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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E6B2 it is the complementary color #28194D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E6B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E6B2 shade: #DCE6AD, #EDF8C0, #FEFFD3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E6B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E6B2 shade: #D7E6B2, #C6D49F, #B5C28C, #A4B079 and #939E66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E6B2 shade: #D7E6B2, #E5E6B2, #E6D9B2, #E6CBB2 and #E6BDB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E6B2 shade: #D7E6B2, #C9E6B2, #BBE6B2, #B2E6B7 and #B2E6C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E6B2 shade matches the following richer shades: #D7E6B2, #DAEEAA, #DEF7A1 and #E1FF99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E6B2 shade: #D7E6B2, #D4DEBA, #D0D6C2, #CDCDCB and #C9C5D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E6B2 shade: #E6D9B2, #E5E6B2, #D7E6B2, #C9E6B2 and #BCE6B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E6B2 shade: #B7D274, #C7DC93, #D7E6B2, #E7F0D1 and #F7FAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E6B2 shade: #D7E6B2, #B2E6CB and #E0B2E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E6B2 shade: #D7E6B2, #B2D7E6 and #E6B2D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E6B2 shade: #D7E6B2, #B2E6CB, #C1B2E6 and #E6B2CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E6B2 shade: #D7E6B2, #B2E6DB, #C1B2E6 and #E6B2BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

Complementary color

CMYK 48 / 68 / 0 / 70

HEX #28194D

RGB 40 25 77

HSL 257.31, 0.51%, 0.2%

LAB 13.72, 21.81, -29.67

 

CMYK 4 / 0 / 25 / 10

HEX #DCE6AD

RGB 220 230 173

HSL 70.53, 0.53%, 0.79%

LAB 89.31, -12.61, 26.72

 

CMYK 4 / 0 / 23 / 3

HEX #EDF8C0

RGB 237 248 192

HSL 71.79, 0.8%, 0.86%

LAB 95.56, -12.72, 25.75

 

CMYK 0 / 0 / 17 / 0

HEX #FEFFD3

RGB 254 255 211

HSL 61.36, 1%, 0.91%

LAB 98.94, -7.4, 20.96

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 7 / 0 / 25 / 17

HEX #C6D49F

RGB 198 212 159

HSL 75.85, 0.38%, 0.73%

LAB 82.7, -13.65, 24.71

 

CMYK 7 / 0 / 28 / 24

HEX #B5C28C

RGB 181 194 140

HSL 74.44, 0.31%, 0.65%

LAB 76.25, -13.57, 25.74

 

CMYK 7 / 0 / 31 / 31

HEX #A4B079

RGB 164 176 121

HSL 73.09, 0.26%, 0.58%

LAB 69.7, -13.46, 26.84

 

CMYK 7 / 0 / 35 / 38

HEX #939E66

RGB 147 158 102

HSL 71.79, 0.22%, 0.51%

LAB 63.02, -13.33, 27.99

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 0 / 0 / 23 / 10

HEX #E5E6B2

RGB 229 230 178

HSL 61.15, 0.51%, 0.8%

LAB 90.08, -8.62, 25.3

 

CMYK 0 / 6 / 23 / 10

HEX #E6D9B2

RGB 230 217 178

HSL 45, 0.51%, 0.8%

LAB 86.83, -1.64, 20.85

 

CMYK 0 / 12 / 23 / 10

HEX #E6CBB2

RGB 230 203 178

HSL 28.85, 0.51%, 0.8%

LAB 83.31, 5.63, 15.94

 

CMYK 0 / 18 / 23 / 10

HEX #E6BDB2

RGB 230 189 178

HSL 12.69, 0.51%, 0.8%

LAB 79.86, 13.01, 11.07

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 13 / 0 / 23 / 10

HEX #C9E6B2

RGB 201 230 178

HSL 93.46, 0.51%, 0.8%

LAB 88.08, -18.69, 22.24

 

CMYK 19 / 0 / 23 / 10

HEX #BBE6B2

RGB 187 230 178

HSL 109.62, 0.51%, 0.8%

LAB 87.18, -23.52, 20.86

 

CMYK 23 / 0 / 20 / 10

HEX #B2E6B7

RGB 178 230 183

HSL 125.77, 0.51%, 0.8%

LAB 86.74, -25.67, 17.57

 

CMYK 23 / 0 / 14 / 10

HEX #B2E6C5

RGB 178 230 197

HSL 141.92, 0.51%, 0.8%

LAB 87.04, -23.15, 10.68

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 8 / 0 / 29 / 7

HEX #DAEEAA

RGB 218 238 170

HSL 77.65, 0.67%, 0.8%

LAB 91.21, -17.71, 30.81

 

CMYK 10 / 0 / 35 / 3

HEX #DEF7A1

RGB 222 247 161

HSL 77.44, 0.84%, 0.8%

LAB 93.72, -21.79, 38.7

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF99

RGB 225 255 153

HSL 77.65, 1%, 0.8%

LAB 95.93, -25.46, 45.5

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 5 / 0 / 16 / 13

HEX #D4DEBA

RGB 212 222 186

HSL 76.67, 0.35%, 0.8%

LAB 86.89, -9.55, 16.54

 

CMYK 3 / 0 / 9 / 16

HEX #D0D6C2

RGB 208 214 194

HSL 78, 0.2%, 0.8%

LAB 84.69, -5.57, 9.17

 

CMYK 0 / 0 / 1 / 20

HEX #CDCDCB

RGB 205 205 203

HSL 60, 0.02%, 0.8%

LAB 82.35, -0.36, 0.98

 

CMYK 5 / 7 / 0 / 17

HEX #C9C5D3

RGB 201 197 211

HSL 257.14, 0.14%, 0.8%

LAB 80.21, 4, -6.49

 

CMYK 0 / 6 / 23 / 10

HEX #E6D9B2

RGB 230 217 178

HSL 45, 0.51%, 0.8%

LAB 86.83, -1.64, 20.85

 

CMYK 0 / 0 / 23 / 10

HEX #E5E6B2

RGB 229 230 178

HSL 61.15, 0.51%, 0.8%

LAB 90.08, -8.62, 25.3

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 13 / 0 / 23 / 10

HEX #C9E6B2

RGB 201 230 178

HSL 93.46, 0.51%, 0.8%

LAB 88.08, -18.69, 22.24

 

CMYK 18 / 0 / 23 / 10

HEX #BCE6B2

RGB 188 230 178

HSL 108.46, 0.51%, 0.8%

LAB 87.24, -23.18, 20.95

 

CMYK 13 / 0 / 45 / 18

HEX #B7D274

RGB 183 210 116

HSL 77.23, 0.51%, 0.64%

LAB 80.42, -23.8, 43.45

 

CMYK 10 / 0 / 33 / 14

HEX #C7DC93

RGB 199 220 147

HSL 77.26, 0.51%, 0.72%

LAB 84.71, -18.92, 33.61

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 4 / 0 / 13 / 6

HEX #E7F0D1

RGB 231 240 209

HSL 77.42, 0.51%, 0.88%

LAB 93.41, -8.29, 13.97

 

CMYK 1 / 0 / 4 / 2

HEX #F7FAF0

RGB 247 250 240

HSL 78, 0.5%, 0.96%

LAB 97.81, -2.73, 4.43

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 23 / 0 / 12 / 10

HEX #B2E6CB

RGB 178 230 203

HSL 148.85, 0.51%, 0.8%

LAB 87.18, -22.01, 7.73

 

CMYK 3 / 23 / 0 / 10

HEX #E0B2E6

RGB 224 178 230

HSL 293.08, 0.51%, 0.8%

LAB 78.11, 25.5, -19.67

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 23 / 7 / 0 / 10

HEX #B2D7E6

RGB 178 215 230

HSL 197.31, 0.51%, 0.8%

LAB 83.85, -8.88, -11.4

 

CMYK 0 / 23 / 7 / 10

HEX #E6B2D7

RGB 230 178 215

HSL 317.31, 0.51%, 0.8%

LAB 78.21, 24.78, -11.35

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 23 / 0 / 12 / 10

HEX #B2E6CB

RGB 178 230 203

HSL 148.85, 0.51%, 0.8%

LAB 87.18, -22.01, 7.73

 

CMYK 16 / 23 / 0 / 10

HEX #C1B2E6

RGB 193 178 230

HSL 257.31, 0.51%, 0.8%

LAB 75.38, 15.56, -24.07

 

CMYK 0 / 23 / 11 / 10

HEX #E6B2CD

RGB 230 178 205

HSL 328.85, 0.51%, 0.8%

LAB 77.92, 23.08, -6.36

 

CMYK 7 / 0 / 23 / 10

HEX #D7E6B2

RGB 215 230 178

HSL 77.31, 0.51%, 0.8%

LAB 89.04, -13.71, 23.72

 

CMYK 23 / 0 / 5 / 10

HEX #B2E6DB

RGB 178 230 219

HSL 167.31, 0.51%, 0.8%

LAB 87.57, -18.83, -0.1

 

CMYK 16 / 23 / 0 / 10

HEX #C1B2E6

RGB 193 178 230

HSL 257.31, 0.51%, 0.8%

LAB 75.38, 15.56, -24.07

 

CMYK 0 / 23 / 18 / 10

HEX #E6B2BD

RGB 230 178 189

HSL 347.31, 0.51%, 0.8%

LAB 77.48, 20.52, 1.7

 

Description

Color code: HEX #D7E6B2 | qconv.com Color code: HEX #D7E6B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 230 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 230 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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