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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E7AF it is the complementary color #281850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E7AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E7AF shade: #DCE7AA, #EDF9BD, #FEFFD0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E7AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E7AF shade: #D7E7AF, #C6D59C, #B5C389, #A4B176 and #939F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E7AF shade: #D8E8B0, #E7E8B0, #E8DAB0, #E8CBB0 and #E8BCB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E7AF shade: #D8E8B0, #C9E8B0, #BAE8B0, #B0E8B6 and #B0E8C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E7AF shade matches the following richer shades: #D8E8B0, #DBF0A8 and #DFF8A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E7AF shade: #D8E8B0, #D4DFB9, #D1D7C1, #CDCFC9 and #CAC7D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E7AF shade: #E8DAB0, #E7E8B0, #D8E8B0, #C9E8B0 and #BBE8B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E7AF shade: #B8D571, #C8DE91, #D8E8B0, #E8F1D0 and #F8FBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E7AF shade: #D7E7AF, #B0E8CB and #E1B0E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E7AF shade: #D7E7AF, #B0D8E8 and #E8B0D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E7AF shade: #D7E7AF, #B0E8CB, #C0B0E8 and #E8B0CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E7AF shade: #D7E7AF, #B0E8DC, #C0B0E8 and #E8B0BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

Complementary color

CMYK 50 / 70 / 0 / 69

HEX #281850

RGB 40 24 80

HSL 257.14, 0.54%, 0.2%

LAB 13.73, 23.46, -31.71

 

CMYK 5 / 0 / 26 / 9

HEX #DCE7AA

RGB 220 231 170

HSL 70.82, 0.56%, 0.79%

LAB 89.52, -13.53, 28.55

 

CMYK 5 / 0 / 24 / 2

HEX #EDF9BD

RGB 237 249 189

HSL 72, 0.83%, 0.86%

LAB 95.76, -13.63, 27.55

 

CMYK 0 / 0 / 18 / 0

HEX #FEFFD0

RGB 254 255 208

HSL 61.28, 1%, 0.91%

LAB 98.89, -7.84, 22.41

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

CMYK 7 / 0 / 27 / 16

HEX #C6D59C

RGB 198 213 156

HSL 75.79, 0.4%, 0.72%

LAB 82.91, -14.58, 26.56

 

CMYK 7 / 0 / 30 / 24

HEX #B5C389

RGB 181 195 137

HSL 74.48, 0.33%, 0.65%

LAB 76.47, -14.49, 27.62

 

CMYK 7 / 0 / 33 / 31

HEX #A4B176

RGB 164 177 118

HSL 73.22, 0.27%, 0.58%

LAB 69.93, -14.39, 28.73

 

CMYK 8 / 0 / 38 / 38

HEX #939F63

RGB 147 159 99

HSL 72, 0.24%, 0.51%

LAB 63.26, -14.25, 29.91

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 0 / 0 / 24 / 9

HEX #E7E8B0

RGB 231 232 176

HSL 61.07, 0.55%, 0.8%

LAB 90.71, -9.16, 27.22

 

CMYK 0 / 6 / 24 / 9

HEX #E8DAB0

RGB 232 218 176

HSL 45, 0.55%, 0.8%

LAB 87.21, -1.69, 22.44

 

CMYK 0 / 13 / 24 / 9

HEX #E8CBB0

RGB 232 203 176

HSL 28.93, 0.55%, 0.8%

LAB 83.44, 6.09, 17.21

 

CMYK 0 / 19 / 24 / 9

HEX #E8BCB0

RGB 232 188 176

HSL 12.86, 0.55%, 0.8%

LAB 79.76, 14, 12.03

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 13 / 0 / 24 / 9

HEX #C9E8B0

RGB 201 232 176

HSL 93.21, 0.55%, 0.8%

LAB 88.57, -19.98, 23.96

 

CMYK 20 / 0 / 24 / 9

HEX #BAE8B0

RGB 186 232 176

HSL 109.29, 0.55%, 0.8%

LAB 87.62, -25.15, 22.5

 

CMYK 24 / 0 / 22 / 9

HEX #B0E8B6

RGB 176 232 182

HSL 126.43, 0.55%, 0.8%

LAB 87.15, -27.46, 18.65

 

CMYK 24 / 0 / 15 / 9

HEX #B0E8C5

RGB 176 232 197

HSL 142.5, 0.55%, 0.8%

LAB 87.47, -24.75, 11.28

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 9 / 0 / 30 / 6

HEX #DBF0A8

RGB 219 240 168

HSL 77.5, 0.71%, 0.8%

LAB 91.78, -18.6, 32.59

 

CMYK 10 / 0 / 35 / 3

HEX #DFF8A0

RGB 223 248 160

HSL 77.05, 0.86%, 0.8%

LAB 94.04, -22.03, 39.62

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 5 / 0 / 17 / 13

HEX #D4DFB9

RGB 212 223 185

HSL 77.37, 0.37%, 0.8%

LAB 87.13, -10.21, 17.4

 

CMYK 3 / 0 / 10 / 16

HEX #D1D7C1

RGB 209 215 193

HSL 76.36, 0.22%, 0.8%

LAB 85, -5.9, 10.15

 

CMYK 1 / 0 / 3 / 19

HEX #CDCFC9

RGB 205 207 201

HSL 80, 0.06%, 0.8%

LAB 82.82, -1.77, 2.73

 

CMYK 3 / 5 / 0 / 18

HEX #CAC7D1

RGB 202 199 209

HSL 258, 0.1%, 0.8%

LAB 80.74, 2.89, -4.62

 

CMYK 0 / 6 / 24 / 9

HEX #E8DAB0

RGB 232 218 176

HSL 45, 0.55%, 0.8%

LAB 87.21, -1.69, 22.44

 

CMYK 0 / 0 / 24 / 9

HEX #E7E8B0

RGB 231 232 176

HSL 61.07, 0.55%, 0.8%

LAB 90.71, -9.16, 27.22

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 13 / 0 / 24 / 9

HEX #C9E8B0

RGB 201 232 176

HSL 93.21, 0.55%, 0.8%

LAB 88.57, -19.98, 23.96

 

CMYK 19 / 0 / 24 / 9

HEX #BBE8B0

RGB 187 232 176

HSL 108.21, 0.55%, 0.8%

LAB 87.69, -24.81, 22.59

 

CMYK 14 / 0 / 47 / 16

HEX #B8D571

RGB 184 213 113

HSL 77.4, 0.54%, 0.64%

LAB 81.28, -25.19, 45.98

 

CMYK 10 / 0 / 35 / 13

HEX #C8DE91

RGB 200 222 145

HSL 77.14, 0.54%, 0.72%

LAB 85.28, -19.78, 35.4

 

CMYK 7 / 0 / 24 / 9

HEX #D8E8B0

RGB 216 232 176

HSL 77.14, 0.55%, 0.8%

LAB 89.6, -14.64, 25.53

 

CMYK 4 / 0 / 14 / 5

HEX #E8F1D0

RGB 232 241 208

HSL 76.36, 0.54%, 0.88%

LAB 93.72, -8.6, 14.93

 

CMYK 1 / 0 / 4 / 2

HEX #F8FBF0

RGB 248 251 240

HSL 76.36, 0.58%, 0.96%

LAB 98.13, -2.89, 4.91

 

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

CMYK 24 / 0 / 13 / 9

HEX #B0E8CB

RGB 176 232 203

HSL 148.93, 0.55%, 0.8%

LAB 87.61, -23.61, 8.34

 

CMYK 3 / 24 / 0 / 9

HEX #E1B0E8

RGB 225 176 232

HSL 292.5, 0.55%, 0.8%

LAB 77.81, 27.28, -21.2

 

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

CMYK 24 / 7 / 0 / 9

HEX #B0D8E8

RGB 176 216 232

HSL 197.14, 0.55%, 0.8%

LAB 84.05, -9.55, -12.17

 

CMYK 0 / 24 / 7 / 9

HEX #E8B0D8

RGB 232 176 216

HSL 317.14, 0.55%, 0.8%

LAB 77.97, 26.7, -12.22

 

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

CMYK 24 / 0 / 13 / 9

HEX #B0E8CB

RGB 176 232 203

HSL 148.93, 0.55%, 0.8%

LAB 87.61, -23.61, 8.34

 

CMYK 17 / 24 / 0 / 9

HEX #C0B0E8

RGB 192 176 232

HSL 257.14, 0.55%, 0.8%

LAB 74.88, 16.78, -25.94

 

CMYK 0 / 24 / 12 / 9

HEX #E8B0CD

RGB 232 176 205

HSL 328.93, 0.55%, 0.8%

LAB 77.65, 24.85, -6.73

 

CMYK 7 / 0 / 24 / 9

HEX #D7E7AF

RGB 215 231 175

HSL 77.14, 0.54%, 0.8%

LAB 89.25, -14.65, 25.55

 

CMYK 24 / 0 / 5 / 9

HEX #B0E8DC

RGB 176 232 220

HSL 167.14, 0.55%, 0.8%

LAB 88.02, -20.22, 0.02

 

CMYK 17 / 24 / 0 / 9

HEX #C0B0E8

RGB 192 176 232

HSL 257.14, 0.55%, 0.8%

LAB 74.88, 16.78, -25.94

 

CMYK 0 / 24 / 19 / 9

HEX #E8B0BC

RGB 232 176 188

HSL 347.14, 0.55%, 0.8%

LAB 77.18, 22.16, 1.83

 

Description

Color code: HEX #D7E7AF | qconv.com Color code: HEX #D7E7AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 231 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 231 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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