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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D82DB0 it is the complementary color #27D24F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D82DB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D82DB0 shade: #DD2DAB, #EE3FBE, #FF51D1, #FF63E4 and #FF75F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D82DB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D82DB0 shade: #D82DB0, #C71B9D, #B6098A, #A50077 and #940064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D82DB0 shade: #D82CB0, #D82C81, #D82C53 and #D82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D82DB0 shade: #D82CB0, #D22CD8, #A42CD8, #752CD8 and #472CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D82DB0 shade matches the following richer shades: #D82CB0 and #EC18BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D82DB0 shade: #D82CB0, #C440A5, #B0549A, #9C6890 and #877D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D82DB0 shade: #A52CD8, #D32CD8, #D82CB0, #D82C82 and #D82C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D82DB0 shade: #961C79, #B92296, #D82CB0, #DF4FBD and #E572CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D82DB0 shade: #D82DB0, #D8772C and #2CD8BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D82DB0 shade: #D82DB0, #B0D82C and #2CB0D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D82DB0 shade: #D82DB0, #D8772C, #2CD854 and #2C8ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D82DB0 shade: #D82DB0, #D8AA2C, #2CD854 and #2C5AD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

Complementary color

CMYK 81 / 0 / 62 / 18

HEX #27D24F

RGB 39 210 79

HSL 134.04, 0.69%, 0.49%

LAB 74.25, -67.38, 51.95

 

CMYK 0 / 80 / 23 / 13

HEX #DD2DAB

RGB 221 45 171

HSL 317.05, 0.72%, 0.52%

LAB 52.05, 75.37, -26.41

 

CMYK 0 / 74 / 20 / 7

HEX #EE3FBE

RGB 238 63 190

HSL 316.46, 0.84%, 0.59%

LAB 57.51, 76.65, -28.77

 

CMYK 0 / 68 / 18 / 0

HEX #FF51D1

RGB 255 81 209

HSL 315.86, 1%, 0.66%

LAB 63.13, 77.3, -30.67

 

CMYK 0 / 61 / 11 / 0

HEX #FF63E4

RGB 255 99 228

HSL 310.38, 1%, 0.69%

LAB 66.36, 73.23, -36.32

 

CMYK 0 / 54 / 3 / 0

HEX #FF75F7

RGB 255 117 247

HSL 303.48, 1%, 0.73%

LAB 69.96, 68.6, -41.18

 

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

CMYK 0 / 86 / 21 / 22

HEX #C71B9D

RGB 199 27 157

HSL 314.65, 0.76%, 0.44%

LAB 46.12, 72.77, -27.61

 

CMYK 0 / 95 / 24 / 29

HEX #B6098A

RGB 182 9 138

HSL 315.26, 0.91%, 0.37%

LAB 41.18, 69.47, -24.04

 

CMYK 0 / 100 / 28 / 35

HEX #A50077

RGB 165 0 119

HSL 316.73, 1%, 0.32%

LAB 36.61, 64.78, -19.58

 

CMYK 0 / 100 / 32 / 42

HEX #940064

RGB 148 0 100

HSL 319.46, 1%, 0.29%

LAB 32.29, 59.08, -14.41

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 0 / 80 / 40 / 15

HEX #D82C81

RGB 216 44 129

HSL 330.35, 0.69%, 0.51%

LAB 49.48, 69.83, -5.33

 

CMYK 0 / 80 / 62 / 15

HEX #D82C53

RGB 216 44 83

HSL 346.4, 0.69%, 0.51%

LAB 48.29, 66.24, 21.07

 

CMYK 0 / 80 / 80 / 15

HEX #D82C2C

RGB 216 44 44

HSL 0, 0.69%, 0.51%

LAB 47.73, 64.5, 43.28

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 3 / 80 / 0 / 15

HEX #D22CD8

RGB 210 44 216

HSL 297.91, 0.69%, 0.51%

LAB 52.35, 79.67, -52.1

 

CMYK 24 / 80 / 0 / 15

HEX #A42CD8

RGB 164 44 216

HSL 281.86, 0.69%, 0.51%

LAB 45.15, 71.48, -64.07

 

CMYK 46 / 80 / 0 / 15

HEX #752CD8

RGB 117 44 216

HSL 265.47, 0.69%, 0.51%

LAB 38.8, 64.3, -74.71

 

CMYK 67 / 80 / 0 / 15

HEX #472CD8

RGB 71 44 216

HSL 249.42, 0.69%, 0.51%

LAB 34.19, 59.14, -82.47

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 0 / 90 / 21 / 7

HEX #EC18BB

RGB 236 24 187

HSL 313.87, 0.85%, 0.51%

LAB 54.11, 84.28, -32.35

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 0 / 67 / 16 / 23

HEX #C440A5

RGB 196 64 165

HSL 314.09, 0.53%, 0.51%

LAB 49.64, 62.68, -26.94

 

CMYK 0 / 52 / 13 / 31

HEX #B0549A

RGB 176 84 154

HSL 314.35, 0.37%, 0.51%

LAB 49.38, 46.5, -21.09

 

CMYK 0 / 33 / 8 / 39

HEX #9C6890

RGB 156 104 144

HSL 313.85, 0.21%, 0.51%

LAB 50.67, 27.33, -13.44

 

CMYK 0 / 7 / 1 / 47

HEX #877D85

RGB 135 125 133

HSL 312, 0.04%, 0.51%

LAB 53.5, 5.34, -2.97

 

CMYK 24 / 80 / 0 / 15

HEX #A52CD8

RGB 165 44 216

HSL 282.21, 0.69%, 0.51%

LAB 45.3, 71.65, -63.82

 

CMYK 2 / 80 / 0 / 15

HEX #D32CD8

RGB 211 44 216

HSL 298.26, 0.69%, 0.51%

LAB 52.52, 79.86, -51.83

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 0 / 80 / 40 / 15

HEX #D82C82

RGB 216 44 130

HSL 330, 0.69%, 0.51%

LAB 49.51, 69.93, -5.89

 

CMYK 0 / 80 / 61 / 15

HEX #D82C54

RGB 216 44 84

HSL 346.05, 0.69%, 0.51%

LAB 48.31, 66.3, 20.49

 

CMYK 0 / 81 / 19 / 41

HEX #961C79

RGB 150 28 121

HSL 314.26, 0.69%, 0.35%

LAB 35.39, 57.1, -22.96

 

CMYK 0 / 82 / 19 / 27

HEX #B92296

RGB 185 34 150

HSL 313.91, 0.69%, 0.43%

LAB 43.74, 67.42, -27.31

 

CMYK 0 / 80 / 19 / 15

HEX #D82CB0

RGB 216 44 176

HSL 313.95, 0.69%, 0.51%

LAB 51.31, 75.15, -30.56

 

CMYK 0 / 65 / 15 / 13

HEX #DF4FBD

RGB 223 79 189

HSL 314.17, 0.69%, 0.59%

LAB 57.03, 67.29, -29.13

 

CMYK 0 / 50 / 12 / 10

HEX #E572CA

RGB 229 114 202

HSL 314.09, 0.69%, 0.67%

LAB 64.13, 55.52, -25.51

 

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

CMYK 0 / 45 / 80 / 15

HEX #D8772C

RGB 216 119 44

HSL 26.16, 0.69%, 0.51%

LAB 59.87, 32.63, 55.04

 

CMYK 80 / 0 / 13 / 15

HEX #2CD8BC

RGB 44 216 188

HSL 170.23, 0.69%, 0.51%

LAB 78.04, -48.08, 1.86

 

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

CMYK 19 / 0 / 80 / 15

HEX #B0D82C

RGB 176 216 44

HSL 73.95, 0.69%, 0.51%

LAB 81.03, -34.65, 72.98

 

CMYK 80 / 19 / 0 / 15

HEX #2CB0D8

RGB 44 176 216

HSL 193.95, 0.69%, 0.51%

LAB 66.93, -21.02, -30.03

 

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

CMYK 0 / 45 / 80 / 15

HEX #D8772C

RGB 216 119 44

HSL 26.16, 0.69%, 0.51%

LAB 59.87, 32.63, 55.04

 

CMYK 80 / 0 / 61 / 15

HEX #2CD854

RGB 44 216 84

HSL 133.95, 0.69%, 0.51%

LAB 76.25, -68.14, 52.07

 

CMYK 80 / 34 / 0 / 15

HEX #2C8ED8

RGB 44 142 216

HSL 205.81, 0.69%, 0.51%

LAB 56.92, -2.25, -45.69

 

CMYK 0 / 79 / 19 / 15

HEX #D82DB0

RGB 216 45 176

HSL 314.04, 0.69%, 0.51%

LAB 51.39, 74.9, -30.43

 

CMYK 0 / 21 / 80 / 15

HEX #D8AA2C

RGB 216 170 44

HSL 43.95, 0.69%, 0.51%

LAB 71.91, 5.34, 66.06

 

CMYK 80 / 0 / 61 / 15

HEX #2CD854

RGB 44 216 84

HSL 133.95, 0.69%, 0.51%

LAB 76.25, -68.14, 52.07

 

CMYK 80 / 58 / 0 / 15

HEX #2C5AD8

RGB 44 90 216

HSL 223.95, 0.69%, 0.51%

LAB 42.47, 30.19, -68.91

 

Description

Color code: HEX #D82DB0 | qconv.com Color code: HEX #D82DB0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 45 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 45 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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