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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D82544 it is the complementary color #27DABB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D82544. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D82544 shade: #DD253F, #EE3752, #FF4965, #FF5B78 and #FF6D8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D82544. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D82544 shade: #D82544, #C71331, #B6011E, #A5000B and #940000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D82544 shade: #DA2544 and #DA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D82544 shade: #DA2544, #DA2575, #DA25A6, #DA25D7 and #AC25DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D82544 shade matches the following richer shades: #DA2544 and #EF1037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D82544 shade: #DA2544, #C53A52, #B14E5F, #9C636D and #88777A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D82544 shade: #DA25A7, #DA2576, #DA2546, #DA3425 and #DA6425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D82544 shade: #93192E, #B71F39, #DA2544, #E04863 and #E66C81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D82544 shade: #D82544, #D7DA25 and #258FDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D82544 shade: #D82544, #46DA25 and #2546DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D82544 shade: #D82544, #D7DA25, #25DAB9 and #2825DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D82544 shade: #D82544, #A1DA25, #25DAB9 and #5E25DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

Complementary color

CMYK 82 / 0 / 14 / 15

HEX #27DABB

RGB 39 218 187

HSL 169.61, 0.71%, 0.5%

LAB 78.56, -49.6, 3.14

 

CMYK 0 / 83 / 71 / 13

HEX #DD253F

RGB 221 37 63

HSL 351.52, 0.73%, 0.51%

LAB 48.33, 68.29, 33.39

 

CMYK 0 / 77 / 66 / 7

HEX #EE3752

RGB 238 55 82

HSL 351.15, 0.84%, 0.57%

LAB 53.51, 69.2, 29.24

 

CMYK 0 / 71 / 60 / 0

HEX #FF4965

RGB 255 73 101

HSL 350.77, 1%, 0.64%

LAB 58.94, 69.46, 25.7

 

CMYK 0 / 64 / 53 / 0

HEX #FF5B78

RGB 255 91 120

HSL 349.39, 1%, 0.68%

LAB 61.74, 64.11, 18.43

 

CMYK 0 / 57 / 45 / 0

HEX #FF6D8B

RGB 255 109 139

HSL 347.67, 1%, 0.71%

LAB 65.01, 58.09, 12.05

 

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

CMYK 0 / 90 / 75 / 22

HEX #C71331

RGB 199 19 49

HSL 350, 0.83%, 0.43%

LAB 42.51, 65.34, 33.84

 

CMYK 0 / 99 / 84 / 29

HEX #B6011E

RGB 182 1 30

HSL 350.39, 0.99%, 0.36%

LAB 37.95, 62.53, 39.04

 

CMYK 0 / 100 / 93 / 35

HEX #A5000B

RGB 165 0 11

HSL 356, 1%, 0.32%

LAB 34.03, 57.97, 43.77

 

CMYK 0 / 83 / 69 / 15

HEX #DA2544

RGB 218 37 68

HSL 349.72, 0.71%, 0.5%

LAB 47.81, 67.71, 29.64

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 83 / 69 / 15

HEX #DA2544

RGB 218 37 68

HSL 349.72, 0.71%, 0.5%

LAB 47.81, 67.71, 29.64

 

CMYK 0 / 83 / 46 / 15

HEX #DA2575

RGB 218 37 117

HSL 333.48, 0.71%, 0.5%

LAB 48.9, 70.92, 1.16

 

CMYK 0 / 83 / 24 / 15

HEX #DA25A6

RGB 218 37 166

HSL 317.24, 0.71%, 0.5%

LAB 50.67, 75.94, -25.65

 

CMYK 0 / 83 / 1 / 15

HEX #DA25D7

RGB 218 37 215

HSL 300.99, 0.71%, 0.5%

LAB 53.1, 82.53, -50.27

 

CMYK 21 / 83 / 0 / 15

HEX #AC25DA

RGB 172 37 218

HSL 284.75, 0.71%, 0.5%

LAB 45.85, 75.09, -64.03

 

CMYK 0 / 83 / 69 / 15

HEX #DA2544

RGB 218 37 68

HSL 349.72, 0.71%, 0.5%

LAB 47.81, 67.71, 29.64

 

CMYK 0 / 93 / 77 / 6

HEX #EF1037

RGB 239 16 55

HSL 349.51, 0.87%, 0.5%

LAB 50.68, 75.91, 41.68

 

CMYK 0 / 83 / 69 / 15

HEX #DA2544

RGB 218 37 68

HSL 349.72, 0.71%, 0.5%

LAB 47.81, 67.71, 29.64

 

CMYK 0 / 71 / 58 / 23

HEX #C53A52

RGB 197 58 82

HSL 349.64, 0.55%, 0.5%

LAB 46.32, 56.22, 18.43

 

CMYK 0 / 56 / 46 / 31

HEX #B14E5F

RGB 177 78 95

HSL 349.7, 0.39%, 0.5%

LAB 46.47, 41.93, 10.17

 

CMYK 0 / 37 / 30 / 39

HEX #9C636D

RGB 156 99 109

HSL 349.47, 0.22%, 0.5%

LAB 48.38, 24.45, 4.02

 

CMYK 0 / 13 / 10 / 47

HEX #88777A

RGB 136 119 122

HSL 349.41, 0.07%, 0.5%

LAB 51.65, 7.11, 0.77

 

CMYK 0 / 83 / 23 / 15

HEX #DA25A7

RGB 218 37 167

HSL 316.91, 0.71%, 0.5%

LAB 50.71, 76.06, -26.17

 

CMYK 0 / 83 / 46 / 15

HEX #DA2576

RGB 218 37 118

HSL 333.15, 0.71%, 0.5%

LAB 48.93, 71, 0.59

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 76 / 83 / 15

HEX #DA3425

RGB 218 52 37

HSL 4.97, 0.71%, 0.5%

LAB 48.88, 62.58, 48.14

 

CMYK 0 / 54 / 83 / 15

HEX #DA6425

RGB 218 100 37

HSL 20.88, 0.71%, 0.5%

LAB 56.24, 42.87, 54.74

 

CMYK 0 / 83 / 69 / 42

HEX #93192E

RGB 147 25 46

HSL 349.67, 0.71%, 0.34%

LAB 32.02, 49.78, 20.6

 

CMYK 0 / 83 / 69 / 28

HEX #B71F39

RGB 183 31 57

HSL 349.74, 0.71%, 0.42%

LAB 40.15, 59.07, 25.36

 

CMYK 0 / 83 / 69 / 15

HEX #DA2544

RGB 218 37 68

HSL 349.72, 0.71%, 0.5%

LAB 47.81, 67.71, 29.64

 

CMYK 0 / 68 / 56 / 12

HEX #E04863

RGB 224 72 99

HSL 349.34, 0.71%, 0.58%

LAB 53.37, 60.45, 18.48

 

CMYK 0 / 53 / 44 / 10

HEX #E66C81

RGB 230 108 129

HSL 349.67, 0.71%, 0.66%

LAB 60.9, 49.25, 11.47

 

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

CMYK 1 / 0 / 83 / 15

HEX #D7DA25

RGB 215 218 37

HSL 60.99, 0.71%, 0.5%

LAB 84.34, -19.85, 78.66

 

CMYK 83 / 34 / 0 / 15

HEX #258FDA

RGB 37 143 218

HSL 204.86, 0.71%, 0.5%

LAB 57.17, -2.74, -46.41

 

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

CMYK 68 / 0 / 83 / 15

HEX #46DA25

RGB 70 218 37

HSL 109.06, 0.71%, 0.5%

LAB 77.03, -68.56, 69.46

 

CMYK 83 / 68 / 0 / 15

HEX #2546DA

RGB 37 70 218

HSL 229.06, 0.71%, 0.5%

LAB 37.55, 43, -78.13

 

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

CMYK 1 / 0 / 83 / 15

HEX #D7DA25

RGB 215 218 37

HSL 60.99, 0.71%, 0.5%

LAB 84.34, -19.85, 78.66

 

CMYK 83 / 0 / 15 / 15

HEX #25DAB9

RGB 37 218 185

HSL 169.06, 0.71%, 0.5%

LAB 78.48, -50.28, 4.1

 

CMYK 82 / 83 / 0 / 15

HEX #2825DA

RGB 40 37 218

HSL 240.99, 0.71%, 0.5%

LAB 31.43, 60.81, -88.25

 

CMYK 0 / 83 / 69 / 15

HEX #D82544

RGB 216 37 68

HSL 349.61, 0.71%, 0.5%

LAB 47.42, 67.17, 29.07

 

CMYK 26 / 0 / 83 / 15

HEX #A1DA25

RGB 161 218 37

HSL 78.9, 0.71%, 0.5%

LAB 80.66, -41.61, 74.06

 

CMYK 83 / 0 / 15 / 15

HEX #25DAB9

RGB 37 218 185

HSL 169.06, 0.71%, 0.5%

LAB 78.48, -50.28, 4.1

 

CMYK 57 / 83 / 0 / 15

HEX #5E25DA

RGB 94 37 218

HSL 258.9, 0.71%, 0.5%

LAB 35.53, 64.67, -81.34

 

Description

Color code: HEX #D82544 | qconv.com Color code: HEX #D82544 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 37 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 37 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 69 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 69% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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