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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D830223F it is the complementary color #27CFDD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D830223F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D830223F shade: #DD301D3F, #EE42303F, #FF54433F, #FF66563F and #FF78693F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D830223F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D830223F shade: #D830223F, #C71E0F3F, #B60C003F, #A500003F and #9400003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D830223F shade: #D83022 and #D82222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D830223F shade: #D83022, #D86122, #D89222, #D8C322 and #BCD822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D830223F shade matches the following richer shades: #D83022 and #EC1F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D830223F shade: #D83022, #C44136, #B0524A, #9C635E and #877473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D830223F shade: #D82277, #D82246, #D82E22, #D85F22 and #D88F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D830223F shade: #912017, #B4281C, #D83022, #E14E42 and #E76F65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D830223F shade: #D83022, #A8D822 and #225FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D830223F shade: #D83022, #22D82E and #2E22D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D830223F shade: #D83022, #A8D822, #22CCD8 and #5222D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D830223F shade: #D83022, #71D822, #22CCD8 and #8922D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 21 / 4

HEX #D830223F

RGBA 216 48 34 0.25

HSLA 4.62, 0.73%, 0.49%, 0.25

LABA 48.04, 63.11, 48.71, 0.25

 

Complementary color

CMYK 21 / 2 / 0 / 3

HEX #27CFDD3F

RGBA 39 207 221 0.25

HSLA 184.62, 0.73%, 0.51%, 0.25

LABA 76.24, -35.15, -18.54, 0.25

 

CMYK 0 / 20 / 22 / 3

HEX #DD301D3F

RGBA 221 48 29 0.25

HSLA 5.94, 0.77%, 0.49%, 0.25

LABA 48.98, 64.46, 52.19, 0.25

 

CMYK 0 / 18 / 20 / 2

HEX #EE42303F

RGBA 238 66 48 0.25

HSLA 5.68, 0.85%, 0.56%, 0.25

LABA 54.33, 64.36, 49.12, 0.25

 

CMYK 0 / 17 / 18 / 0

HEX #FF54433F

RGBA 255 84 67 0.25

HSLA 5.43, 1%, 0.63%, 0.25

LABA 59.89, 63.79, 45.98, 0.25

 

CMYK 0 / 15 / 17 / 0

HEX #FF66563F

RGBA 255 102 86 0.25

HSLA 5.68, 1%, 0.67%, 0.25

LABA 62.87, 57.29, 39.15, 0.25

 

CMYK 0 / 13 / 15 / 0

HEX #FF78693F

RGBA 255 120 105 0.25

HSLA 6, 1%, 0.71%, 0.25

LABA 66.3, 50.24, 32.96, 0.25

 

CMYK 0 / 19 / 21 / 4

HEX #D830223F

RGBA 216 48 34 0.25

HSLA 4.62, 0.73%, 0.49%, 0.25

LABA 48.04, 63.11, 48.71, 0.25

 

CMYK 0 / 21 / 23 / 5

HEX #C71E0F3F

RGBA 199 30 15 0.25

HSLA 4.89, 0.86%, 0.42%, 0.25

LABA 42.92, 62.51, 51.49, 0.25

 

CMYK 0 / 23 / 25 / 7

HEX #B60C003F

RGBA 182 12 0 0.25

HSLA 3.96, 1%, 0.36%, 0.25

LABA 38.21, 60.83, 52.34, 0.25

 

CMYK 0 / 25 / 25 / 9

HEX #A500003F

RGBA 165 0 0 0.25

HSLA 0, 1%, 0.32%, 0.25

LABA 33.98, 57.83, 48.2, 0.25

 

CMYK 0 / 25 / 25 / 10

HEX #9400003F

RGBA 148 0 0 0.25

HSLA 0, 1%, 0.29%, 0.25

LABA 30.15, 53.4, 43.8, 0.25

HEX #9400003F

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 0 / 84 / 84 / 15

HEX #D82222

RGB 216 34 34

HSL 0, 0.73%, 0.49%

LAB 46.79, 66.66, 47.61

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 0 / 55 / 84 / 15

HEX #D86122

RGB 216 97 34

HSL 20.77, 0.73%, 0.49%

LAB 55.34, 43.49, 55.05

 

CMYK 0 / 32 / 84 / 15

HEX #D89222

RGB 216 146 34

HSL 36.92, 0.73%, 0.49%

LAB 65.96, 17.91, 64.07

 

CMYK 0 / 10 / 84 / 15

HEX #D8C322

RGB 216 195 34

HSL 53.08, 0.73%, 0.49%

LAB 78.31, -8.01, 74.37

 

CMYK 13 / 0 / 84 / 15

HEX #BCD822

RGB 188 216 34

HSL 69.23, 0.73%, 0.49%

LAB 81.79, -30.15, 76.38

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 0 / 87 / 94 / 7

HEX #EC1F0E

RGB 236 31 14

HSL 4.59, 0.89%, 0.49%

LAB 50.5, 72.27, 60.19

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 0 / 67 / 72 / 23

HEX #C44136

RGB 196 65 54

HSL 4.65, 0.57%, 0.49%

LAB 46.69, 51.52, 35.51

 

CMYK 0 / 53 / 58 / 31

HEX #B0524A

RGB 176 82 74

HSL 4.71, 0.41%, 0.49%

LAB 46.66, 37.65, 23.05

 

CMYK 0 / 37 / 40 / 39

HEX #9C635E

RGB 156 99 94

HSL 4.84, 0.25%, 0.49%

LAB 48.01, 22.46, 12.46

 

CMYK 0 / 14 / 15 / 47

HEX #877473

RGB 135 116 115

HSL 3, 0.08%, 0.49%

LAB 50.55, 7.21, 3.28

 

CMYK 0 / 84 / 45 / 15

HEX #D82277

RGB 216 34 119

HSL 331.98, 0.73%, 0.49%

LAB 48.35, 71.24, -0.91

 

CMYK 0 / 84 / 68 / 15

HEX #D82246

RGB 216 34 70

HSL 348.13, 0.73%, 0.49%

LAB 47.22, 67.93, 27.61

 

CMYK 0 / 79 / 84 / 15

HEX #D82E22

RGB 216 46 34

HSL 3.96, 0.73%, 0.49%

LAB 47.84, 63.68, 48.53

 

CMYK 0 / 56 / 84 / 15

HEX #D85F22

RGB 216 95 34

HSL 20.11, 0.73%, 0.49%

LAB 54.97, 44.46, 54.73

 

CMYK 0 / 34 / 84 / 15

HEX #D88F22

RGB 216 143 34

HSL 35.93, 0.73%, 0.49%

LAB 65.25, 19.53, 63.47

 

CMYK 0 / 78 / 84 / 43

HEX #912017

RGB 145 32 23

HSL 4.43, 0.73%, 0.33%

LAB 32.07, 46.05, 34.58

 

CMYK 0 / 78 / 84 / 29

HEX #B4281C

RGB 180 40 28

HSL 4.74, 0.73%, 0.41%

LAB 40.09, 54.59, 41.92

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 0 / 65 / 71 / 12

HEX #E14E42

RGB 225 78 66

HSL 4.53, 0.73%, 0.57%

LAB 53.87, 56.41, 38.33

 

CMYK 0 / 52 / 56 / 9

HEX #E76F65

RGB 231 111 101

HSL 4.62, 0.73%, 0.65%

LAB 61.04, 45.67, 27.72

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 22 / 0 / 84 / 15

HEX #A8D822

RGB 168 216 34

HSL 75.82, 0.73%, 0.49%

LAB 80.49, -38.13, 74.76

 

CMYK 84 / 56 / 0 / 15

HEX #225FD8

RGB 34 95 216

HSL 219.89, 0.73%, 0.49%

LAB 43.48, 26.14, -67.27

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 84 / 0 / 79 / 15

HEX #22D82E

RGB 34 216 46

HSL 123.96, 0.73%, 0.49%

LAB 75.85, -72.56, 65.75

 

CMYK 79 / 84 / 0 / 15

HEX #2E22D8

RGB 46 34 216

HSL 243.96, 0.73%, 0.49%

LAB 31.07, 61.74, -87.68

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 22 / 0 / 84 / 15

HEX #A8D822

RGB 168 216 34

HSL 75.82, 0.73%, 0.49%

LAB 80.49, -38.13, 74.76

 

CMYK 84 / 6 / 0 / 15

HEX #22CCD8

RGB 34 204 216

HSL 183.96, 0.73%, 0.49%

LAB 75.13, -35.62, -17.52

 

CMYK 62 / 84 / 0 / 15

HEX #5222D8

RGB 82 34 216

HSL 255.82, 0.73%, 0.49%

LAB 33.76, 64.12, -83.14

 

CMYK 0 / 78 / 84 / 15

HEX #D83022

RGB 216 48 34

HSL 4.62, 0.73%, 0.49%

LAB 48.04, 63.11, 48.71

 

CMYK 48 / 0 / 84 / 15

HEX #71D822

RGB 113 216 34

HSL 93.96, 0.73%, 0.49%

LAB 77.72, -57.39, 71.28

 

CMYK 84 / 6 / 0 / 15

HEX #22CCD8

RGB 34 204 216

HSL 183.96, 0.73%, 0.49%

LAB 75.13, -35.62, -17.52

 

CMYK 37 / 84 / 0 / 15

HEX #8922D8

RGB 137 34 216

HSL 273.96, 0.73%, 0.49%

LAB 40.28, 70.27, -72.18

 

Description

Color code: HEX #D830223F | qconv.com Color code: HEX #D830223F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 48 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 48 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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