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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D80EA2 it is the complementary color #27F15D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D80EA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D80EA2 shade: #DD0E9D, #EE20B0, #FF32C3, #FF44D6 and #FF56E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D80EA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D80EA2 shade: #D80EA2, #C7008F, #B6007C, #A50069 and #940056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D80EA2 shade: #D80EA2, #D80E6B, #D80E35 and #D80E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D80EA2 shade: #D80EA2, #D70ED8, #A10ED8, #6A0ED8 and #340ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D80EA2 shade matches the following richer shades: #D80EA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D80EA2 shade: #D80EA2, #C52099, #B33390, #A04588 and #8D587F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D80EA2 shade: #A20ED8, #D80ED8, #D80EA2, #D80E6C and #D80E36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D80EA2 shade: #8A0968, #B10B85, #D80EA2, #F11EB8 and #F345C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D80EA2 shade: #D80EA2, #D86C0E and #0ED8BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D80EA2 shade: #D80EA2, #A2D80E and #0EA2D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D80EA2 shade: #D80EA2, #D86C0E, #0ED844 and #0E79D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D80EA2 shade: #D80EA2, #D8A90E, #0ED844 and #0E3DD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

Complementary color

CMYK 84 / 0 / 61 / 5

HEX #27F15D

RGB 39 241 93

HSL 136.04, 0.88%, 0.55%

LAB 84.03, -75.32, 57.05

 

CMYK 0 / 94 / 29 / 13

HEX #DD0E9D

RGB 221 14 157

HSL 318.55, 0.88%, 0.46%

LAB 49.64, 79.03, -21.84

 

CMYK 0 / 87 / 26 / 7

HEX #EE20B0

RGB 238 32 176

HSL 318.06, 0.86%, 0.53%

LAB 54.39, 82.24, -25.47

 

CMYK 0 / 80 / 24 / 0

HEX #FF32C3

RGB 255 50 195

HSL 317.56, 1%, 0.6%

LAB 59.42, 84.47, -28.46

 

CMYK 0 / 73 / 16 / 0

HEX #FF44D6

RGB 255 68 214

HSL 313.16, 1%, 0.63%

LAB 61.87, 82.14, -35.46

 

CMYK 0 / 66 / 9 / 0

HEX #FF56E9

RGB 255 86 233

HSL 307.81, 1%, 0.67%

LAB 64.8, 78.9, -41.52

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 100 / 28 / 22

HEX #C7008F

RGB 199 0 143

HSL 316.88, 1%, 0.39%

LAB 44.41, 74.31, -21.82

 

CMYK 0 / 100 / 32 / 29

HEX #B6007C

RGB 182 0 124

HSL 319.12, 1%, 0.36%

LAB 40.25, 68.82, -16.83

 

CMYK 0 / 100 / 36 / 35

HEX #A50069

RGB 165 0 105

HSL 321.82, 1%, 0.32%

LAB 36.02, 63.26, -11.62

 

CMYK 0 / 100 / 42 / 42

HEX #940056

RGB 148 0 86

HSL 325.14, 1%, 0.29%

LAB 31.73, 57.63, -6.15

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 94 / 50 / 15

HEX #D80E6B

RGB 216 14 107

HSL 332.38, 0.88%, 0.45%

LAB 46.94, 73.36, 4.42

 

CMYK 0 / 94 / 75 / 15

HEX #D80E35

RGB 216 14 53

HSL 348.42, 0.88%, 0.45%

LAB 45.87, 70.4, 36.2

 

CMYK 0 / 94 / 94 / 15

HEX #D80E0E

RGB 216 14 14

HSL 0, 0.88%, 0.45%

LAB 45.56, 69.54, 55.23

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 94 / 0 / 15

HEX #D70ED8

RGB 215 14 216

HSL 299.7, 0.88%, 0.45%

LAB 51.52, 85.46, -53.39

 

CMYK 25 / 94 / 0 / 15

HEX #A10ED8

RGB 161 14 216

HSL 283.66, 0.88%, 0.45%

LAB 42.53, 77.39, -68.35

 

CMYK 51 / 94 / 0 / 15

HEX #6A0ED8

RGB 106 14 216

HSL 267.33, 0.88%, 0.45%

LAB 34.67, 71.32, -81.55

 

CMYK 76 / 94 / 0 / 15

HEX #340ED8

RGB 52 14 216

HSL 251.29, 0.88%, 0.45%

LAB 29.42, 68.09, -90.43

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 84 / 22 / 23

HEX #C52099

RGB 197 32 153

HSL 316, 0.72%, 0.45%

LAB 45.91, 70.87, -25.57

 

CMYK 0 / 72 / 20 / 30

HEX #B33390

RGB 179 51 144

HSL 316.41, 0.56%, 0.45%

LAB 44.18, 60.13, -23.08

 

CMYK 0 / 57 / 15 / 37

HEX #A04588

RGB 160 69 136

HSL 315.82, 0.4%, 0.45%

LAB 43.52, 46.06, -19.51

 

CMYK 0 / 38 / 10 / 45

HEX #8D587F

RGB 141 88 127

HSL 315.85, 0.23%, 0.45%

LAB 44.48, 28.05, -12.81

 

CMYK 25 / 94 / 0 / 15

HEX #A20ED8

RGB 162 14 216

HSL 283.96, 0.88%, 0.45%

LAB 42.69, 77.52, -68.08

 

CMYK 0 / 94 / 0 / 15

HEX #D80ED8

RGB 216 14 216

HSL 300, 0.88%, 0.45%

LAB 51.69, 85.62, -53.1

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 94 / 50 / 15

HEX #D80E6C

RGB 216 14 108

HSL 332.08, 0.88%, 0.45%

LAB 46.97, 73.43, 3.84

 

CMYK 0 / 94 / 75 / 15

HEX #D80E36

RGB 216 14 54

HSL 348.12, 0.88%, 0.45%

LAB 45.88, 70.44, 35.63

 

CMYK 0 / 93 / 25 / 46

HEX #8A0968

RGB 138 9 104

HSL 315.81, 0.88%, 0.29%

LAB 30.87, 56.08, -19.36

 

CMYK 0 / 94 / 25 / 31

HEX #B10B85

RGB 177 11 133

HSL 315.9, 0.88%, 0.37%

LAB 40.05, 67.65, -22.79

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 88 / 24 / 5

HEX #F11EB8

RGB 241 30 184

HSL 316.21, 0.88%, 0.53%

LAB 55.16, 84.08, -28.89

 

CMYK 0 / 72 / 19 / 5

HEX #F345C5

RGB 243 69 197

HSL 315.86, 0.88%, 0.61%

LAB 59.29, 76.85, -29.96

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 50 / 94 / 15

HEX #D86C0E

RGB 216 108 14

HSL 27.92, 0.88%, 0.45%

LAB 57.42, 37.63, 62.81

 

CMYK 94 / 0 / 13 / 15

HEX #0ED8BD

RGB 14 216 189

HSL 171.98, 0.88%, 0.45%

LAB 77.8, -49.66, 0.95

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 25 / 0 / 94 / 15

HEX #A2D80E

RGB 162 216 14

HSL 76.04, 0.88%, 0.45%

LAB 80.08, -40.9, 77.58

 

CMYK 94 / 25 / 0 / 15

HEX #0EA2D8

RGB 14 162 216

HSL 196.04, 0.88%, 0.45%

LAB 62.42, -15.54, -37.07

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 50 / 94 / 15

HEX #D86C0E

RGB 216 108 14

HSL 27.92, 0.88%, 0.45%

LAB 57.42, 37.63, 62.81

 

CMYK 94 / 0 / 69 / 15

HEX #0ED844

RGB 14 216 68

HSL 136.04, 0.88%, 0.45%

LAB 75.84, -72.19, 58.15

 

CMYK 94 / 44 / 0 / 15

HEX #0E79D8

RGB 14 121 216

HSL 208.22, 0.88%, 0.45%

LAB 50.37, 8.4, -56.16

 

CMYK 0 / 94 / 25 / 15

HEX #D80EA2

RGB 216 14 162

HSL 316.04, 0.88%, 0.45%

LAB 48.91, 78.59, -26.02

 

CMYK 0 / 22 / 94 / 15

HEX #D8A90E

RGB 216 169 14

HSL 46.04, 0.88%, 0.45%

LAB 71.56, 5.19, 72.91

 

CMYK 94 / 0 / 69 / 15

HEX #0ED844

RGB 14 216 68

HSL 136.04, 0.88%, 0.45%

LAB 75.84, -72.19, 58.15

 

CMYK 94 / 72 / 0 / 15

HEX #0E3DD8

RGB 14 61 216

HSL 226.04, 0.88%, 0.45%

LAB 34.78, 46.71, -81.57

 

Description

Color code: HEX #D80EA2 | qconv.com Color code: HEX #D80EA2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 14 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 14 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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