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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8128B it is the complementary color #27ED74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8128B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8128B shade: #DD1286, #EE2499, #FF36AC, #FF48BF and #FF5AD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8128B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8128B shade: #D8128B, #C70078, #B60065, #A50052 and #94003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8128B shade: #D9128B, #D91256, #D91220 and #D91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8128B shade: #D9128B, #D912C1, #BB12D9, #8512D9 and #4F12D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8128B shade matches the following richer shades: #D9128B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8128B shade: #D9128B, #C62587, #B33883, #A04B7F and #8D5E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8128B shade: #BB12D9, #D912C2, #D9128D, #D91257 and #D91222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8128B shade: #8D0B5A, #B30F73, #D9128B, #ED26A0 and #F14DB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8128B shade: #D8128B, #D98612 and #12D9D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8128B shade: #D8128B, #8DD912 and #128DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8128B shade: #D8128B, #D98612, #12D95E and #1265D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8128B shade: #D8128B, #D9C212, #12D95E and #1229D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

Complementary color

CMYK 84 / 0 / 51 / 7

HEX #27ED74

RGB 39 237 116

HSL 143.33, 0.85%, 0.54%

LAB 83.05, -71.06, 45.54

 

CMYK 0 / 92 / 39 / 13

HEX #DD1286

RGB 221 18 134

HSL 325.71, 0.85%, 0.47%

LAB 48.92, 76.3, -9.1

 

CMYK 0 / 85 / 36 / 7

HEX #EE2499

RGB 238 36 153

HSL 325.25, 0.86%, 0.54%

LAB 53.75, 79.11, -12.91

 

CMYK 0 / 79 / 33 / 0

HEX #FF36AC

RGB 255 54 172

HSL 324.78, 1%, 0.61%

LAB 58.86, 80.97, -16.03

 

CMYK 0 / 72 / 25 / 0

HEX #FF48BF

RGB 255 72 191

HSL 320.98, 1%, 0.64%

LAB 61.36, 78.01, -23.18

 

CMYK 0 / 65 / 18 / 0

HEX #FF5AD2

RGB 255 90 210

HSL 316.36, 1%, 0.68%

LAB 64.34, 74.18, -29.37

 

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

CMYK 0 / 100 / 40 / 22

HEX #C70078

RGB 199 0 120

HSL 323.82, 1%, 0.39%

LAB 43.5, 71.97, -9.08

 

CMYK 0 / 100 / 45 / 29

HEX #B60065

RGB 182 0 101

HSL 326.7, 1%, 0.36%

LAB 39.39, 66.58, -3.67

 

CMYK 0 / 100 / 50 / 35

HEX #A50052

RGB 165 0 82

HSL 330.18, 1%, 0.32%

LAB 35.22, 61.16, 2.01

 

CMYK 0 / 100 / 57 / 42

HEX #94003F

RGB 148 0 63

HSL 334.46, 1%, 0.29%

LAB 31.01, 55.72, 8.04

 

CMYK 0 / 92 / 36 / 15

HEX #D9128B

RGB 217 18 139

HSL 323.52, 0.85%, 0.46%

LAB 48.32, 75.91, -13.1

 

CMYK 0 / 92 / 60 / 15

HEX #D91256

RGB 217 18 86

HSL 339.5, 0.85%, 0.46%

LAB 46.79, 71.73, 17.25

 

CMYK 0 / 92 / 85 / 15

HEX #D91220

RGB 217 18 32

HSL 355.78, 0.85%, 0.46%

LAB 46.03, 69.61, 48.02

 

CMYK 0 / 92 / 92 / 15

HEX #D91212

RGB 217 18 18

HSL 0, 0.85%, 0.46%

LAB 45.94, 69.37, 54.15

 

CMYK 0 / 92 / 36 / 15

HEX #D9128B

RGB 217 18 139

HSL 323.52, 0.85%, 0.46%

LAB 48.32, 75.91, -13.1

 

CMYK 0 / 92 / 11 / 15

HEX #D912C1

RGB 217 18 193

HSL 307.24, 0.85%, 0.46%

LAB 50.73, 82.19, -41.38

 

CMYK 14 / 92 / 0 / 15

HEX #BB12D9

RGB 187 18 217

HSL 290.95, 0.85%, 0.46%

LAB 46.98, 80.77, -61.51

 

CMYK 39 / 92 / 0 / 15

HEX #8512D9

RGB 133 18 217

HSL 274.67, 0.85%, 0.46%

LAB 38.6, 73.56, -75.53

 

CMYK 64 / 92 / 0 / 15

HEX #4F12D9

RGB 79 18 217

HSL 258.39, 0.85%, 0.46%

LAB 32.04, 68.79, -86.58

 

CMYK 0 / 92 / 36 / 15

HEX #D9128B

RGB 217 18 139

HSL 323.52, 0.85%, 0.46%

LAB 48.32, 75.91, -13.1

 

CMYK 0 / 92 / 36 / 15

HEX #D9128B

RGB 217 18 139

HSL 323.52, 0.85%, 0.46%

LAB 48.32, 75.91, -13.1

 

CMYK 0 / 81 / 32 / 22

HEX #C62587

RGB 198 37 135

HSL 323.48, 0.69%, 0.46%

LAB 45.74, 67.84, -14.93

 

CMYK 0 / 69 / 27 / 30

HEX #B33883

RGB 179 56 131

HSL 323.41, 0.52%, 0.46%

LAB 44.31, 56.54, -14.99

 

CMYK 0 / 53 / 21 / 37

HEX #A04B7F

RGB 160 75 127

HSL 323.29, 0.36%, 0.46%

LAB 44.29, 41.66, -12.86

 

CMYK 0 / 33 / 13 / 45

HEX #8D5E7B

RGB 141 94 123

HSL 322.98, 0.2%, 0.46%

LAB 45.77, 23.85, -8.46

 

CMYK 14 / 92 / 0 / 15

HEX #BB12D9

RGB 187 18 217

HSL 290.95, 0.85%, 0.46%

LAB 46.98, 80.77, -61.51

 

CMYK 0 / 92 / 11 / 15

HEX #D912C2

RGB 217 18 194

HSL 306.93, 0.85%, 0.46%

LAB 50.78, 82.33, -41.88

 

CMYK 0 / 92 / 35 / 15

HEX #D9128D

RGB 217 18 141

HSL 322.91, 0.85%, 0.46%

LAB 48.4, 76.11, -14.2

 

CMYK 0 / 92 / 60 / 15

HEX #D91257

RGB 217 18 87

HSL 339.2, 0.85%, 0.46%

LAB 46.81, 71.79, 16.66

 

CMYK 0 / 92 / 84 / 15

HEX #D91222

RGB 217 18 34

HSL 355.18, 0.85%, 0.46%

LAB 46.04, 69.65, 47.02

 

CMYK 0 / 92 / 36 / 45

HEX #8D0B5A

RGB 141 11 90

HSL 323.54, 0.86%, 0.3%

LAB 30.97, 54.81, -10.06

 

CMYK 0 / 92 / 36 / 30

HEX #B30F73

RGB 179 15 115

HSL 323.41, 0.85%, 0.38%

LAB 39.85, 65.57, -11.86

 

CMYK 0 / 92 / 36 / 15

HEX #D9128B

RGB 217 18 139

HSL 323.52, 0.85%, 0.46%

LAB 48.32, 75.91, -13.1

 

CMYK 0 / 84 / 32 / 7

HEX #ED26A0

RGB 237 38 160

HSL 323.22, 0.85%, 0.54%

LAB 53.95, 79.21, -16.76

 

CMYK 0 / 68 / 27 / 5

HEX #F14DB1

RGB 241 77 177

HSL 323.41, 0.85%, 0.62%

LAB 59.14, 71.12, -18.72

 

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

CMYK 0 / 38 / 92 / 15

HEX #D98612

RGB 217 134 18

HSL 34.97, 0.85%, 0.46%

LAB 63.22, 24.46, 66.14

 

CMYK 92 / 0 / 1 / 15

HEX #12D9D6

RGB 18 217 214

HSL 179.1, 0.85%, 0.46%

LAB 78.82, -42.95, -10.93

 

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

CMYK 35 / 0 / 92 / 15

HEX #8DD912

RGB 141 217 18

HSL 82.91, 0.85%, 0.46%

LAB 79.23, -49.03, 75.93

 

CMYK 92 / 35 / 0 / 15

HEX #128DD9

RGB 18 141 217

HSL 202.91, 0.85%, 0.46%

LAB 56.28, -3.15, -47.29

 

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

CMYK 0 / 38 / 92 / 15

HEX #D98612

RGB 217 134 18

HSL 34.97, 0.85%, 0.46%

LAB 63.22, 24.46, 66.14

 

CMYK 92 / 0 / 57 / 15

HEX #12D95E

RGB 18 217 94

HSL 142.91, 0.85%, 0.46%

LAB 76.41, -69.31, 47.72

 

CMYK 92 / 53 / 0 / 15

HEX #1265D9

RGB 18 101 217

HSL 214.97, 0.85%, 0.46%

LAB 44.87, 21.7, -65.61

 

CMYK 0 / 92 / 36 / 15

HEX #D8128B

RGB 216 18 139

HSL 323.33, 0.85%, 0.46%

LAB 48.13, 75.7, -13.41

 

CMYK 0 / 11 / 92 / 15

HEX #D9C212

RGB 217 194 18

HSL 53.07, 0.85%, 0.46%

LAB 78.1, -7.38, 77.28

 

CMYK 92 / 0 / 57 / 15

HEX #12D95E

RGB 18 217 94

HSL 142.91, 0.85%, 0.46%

LAB 76.41, -69.31, 47.72

 

CMYK 92 / 81 / 0 / 15

HEX #1229D9

RGB 18 41 217

HSL 233.07, 0.85%, 0.46%

LAB 31.17, 57.98, -88.13

 

Description

Color code: HEX #D8128B | qconv.com Color code: HEX #D8128B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 18 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 18 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 36 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 36% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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