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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D83CAE it is the complementary color #27C351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D83CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D83CAE shade: #DD3CA9, #EE4EBC, #FF60CF, #FF72E2 and #FF84F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D83CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D83CAE shade: #D83CAE, #C72A9B, #B61888, #A50675 and #940062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D83CAE shade: #D83BAE, #D83B84, #D83B59 and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D83CAE shade: #D83BAE, #D83BD8, #AE3BD8, #833BD8 and #593BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D83CAE shade matches the following richer shades: #D83BAE, #EB28B7 and #FE15C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D83CAE shade: #D83BAE, #C54EA5, #B2619C, #9F7494 and #8C878B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D83CAE shade: #AE3BD8, #D83BD8, #D83BAE, #D83B84 and #D83B5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D83CAE shade: #A1207E, #C42799, #D83BAE, #DF5EBC and #E680CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D83CAE shade: #D83CAE, #D8843B and #3BD8C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D83CAE shade: #D83CAE, #AED83B and #3BAED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D83CAE shade: #D83CAE, #D8843B, #3BD865 and #3B8FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D83CAE shade: #D83CAE, #D8B43B, #3BD865 and #3B60D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

Complementary color

CMYK 80 / 0 / 58 / 24

HEX #27C351

RGB 39 195 81

HSL 136.15, 0.67%, 0.46%

LAB 69.51, -62.34, 45.61

 

CMYK 0 / 73 / 24 / 13

HEX #DD3CA9

RGB 221 60 169

HSL 319.38, 0.7%, 0.55%

LAB 53.46, 70.87, -23.06

 

CMYK 0 / 67 / 21 / 7

HEX #EE4EBC

RGB 238 78 188

HSL 318.75, 0.82%, 0.62%

LAB 59.21, 71.37, -24.99

 

CMYK 0 / 62 / 19 / 0

HEX #FF60CF

RGB 255 96 207

HSL 318.11, 1%, 0.69%

LAB 65.07, 71.45, -26.56

 

CMYK 0 / 55 / 11 / 0

HEX #FF72E2

RGB 255 114 226

HSL 312.34, 1%, 0.72%

LAB 68.6, 66.62, -31.73

 

CMYK 0 / 48 / 4 / 0

HEX #FF84F5

RGB 255 132 245

HSL 304.88, 1%, 0.76%

LAB 72.47, 61.39, -36.19

 

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

CMYK 0 / 79 / 22 / 22

HEX #C72A9B

RGB 199 42 155

HSL 316.82, 0.65%, 0.47%

LAB 47.19, 69.18, -24.76

 

CMYK 0 / 87 / 25 / 29

HEX #B61888

RGB 182 24 136

HSL 317.47, 0.77%, 0.4%

LAB 41.81, 67.13, -21.83

 

CMYK 0 / 96 / 29 / 35

HEX #A50675

RGB 165 6 117

HSL 318.11, 0.93%, 0.34%

LAB 36.77, 63.83, -18.08

 

CMYK 0 / 100 / 34 / 42

HEX #940062

RGB 148 0 98

HSL 320.27, 1%, 0.29%

LAB 32.21, 58.86, -13.25

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 73 / 39 / 15

HEX #D83B84

RGB 216 59 132

HSL 332.1, 0.67%, 0.54%

LAB 51.14, 65.69, -4.68

 

CMYK 0 / 73 / 59 / 15

HEX #D83B59

RGB 216 59 89

HSL 348.54, 0.67%, 0.54%

LAB 50.04, 62.06, 19.75

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 73 / 0 / 15

HEX #D83BD8

RGB 216 59 216

HSL 300, 0.67%, 0.54%

LAB 54.75, 76.73, -48.23

 

CMYK 19 / 73 / 0 / 15

HEX #AE3BD8

RGB 174 59 216

HSL 283.95, 0.67%, 0.54%

LAB 48.37, 68.26, -58.8

 

CMYK 39 / 73 / 0 / 15

HEX #833BD8

RGB 131 59 216

HSL 267.52, 0.67%, 0.54%

LAB 42.63, 60.3, -68.37

 

CMYK 59 / 73 / 0 / 15

HEX #593BD8

RGB 89 59 216

HSL 251.46, 0.67%, 0.54%

LAB 38.22, 53.86, -75.77

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 83 / 22 / 8

HEX #EB28B7

RGB 235 40 183

HSL 316, 0.83%, 0.54%

LAB 54.66, 80.96, -29.18

 

CMYK 0 / 92 / 24 / 0

HEX #FE15C0

RGB 254 21 192

HSL 315.97, 0.99%, 0.54%

LAB 57.48, 88.68, -29.75

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 60 / 16 / 23

HEX #C54EA5

RGB 197 78 165

HSL 316.13, 0.51%, 0.54%

LAB 51.88, 57.21, -23.47

 

CMYK 0 / 46 / 12 / 30

HEX #B2619C

RGB 178 97 156

HSL 316.3, 0.34%, 0.54%

LAB 52.3, 40.78, -17.77

 

CMYK 0 / 27 / 7 / 38

HEX #9F7494

RGB 159 116 148

HSL 315.35, 0.18%, 0.54%

LAB 54.03, 22.27, -10.69

 

CMYK 0 / 4 / 1 / 45

HEX #8C878B

RGB 140 135 139

HSL 312, 0.02%, 0.54%

LAB 56.85, 2.64, -1.48

 

CMYK 19 / 73 / 0 / 15

HEX #AE3BD8

RGB 174 59 216

HSL 283.95, 0.67%, 0.54%

LAB 48.37, 68.26, -58.8

 

CMYK 0 / 73 / 0 / 15

HEX #D83BD8

RGB 216 59 216

HSL 300, 0.67%, 0.54%

LAB 54.75, 76.73, -48.23

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 73 / 39 / 15

HEX #D83B84

RGB 216 59 132

HSL 332.1, 0.67%, 0.54%

LAB 51.14, 65.69, -4.68

 

CMYK 0 / 73 / 58 / 15

HEX #D83B5B

RGB 216 59 91

HSL 347.77, 0.67%, 0.54%

LAB 50.08, 62.19, 18.6

 

CMYK 0 / 80 / 22 / 37

HEX #A1207E

RGB 161 32 126

HSL 316.28, 0.67%, 0.38%

LAB 38.05, 59.28, -21.79

 

CMYK 0 / 80 / 22 / 23

HEX #C42799

RGB 196 39 153

HSL 316.43, 0.67%, 0.46%

LAB 46.29, 69.03, -24.99

 

CMYK 0 / 73 / 19 / 15

HEX #D83BAE

RGB 216 59 174

HSL 316.05, 0.67%, 0.54%

LAB 52.71, 70.63, -27.21

 

CMYK 0 / 58 / 16 / 13

HEX #DF5EBC

RGB 223 94 188

HSL 316.28, 0.67%, 0.62%

LAB 59.27, 60.9, -25.09

 

CMYK 0 / 44 / 12 / 10

HEX #E680CA

RGB 230 128 202

HSL 316.47, 0.67%, 0.7%

LAB 66.92, 48.92, -21.22

 

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

CMYK 0 / 39 / 73 / 15

HEX #D8843B

RGB 216 132 59

HSL 27.9, 0.67%, 0.54%

LAB 62.86, 26.36, 51.39

 

CMYK 73 / 0 / 10 / 15

HEX #3BD8C3

RGB 59 216 195

HSL 171.97, 0.67%, 0.54%

LAB 78.45, -44.65, -1.25

 

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

CMYK 19 / 0 / 73 / 15

HEX #AED83B

RGB 174 216 59

HSL 76.05, 0.67%, 0.54%

LAB 80.98, -34.75, 68.32

 

CMYK 73 / 19 / 0 / 15

HEX #3BAED8

RGB 59 174 216

HSL 196.05, 0.67%, 0.54%

LAB 66.64, -18.32, -30.46

 

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

CMYK 0 / 39 / 73 / 15

HEX #D8843B

RGB 216 132 59

HSL 27.9, 0.67%, 0.54%

LAB 62.86, 26.36, 51.39

 

CMYK 73 / 0 / 53 / 15

HEX #3BD865

RGB 59 216 101

HSL 136.05, 0.67%, 0.54%

LAB 76.67, -63.95, 44.88

 

CMYK 73 / 34 / 0 / 15

HEX #3B8FD8

RGB 59 143 216

HSL 207.9, 0.67%, 0.54%

LAB 57.59, -1.08, -44.6

 

CMYK 0 / 72 / 19 / 15

HEX #D83CAE

RGB 216 60 174

HSL 316.15, 0.67%, 0.54%

LAB 52.83, 70.3, -27.03

 

CMYK 0 / 17 / 73 / 15

HEX #D8B43B

RGB 216 180 59

HSL 46.24, 0.67%, 0.54%

LAB 74.54, 0.65, 63.18

 

CMYK 73 / 0 / 53 / 15

HEX #3BD865

RGB 59 216 101

HSL 136.05, 0.67%, 0.54%

LAB 76.67, -63.95, 44.88

 

CMYK 73 / 56 / 0 / 15

HEX #3B60D8

RGB 59 96 216

HSL 225.86, 0.67%, 0.54%

LAB 44.59, 27.96, -65.43

 

Description

Color code: HEX #D83CAE | qconv.com Color code: HEX #D83CAE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 60 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 60 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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