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Color name
HEX #D81697

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D81697 it is the complementary color #27E968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D81697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D81697 shade: #DD1692, #EE28A5, #FF3AB8, #FF4CCB and #FF5EDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D81697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D81697 shade: #D81697, #C70484, #B60071, #A5005E and #94004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D81697 shade: #DA1698, #DA1663, #DA162E and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D81697 shade: #DA1698, #DA16CD, #B216DA, #7D16DA and #4816DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D81697 shade matches the following richer shades: #DA1698 and #EE029F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D81697 shade: #DA1698, #C72992, #B33C8B, #A05085 and #8D637F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D81697 shade: #B316DA, #DA16CD, #DA1699, #DA1664 and #DA1630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D81697 shade: #8F0E64, #B5127E, #DA1698, #EA2FAB and #EE54BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D81697 shade: #D81697, #DA7E16 and #16DACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D81697 shade: #D81697, #99DA16 and #1699DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D81697 shade: #D81697, #DA7E16, #16DA57 and #1671DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D81697 shade: #D81697, #DAB916, #16DA57 and #1636DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

Complementary color

CMYK 83 / 0 / 55 / 9

HEX #27E968

RGB 39 233 104

HSL 140.1, 0.82%, 0.53%

LAB 81.68, -71.49, 49.46

 

CMYK 0 / 90 / 34 / 13

HEX #DD1692

RGB 221 22 146

HSL 322.61, 0.82%, 0.48%

LAB 49.52, 76.96, -15.43

 

CMYK 0 / 83 / 31 / 7

HEX #EE28A5

RGB 238 40 165

HSL 322.12, 0.85%, 0.55%

LAB 54.46, 79.56, -18.91

 

CMYK 0 / 77 / 28 / 0

HEX #FF3AB8

RGB 255 58 184

HSL 321.62, 1%, 0.61%

LAB 59.66, 81.25, -21.76

 

CMYK 0 / 70 / 20 / 0

HEX #FF4CCB

RGB 255 76 203

HSL 317.43, 1%, 0.65%

LAB 62.29, 78.21, -28.58

 

CMYK 0 / 63 / 13 / 0

HEX #FF5EDE

RGB 255 94 222

HSL 312.3, 1%, 0.68%

LAB 65.39, 74.33, -34.48

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 0 / 98 / 34 / 22

HEX #C70484

RGB 199 4 132

HSL 320.62, 0.96%, 0.4%

LAB 44.08, 72.77, -15.61

 

CMYK 0 / 100 / 38 / 29

HEX #B60071

RGB 182 0 113

HSL 322.75, 1%, 0.36%

LAB 39.81, 67.69, -10.61

 

CMYK 0 / 100 / 43 / 35

HEX #A5005E

RGB 165 0 94

HSL 325.82, 1%, 0.32%

LAB 35.61, 62.19, -5.18

 

CMYK 0 / 100 / 49 / 42

HEX #94004B

RGB 148 0 75

HSL 329.59, 1%, 0.29%

LAB 31.36, 56.64, 0.55

 

CMYK 0 / 90 / 30 / 15

HEX #DA1698

RGB 218 22 152

HSL 320.2, 0.82%, 0.47%

LAB 49.19, 76.95, -19.59

 

CMYK 0 / 90 / 55 / 15

HEX #DA1663

RGB 218 22 99

HSL 336.43, 0.82%, 0.47%

LAB 47.47, 72.27, 10.18

 

CMYK 0 / 90 / 79 / 15

HEX #DA162E

RGB 218 22 46

HSL 352.65, 0.82%, 0.47%

LAB 46.55, 69.67, 41.1

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 90 / 30 / 15

HEX #DA1698

RGB 218 22 152

HSL 320.2, 0.82%, 0.47%

LAB 49.19, 76.95, -19.59

 

CMYK 0 / 90 / 6 / 15

HEX #DA16CD

RGB 218 22 205

HSL 303.98, 0.82%, 0.47%

LAB 51.71, 83.53, -46.75

 

CMYK 18 / 90 / 0 / 15

HEX #B216DA

RGB 178 22 218

HSL 287.76, 0.82%, 0.47%

LAB 45.77, 79.03, -64.11

 

CMYK 43 / 90 / 0 / 15

HEX #7D16DA

RGB 125 22 218

HSL 271.53, 0.82%, 0.47%

LAB 37.83, 72.13, -77.4

 

CMYK 67 / 90 / 0 / 15

HEX #4816DA

RGB 72 22 218

HSL 255.31, 0.82%, 0.47%

LAB 31.84, 67.64, -87.52

 

CMYK 0 / 90 / 30 / 15

HEX #DA1698

RGB 218 22 152

HSL 320.2, 0.82%, 0.47%

LAB 49.19, 76.95, -19.59

 

CMYK 0 / 99 / 33 / 7

HEX #EE029F

RGB 238 2 159

HSL 320.08, 0.98%, 0.47%

LAB 52.65, 83.55, -18.14

 

CMYK 0 / 90 / 30 / 15

HEX #DA1698

RGB 218 22 152

HSL 320.2, 0.82%, 0.47%

LAB 49.19, 76.95, -19.59

 

CMYK 0 / 79 / 27 / 22

HEX #C72992

RGB 199 41 146

HSL 320.13, 0.66%, 0.47%

LAB 46.72, 68.34, -20.09

 

CMYK 0 / 66 / 22 / 30

HEX #B33C8B

RGB 179 60 139

HSL 320.17, 0.5%, 0.47%

LAB 45.19, 56.03, -18.49

 

CMYK 0 / 50 / 17 / 37

HEX #A05085

RGB 160 80 133

HSL 320.25, 0.33%, 0.47%

LAB 45.5, 40.02, -14.65

 

CMYK 0 / 30 / 10 / 45

HEX #8D637F

RGB 141 99 127

HSL 320, 0.18%, 0.47%

LAB 47.13, 21.66, -8.82

 

CMYK 18 / 90 / 0 / 15

HEX #B316DA

RGB 179 22 218

HSL 288.06, 0.82%, 0.47%

LAB 45.93, 79.18, -63.84

 

CMYK 0 / 90 / 6 / 15

HEX #DA16CD

RGB 218 22 205

HSL 303.98, 0.82%, 0.47%

LAB 51.71, 83.53, -46.75

 

CMYK 0 / 90 / 30 / 15

HEX #DA1699

RGB 218 22 153

HSL 319.9, 0.82%, 0.47%

LAB 49.23, 77.06, -20.13

 

CMYK 0 / 90 / 54 / 15

HEX #DA1664

RGB 218 22 100

HSL 336.12, 0.82%, 0.47%

LAB 47.49, 72.33, 9.59

 

CMYK 0 / 90 / 78 / 15

HEX #DA1630

RGB 218 22 48

HSL 352.04, 0.82%, 0.47%

LAB 46.57, 69.73, 39.99

 

CMYK 0 / 90 / 30 / 44

HEX #8F0E64

RGB 143 14 100

HSL 320, 0.82%, 0.31%

LAB 31.97, 55.91, -14.99

 

CMYK 0 / 90 / 30 / 29

HEX #B5127E

RGB 181 18 126

HSL 320.25, 0.82%, 0.39%

LAB 40.84, 66.77, -17.18

 

CMYK 0 / 90 / 30 / 15

HEX #DA1698

RGB 218 22 152

HSL 320.2, 0.82%, 0.47%

LAB 49.19, 76.95, -19.59

 

CMYK 0 / 80 / 27 / 8

HEX #EA2FAB

RGB 234 47 171

HSL 320.21, 0.82%, 0.55%

LAB 54.52, 77.78, -22.41

 

CMYK 0 / 65 / 21 / 7

HEX #EE54BB

RGB 238 84 187

HSL 319.87, 0.82%, 0.63%

LAB 59.98, 68.99, -23.23

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E16

RGB 218 126 22

HSL 31.84, 0.82%, 0.47%

LAB 61.55, 29.21, 64.05

 

CMYK 90 / 0 / 6 / 15

HEX #16DACD

RGB 22 218 205

HSL 176.02, 0.82%, 0.47%

LAB 78.88, -45.8, -6.02

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 30 / 0 / 90 / 15

HEX #99DA16

RGB 153 218 22

HSL 79.9, 0.82%, 0.47%

LAB 80.16, -45.02, 76.37

 

CMYK 90 / 30 / 0 / 15

HEX #1699DA

RGB 22 153 218

HSL 199.9, 0.82%, 0.47%

LAB 59.9, -9.49, -42.12

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 0 / 42 / 90 / 15

HEX #DA7E16

RGB 218 126 22

HSL 31.84, 0.82%, 0.47%

LAB 61.55, 29.21, 64.05

 

CMYK 90 / 0 / 60 / 15

HEX #16DA57

RGB 22 218 87

HSL 139.9, 0.82%, 0.47%

LAB 76.68, -70.3, 51.19

 

CMYK 90 / 48 / 0 / 15

HEX #1671DA

RGB 22 113 218

HSL 212.14, 0.82%, 0.47%

LAB 48.31, 14.58, -60.59

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 0 / 15 / 90 / 15

HEX #DAB916

RGB 218 185 22

HSL 49.9, 0.82%, 0.47%

LAB 75.86, -2.23, 74.97

 

CMYK 90 / 0 / 60 / 15

HEX #16DA57

RGB 22 218 87

HSL 139.9, 0.82%, 0.47%

LAB 76.68, -70.3, 51.19

 

CMYK 90 / 75 / 0 / 15

HEX #1636DA

RGB 22 54 218

HSL 230.2, 0.82%, 0.47%

LAB 33.71, 51.68, -84.48

 

Description

Color code: HEX #D81697 | qconv.com Color code: HEX #D81697 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 22 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 22 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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