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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D828DD it is the complementary color #27D722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D828DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D828DD shade: #DD28D8, #EE3AEB, #FF4CFE, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D828DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D828DD shade: #D828DD, #C716CA, #B604B7, #A500A4 and #940091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D828DD shade: #D827DD, #DD27B1, #DD2780, #DD274F and #DD2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D828DD shade: #D827DD, #A727DD, #7627DD, #4527DD and #2727DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D828DD shade matches the following richer shades: #D827DD and #EB13F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D828DD shade: #D827DD, #C53BC9, #B24FB5, #9F63A1 and #8C788C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D828DD shade: #7627DD, #A727DD, #D727DD, #DD27B3 and #DD2782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D828DD shade: #96189A, #B91EBD, #D827DD, #DF4BE3 and #E56EE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D828DD shade: #D828DD, #DD4527 and #27DD8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D828DD shade: #D828DD, #DDD727 and #27DDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D828DD shade: #D828DD, #DD4527, #2DDD27 and #27BFDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D828DD shade: #D828DD, #DD7C27, #2DDD27 and #2788DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

Complementary color

CMYK 82 / 0 / 84 / 16

HEX #27D722

RGB 39 215 34

HSL 118.34, 0.73%, 0.49%

LAB 75.54, -72.41, 68.63

 

CMYK 0 / 82 / 2 / 13

HEX #DD28D8

RGB 221 40 216

HSL 301.66, 0.73%, 0.51%

LAB 53.86, 82.61, -49.59

 

CMYK 0 / 76 / 1 / 7

HEX #EE3AEB

RGB 238 58 235

HSL 301, 0.84%, 0.58%

LAB 59.16, 84.36, -51.72

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFE

RGB 255 76 254

HSL 300.34, 1%, 0.65%

LAB 64.63, 85.41, -53.42

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

CMYK 1 / 89 / 0 / 21

HEX #C716CA

RGB 199 22 202

HSL 299, 0.8%, 0.44%

LAB 48.24, 79.79, -50.76

 

CMYK 1 / 98 / 0 / 28

HEX #B604B7

RGB 182 4 183

HSL 299.66, 0.96%, 0.37%

LAB 43.43, 76.04, -47.52

 

CMYK 0 / 100 / 1 / 35

HEX #A500A4

RGB 165 0 164

HSL 300.36, 1%, 0.32%

LAB 39.04, 70.78, -43.42

 

CMYK 0 / 100 / 2 / 42

HEX #940091

RGB 148 0 145

HSL 301.22, 1%, 0.29%

LAB 34.68, 65.03, -39.02

 

CMYK 2 / 82 / 0 / 13

HEX #D827DD

RGB 216 39 221

HSL 298.35, 0.73%, 0.51%

LAB 53.24, 82.66, -53.47

 

CMYK 0 / 82 / 20 / 13

HEX #DD27B1

RGB 221 39 177

HSL 314.51, 0.73%, 0.51%

LAB 51.83, 77.5, -30.26

 

CMYK 0 / 82 / 42 / 13

HEX #DD2780

RGB 221 39 128

HSL 330.66, 0.73%, 0.51%

LAB 49.96, 72.17, -3.92

 

CMYK 0 / 82 / 64 / 13

HEX #DD274F

RGB 221 39 79

HSL 346.81, 0.73%, 0.51%

LAB 48.74, 68.6, 24.29

 

CMYK 0 / 82 / 82 / 13

HEX #DD2727

RGB 221 39 39

HSL 0, 0.73%, 0.51%

LAB 48.22, 67.02, 46.74

 

CMYK 2 / 82 / 0 / 13

HEX #D827DD

RGB 216 39 221

HSL 298.35, 0.73%, 0.51%

LAB 53.24, 82.66, -53.47

 

CMYK 24 / 82 / 0 / 13

HEX #A727DD

RGB 167 39 221

HSL 282.2, 0.73%, 0.51%

LAB 45.48, 74.35, -66.38

 

CMYK 47 / 82 / 0 / 13

HEX #7627DD

RGB 118 39 221

HSL 266.04, 0.73%, 0.51%

LAB 38.77, 67.4, -77.63

 

CMYK 69 / 82 / 0 / 13

HEX #4527DD

RGB 69 39 221

HSL 249.89, 0.73%, 0.51%

LAB 33.85, 62.53, -85.91

 

CMYK 82 / 82 / 0 / 13

HEX #2727DD

RGB 39 39 221

HSL 240, 0.73%, 0.51%

LAB 32.04, 60.79, -88.97

 

CMYK 2 / 82 / 0 / 13

HEX #D827DD

RGB 216 39 221

HSL 298.35, 0.73%, 0.51%

LAB 53.24, 82.66, -53.47

 

CMYK 2 / 92 / 0 / 5

HEX #EB13F1

RGB 235 19 241

HSL 298.38, 0.89%, 0.51%

LAB 56.56, 91.85, -59.25

 

CMYK 2 / 82 / 0 / 13

HEX #D827DD

RGB 216 39 221

HSL 298.35, 0.73%, 0.51%

LAB 53.24, 82.66, -53.47

 

CMYK 2 / 71 / 0 / 21

HEX #C53BC9

RGB 197 59 201

HSL 298.31, 0.57%, 0.51%

LAB 50.94, 70.31, -45.89

 

CMYK 2 / 56 / 0 / 29

HEX #B24FB5

RGB 178 79 181

HSL 298.24, 0.41%, 0.51%

LAB 49.97, 54.17, -36.02

 

CMYK 1 / 39 / 0 / 37

HEX #9F63A1

RGB 159 99 161

HSL 298.06, 0.25%, 0.51%

LAB 50.53, 34.4, -23.63

 

CMYK 0 / 14 / 0 / 45

HEX #8C788C

RGB 140 120 140

HSL 300, 0.08%, 0.51%

LAB 52.84, 11.49, -7.99

 

CMYK 47 / 82 / 0 / 13

HEX #7627DD

RGB 118 39 221

HSL 266.04, 0.73%, 0.51%

LAB 38.77, 67.4, -77.63

 

CMYK 24 / 82 / 0 / 13

HEX #A727DD

RGB 167 39 221

HSL 282.2, 0.73%, 0.51%

LAB 45.48, 74.35, -66.38

 

CMYK 3 / 82 / 0 / 13

HEX #D727DD

RGB 215 39 221

HSL 298.02, 0.73%, 0.51%

LAB 53.08, 82.48, -53.74

 

CMYK 0 / 82 / 19 / 13

HEX #DD27B3

RGB 221 39 179

HSL 313.85, 0.73%, 0.51%

LAB 51.93, 77.75, -31.29

 

CMYK 0 / 82 / 41 / 13

HEX #DD2782

RGB 221 39 130

HSL 330, 0.73%, 0.51%

LAB 50.02, 72.35, -5.03

 

CMYK 3 / 84 / 0 / 40

HEX #96189A

RGB 150 24 154

HSL 298.15, 0.73%, 0.35%

LAB 36.87, 63.09, -40.99

 

CMYK 2 / 84 / 0 / 26

HEX #B91EBD

RGB 185 30 189

HSL 298.49, 0.73%, 0.43%

LAB 45.52, 73.96, -47.67

 

CMYK 2 / 82 / 0 / 13

HEX #D827DD

RGB 216 39 221

HSL 298.35, 0.73%, 0.51%

LAB 53.24, 82.66, -53.47

 

CMYK 2 / 67 / 0 / 11

HEX #DF4BE3

RGB 223 75 227

HSL 298.42, 0.73%, 0.59%

LAB 58.29, 74.65, -48.76

 

CMYK 1 / 53 / 0 / 9

HEX #E56EE8

RGB 229 110 232

HSL 298.52, 0.73%, 0.67%

LAB 64.67, 62.4, -41.43

 

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

CMYK 0 / 69 / 82 / 13

HEX #DD4527

RGB 221 69 39

HSL 9.89, 0.73%, 0.51%

LAB 51.58, 57.67, 49.85

 

CMYK 82 / 0 / 36 / 13

HEX #27DD8E

RGB 39 221 142

HSL 153.96, 0.73%, 0.51%

LAB 78.52, -61.12, 26.79

 

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

CMYK 0 / 3 / 82 / 13

HEX #DDD727

RGB 221 215 39

HSL 58.02, 0.73%, 0.51%

LAB 84.03, -15.8, 78.13

 

CMYK 82 / 0 / 3 / 13

HEX #27DDD7

RGB 39 221 215

HSL 178.02, 0.73%, 0.51%

LAB 80.21, -43.27, -9.37

 

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

CMYK 0 / 69 / 82 / 13

HEX #DD4527

RGB 221 69 39

HSL 9.89, 0.73%, 0.51%

LAB 51.58, 57.67, 49.85

 

CMYK 80 / 0 / 82 / 13

HEX #2DDD27

RGB 45 221 39

HSL 118.02, 0.73%, 0.51%

LAB 77.53, -73.23, 69.26

 

CMYK 82 / 14 / 0 / 13

HEX #27BFDD

RGB 39 191 221

HSL 189.89, 0.73%, 0.51%

LAB 71.5, -27.43, -25.76

 

CMYK 2 / 82 / 0 / 13

HEX #D828DD

RGB 216 40 221

HSL 298.34, 0.73%, 0.51%

LAB 53.32, 82.45, -53.35

 

CMYK 0 / 44 / 82 / 13

HEX #DD7C27

RGB 221 124 39

HSL 28.02, 0.73%, 0.51%

LAB 61.6, 31.9, 58.86

 

CMYK 80 / 0 / 82 / 13

HEX #2DDD27

RGB 45 221 39

HSL 118.02, 0.73%, 0.51%

LAB 77.53, -73.23, 69.26

 

CMYK 82 / 38 / 0 / 13

HEX #2788DD

RGB 39 136 221

HSL 208.02, 0.73%, 0.51%

LAB 55.34, 2.68, -51

 

Description

Color code: HEX #D828DD | qconv.com Color code: HEX #D828DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 40 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 40 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 82 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 82% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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