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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D82DA4 it is the complementary color #27D25B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D82DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D82DA4 shade: #DD2D9F, #EE3FB2, #FF51C5, #FF63D8 and #FF75EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D82DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D82DA4 shade: #D82DA4, #C71B91, #B6097E, #A5006B and #940058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D82DA4 shade: #D82CA4, #D82C75, #D82C47 and #D82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D82DA4 shade: #D82CA4, #D82CD2, #B02CD8, #812CD8 and #532CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D82DA4 shade matches the following richer shades: #D82CA4 and #EC18AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D82DA4 shade: #D82CA4, #C4409C, #B05494, #9C688C and #877D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D82DA4 shade: #B02CD8, #D82CD3, #D82CA5, #D82C77 and #D82C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D82DA4 shade: #961C71, #B9228B, #D82CA4, #DF4FB3 and #E572C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D82DA4 shade: #D82DA4, #D8822C and #2CD8C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D82DA4 shade: #D82DA4, #A5D82C and #2CA5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D82DA4 shade: #D82DA4, #D8822C, #2CD860 and #2C82D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D82DA4 shade: #D82DA4, #D8B62C, #2CD860 and #2C4ED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

Complementary color

CMYK 81 / 0 / 57 / 18

HEX #27D25B

RGB 39 210 91

HSL 138.25, 0.69%, 0.49%

LAB 74.37, -65.9, 46.73

 

CMYK 0 / 80 / 28 / 13

HEX #DD2D9F

RGB 221 45 159

HSL 321.14, 0.72%, 0.52%

LAB 51.56, 73.94, -20.09

 

CMYK 0 / 74 / 25 / 7

HEX #EE3FB2

RGB 238 63 178

HSL 320.57, 0.84%, 0.59%

LAB 57.02, 75.15, -22.58

 

CMYK 0 / 68 / 23 / 0

HEX #FF51C5

RGB 255 81 197

HSL 320, 1%, 0.66%

LAB 62.66, 75.75, -24.61

 

CMYK 0 / 61 / 15 / 0

HEX #FF63D8

RGB 255 99 216

HSL 315, 1%, 0.69%

LAB 65.86, 71.49, -30.39

 

CMYK 0 / 54 / 8 / 0

HEX #FF75EB

RGB 255 117 235

HSL 308.7, 1%, 0.73%

LAB 69.46, 66.67, -35.37

 

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

CMYK 0 / 86 / 27 / 22

HEX #C71B91

RGB 199 27 145

HSL 318.84, 0.76%, 0.44%

LAB 45.59, 71.33, -21.21

 

CMYK 0 / 95 / 31 / 29

HEX #B6097E

RGB 182 9 126

HSL 319.42, 0.91%, 0.37%

LAB 40.65, 68.1, -17.45

 

CMYK 0 / 100 / 35 / 35

HEX #A5006B

RGB 165 0 107

HSL 321.09, 1%, 0.32%

LAB 36.1, 63.46, -12.77

 

CMYK 0 / 100 / 41 / 42

HEX #940058

RGB 148 0 88

HSL 324.32, 1%, 0.29%

LAB 31.81, 57.83, -7.35

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA4

RGB 216 44 164

HSL 318.14, 0.69%, 0.51%

LAB 50.78, 73.65, -24.31

 

CMYK 0 / 80 / 46 / 15

HEX #D82C75

RGB 216 44 117

HSL 334.53, 0.69%, 0.51%

LAB 49.11, 68.74, 1.42

 

CMYK 0 / 80 / 67 / 15

HEX #D82C47

RGB 216 44 71

HSL 350.58, 0.69%, 0.51%

LAB 48.08, 65.58, 28.08

 

CMYK 0 / 80 / 80 / 15

HEX #D82C2C

RGB 216 44 44

HSL 0, 0.69%, 0.51%

LAB 47.73, 64.5, 43.28

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA4

RGB 216 44 164

HSL 318.14, 0.69%, 0.51%

LAB 50.78, 73.65, -24.31

 

CMYK 0 / 80 / 3 / 15

HEX #D82CD2

RGB 216 44 210

HSL 302.09, 0.69%, 0.51%

LAB 53.01, 79.89, -47.57

 

CMYK 19 / 80 / 0 / 15

HEX #B02CD8

RGB 176 44 216

HSL 286.05, 0.69%, 0.51%

LAB 46.96, 73.53, -61.06

 

CMYK 40 / 80 / 0 / 15

HEX #812CD8

RGB 129 44 216

HSL 269.65, 0.69%, 0.51%

LAB 40.29, 65.98, -72.2

 

CMYK 62 / 80 / 0 / 15

HEX #532CD8

RGB 83 44 216

HSL 253.6, 0.69%, 0.51%

LAB 35.2, 60.27, -80.76

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA4

RGB 216 44 164

HSL 318.14, 0.69%, 0.51%

LAB 50.78, 73.65, -24.31

 

CMYK 0 / 90 / 27 / 7

HEX #EC18AC

RGB 236 24 172

HSL 318.11, 0.85%, 0.51%

LAB 53.45, 82.57, -24.6

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA4

RGB 216 44 164

HSL 318.14, 0.69%, 0.51%

LAB 50.78, 73.65, -24.31

 

CMYK 0 / 67 / 20 / 23

HEX #C4409C

RGB 196 64 156

HSL 318.18, 0.53%, 0.51%

LAB 49.26, 61.41, -22.21

 

CMYK 0 / 52 / 16 / 31

HEX #B05494

RGB 176 84 148

HSL 318.26, 0.37%, 0.51%

LAB 49.14, 45.53, -17.89

 

CMYK 0 / 33 / 10 / 39

HEX #9C688C

RGB 156 104 140

HSL 318.46, 0.21%, 0.51%

LAB 50.53, 26.6, -11.29

 

CMYK 0 / 7 / 2 / 47

HEX #877D84

RGB 135 125 132

HSL 318, 0.04%, 0.51%

LAB 53.48, 5.14, -2.43

 

CMYK 19 / 80 / 0 / 15

HEX #B02CD8

RGB 176 44 216

HSL 286.05, 0.69%, 0.51%

LAB 46.96, 73.53, -61.06

 

CMYK 0 / 80 / 2 / 15

HEX #D82CD3

RGB 216 44 211

HSL 301.74, 0.69%, 0.51%

LAB 53.06, 80.04, -48.06

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA5

RGB 216 44 165

HSL 317.79, 0.69%, 0.51%

LAB 50.82, 73.77, -24.84

 

CMYK 0 / 80 / 45 / 15

HEX #D82C77

RGB 216 44 119

HSL 333.84, 0.69%, 0.51%

LAB 49.17, 68.91, 0.29

 

CMYK 0 / 80 / 66 / 15

HEX #D82C49

RGB 216 44 73

HSL 349.88, 0.69%, 0.51%

LAB 48.11, 65.69, 26.91

 

CMYK 0 / 81 / 25 / 41

HEX #961C71

RGB 150 28 113

HSL 318.2, 0.69%, 0.35%

LAB 35.02, 56.03, -18.5

 

CMYK 0 / 82 / 25 / 27

HEX #B9228B

RGB 185 34 139

HSL 318.28, 0.69%, 0.43%

LAB 43.25, 66.01, -21.4

 

CMYK 0 / 80 / 24 / 15

HEX #D82CA4

RGB 216 44 164

HSL 318.14, 0.69%, 0.51%

LAB 50.78, 73.65, -24.31

 

CMYK 0 / 65 / 20 / 13

HEX #DF4FB3

RGB 223 79 179

HSL 318.33, 0.69%, 0.59%

LAB 56.62, 65.89, -23.99

 

CMYK 0 / 50 / 15 / 10

HEX #E572C2

RGB 229 114 194

HSL 318.26, 0.69%, 0.67%

LAB 63.83, 54.28, -21.45

 

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

CMYK 0 / 40 / 80 / 15

HEX #D8822C

RGB 216 130 44

HSL 30, 0.69%, 0.51%

LAB 62.29, 26.81, 57.31

 

CMYK 80 / 0 / 8 / 15

HEX #2CD8C7

RGB 44 216 199

HSL 174.07, 0.69%, 0.51%

LAB 78.33, -45.15, -3.6

 

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

CMYK 24 / 0 / 80 / 15

HEX #A5D82C

RGB 165 216 44

HSL 77.79, 0.69%, 0.51%

LAB 80.34, -38.94, 72.11

 

CMYK 80 / 24 / 0 / 15

HEX #2CA5D8

RGB 44 165 216

HSL 197.79, 0.69%, 0.51%

LAB 63.68, -15.2, -35.08

 

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

CMYK 0 / 40 / 80 / 15

HEX #D8822C

RGB 216 130 44

HSL 30, 0.69%, 0.51%

LAB 62.29, 26.81, 57.31

 

CMYK 80 / 0 / 56 / 15

HEX #2CD860

RGB 44 216 96

HSL 138.14, 0.69%, 0.51%

LAB 76.37, -66.62, 46.81

 

CMYK 80 / 40 / 0 / 15

HEX #2C82D8

RGB 44 130 216

HSL 210, 0.69%, 0.51%

LAB 53.45, 4.91, -51.2

 

CMYK 0 / 79 / 24 / 15

HEX #D82DA4

RGB 216 45 164

HSL 318.25, 0.69%, 0.51%

LAB 50.87, 73.39, -24.18

 

CMYK 0 / 16 / 80 / 15

HEX #D8B62C

RGB 216 182 44

HSL 48.14, 0.69%, 0.51%

LAB 74.97, -0.99, 68.79

 

CMYK 80 / 0 / 56 / 15

HEX #2CD860

RGB 44 216 96

HSL 138.14, 0.69%, 0.51%

LAB 76.37, -66.62, 46.81

 

CMYK 80 / 64 / 0 / 15

HEX #2C4ED8

RGB 44 78 216

HSL 228.14, 0.69%, 0.51%

LAB 39.48, 37.83, -73.79

 

Description

Color code: HEX #D82DA4 | qconv.com Color code: HEX #D82DA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 45 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 45 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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