700

RGB 148 7 0

HSL 2.84, 1%, 0.29%

LAB 30.52, 52.33, 44.08

 

CMYK 0 / 64 / 73 / 15

HEX #D84E3B

RGB 216 78 59

HSL 7.26, 0.67%, 0.54%

LAB 52.25, 53.07, 39.94

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 64 / 73 / 15

HEX #D84E3B

RGB 216 78 59

HSL 7.26, 0.67%, 0.54%

LAB 52.25, 53.07, 39.94

 

CMYK 0 / 44 / 73 / 15

HEX #D8793B

RGB 216 121 59

HSL 23.69, 0.67%, 0.54%

LAB 60.42, 32.2, 48.83

 

CMYK 0 / 25 / 73 / 15

HEX #D8A33B

RGB 216 163 59

HSL 39.75, 0.67%, 0.54%

LAB 70.25, 9.68, 58.93

 

CMYK 0 / 5 / 73 / 15

HEX #D8CD3B

RGB 216 205 59

HSL 55.8, 0.67%, 0.54%

LAB 81.06, -12.22, 69.47

 

CMYK 14 / 0 / 73 / 15

HEX #B9D83B

RGB 185 216 59

HSL 71.85, 0.67%, 0.54%

LAB 81.7, -30.4, 69.26

 

CMYK 0 / 64 / 73 / 15

HEX #D84E3B

RGB 216 78 59

HSL 7.26, 0.67%, 0.54%

LAB 52.25, 53.07, 39.94

 

CMYK 0 / 73 / 83 / 8

HEX #EB4028

RGB 235 64 40

HSL 7.38, 0.83%, 0.54%

LAB 53.47, 63.9, 52.04

 

CMYK 0 / 80 / 92 / 0

HEX #FE3215

RGB 254 50 21

HSL 7.47, 0.99%, 0.54%

LAB 55.49, 73.15, 62.81

 

CMYK 0 / 64 / 73 / 15

HEX #D84E3B

RGB 216 78 59

HSL 7.26, 0.67%, 0.54%

LAB 52.25, 53.07, 39.94

 

CMYK 0 / 53 / 60 / 23

HEX #C55D4E

RGB 197 93 78

HSL 7.56, 0.51%, 0.54%

LAB 52.12, 40.33, 28.35

 

CMYK 0 / 40 / 46 / 30

HEX #B26B61

RGB 178 107 97

HSL 7.41, 0.34%, 0.54%

LAB 52.78, 27.18, 17.7

 

CMYK 0 / 24 / 27 / 38

HEX #9F7974

RGB 159 121 116

HSL 6.98, 0.18%, 0.54%

LAB 54.35, 14.05, 8.47

 

CMYK 0 / 3 / 4 / 45

HEX #8C8887

RGB 140 136 135

HSL 12, 0.02%, 0.54%

LAB 57.01, 1.3, 1.06

 

CMYK 0 / 73 / 42 / 15

HEX #D83B7D

RGB 216 59 125

HSL 334.78, 0.67%, 0.54%

LAB 50.93, 65, -0.78

 

CMYK 0 / 73 / 62 / 15

HEX #D83B53

RGB 216 59 83

HSL 350.83, 0.67%, 0.54%

LAB 49.92, 61.67, 23.21

 

CMYK 0 / 64 / 73 / 15

HEX #D84D3B

RGB 216 77 59

HSL 6.88, 0.67%, 0.54%

LAB 52.09, 53.49, 39.76

 

CMYK 0 / 45 / 73 / 15

HEX #D8773B

RGB 216 119 59

HSL 22.93, 0.67%, 0.54%

LAB 59.99, 33.25, 48.37

 

CMYK 0 / 25 / 73 / 15

HEX #D8A13B

RGB 216 161 59

HSL 38.98, 0.67%, 0.54%

LAB 69.76, 10.75, 58.44

 

CMYK 0 / 70 / 80 / 37

HEX #A13020

RGB 161 48 32

HSL 7.44, 0.67%, 0.38%

LAB 37.47, 45.68, 36.02

 

CMYK 0 / 70 / 80 / 23

HEX #C43A27

RGB 196 58 39

HSL 7.26, 0.67%, 0.46%

LAB 45.51, 53.71, 42.47

 

CMYK 0 / 64 / 73 / 15

HEX #D84E3B

RGB 216 78 59

HSL 7.26, 0.67%, 0.54%

LAB 52.25, 53.07, 39.94

 

CMYK 0 / 51 / 58 / 13

HEX #DF6D5E

RGB 223 109 94

HSL 6.98, 0.67%, 0.62%

LAB 59.37, 43.2, 29.28

 

CMYK 0 / 39 / 44 / 10

HEX #E68C80

RGB 230 140 128

HSL 7.06, 0.67%, 0.7%

LAB 67.38, 32.9, 21.01

 

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

CMYK 23 / 0 / 73 / 15

HEX #A7D83B

RGB 167 216 59

HSL 78.73, 0.67%, 0.54%

LAB 80.54, -37.47, 67.74

 

CMYK 73 / 52 / 0 / 15

HEX #3B68D8

RGB 59 104 216

HSL 222.8, 0.67%, 0.54%

LAB 46.7, 22.87, -62.02

 

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

CMYK 73 / 0 / 64 / 15

HEX #3BD84D

RGB 59 216 77

HSL 126.88, 0.67%, 0.54%

LAB 76.42, -66.88, 55.32

 

CMYK 64 / 73 / 0 / 15

HEX #4D3BD8

RGB 77 59 216

HSL 246.88, 0.67%, 0.54%

LAB 37.23, 52.37, -77.43

 

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

CMYK 23 / 0 / 73 / 15

HEX #A7D83B

RGB 167 216 59

HSL 78.73, 0.67%, 0.54%

LAB 80.54, -37.47, 67.74

 

CMYK 73 / 8 / 0 / 15

HEX #3BC6D8

RGB 59 198 216

HSL 186.88, 0.67%, 0.54%

LAB 73.72, -30.45, -19.61

 

CMYK 50 / 73 / 0 / 15

HEX #6D3BD8

RGB 109 59 216

HSL 259.11, 0.67%, 0.54%

LAB 40.14, 56.71, -72.54

 

CMYK 0 / 63 / 72 / 15

HEX #D84F3C

RGB 216 79 60

HSL 7.31, 0.67%, 0.54%

LAB 52.42, 52.68, 39.59

 

CMYK 45 / 0 / 73 / 15

HEX #77D83B

RGB 119 216 59

HSL 97.07, 0.67%, 0.54%

LAB 78.08, -54.27, 64.49

 

CMYK 73 / 8 / 0 / 15

HEX #3BC6D8

RGB 59 198 216

HSL 186.88, 0.67%, 0.54%

LAB 73.72, -30.45, -19.61

 

CMYK 28 / 73 / 0 / 15

HEX #9C3BD8

RGB 156 59 216

HSL 277.07, 0.67%, 0.54%

LAB 45.84, 64.81, -63

 

Description

Color code: HEX #D84F3C | qconv.com Color code: HEX #D84F3C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 79 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 79 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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