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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7F18F it is the complementary color #280E70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7F18F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7F18F shade: #DCF18A, #EDFF9D, #FEFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7F18F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7F18F shade: #D7F18F, #C6DF7C, #B5CD69, #A4BB56 and #93A943

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7F18F shade: #D7F18E, #F1F18E, #F1D68E, #F1BB8E and #F1A08E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7F18F shade: #D7F18E, #BCF18E, #A1F18E, #8EF195 and #8EF1B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7F18F shade matches the following richer shades: #D7F18E and #DBFB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7F18F shade: #D7F18E, #D2E798, #CDDCA2, #C8D2AC and #C3C8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7F18F shade: #F1D58E, #F1EF8E, #D8F18E, #BEF18E and #A3F18E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7F18F shade: #BCE844, #CAEC69, #D7F18E, #E4F6B2 and #F1FAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7F18F shade: #D7F18F, #8EF1BA and #E28EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7F18F shade: #D7F18F, #8ED8F1 and #F18ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7F18F shade: #D7F18F, #8EF1BA, #A68EF1 and #F18EC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7F18F shade: #D7F18F, #8EF1D8, #A68EF1 and #F18EA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

Complementary color

CMYK 64 / 88 / 0 / 56

HEX #280E70

RGB 40 14 112

HSL 255.92, 0.78%, 0.25%

LAB 15.14, 39.05, -50.72

 

CMYK 9 / 0 / 43 / 5

HEX #DCF18A

RGB 220 241 138

HSL 72.23, 0.79%, 0.74%

LAB 91.67, -22.31, 47.31

 

CMYK 7 / 0 / 38 / 0

HEX #EDFF9D

RGB 237 255 157

HSL 71.02, 1%, 0.81%

LAB 96.8, -20.58, 44.85

 

CMYK 0 / 0 / 31 / 0

HEX #FEFFB0

RGB 254 255 176

HSL 60.76, 1%, 0.85%

LAB 98.32, -12.05, 37.73

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

CMYK 11 / 0 / 44 / 13

HEX #C6DF7C

RGB 198 223 124

HSL 75.15, 0.61%, 0.68%

LAB 85.12, -23.49, 45.6

 

CMYK 12 / 0 / 49 / 20

HEX #B5CD69

RGB 181 205 105

HSL 74.4, 0.5%, 0.61%

LAB 78.76, -23.3, 46.74

 

CMYK 12 / 0 / 54 / 27

HEX #A4BB56

RGB 164 187 86

HSL 73.66, 0.43%, 0.54%

LAB 72.3, -23.04, 47.84

 

CMYK 13 / 0 / 60 / 34

HEX #93A943

RGB 147 169 67

HSL 72.94, 0.43%, 0.46%

LAB 65.74, -22.68, 48.84

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18E

RGB 215 241 142

HSL 75.76, 0.78%, 0.75%

LAB 91.37, -23.75, 44.93

 

CMYK 0 / 0 / 41 / 5

HEX #F1F18E

RGB 241 241 142

HSL 60, 0.78%, 0.75%

LAB 93.26, -13.87, 47.7

 

CMYK 0 / 11 / 41 / 5

HEX #F1D68E

RGB 241 214 142

HSL 43.64, 0.78%, 0.75%

LAB 86.38, -0.31, 38.96

 

CMYK 0 / 22 / 41 / 5

HEX #F1BB8E

RGB 241 187 142

HSL 27.27, 0.78%, 0.75%

LAB 79.72, 13.74, 30.25

 

CMYK 0 / 34 / 41 / 5

HEX #F1A08E

RGB 241 160 142

HSL 10.91, 0.78%, 0.75%

LAB 73.41, 28.02, 21.75

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18E

RGB 215 241 142

HSL 75.76, 0.78%, 0.75%

LAB 91.37, -23.75, 44.93

 

CMYK 22 / 0 / 41 / 5

HEX #BCF18E

RGB 188 241 142

HSL 92.12, 0.78%, 0.75%

LAB 89.65, -33.56, 42.38

 

CMYK 33 / 0 / 41 / 5

HEX #A1F18E

RGB 161 241 142

HSL 108.48, 0.78%, 0.75%

LAB 88.18, -42.66, 40.2

 

CMYK 41 / 0 / 38 / 5

HEX #8EF195

RGB 142 241 149

HSL 124.24, 0.78%, 0.75%

LAB 87.4, -47.43, 35.55

 

CMYK 41 / 0 / 27 / 5

HEX #8EF1B0

RGB 142 241 176

HSL 140.61, 0.78%, 0.75%

LAB 87.87, -42.89, 22.48

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18E

RGB 215 241 142

HSL 75.76, 0.78%, 0.75%

LAB 91.37, -23.75, 44.93

 

CMYK 13 / 0 / 48 / 2

HEX #DBFB83

RGB 219 251 131

HSL 76, 0.94%, 0.75%

LAB 94.18, -28.15, 53.7

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18E

RGB 215 241 142

HSL 75.76, 0.78%, 0.75%

LAB 91.37, -23.75, 44.93

 

CMYK 9 / 0 / 34 / 9

HEX #D2E798

RGB 210 231 152

HSL 75.95, 0.62%, 0.75%

LAB 88.51, -19.59, 36.21

 

CMYK 7 / 0 / 26 / 14

HEX #CDDCA2

RGB 205 220 162

HSL 75.52, 0.45%, 0.75%

LAB 85.39, -14.66, 26.89

 

CMYK 5 / 0 / 18 / 18

HEX #C8D2AC

RGB 200 210 172

HSL 75.79, 0.3%, 0.75%

LAB 82.57, -9.95, 17.72

 

CMYK 3 / 0 / 9 / 22

HEX #C3C8B7

RGB 195 200 183

HSL 77.65, 0.13%, 0.75%

LAB 79.8, -4.77, 7.9

 

CMYK 0 / 12 / 41 / 5

HEX #F1D58E

RGB 241 213 142

HSL 43.03, 0.78%, 0.75%

LAB 86.13, 0.2, 38.64

 

CMYK 0 / 1 / 41 / 5

HEX #F1EF8E

RGB 241 239 142

HSL 58.79, 0.78%, 0.75%

LAB 92.75, -12.88, 47.06

 

CMYK 10 / 0 / 41 / 5

HEX #D8F18E

RGB 216 241 142

HSL 75.15, 0.78%, 0.75%

LAB 91.44, -23.38, 45.03

 

CMYK 21 / 0 / 41 / 5

HEX #BEF18E

RGB 190 241 142

HSL 90.91, 0.78%, 0.75%

LAB 89.77, -32.86, 42.56

 

CMYK 32 / 0 / 41 / 5

HEX #A3F18E

RGB 163 241 142

HSL 107.27, 0.78%, 0.75%

LAB 88.28, -42.01, 40.35

 

CMYK 19 / 0 / 71 / 9

HEX #BCE844

RGB 188 232 68

HSL 76.1, 0.78%, 0.59%

LAB 86.42, -36.11, 70.86

 

CMYK 14 / 0 / 56 / 7

HEX #CAEC69

RGB 202 236 105

HSL 75.57, 0.78%, 0.67%

LAB 88.72, -29.96, 58.79

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18E

RGB 215 241 142

HSL 75.76, 0.78%, 0.75%

LAB 91.37, -23.75, 44.93

 

CMYK 7 / 0 / 28 / 4

HEX #E4F6B2

RGB 228 246 178

HSL 75.88, 0.79%, 0.83%

LAB 94.15, -16.92, 30.83

 

CMYK 4 / 0 / 14 / 2

HEX #F1FAD7

RGB 241 250 215

HSL 75.43, 0.78%, 0.91%

LAB 96.81, -8.87, 15.79

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

CMYK 41 / 0 / 23 / 5

HEX #8EF1BA

RGB 142 241 186

HSL 146.67, 0.78%, 0.75%

LAB 88.07, -41.01, 17.6

 

CMYK 6 / 41 / 0 / 5

HEX #E28EF1

RGB 226 142 241

HSL 290.91, 0.78%, 0.75%

LAB 70.78, 47.39, -36.89

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

CMYK 41 / 10 / 0 / 5

HEX #8ED8F1

RGB 142 216 241

HSL 195.15, 0.78%, 0.75%

LAB 82.49, -16.68, -19.48

 

CMYK 0 / 41 / 10 / 5

HEX #F18ED8

RGB 241 142 216

HSL 315.15, 0.78%, 0.75%

LAB 71.56, 47.53, -21.81

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

CMYK 41 / 0 / 23 / 5

HEX #8EF1BA

RGB 142 241 186

HSL 146.67, 0.78%, 0.75%

LAB 88.07, -41.01, 17.6

 

CMYK 31 / 41 / 0 / 5

HEX #A68EF1

RGB 166 142 241

HSL 254.55, 0.78%, 0.75%

LAB 64.81, 30.33, -46.67

 

CMYK 0 / 41 / 19 / 5

HEX #F18EC4

RGB 241 142 196

HSL 327.27, 0.78%, 0.75%

LAB 70.89, 44.41, -11.74

 

CMYK 11 / 0 / 41 / 5

HEX #D7F18F

RGB 215 241 143

HSL 75.92, 0.78%, 0.75%

LAB 91.39, -23.64, 44.46

 

CMYK 41 / 0 / 10 / 5

HEX #8EF1D8

RGB 142 241 216

HSL 164.85, 0.78%, 0.75%

LAB 88.74, -34.81, 2.96

 

CMYK 31 / 41 / 0 / 5

HEX #A68EF1

RGB 166 142 241

HSL 254.55, 0.78%, 0.75%

LAB 64.81, 30.33, -46.67

 

CMYK 0 / 41 / 31 / 5

HEX #F18EA6

RGB 241 142 166

HSL 345.45, 0.78%, 0.75%

LAB 70.04, 40.26, 3.72

 

Description

Color code: HEX #D7F18F | qconv.com Color code: HEX #D7F18F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 241 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 241 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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