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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8314B it is the complementary color #27CEB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8314B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8314B shade: #DD3146, #EE4359, #FF556C, #FF677F and #FF7992

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8314B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8314B shade: #D8314B, #C71F38, #B60D25, #A50012 and #940000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8314B shade: #D8314B and #D83131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8314B shade: #D8314B, #D83178, #D831A5, #D831D2 and #B131D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8314B shade matches the following richer shades: #D8314B and #EC1E3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8314B shade: #D8314B, #C44559, #B05967, #9C6D74 and #898182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8314B shade: #D831A6, #D8317A, #D8314D, #D84231 and #D86E31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8314B shade: #991D31, #BC243C, #D8314B, #DE546A and #E57788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8314B shade: #D8314B, #D2D831 and #3190D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8314B shade: #D8314B, #4DD831 and #314DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8314B shade: #D8314B, #D2D831, #31D8BC and #3731D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8314B shade: #D8314B, #A0D831, #31D8BC and #6931D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

Complementary color

CMYK 81 / 0 / 13 / 19

HEX #27CEB4

RGB 39 206 180

HSL 170.66, 0.68%, 0.48%

LAB 74.74, -46.42, 1.36

 

CMYK 0 / 78 / 68 / 13

HEX #DD3146

RGB 221 49 70

HSL 352.67, 0.72%, 0.53%

LAB 49.51, 65.55, 30.66

 

CMYK 0 / 72 / 63 / 7

HEX #EE4359

RGB 238 67 89

HSL 352.28, 0.83%, 0.6%

LAB 54.98, 65.81, 26.99

 

CMYK 0 / 67 / 58 / 0

HEX #FF556C

RGB 255 85 108

HSL 351.88, 1%, 0.67%

LAB 60.64, 65.59, 23.88

 

CMYK 0 / 60 / 50 / 0

HEX #FF677F

RGB 255 103 127

HSL 350.53, 1%, 0.7%

LAB 63.75, 59.67, 17.16

 

CMYK 0 / 53 / 43 / 0

HEX #FF7992

RGB 255 121 146

HSL 348.81, 1%, 0.74%

LAB 67.28, 53.24, 11.28

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 84 / 72 / 22

HEX #C71F38

RGB 199 31 56

HSL 351.07, 0.73%, 0.45%

LAB 43.37, 63.41, 30.63

 

CMYK 0 / 93 / 80 / 29

HEX #B60D25

RGB 182 13 37

HSL 351.48, 0.87%, 0.38%

LAB 38.49, 61.37, 35.56

 

CMYK 0 / 100 / 89 / 35

HEX #A50012

RGB 165 0 18

HSL 353.45, 1%, 0.32%

LAB 34.07, 58.08, 40.61

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 77 / 77 / 15

HEX #D83131

RGB 216 49 49

HSL 0, 0.68%, 0.52%

LAB 48.28, 63.25, 41.12

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 77 / 44 / 15

HEX #D83178

RGB 216 49 120

HSL 334.49, 0.68%, 0.52%

LAB 49.68, 67.64, 0.42

 

CMYK 0 / 77 / 24 / 15

HEX #D831A5

RGB 216 49 165

HSL 318.32, 0.68%, 0.52%

LAB 51.28, 72.46, -24.13

 

CMYK 0 / 77 / 3 / 15

HEX #D831D2

RGB 216 49 210

HSL 302.16, 0.68%, 0.52%

LAB 53.44, 78.65, -46.89

 

CMYK 18 / 77 / 0 / 15

HEX #B131D8

RGB 177 49 216

HSL 285.99, 0.68%, 0.52%

LAB 47.63, 72.22, -59.97

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 87 / 74 / 7

HEX #EC1E3E

RGB 236 30 62

HSL 350.68, 0.84%, 0.52%

LAB 50.81, 73.52, 37.63

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 65 / 55 / 23

HEX #C44559

RGB 196 69 89

HSL 350.55, 0.52%, 0.52%

LAB 47.9, 52.03, 16.26

 

CMYK 0 / 49 / 41 / 31

HEX #B05967

RGB 176 89 103

HSL 350.34, 0.36%, 0.52%

LAB 48.7, 36.81, 8.45

 

CMYK 0 / 30 / 26 / 39

HEX #9C6D74

RGB 156 109 116

HSL 351.06, 0.19%, 0.52%

LAB 51, 19.75, 3.62

 

CMYK 0 / 6 / 5 / 46

HEX #898182

RGB 137 129 130

HSL 352.5, 0.03%, 0.52%

LAB 54.69, 3.21, 0.54

 

CMYK 0 / 77 / 23 / 15

HEX #D831A6

RGB 216 49 166

HSL 317.96, 0.68%, 0.52%

LAB 51.32, 72.58, -24.66

 

CMYK 0 / 77 / 44 / 15

HEX #D8317A

RGB 216 49 122

HSL 333.77, 0.68%, 0.52%

LAB 49.74, 67.82, -0.71

 

CMYK 0 / 77 / 64 / 15

HEX #D8314D

RGB 216 49 77

HSL 349.94, 0.68%, 0.52%

LAB 48.67, 64.5, 25.22

 

CMYK 0 / 69 / 77 / 15

HEX #D84231

RGB 216 66 49

HSL 6.11, 0.68%, 0.52%

LAB 50.35, 57.5, 43.29

 

CMYK 0 / 49 / 77 / 15

HEX #D86E31

RGB 216 110 49

HSL 21.92, 0.68%, 0.52%

LAB 58.01, 37.48, 51.06

 

CMYK 0 / 81 / 68 / 40

HEX #991D31

RGB 153 29 49

HSL 350.32, 0.68%, 0.36%

LAB 33.72, 50.58, 21.05

 

CMYK 0 / 81 / 68 / 26

HEX #BC243C

RGB 188 36 60

HSL 350.53, 0.68%, 0.44%

LAB 41.66, 59.34, 25.58

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 0 / 62 / 52 / 13

HEX #DE546A

RGB 222 84 106

HSL 350.43, 0.68%, 0.6%

LAB 54.98, 55.46, 16.48

 

CMYK 0 / 48 / 41 / 10

HEX #E57788

RGB 229 119 136

HSL 350.73, 0.68%, 0.68%

LAB 63.04, 44.22, 10.44

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 3 / 0 / 77 / 15

HEX #D2D831

RGB 210 216 49

HSL 62.16, 0.68%, 0.52%

LAB 83.46, -20.59, 74.68

 

CMYK 77 / 33 / 0 / 15

HEX #3190D8

RGB 49 144 216

HSL 205.87, 0.68%, 0.52%

LAB 57.61, -2.89, -44.58

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 64 / 0 / 77 / 15

HEX #4DD831

RGB 77 216 49

HSL 109.94, 0.68%, 0.52%

LAB 76.63, -65.88, 65.86

 

CMYK 77 / 64 / 0 / 15

HEX #314DD8

RGB 49 77 216

HSL 229.94, 0.68%, 0.52%

LAB 39.44, 38.9, -73.85

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 3 / 0 / 77 / 15

HEX #D2D831

RGB 210 216 49

HSL 62.16, 0.68%, 0.52%

LAB 83.46, -20.59, 74.68

 

CMYK 77 / 0 / 13 / 15

HEX #31D8BC

RGB 49 216 188

HSL 169.94, 0.68%, 0.52%

LAB 78.11, -47.6, 1.97

 

CMYK 75 / 77 / 0 / 15

HEX #3731D8

RGB 55 49 216

HSL 242.16, 0.68%, 0.52%

LAB 33.91, 55.47, -82.95

 

CMYK 0 / 77 / 65 / 15

HEX #D8314B

RGB 216 49 75

HSL 350.66, 0.68%, 0.52%

LAB 48.64, 64.39, 26.38

 

CMYK 26 / 0 / 77 / 15

HEX #A0D831

RGB 160 216 49

HSL 80.12, 0.68%, 0.52%

LAB 80.07, -40.63, 70.33

 

CMYK 77 / 0 / 13 / 15

HEX #31D8BC

RGB 49 216 188

HSL 169.94, 0.68%, 0.52%

LAB 78.11, -47.6, 1.97

 

CMYK 51 / 77 / 0 / 15

HEX #6931D8

RGB 105 49 216

HSL 260.12, 0.68%, 0.52%

LAB 38.12, 60.69, -75.87

 

Description

Color code: HEX #D8314B | qconv.com Color code: HEX #D8314B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 49 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 49 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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