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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E5AC it is the complementary color #281A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E5AC shade: #DCE5A7, #EDF7BA, #FEFFCD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E5AC shade: #D7E5AC, #C6D399, #B5C186, #A4AF73 and #939D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E5AC shade: #D8E5AE, #E5E4AE, #E5D5AE, #E5C6AE and #E5B7AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E5AC shade: #D8E5AE, #C9E5AE, #BAE5AE, #AEE5B1 and #AEE5C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E5AC shade matches the following richer shades: #D8E5AE, #DCEEA5 and #E0F79C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E5AC shade: #D8E5AE, #D3DDB6, #CFD4BF, #CACBC8 and #C6C3D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E5AC shade: #E5D5AE, #E5E3AE, #D8E5AE, #C9E5AE and #BBE5AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E5AC shade: #B9D16F, #C8DB8E, #D8E5AE, #E7EFCD and #F6F9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E5AC shade: #D7E5AC, #AEE5C6 and #DCAEE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E5AC shade: #D7E5AC, #AED8E5 and #E5AED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E5AC shade: #D7E5AC, #AEE5C6, #BBAEE5 and #E5AECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E5AC shade: #D7E5AC, #AEE5D6, #BBAEE5 and #E5AEBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

Complementary color

CMYK 52 / 69 / 0 / 67

HEX #281A53

RGB 40 26 83

HSL 254.74, 0.52%, 0.21%

LAB 14.48, 23.14, -32.54

 

CMYK 4 / 0 / 27 / 10

HEX #DCE5A7

RGB 220 229 167

HSL 68.71, 0.54%, 0.78%

LAB 88.94, -12.94, 29.3

 

CMYK 4 / 0 / 25 / 3

HEX #EDF7BA

RGB 237 247 186

HSL 69.84, 0.79%, 0.85%

LAB 95.19, -13.06, 28.29

 

CMYK 0 / 0 / 20 / 0

HEX #FEFFCD

RGB 254 255 205

HSL 61.2, 1%, 0.9%

LAB 98.83, -8.26, 23.85

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

CMYK 6 / 0 / 27 / 17

HEX #C6D399

RGB 198 211 153

HSL 73.45, 0.4%, 0.71%

LAB 82.32, -13.99, 27.32

 

CMYK 6 / 0 / 31 / 24

HEX #B5C186

RGB 181 193 134

HSL 72.2, 0.32%, 0.64%

LAB 75.88, -13.88, 28.4

 

CMYK 6 / 0 / 34 / 31

HEX #A4AF73

RGB 164 175 115

HSL 71, 0.27%, 0.57%

LAB 69.32, -13.75, 29.53

 

CMYK 6 / 0 / 39 / 38

HEX #939D60

RGB 147 157 96

HSL 69.84, 0.24%, 0.5%

LAB 62.64, -13.57, 30.72

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 0 / 0 / 24 / 10

HEX #E5E4AE

RGB 229 228 174

HSL 58.91, 0.51%, 0.79%

LAB 89.49, -8.16, 26.56

 

CMYK 0 / 7 / 24 / 10

HEX #E5D5AE

RGB 229 213 174

HSL 42.55, 0.51%, 0.79%

LAB 85.66, -0.51, 21.3

 

CMYK 0 / 14 / 24 / 10

HEX #E5C6AE

RGB 229 198 174

HSL 26.18, 0.51%, 0.79%

LAB 81.89, 7.31, 16.07

 

CMYK 0 / 20 / 24 / 10

HEX #E5B7AE

RGB 229 183 174

HSL 9.82, 0.51%, 0.79%

LAB 78.22, 15.26, 10.88

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 12 / 0 / 24 / 10

HEX #C9E5AE

RGB 201 229 174

HSL 90.55, 0.51%, 0.79%

LAB 87.73, -18.81, 23.83

 

CMYK 19 / 0 / 24 / 10

HEX #BAE5AE

RGB 186 229 174

HSL 106.91, 0.51%, 0.79%

LAB 86.77, -24.02, 22.35

 

CMYK 24 / 0 / 23 / 10

HEX #AEE5B1

RGB 174 229 177

HSL 123.27, 0.51%, 0.79%

LAB 86.11, -27.53, 19.78

 

CMYK 24 / 0 / 16 / 10

HEX #AEE5C0

RGB 174 229 192

HSL 139.64, 0.51%, 0.79%

LAB 86.43, -24.86, 12.39

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 8 / 0 / 31 / 7

HEX #DCEEA5

RGB 220 238 165

HSL 74.79, 0.68%, 0.79%

LAB 91.27, -17.65, 33.44

 

CMYK 9 / 0 / 37 / 3

HEX #E0F79C

RGB 224 247 156

HSL 75.16, 0.85%, 0.79%

LAB 93.78, -21.67, 41.28

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 5 / 0 / 18 / 13

HEX #D3DDB6

RGB 211 221 182

HSL 75.38, 0.36%, 0.79%

LAB 86.47, -10.02, 18.04

 

CMYK 2 / 0 / 10 / 17

HEX #CFD4BF

RGB 207 212 191

HSL 74.29, 0.2%, 0.79%

LAB 84.03, -5.39, 9.8

 

CMYK 0 / 0 / 1 / 20

HEX #CACBC8

RGB 202 203 200

HSL 80, 0.03%, 0.79%

LAB 81.53, -0.89, 1.36

 

CMYK 5 / 6 / 0 / 18

HEX #C6C3D0

RGB 198 195 208

HSL 253.85, 0.12%, 0.79%

LAB 79.38, 3.48, -6.13

 

CMYK 0 / 7 / 24 / 10

HEX #E5D5AE

RGB 229 213 174

HSL 42.55, 0.51%, 0.79%

LAB 85.66, -0.51, 21.3

 

CMYK 0 / 1 / 24 / 10

HEX #E5E3AE

RGB 229 227 174

HSL 57.82, 0.51%, 0.79%

LAB 89.23, -7.66, 26.21

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 12 / 0 / 24 / 10

HEX #C9E5AE

RGB 201 229 174

HSL 90.55, 0.51%, 0.79%

LAB 87.73, -18.81, 23.83

 

CMYK 18 / 0 / 24 / 10

HEX #BBE5AE

RGB 187 229 174

HSL 105.82, 0.51%, 0.79%

LAB 86.83, -23.68, 22.45

 

CMYK 11 / 0 / 47 / 18

HEX #B9D16F

RGB 185 209 111

HSL 74.69, 0.52%, 0.63%

LAB 80.21, -23.08, 45.67

 

CMYK 9 / 0 / 35 / 14

HEX #C8DB8E

RGB 200 219 142

HSL 74.81, 0.52%, 0.71%

LAB 84.43, -18.69, 35.8

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AE

RGB 216 229 174

HSL 74.18, 0.51%, 0.79%

LAB 88.78, -13.43, 25.43

 

CMYK 3 / 0 / 14 / 6

HEX #E7EFCD

RGB 231 239 205

HSL 74.12, 0.52%, 0.87%

LAB 93.07, -8.42, 15.56

 

CMYK 1 / 0 / 5 / 2

HEX #F6F9EC

RGB 246 249 236

HSL 73.85, 0.52%, 0.95%

LAB 97.39, -3.24, 5.88

 

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

CMYK 24 / 0 / 14 / 10

HEX #AEE5C6

RGB 174 229 198

HSL 146.18, 0.51%, 0.79%

LAB 86.56, -23.74, 9.44

 

CMYK 4 / 24 / 0 / 10

HEX #DCAEE5

RGB 220 174 229

HSL 290.18, 0.51%, 0.79%

LAB 76.77, 26.17, -21.2

 

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

CMYK 24 / 6 / 0 / 10

HEX #AED8E5

RGB 174 216 229

HSL 194.18, 0.51%, 0.79%

LAB 83.84, -10.81, -10.9

 

CMYK 0 / 24 / 6 / 10

HEX #E5AED8

RGB 229 174 216

HSL 314.18, 0.51%, 0.79%

LAB 77.21, 26.76, -13.39

 

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

CMYK 24 / 0 / 14 / 10

HEX #AEE5C6

RGB 174 229 198

HSL 146.18, 0.51%, 0.79%

LAB 86.56, -23.74, 9.44

 

CMYK 18 / 24 / 0 / 10

HEX #BBAEE5

RGB 187 174 229

HSL 254.18, 0.51%, 0.79%

LAB 73.86, 15.67, -25.89

 

CMYK 0 / 24 / 10 / 10

HEX #E5AECD

RGB 229 174 205

HSL 326.18, 0.51%, 0.79%

LAB 76.88, 24.88, -7.9

 

CMYK 6 / 0 / 25 / 10

HEX #D7E5AC

RGB 215 229 172

HSL 74.74, 0.52%, 0.79%

LAB 88.67, -14.08, 26.3

 

CMYK 24 / 0 / 7 / 10

HEX #AEE5D6

RGB 174 229 214

HSL 163.64, 0.51%, 0.79%

LAB 86.94, -20.57, 1.59

 

CMYK 18 / 24 / 0 / 10

HEX #BBAEE5

RGB 187 174 229

HSL 254.18, 0.51%, 0.79%

LAB 73.86, 15.67, -25.89

 

CMYK 0 / 24 / 18 / 10

HEX #E5AEBC

RGB 229 174 188

HSL 344.73, 0.51%, 0.79%

LAB 76.41, 22.15, 0.67

 

Description

Color code: HEX #D7E5AC | qconv.com Color code: HEX #D7E5AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 229 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 229 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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