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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7F434 it is the complementary color #280BCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7F434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7F434 shade: #DCF42F, #EDFF42, #FEFF55, #FFFF68 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7F434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7F434 shade: #D7F434, #C6E221, #B5D00E, #A4BE00 and #93AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7F434 shade: #D7F434, #F4DD34, #F4A934, #F47534 and #F44134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7F434 shade: #D7F434, #A3F434, #6FF434, #3BF434 and #34F460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7F434 shade matches the following richer shades: #D7F434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7F434 shade: #D7F434, #CBE345, #BFD256, #B3C067 and #A7AF79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7F434 shade: #F4AA34, #F4DE34, #D7F434, #A4F434 and #71F434

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7F434 shade: #AECB0B, #CFF20D, #D7F434, #DFF65B and #E7F882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7F434 shade: #D7F434, #34F477 and #C434F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7F434 shade: #D7F434, #34D7F4 and #F434D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7F434 shade: #D7F434, #34F477, #5034F4 and #F434B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7F434 shade: #D7F434, #34F4B1, #5034F4 and #F43477

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

Complementary color

CMYK 80 / 95 / 0 / 20

HEX #280BCB

RGB 40 11 203

HSL 249.06, 0.9%, 0.42%

LAB 26.74, 65.02, -87.35

 

CMYK 10 / 0 / 81 / 4

HEX #DCF42F

RGB 220 244 47

HSL 67.31, 0.9%, 0.57%

LAB 91.74, -29.88, 82.77

 

CMYK 7 / 0 / 74 / 0

HEX #EDFF42

RGB 237 255 66

HSL 65.71, 1%, 0.63%

LAB 95.96, -27.51, 81.8

 

CMYK 0 / 0 / 67 / 0

HEX #FEFF55

RGB 254 255 85

HSL 60.35, 1%, 0.67%

LAB 97.33, -19.82, 77.21

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 12 / 0 / 85 / 11

HEX #C6E221

RGB 198 226 33

HSL 68.7, 0.77%, 0.51%

LAB 85.26, -30.78, 79.76

 

CMYK 13 / 0 / 93 / 18

HEX #B5D00E

RGB 181 208 14

HSL 68.35, 0.87%, 0.44%

LAB 79.02, -29.68, 77.27

 

CMYK 14 / 0 / 100 / 25

HEX #A4BE00

RGB 164 190 0

HSL 68.21, 1%, 0.37%

LAB 72.71, -28.39, 73.38

 

CMYK 15 / 0 / 100 / 33

HEX #93AC00

RGB 147 172 0

HSL 68.72, 1%, 0.34%

LAB 66.3, -26.92, 68.05

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 0 / 9 / 79 / 4

HEX #F4DD34

RGB 244 221 52

HSL 52.81, 0.9%, 0.58%

LAB 87.58, -8.71, 78.54

 

CMYK 0 / 31 / 79 / 4

HEX #F4A934

RGB 244 169 52

HSL 36.56, 0.9%, 0.58%

LAB 74.73, 18.15, 66.99

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 73 / 79 / 4

HEX #F44134

RGB 244 65 52

HSL 4.06, 0.9%, 0.58%

LAB 55.34, 66.62, 48.45

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 33 / 0 / 79 / 4

HEX #A3F434

RGB 163 244 52

HSL 85.31, 0.9%, 0.58%

LAB 88.32, -51.28, 77.14

 

CMYK 55 / 0 / 79 / 4

HEX #6FF434

RGB 111 244 52

HSL 101.56, 0.9%, 0.58%

LAB 86.17, -67.18, 74.37

 

CMYK 76 / 0 / 79 / 4

HEX #3BF434

RGB 59 244 52

HSL 117.81, 0.9%, 0.58%

LAB 84.93, -77.45, 72.76

 

CMYK 79 / 0 / 61 / 4

HEX #34F460

RGB 52 244 96

HSL 133.75, 0.9%, 0.58%

LAB 85.14, -74.58, 57.07

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 11 / 0 / 70 / 11

HEX #CBE345

RGB 203 227 69

HSL 69.11, 0.74%, 0.58%

LAB 86.04, -27.83, 70.46

 

CMYK 9 / 0 / 59 / 18

HEX #BFD256

RGB 191 210 86

HSL 69.19, 0.58%, 0.58%

LAB 80.65, -23.43, 57.83

 

CMYK 7 / 0 / 46 / 25

HEX #B3C067

RGB 179 192 103

HSL 68.76, 0.41%, 0.58%

LAB 74.99, -17.85, 43.1

 

CMYK 5 / 0 / 31 / 31

HEX #A7AF79

RGB 167 175 121

HSL 68.89, 0.25%, 0.58%

LAB 69.65, -11.77, 26.81

 

CMYK 0 / 30 / 79 / 4

HEX #F4AA34

RGB 244 170 52

HSL 36.88, 0.9%, 0.58%

LAB 74.97, 17.62, 67.21

 

CMYK 0 / 9 / 79 / 4

HEX #F4DE34

RGB 244 222 52

HSL 53.13, 0.9%, 0.58%

LAB 87.84, -9.21, 78.77

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 33 / 0 / 79 / 4

HEX #A4F434

RGB 164 244 52

HSL 85, 0.9%, 0.58%

LAB 88.37, -50.93, 77.2

 

CMYK 54 / 0 / 79 / 4

HEX #71F434

RGB 113 244 52

HSL 100.94, 0.9%, 0.58%

LAB 86.24, -66.66, 74.45

 

CMYK 14 / 0 / 95 / 20

HEX #AECB0B

RGB 174 203 11

HSL 69.06, 0.9%, 0.42%

LAB 77.12, -30.25, 75.91

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20D

RGB 207 242 13

HSL 69.17, 0.9%, 0.5%

LAB 90.23, -34.87, 86.81

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 9 / 0 / 63 / 4

HEX #DFF65B

RGB 223 246 91

HSL 68.9, 0.9%, 0.66%

LAB 92.73, -27.53, 69.48

 

CMYK 7 / 0 / 48 / 3

HEX #E7F882

RGB 231 248 130

HSL 68.64, 0.89%, 0.74%

LAB 94.2, -22.28, 54.38

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 79 / 0 / 51 / 4

HEX #34F477

RGB 52 244 119

HSL 140.94, 0.9%, 0.58%

LAB 85.38, -71.6, 47.04

 

CMYK 20 / 79 / 0 / 4

HEX #C434F4

RGB 196 52 244

HSL 285, 0.9%, 0.58%

LAB 52.65, 79.81, -67.56

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 79 / 12 / 0 / 4

HEX #34D7F4

RGB 52 215 244

HSL 189.06, 0.9%, 0.58%

LAB 79.54, -30.81, -25.83

 

CMYK 0 / 79 / 12 / 4

HEX #F434D7

RGB 244 52 215

HSL 309.06, 0.9%, 0.58%

LAB 58.6, 84.23, -41.28

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 79 / 0 / 51 / 4

HEX #34F477

RGB 52 244 119

HSL 140.94, 0.9%, 0.58%

LAB 85.38, -71.6, 47.04

 

CMYK 67 / 79 / 0 / 4

HEX #5034F4

RGB 80 52 244

HSL 248.75, 0.9%, 0.58%

LAB 39.06, 64.3, -90.34

 

CMYK 0 / 79 / 27 / 4

HEX #F434B1

RGB 244 52 177

HSL 320.94, 0.9%, 0.58%

LAB 56.94, 79.5, -22.04

 

CMYK 12 / 0 / 79 / 4

HEX #D7F434

RGB 215 244 52

HSL 69.06, 0.9%, 0.58%

LAB 91.41, -31.71, 81.08

 

CMYK 79 / 0 / 27 / 4

HEX #34F4B1

RGB 52 244 177

HSL 159.06, 0.9%, 0.58%

LAB 86.31, -61.05, 19.43

 

CMYK 67 / 79 / 0 / 4

HEX #5034F4

RGB 80 52 244

HSL 248.75, 0.9%, 0.58%

LAB 39.06, 64.3, -90.34

 

CMYK 0 / 79 / 51 / 4

HEX #F43477

RGB 244 52 119

HSL 339.06, 0.9%, 0.58%

LAB 55.09, 73.99, 9.48

 

Description

Color code: HEX #D7F434 | qconv.com Color code: HEX #D7F434 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 244 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 244 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 79 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 79% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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