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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D80D7A it is the complementary color #27F285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D80D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D80D7A shade: #DD0D75, #EE1F88, #FF319B, #FF43AE and #FF55C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D80D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D80D7A shade: #D80D7A, #C70067, #B60054, #A50041 and #94002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D80D7A shade: #D90D7A, #D90D43 and #D90D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D80D7A shade: #D90D7A, #D90DB1, #C90DD9, #920DD9 and #5B0DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D80D7A shade matches the following richer shades: #D90D7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D80D7A shade: #D90D7A, #C61F79, #B43278, #A14476 and #8F5775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D80D7A shade: #C80DD9, #D90DB3, #D90D7D, #D90D46 and #D90D10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D80D7A shade: #8B084E, #B20A64, #D90D7A, #F21D8F and #F444A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D80D7A shade: #D80D7A, #D9910D and #0DCFD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D80D7A shade: #D80D7A, #7DD90D and #0D7DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D80D7A shade: #D80D7A, #D9910D, #0DD969 and #0D54D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D80D7A shade: #D80D7A, #D9CF0D, #0DD969 and #0D17D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

Complementary color

CMYK 84 / 0 / 45 / 5

HEX #27F285

RGB 39 242 133

HSL 147.78, 0.89%, 0.55%

LAB 84.81, -70.01, 39.57

 

CMYK 0 / 94 / 47 / 13

HEX #DD0D75

RGB 221 13 117

HSL 330, 0.89%, 0.46%

LAB 48.19, 75.36, 0.2

 

CMYK 0 / 87 / 43 / 7

HEX #EE1F88

RGB 238 31 136

HSL 329.57, 0.86%, 0.53%

LAB 52.88, 78.41, -4.06

 

CMYK 0 / 81 / 39 / 0

HEX #FF319B

RGB 255 49 155

HSL 329.13, 1%, 0.6%

LAB 57.87, 80.48, -7.59

 

CMYK 0 / 74 / 32 / 0

HEX #FF43AE

RGB 255 67 174

HSL 325.85, 1%, 0.63%

LAB 60.19, 77.61, -15.19

 

CMYK 0 / 67 / 24 / 0

HEX #FF55C1

RGB 255 85 193

HSL 321.88, 1%, 0.67%

LAB 63.02, 73.82, -21.78

 

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

CMYK 0 / 100 / 48 / 22

HEX #C70067

RGB 199 0 103

HSL 328.94, 1%, 0.39%

LAB 42.95, 70.5, 0.7

 

CMYK 0 / 100 / 54 / 29

HEX #B60054

RGB 182 0 84

HSL 332.31, 1%, 0.36%

LAB 38.87, 65.23, 6.44

 

CMYK 0 / 100 / 61 / 35

HEX #A50041

RGB 165 0 65

HSL 336.36, 1%, 0.32%

LAB 34.76, 59.95, 12.49

 

CMYK 0 / 100 / 69 / 42

HEX #94002E

RGB 148 0 46

HSL 341.35, 1%, 0.29%

LAB 30.62, 54.69, 18.87

 

CMYK 0 / 94 / 44 / 15

HEX #D90D7A

RGB 217 13 122

HSL 327.94, 0.89%, 0.45%

LAB 47.55, 74.88, -3.9

 

CMYK 0 / 94 / 69 / 15

HEX #D90D43

RGB 217 13 67

HSL 344.12, 0.89%, 0.45%

LAB 46.24, 71.3, 28.26

 

CMYK 0 / 94 / 94 / 15

HEX #D90D0D

RGB 217 13 13

HSL 0, 0.89%, 0.45%

LAB 45.73, 69.89, 55.77

 

CMYK 0 / 94 / 44 / 15

HEX #D90D7A

RGB 217 13 122

HSL 327.94, 0.89%, 0.45%

LAB 47.55, 74.88, -3.9

 

CMYK 0 / 94 / 18 / 15

HEX #D90DB1

RGB 217 13 177

HSL 311.76, 0.89%, 0.45%

LAB 49.75, 80.65, -33.57

 

CMYK 7 / 94 / 0 / 15

HEX #C90DD9

RGB 201 13 217

HSL 295.29, 0.89%, 0.45%

LAB 49.15, 83.46, -57.89

 

CMYK 33 / 94 / 0 / 15

HEX #920DD9

RGB 146 13 217

HSL 279.12, 0.89%, 0.45%

LAB 40.26, 75.8, -72.73

 

CMYK 58 / 94 / 0 / 15

HEX #5B0DD9

RGB 91 13 217

HSL 262.94, 0.89%, 0.45%

LAB 32.97, 70.56, -85.01

 

CMYK 0 / 94 / 44 / 15

HEX #D90D7A

RGB 217 13 122

HSL 327.94, 0.89%, 0.45%

LAB 47.55, 74.88, -3.9

 

CMYK 0 / 94 / 44 / 15

HEX #D90D7A

RGB 217 13 122

HSL 327.94, 0.89%, 0.45%

LAB 47.55, 74.88, -3.9

 

CMYK 0 / 84 / 39 / 22

HEX #C61F79

RGB 198 31 121

HSL 327.66, 0.73%, 0.45%

LAB 44.75, 67.75, -7.85

 

CMYK 0 / 72 / 33 / 29

HEX #B43278

RGB 180 50 120

HSL 327.69, 0.57%, 0.45%

LAB 43.27, 57.68, -9.79

 

CMYK 0 / 58 / 27 / 37

HEX #A14476

RGB 161 68 118

HSL 327.74, 0.41%, 0.45%

LAB 42.79, 44.15, -9.6

 

CMYK 0 / 39 / 18 / 44

HEX #8F5775

RGB 143 87 117

HSL 327.86, 0.24%, 0.45%

LAB 44.15, 27.59, -7.22

 

CMYK 8 / 94 / 0 / 15

HEX #C80DD9

RGB 200 13 217

HSL 295, 0.89%, 0.45%

LAB 48.98, 83.31, -58.18

 

CMYK 0 / 94 / 18 / 15

HEX #D90DB3

RGB 217 13 179

HSL 311.18, 0.89%, 0.45%

LAB 49.85, 80.9, -34.59

 

CMYK 0 / 94 / 42 / 15

HEX #D90D7D

RGB 217 13 125

HSL 327.06, 0.89%, 0.45%

LAB 47.65, 75.15, -5.59

 

CMYK 0 / 94 / 68 / 15

HEX #D90D46

RGB 217 13 70

HSL 343.24, 0.89%, 0.45%

LAB 46.29, 71.44, 26.48

 

CMYK 0 / 94 / 93 / 15

HEX #D90D10

RGB 217 13 16

HSL 359.12, 0.89%, 0.45%

LAB 45.74, 69.92, 54.76

 

CMYK 0 / 94 / 44 / 45

HEX #8B084E

RGB 139 8 78

HSL 327.94, 0.89%, 0.29%

LAB 29.94, 53.56, -3.74

 

CMYK 0 / 94 / 44 / 30

HEX #B20A64

RGB 178 10 100

HSL 327.86, 0.89%, 0.37%

LAB 38.9, 64.51, -3.84

 

CMYK 0 / 94 / 44 / 15

HEX #D90D7A

RGB 217 13 122

HSL 327.94, 0.89%, 0.45%

LAB 47.55, 74.88, -3.9

 

CMYK 0 / 88 / 41 / 5

HEX #F21D8F

RGB 242 29 143

HSL 327.89, 0.89%, 0.53%

LAB 53.75, 80.24, -6.88

 

CMYK 0 / 72 / 33 / 4

HEX #F444A3

RGB 244 68 163

HSL 327.61, 0.89%, 0.61%

LAB 58.05, 73.35, -12.21

 

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

CMYK 0 / 33 / 94 / 15

HEX #D9910D

RGB 217 145 13

HSL 38.82, 0.89%, 0.45%

LAB 65.77, 18.48, 68.91

 

CMYK 94 / 5 / 0 / 15

HEX #0DCFD9

RGB 13 207 217

HSL 182.94, 0.89%, 0.45%

LAB 75.9, -37.72, -16.92

 

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

CMYK 42 / 0 / 94 / 15

HEX #7DD90D

RGB 125 217 13

HSL 87.06, 0.89%, 0.45%

LAB 78.47, -54.56, 75.6

 

CMYK 94 / 42 / 0 / 15

HEX #0D7DD9

RGB 13 125 217

HSL 207.06, 0.89%, 0.45%

LAB 51.57, 6.27, -54.8

 

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

CMYK 0 / 33 / 94 / 15

HEX #D9910D

RGB 217 145 13

HSL 38.82, 0.89%, 0.45%

LAB 65.77, 18.48, 68.91

 

CMYK 94 / 0 / 52 / 15

HEX #0DD969

RGB 13 217 105

HSL 147.06, 0.89%, 0.45%

LAB 76.52, -67.96, 42.68

 

CMYK 94 / 61 / 0 / 15

HEX #0D54D9

RGB 13 84 217

HSL 219.12, 0.89%, 0.45%

LAB 40.31, 32.58, -73.05

 

CMYK 0 / 94 / 44 / 15

HEX #D80D7A

RGB 216 13 122

HSL 327.78, 0.89%, 0.45%

LAB 47.36, 74.66, -4.21

 

CMYK 0 / 5 / 94 / 15

HEX #D9CF0D

RGB 217 207 13

HSL 57.06, 0.89%, 0.45%

LAB 81.51, -14.02, 80.5

 

CMYK 94 / 0 / 52 / 15

HEX #0DD969

RGB 13 217 105

HSL 147.06, 0.89%, 0.45%

LAB 76.52, -67.96, 42.68

 

CMYK 94 / 89 / 0 / 15

HEX #0D17D9

RGB 13 23 217

HSL 237.06, 0.89%, 0.45%

LAB 28.66, 65.08, -92.31

 

Description

Color code: HEX #D80D7A | qconv.com Color code: HEX #D80D7A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 13 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 13 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 44% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 와우책문화예술센터
Link: http://www.wowcenter.or.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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