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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7EC30 it is the complementary color #2813CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7EC30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7EC30 shade: #DCEC2B, #EDFE3E, #FEFF51, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7EC30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7EC30 shade: #D7EC30, #C6DA1D, #B5C80A, #A4B600 and #93A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7EC30 shade: #D7EC32, #ECCE32, #EC9C32, #EC6A32 and #EC3832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7EC30 shade: #D7EC32, #A5EC32, #73EC32, #40EC32 and #32EC55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7EC30 shade matches the following richer shades: #D7EC32 and #E5FE20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7EC30 shade: #D7EC32, #C9DA44, #BBC856, #ADB568 and #9FA37A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7EC30 shade: #EC9B32, #ECCD32, #D9EC32, #A8EC32 and #76EC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7EC30 shade: #A7BA11, #C9E015, #D7EC32, #DEEF57 and #E6F37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7EC30 shade: #D7EC30, #32EC6A and #B432EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7EC30 shade: #D7EC30, #32D9EC and #EC32D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7EC30 shade: #D7EC30, #32EC6A, #4432EC and #EC32B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7EC30 shade: #D7EC30, #32ECA1, #4432EC and #EC327C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

Complementary color

CMYK 81 / 91 / 0 / 19

HEX #2813CF

RGB 40 19 207

HSL 246.7, 0.83%, 0.44%

LAB 27.9, 64.14, -87.75

 

CMYK 7 / 0 / 82 / 7

HEX #DCEC2B

RGB 220 236 43

HSL 64.97, 0.84%, 0.55%

LAB 89.57, -26.26, 81.86

 

CMYK 7 / 0 / 76 / 0

HEX #EDFE3E

RGB 237 254 62

HSL 65.31, 0.99%, 0.62%

LAB 95.68, -27.2, 82.73

 

CMYK 0 / 0 / 68 / 0

HEX #FEFF51

RGB 254 255 81

HSL 60.34, 1%, 0.66%

LAB 97.3, -20.02, 78.61

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

CMYK 9 / 0 / 87 / 15

HEX #C6DA1D

RGB 198 218 29

HSL 66.35, 0.77%, 0.48%

LAB 83.04, -27.12, 78.71

 

CMYK 10 / 0 / 95 / 22

HEX #B5C80A

RGB 181 200 10

HSL 66, 0.9%, 0.41%

LAB 76.77, -25.92, 75.96

 

CMYK 10 / 0 / 100 / 29

HEX #A4B600

RGB 164 182 0

HSL 65.93, 1%, 0.36%

LAB 70.42, -24.52, 71.67

 

CMYK 10 / 0 / 100 / 36

HEX #93A400

RGB 147 164 0

HSL 66.22, 1%, 0.32%

LAB 63.96, -22.99, 66.3

 

CMYK 9 / 0 / 79 / 7

HEX #D7EC32

RGB 215 236 50

HSL 66.77, 0.83%, 0.56%

LAB 89.24, -28.06, 79.68

 

CMYK 0 / 13 / 79 / 7

HEX #ECCE32

RGB 236 206 50

HSL 50.32, 0.83%, 0.56%

LAB 83.02, -4.59, 74.82

 

CMYK 0 / 34 / 79 / 7

HEX #EC9C32

RGB 236 156 50

HSL 34.19, 0.83%, 0.56%

LAB 70.76, 21.58, 63.73

 

CMYK 0 / 55 / 79 / 7

HEX #EC6A32

RGB 236 106 50

HSL 18.06, 0.83%, 0.56%

LAB 60.22, 47.15, 53.78

 

CMYK 0 / 76 / 79 / 7

HEX #EC3832

RGB 236 56 50

HSL 1.94, 0.83%, 0.56%

LAB 52.83, 67.02, 46.48

 

CMYK 9 / 0 / 79 / 7

HEX #D7EC32

RGB 215 236 50

HSL 66.77, 0.83%, 0.56%

LAB 89.24, -28.06, 79.68

 

CMYK 30 / 0 / 79 / 7

HEX #A5EC32

RGB 165 236 50

HSL 82.9, 0.83%, 0.56%

LAB 86.12, -47.34, 75.71

 

CMYK 51 / 0 / 79 / 7

HEX #73EC32

RGB 115 236 50

HSL 99.03, 0.83%, 0.56%

LAB 83.9, -63.41, 72.85

 

CMYK 73 / 0 / 79 / 7

HEX #40EC32

RGB 64 236 50

HSL 115.48, 0.83%, 0.56%

LAB 82.55, -74.46, 71.1

 

CMYK 79 / 0 / 64 / 7

HEX #32EC55

RGB 50 236 85

HSL 131.29, 0.83%, 0.56%

LAB 82.55, -73.55, 58.76

 

CMYK 9 / 0 / 79 / 7

HEX #D7EC32

RGB 215 236 50

HSL 66.77, 0.83%, 0.56%

LAB 89.24, -28.06, 79.68

 

CMYK 10 / 0 / 87 / 0

HEX #E5FE20

RGB 229 254 32

HSL 66.76, 0.99%, 0.56%

LAB 95.01, -31.27, 88.8

 

CMYK 9 / 0 / 79 / 7

HEX #D7EC32

RGB 215 236 50

HSL 66.77, 0.83%, 0.56%

LAB 89.24, -28.06, 79.68

 

CMYK 8 / 0 / 69 / 15

HEX #C9DA44

RGB 201 218 68

HSL 66.8, 0.67%, 0.56%

LAB 83.43, -24.41, 68.19

 

CMYK 7 / 0 / 57 / 22

HEX #BBC856

RGB 187 200 86

HSL 66.84, 0.51%, 0.56%

LAB 77.61, -20.15, 54.36

 

CMYK 4 / 0 / 43 / 29

HEX #ADB568

RGB 173 181 104

HSL 66.23, 0.34%, 0.56%

LAB 71.51, -14.57, 38.2

 

CMYK 2 / 0 / 25 / 36

HEX #9FA37A

RGB 159 163 122

HSL 65.85, 0.18%, 0.56%

LAB 65.73, -8.43, 20.88

 

CMYK 0 / 34 / 79 / 7

HEX #EC9B32

RGB 236 155 50

HSL 33.87, 0.83%, 0.56%

LAB 70.53, 22.11, 63.52

 

CMYK 0 / 13 / 79 / 7

HEX #ECCD32

RGB 236 205 50

HSL 50, 0.83%, 0.56%

LAB 82.77, -4.08, 74.59

 

CMYK 8 / 0 / 79 / 7

HEX #D9EC32

RGB 217 236 50

HSL 66.13, 0.83%, 0.56%

LAB 89.38, -27.25, 79.86

 

CMYK 29 / 0 / 79 / 7

HEX #A8EC32

RGB 168 236 50

HSL 81.94, 0.83%, 0.56%

LAB 86.28, -46.26, 75.91

 

CMYK 50 / 0 / 79 / 7

HEX #76EC32

RGB 118 236 50

HSL 98.06, 0.83%, 0.56%

LAB 84, -62.57, 72.99

 

CMYK 10 / 0 / 91 / 27

HEX #A7BA11

RGB 167 186 17

HSL 66.75, 0.83%, 0.4%

LAB 71.81, -24.96, 70.77

 

CMYK 10 / 0 / 91 / 12

HEX #C9E015

RGB 201 224 21

HSL 66.8, 0.83%, 0.48%

LAB 84.89, -28.87, 81.57

 

CMYK 9 / 0 / 79 / 7

HEX #D7EC32

RGB 215 236 50

HSL 66.77, 0.83%, 0.56%

LAB 89.24, -28.06, 79.68

 

CMYK 7 / 0 / 64 / 6

HEX #DEEF57

RGB 222 239 87

HSL 66.71, 0.83%, 0.64%

LAB 90.76, -24.88, 68.96

 

CMYK 5 / 0 / 49 / 5

HEX #E6F37D

RGB 230 243 125

HSL 66.61, 0.83%, 0.72%

LAB 92.75, -20.73, 54.95

 

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

CMYK 79 / 0 / 55 / 7

HEX #32EC6A

RGB 50 236 106

HSL 138.06, 0.83%, 0.56%

LAB 82.76, -71.05, 49.87

 

CMYK 24 / 79 / 0 / 7

HEX #B432EC

RGB 180 50 236

HSL 281.94, 0.83%, 0.56%

LAB 49.55, 76.21, -68.2

 

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

CMYK 79 / 8 / 0 / 7

HEX #32D9EC

RGB 50 217 236

HSL 186.13, 0.83%, 0.56%

LAB 79.82, -34.4, -21.14

 

CMYK 0 / 79 / 8 / 7

HEX #EC32D9

RGB 236 50 217

HSL 306.13, 0.83%, 0.56%

LAB 57.2, 83.38, -44.71

 

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

CMYK 79 / 0 / 55 / 7

HEX #32EC6A

RGB 50 236 106

HSL 138.06, 0.83%, 0.56%

LAB 82.76, -71.05, 49.87

 

CMYK 71 / 79 / 0 / 7

HEX #4432EC

RGB 68 50 236

HSL 245.81, 0.83%, 0.56%

LAB 37.05, 61.95, -89.17

 

CMYK 0 / 79 / 24 / 7

HEX #EC32B4

RGB 236 50 180

HSL 318.06, 0.83%, 0.56%

LAB 55.49, 78.55, -26.13

 

CMYK 9 / 0 / 80 / 7

HEX #D7EC30

RGB 215 236 48

HSL 66.7, 0.83%, 0.56%

LAB 89.23, -28.13, 80.2

 

CMYK 79 / 0 / 32 / 7

HEX #32ECA1

RGB 50 236 161

HSL 155.81, 0.83%, 0.56%

LAB 83.57, -61.67, 23.88

 

CMYK 71 / 79 / 0 / 7

HEX #4432EC

RGB 68 50 236

HSL 245.81, 0.83%, 0.56%

LAB 37.05, 61.95, -89.17

 

CMYK 0 / 79 / 47 / 7

HEX #EC327C

RGB 236 50 124

HSL 336.13, 0.83%, 0.56%

LAB 53.57, 72.86, 4.1

 

Description

Color code: HEX #D7EC30 | qconv.com Color code: HEX #D7EC30 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 236 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 236 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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