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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8212E it is the complementary color #27DED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8212E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8212E shade: #DD2129, #EE333C, #FF454F, #FF5762 and #FF6975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8212E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8212E shade: #D8212E, #C70F1B, #B60008, #A50000 and #940000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8212E shade: #D8222F and #D82222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8212E shade: #D8222F, #D82260, #D82291, #D822C2 and #BD22D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8212E shade matches the following richer shades: #D8222F and #EC0E1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8212E shade: #D8222F, #C43640, #B04A51, #9C5E63 and #877374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8212E shade: #D82292, #D82262, #D82231, #D84322 and #D87422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8212E shade: #91171F, #B41C27, #D8222F, #E1424D and #E7656F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8212E shade: #D8212E, #C3D822 and #227AD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8212E shade: #D8212E, #31D822 and #2231D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8212E shade: #D8212E, #C3D822, #22D8C9 and #3722D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8212E shade: #D8212E, #8CD822, #22D8C9 and #6E22D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

Complementary color

CMYK 82 / 0 / 6 / 13

HEX #27DED1

RGB 39 222 209

HSL 175.74, 0.73%, 0.51%

LAB 80.34, -45.39, -5.98

 

CMYK 0 / 85 / 81 / 13

HEX #DD2129

RGB 221 33 41

HSL 357.45, 0.74%, 0.5%

LAB 47.78, 68.39, 45.27

 

CMYK 0 / 79 / 75 / 7

HEX #EE333C

RGB 238 51 60

HSL 357.11, 0.85%, 0.57%

LAB 52.81, 69.35, 41.12

 

CMYK 0 / 73 / 69 / 0

HEX #FF454F

RGB 255 69 79

HSL 356.77, 1%, 0.64%

LAB 58.11, 69.6, 37.33

 

CMYK 0 / 66 / 62 / 0

HEX #FF5762

RGB 255 87 98

HSL 356.07, 1%, 0.67%

LAB 60.74, 64.18, 29.78

 

CMYK 0 / 59 / 54 / 0

HEX #FF6975

RGB 255 105 117

HSL 355.2, 1%, 0.71%

LAB 63.87, 58, 23.04

 

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

CMYK 0 / 92 / 86 / 22

HEX #C70F1B

RGB 199 15 27

HSL 356.09, 0.86%, 0.42%

LAB 42.1, 65.27, 45.69

 

CMYK 0 / 100 / 96 / 29

HEX #B60008

RGB 182 0 8

HSL 357.36, 1%, 0.36%

LAB 37.78, 62.27, 49.04

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 84 / 78 / 15

HEX #D8222F

RGB 216 34 47

HSL 355.71, 0.73%, 0.49%

LAB 46.91, 67.01, 40.79

 

CMYK 0 / 84 / 84 / 15

HEX #D82222

RGB 216 34 34

HSL 0, 0.73%, 0.49%

LAB 46.79, 66.66, 47.61

 

CMYK 0 / 84 / 78 / 15

HEX #D8222F

RGB 216 34 47

HSL 355.71, 0.73%, 0.49%

LAB 46.91, 67.01, 40.79

 

CMYK 0 / 84 / 56 / 15

HEX #D82260

RGB 216 34 96

HSL 339.56, 0.73%, 0.49%

LAB 47.74, 69.46, 12.34

 

CMYK 0 / 84 / 33 / 15

HEX #D82291

RGB 216 34 145

HSL 323.41, 0.73%, 0.49%

LAB 49.24, 73.75, -15.35

 

CMYK 0 / 84 / 10 / 15

HEX #D822C2

RGB 216 34 194

HSL 307.25, 0.73%, 0.49%

LAB 51.43, 79.74, -40.87

 

CMYK 13 / 84 / 0 / 15

HEX #BD22D8

RGB 189 34 216

HSL 291.1, 0.73%, 0.49%

LAB 48.16, 78.22, -59.02

 

CMYK 0 / 84 / 78 / 15

HEX #D8222F

RGB 216 34 47

HSL 355.71, 0.73%, 0.49%

LAB 46.91, 67.01, 40.79

 

CMYK 0 / 94 / 88 / 7

HEX #EC0E1D

RGB 236 14 29

HSL 355.95, 0.89%, 0.49%

LAB 49.78, 74.75, 54.11

 

CMYK 0 / 84 / 78 / 15

HEX #D8222F

RGB 216 34 47

HSL 355.71, 0.73%, 0.49%

LAB 46.91, 67.01, 40.79

 

CMYK 0 / 72 / 67 / 23

HEX #C43640

RGB 196 54 64

HSL 355.77, 0.57%, 0.49%

LAB 45.28, 56.25, 27.98

 

CMYK 0 / 58 / 54 / 31

HEX #B04A51

RGB 176 74 81

HSL 355.88, 0.41%, 0.49%

LAB 45.25, 42.23, 16.98

 

CMYK 0 / 40 / 37 / 39

HEX #9C5E63

RGB 156 94 99

HSL 355.16, 0.25%, 0.49%

LAB 46.94, 25.93, 7.97

 

CMYK 0 / 15 / 14 / 47

HEX #877374

RGB 135 115 116

HSL 357, 0.08%, 0.49%

LAB 50.3, 7.97, 2.34

 

CMYK 0 / 84 / 32 / 15

HEX #D82292

RGB 216 34 146

HSL 323.08, 0.73%, 0.49%

LAB 49.27, 73.85, -15.9

 

CMYK 0 / 84 / 55 / 15

HEX #D82262

RGB 216 34 98

HSL 338.9, 0.73%, 0.49%

LAB 47.78, 69.6, 11.17

 

CMYK 0 / 84 / 77 / 15

HEX #D82231

RGB 216 34 49

HSL 355.05, 0.73%, 0.49%

LAB 46.93, 67.08, 39.68

 

CMYK 0 / 69 / 84 / 15

HEX #D84322

RGB 216 67 34

HSL 10.88, 0.73%, 0.49%

LAB 50.37, 56.67, 50.75

 

CMYK 0 / 46 / 84 / 15

HEX #D87422

RGB 216 116 34

HSL 27.03, 0.73%, 0.49%

LAB 59.16, 33.9, 58.32

 

CMYK 0 / 84 / 79 / 43

HEX #91171F

RGB 145 23 31

HSL 356.07, 0.73%, 0.33%

LAB 31.19, 49.04, 29.02

 

CMYK 0 / 84 / 78 / 29

HEX #B41C27

RGB 180 28 39

HSL 355.66, 0.73%, 0.41%

LAB 39.04, 58.19, 34.84

 

CMYK 0 / 84 / 78 / 15

HEX #D8222F

RGB 216 34 47

HSL 355.71, 0.73%, 0.49%

LAB 46.91, 67.01, 40.79

 

CMYK 0 / 71 / 66 / 12

HEX #E1424D

RGB 225 66 77

HSL 355.85, 0.73%, 0.57%

LAB 52.33, 61.58, 30.19

 

CMYK 0 / 56 / 52 / 9

HEX #E7656F

RGB 231 101 111

HSL 355.38, 0.73%, 0.65%

LAB 59.38, 51.25, 19.79

 

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

CMYK 10 / 0 / 84 / 15

HEX #C3D822

RGB 195 216 34

HSL 66.92, 0.73%, 0.49%

LAB 82.29, -27.28, 77

 

CMYK 84 / 44 / 0 / 15

HEX #227AD8

RGB 34 122 216

HSL 210.99, 0.73%, 0.49%

LAB 50.94, 8.93, -55.22

 

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

CMYK 77 / 0 / 84 / 15

HEX #31D822

RGB 49 216 34

HSL 115.05, 0.73%, 0.49%

LAB 76, -71.5, 69.09

 

CMYK 84 / 77 / 0 / 15

HEX #2231D8

RGB 34 49 216

HSL 235.05, 0.73%, 0.49%

LAB 32.91, 54.21, -84.65

 

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

CMYK 10 / 0 / 84 / 15

HEX #C3D822

RGB 195 216 34

HSL 66.92, 0.73%, 0.49%

LAB 82.29, -27.28, 77

 

CMYK 84 / 0 / 7 / 15

HEX #22D8C9

RGB 34 216 201

HSL 175.05, 0.73%, 0.49%

LAB 78.27, -45.38, -4.77

 

CMYK 75 / 84 / 0 / 15

HEX #3722D8

RGB 55 34 216

HSL 246.92, 0.73%, 0.49%

LAB 31.61, 62.21, -86.77

 

CMYK 0 / 85 / 79 / 15

HEX #D8212E

RGB 216 33 46

HSL 355.74, 0.73%, 0.49%

LAB 46.82, 67.19, 41.26

 

CMYK 35 / 0 / 84 / 15

HEX #8CD822

RGB 140 216 34

HSL 85.05, 0.73%, 0.49%

LAB 78.93, -48.55, 72.8

 

CMYK 84 / 0 / 7 / 15

HEX #22D8C9

RGB 34 216 201

HSL 175.05, 0.73%, 0.49%

LAB 78.27, -45.38, -4.77

 

CMYK 49 / 84 / 0 / 15

HEX #6E22D8

RGB 110 34 216

HSL 265.05, 0.73%, 0.49%

LAB 36.77, 66.9, -78.07

 

Description

Color code: HEX #D8212E | qconv.com Color code: HEX #D8212E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 33 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 33 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 79% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

62% - はてなブックマーク - テクノロジー
Link: http://b.hatena.ne.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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