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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D83276 it is the complementary color #27CD89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D83276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D83276 shade: #DD3271, #EE4484, #FF5697, #FF68AA and #FF7ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D83276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D83276 shade: #D83276, #C72063, #B60E50, #A5003D and #94002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D83276 shade: #D83176, #D83149 and #D83131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D83276 shade: #D83176, #D831A2, #D831CF, #B331D8 and #8731D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D83276 shade matches the following richer shades: #D83176 and #EC1E72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D83276 shade: #D83176, #C44579, #B0597D, #9C6D80 and #898184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D83276 shade: #D831D0, #D831A3, #D83177, #D8314A and #D84531

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D83276 shade: #991D50, #BC2462, #D83176, #DE548D and #E577A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D83276 shade: #D83276, #D8B431 and #31B9D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D83276 shade: #D83276, #77D831 and #3177D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D83276 shade: #D83276, #D8B431, #31D892 and #3155D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D83276 shade: #D83276, #CAD831, #31D892 and #3F31D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

Complementary color

CMYK 81 / 0 / 33 / 20

HEX #27CD89

RGB 39 205 137

HSL 155.42, 0.68%, 0.48%

LAB 73.48, -56.27, 22.57

 

CMYK 0 / 77 / 49 / 13

HEX #DD3271

RGB 221 50 113

HSL 337.89, 0.72%, 0.53%

LAB 50.51, 68.06, 5.98

 

CMYK 0 / 71 / 45 / 7

HEX #EE4484

RGB 238 68 132

HSL 337.41, 0.83%, 0.6%

LAB 56.07, 68.67, 2.98

 

CMYK 0 / 66 / 41 / 0

HEX #FF5697

RGB 255 86 151

HSL 336.92, 1%, 0.67%

LAB 61.78, 68.77, 0.51

 

CMYK 0 / 59 / 33 / 0

HEX #FF68AA

RGB 255 104 170

HSL 333.77, 1%, 0.7%

LAB 65.01, 63.5, -5.67

 

CMYK 0 / 52 / 26 / 0

HEX #FF7ABD

RGB 255 122 189

HSL 329.77, 1%, 0.74%

LAB 68.64, 57.75, -11.01

 

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

CMYK 0 / 84 / 50 / 22

HEX #C72063

RGB 199 32 99

HSL 335.93, 0.72%, 0.45%

LAB 44.34, 65.82, 5.22

 

CMYK 0 / 92 / 56 / 29

HEX #B60E50

RGB 182 14 80

HSL 336.43, 0.86%, 0.38%

LAB 39.31, 63.38, 9.61

 

CMYK 0 / 100 / 63 / 35

HEX #A5003D

RGB 165 0 61

HSL 337.82, 1%, 0.32%

LAB 34.67, 59.71, 14.98

 

CMYK 0 / 100 / 72 / 42

HEX #94002A

RGB 148 0 42

HSL 342.97, 1%, 0.29%

LAB 30.55, 54.5, 21.42

 

CMYK 0 / 77 / 45 / 15

HEX #D83176

RGB 216 49 118

HSL 335.21, 0.68%, 0.52%

LAB 49.62, 67.46, 1.55

 

CMYK 0 / 77 / 66 / 15

HEX #D83149

RGB 216 49 73

HSL 351.38, 0.68%, 0.52%

LAB 48.61, 64.28, 27.54

 

CMYK 0 / 77 / 77 / 15

HEX #D83131

RGB 216 49 49

HSL 0, 0.68%, 0.52%

LAB 48.28, 63.25, 41.12

 

CMYK 0 / 77 / 45 / 15

HEX #D83176

RGB 216 49 118

HSL 335.21, 0.68%, 0.52%

LAB 49.62, 67.46, 1.55

 

CMYK 0 / 77 / 25 / 15

HEX #D831A2

RGB 216 49 162

HSL 319.4, 0.68%, 0.52%

LAB 51.16, 72.09, -22.55

 

CMYK 0 / 77 / 4 / 15

HEX #D831CF

RGB 216 49 207

HSL 303.23, 0.68%, 0.52%

LAB 53.28, 78.2, -45.43

 

CMYK 17 / 77 / 0 / 15

HEX #B331D8

RGB 179 49 216

HSL 286.71, 0.68%, 0.52%

LAB 47.93, 72.58, -59.47

 

CMYK 38 / 77 / 0 / 15

HEX #8731D8

RGB 135 49 216

HSL 270.9, 0.68%, 0.52%

LAB 41.7, 65.06, -69.87

 

CMYK 0 / 77 / 45 / 15

HEX #D83176

RGB 216 49 118

HSL 335.21, 0.68%, 0.52%

LAB 49.62, 67.46, 1.55

 

CMYK 0 / 87 / 52 / 7

HEX #EC1E72

RGB 236 30 114

HSL 335.53, 0.84%, 0.52%

LAB 51.81, 76.36, 7.62

 

CMYK 0 / 77 / 45 / 15

HEX #D83176

RGB 216 49 118

HSL 335.21, 0.68%, 0.52%

LAB 49.62, 67.46, 1.55

 

CMYK 0 / 65 / 38 / 23

HEX #C44579

RGB 196 69 121

HSL 335.43, 0.52%, 0.52%

LAB 48.73, 55.06, -2

 

CMYK 0 / 49 / 29 / 31

HEX #B0597D

RGB 176 89 125

HSL 335.17, 0.36%, 0.52%

LAB 49.32, 39.57, -3.88

 

CMYK 0 / 30 / 18 / 39

HEX #9C6D80

RGB 156 109 128

HSL 335.74, 0.19%, 0.52%

LAB 51.34, 21.66, -2.98

 

CMYK 0 / 6 / 4 / 46

HEX #898184

RGB 137 129 132

HSL 337.5, 0.03%, 0.52%

LAB 54.75, 3.59, -0.54

 

CMYK 0 / 77 / 4 / 15

HEX #D831D0

RGB 216 49 208

HSL 302.87, 0.68%, 0.52%

LAB 53.33, 78.35, -45.92

 

CMYK 0 / 77 / 25 / 15

HEX #D831A3

RGB 216 49 163

HSL 319.04, 0.68%, 0.52%

LAB 51.2, 72.21, -23.08

 

CMYK 0 / 77 / 45 / 15

HEX #D83177

RGB 216 49 119

HSL 334.85, 0.68%, 0.52%

LAB 49.65, 67.55, 0.99

 

CMYK 0 / 77 / 66 / 15

HEX #D8314A

RGB 216 49 74

HSL 351.02, 0.68%, 0.52%

LAB 48.62, 64.34, 26.96

 

CMYK 0 / 68 / 77 / 15

HEX #D84531

RGB 216 69 49

HSL 7.19, 0.68%, 0.52%

LAB 50.78, 56.35, 43.73

 

CMYK 0 / 81 / 48 / 40

HEX #991D50

RGB 153 29 80

HSL 335.32, 0.68%, 0.36%

LAB 34.46, 52.86, 1.9

 

CMYK 0 / 81 / 48 / 26

HEX #BC2462

RGB 188 36 98

HSL 335.53, 0.68%, 0.44%

LAB 42.51, 61.94, 2.94

 

CMYK 0 / 77 / 45 / 15

HEX #D83176

RGB 216 49 118

HSL 335.21, 0.68%, 0.52%

LAB 49.62, 67.46, 1.55

 

CMYK 0 / 62 / 36 / 13

HEX #DE548D

RGB 222 84 141

HSL 335.22, 0.68%, 0.6%

LAB 55.88, 58.84, -2.92

 

CMYK 0 / 48 / 28 / 10

HEX #E577A4

RGB 229 119 164

HSL 335.45, 0.68%, 0.68%

LAB 63.78, 47.57, -4.48

 

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

CMYK 0 / 17 / 77 / 15

HEX #D8B431

RGB 216 180 49

HSL 47.07, 0.68%, 0.52%

LAB 74.49, 0.24, 66.73

 

CMYK 77 / 14 / 0 / 15

HEX #31B9D8

RGB 49 185 216

HSL 191.14, 0.68%, 0.52%

LAB 69.69, -25.14, -25.78

 

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

CMYK 45 / 0 / 77 / 15

HEX #77D831

RGB 119 216 49

HSL 94.85, 0.68%, 0.52%

LAB 78.03, -54.86, 67.68

 

CMYK 77 / 45 / 0 / 15

HEX #3177D8

RGB 49 119 216

HSL 214.85, 0.68%, 0.52%

LAB 50.46, 12.21, -55.98

 

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

CMYK 0 / 17 / 77 / 15

HEX #D8B431

RGB 216 180 49

HSL 47.07, 0.68%, 0.52%

LAB 74.49, 0.24, 66.73

 

CMYK 77 / 0 / 32 / 15

HEX #31D892

RGB 49 216 146

HSL 154.85, 0.68%, 0.52%

LAB 77.19, -57.45, 22.93

 

CMYK 77 / 61 / 0 / 15

HEX #3155D8

RGB 49 85 216

HSL 227.07, 0.68%, 0.52%

LAB 41.39, 33.86, -70.67

 

CMYK 0 / 77 / 45 / 15

HEX #D83276

RGB 216 50 118

HSL 335.42, 0.68%, 0.52%

LAB 49.72, 67.17, 1.7

 

CMYK 6 / 0 / 77 / 15

HEX #CAD831

RGB 202 216 49

HSL 65.03, 0.68%, 0.52%

LAB 82.85, -23.91, 73.9

 

CMYK 77 / 0 / 32 / 15

HEX #31D892

RGB 49 216 146

HSL 154.85, 0.68%, 0.52%

LAB 77.19, -57.45, 22.93

 

CMYK 71 / 77 / 0 / 15

HEX #3F31D8

RGB 63 49 216

HSL 245.03, 0.68%, 0.52%

LAB 34.42, 56.1, -82.1

 

Description

Color code: HEX #D83276 | qconv.com Color code: HEX #D83276 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 50 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 50 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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