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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E19F it is the complementary color #281E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E19F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E19F shade: #DCE19A, #EDF3AD, #FEFFC0, #FFFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E19F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E19F shade: #D7E19F, #C6CF8C, #B5BD79, #A4AB66 and #939953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E19F shade: #D6E09E, #E0D99E, #E0C79E, #E0B59E and #E0A39E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E19F shade: #D6E09E, #C4E09E, #B3E09E, #A1E09E and #9EE0AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E19F shade matches the following richer shades: #D6E09E, #DEEB94 and #E5F589

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E19F shade: #D6E09E, #CFD6A8, #C8CCB3, #C1C1BD and #BAB7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E19F shade: #E0C79E, #E0D99E, #D6E09E, #C5E09E and #B3E09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E19F shade: #BCCD5F, #C9D67F, #D6E09E, #E4EABD and #F1F4DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E19F shade: #D7E19F, #9EE0B5 and #D09EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E19F shade: #D7E19F, #9ED6E0 and #E09ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E19F shade: #D7E19F, #9EE0B5, #A89EE0 and #E09EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E19F shade: #D7E19F, #9EE0C9, #A89EE0 and #E09EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

Complementary color

CMYK 58 / 69 / 0 / 62

HEX #281E60

RGB 40 30 96

HSL 249.09, 0.52%, 0.25%

LAB 16.62, 24.95, -37.78

 

CMYK 2 / 0 / 32 / 12

HEX #DCE19A

RGB 220 225 154

HSL 64.23, 0.54%, 0.74%

LAB 87.68, -12.62, 34.25

 

CMYK 2 / 0 / 29 / 5

HEX #EDF3AD

RGB 237 243 173

HSL 65.14, 0.74%, 0.82%

LAB 93.94, -12.82, 33.18

 

CMYK 0 / 0 / 25 / 0

HEX #FEFFC0

RGB 254 255 192

HSL 60.95, 1%, 0.88%

LAB 98.59, -10.04, 30.09

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

CMYK 4 / 0 / 32 / 19

HEX #C6CF8C

RGB 198 207 140

HSL 68.06, 0.41%, 0.68%

LAB 81.03, -13.7, 32.34

 

CMYK 4 / 0 / 36 / 26

HEX #B5BD79

RGB 181 189 121

HSL 67.06, 0.34%, 0.61%

LAB 74.57, -13.51, 33.48

 

CMYK 4 / 0 / 40 / 33

HEX #A4AB66

RGB 164 171 102

HSL 66.09, 0.29%, 0.54%

LAB 68, -13.27, 34.66

 

CMYK 4 / 0 / 46 / 40

HEX #939953

RGB 147 153 83

HSL 65.14, 0.3%, 0.46%

LAB 61.32, -12.96, 35.89

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 0 / 3 / 29 / 12

HEX #E0D99E

RGB 224 217 158

HSL 53.64, 0.52%, 0.75%

LAB 85.98, -6.57, 29.99

 

CMYK 0 / 11 / 29 / 12

HEX #E0C79E

RGB 224 199 158

HSL 37.27, 0.52%, 0.75%

LAB 81.38, 2.73, 23.77

 

CMYK 0 / 19 / 29 / 12

HEX #E0B59E

RGB 224 181 158

HSL 20.91, 0.52%, 0.75%

LAB 76.9, 12.24, 17.6

 

CMYK 0 / 27 / 29 / 12

HEX #E0A39E

RGB 224 163 158

HSL 4.55, 0.52%, 0.75%

LAB 72.57, 21.89, 11.52

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 13 / 0 / 29 / 12

HEX #C4E09E

RGB 196 224 158

HSL 85.45, 0.52%, 0.75%

LAB 85.76, -20.49, 29.35

 

CMYK 20 / 0 / 29 / 12

HEX #B3E09E

RGB 179 224 158

HSL 100.91, 0.52%, 0.75%

LAB 84.67, -26.52, 27.69

 

CMYK 28 / 0 / 29 / 12

HEX #A1E09E

RGB 161 224 158

HSL 117.27, 0.52%, 0.75%

LAB 83.63, -32.58, 26.1

 

CMYK 29 / 0 / 23 / 12

HEX #9EE0AD

RGB 158 224 173

HSL 133.64, 0.52%, 0.75%

LAB 83.76, -30.98, 18.45

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 6 / 0 / 37 / 8

HEX #DEEB94

RGB 222 235 148

HSL 68.97, 0.69%, 0.75%

LAB 90.36, -17.53, 40.79

 

CMYK 7 / 0 / 44 / 4

HEX #E5F589

RGB 229 245 137

HSL 68.89, 0.84%, 0.75%

LAB 93.35, -20.92, 50.02

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 3 / 0 / 21 / 16

HEX #CFD6A8

RGB 207 214 168

HSL 69.13, 0.36%, 0.75%

LAB 84.06, -10.04, 21.98

 

CMYK 2 / 0 / 12 / 20

HEX #C8CCB3

RGB 200 204 179

HSL 69.6, 0.2%, 0.75%

LAB 81.14, -5.74, 11.99

 

CMYK 0 / 0 / 2 / 24

HEX #C1C1BD

RGB 193 193 189

HSL 60, 0.03%, 0.75%

LAB 77.96, -0.73, 2

 

CMYK 7 / 8 / 0 / 22

HEX #BAB7C7

RGB 186 183 199

HSL 251.25, 0.13%, 0.75%

LAB 75.1, 4.11, -7.7

 

CMYK 0 / 11 / 29 / 12

HEX #E0C79E

RGB 224 199 158

HSL 37.27, 0.52%, 0.75%

LAB 81.38, 2.73, 23.77

 

CMYK 0 / 3 / 29 / 12

HEX #E0D99E

RGB 224 217 158

HSL 53.64, 0.52%, 0.75%

LAB 85.98, -6.57, 29.99

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 12 / 0 / 29 / 12

HEX #C5E09E

RGB 197 224 158

HSL 84.55, 0.52%, 0.75%

LAB 85.83, -20.13, 29.45

 

CMYK 20 / 0 / 29 / 12

HEX #B3E09E

RGB 179 224 158

HSL 100.91, 0.52%, 0.75%

LAB 84.67, -26.52, 27.69

 

CMYK 8 / 0 / 54 / 20

HEX #BCCD5F

RGB 188 205 95

HSL 69.27, 0.52%, 0.59%

LAB 79.14, -21.46, 52.04

 

CMYK 6 / 0 / 41 / 16

HEX #C9D67F

RGB 201 214 127

HSL 68.97, 0.51%, 0.67%

LAB 82.94, -17.6, 41.44

 

CMYK 4 / 0 / 29 / 12

HEX #D6E09E

RGB 214 224 158

HSL 69.09, 0.52%, 0.75%

LAB 87.03, -13.87, 31.27

 

CMYK 3 / 0 / 19 / 8

HEX #E4EABD

RGB 228 234 189

HSL 68, 0.52%, 0.83%

LAB 91.24, -9.42, 21.23

 

CMYK 1 / 0 / 9 / 4

HEX #F1F4DD

RGB 241 244 221

HSL 67.83, 0.51%, 0.91%

LAB 95.42, -4.91, 10.73

 

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

CMYK 29 / 0 / 19 / 12

HEX #9EE0B5

RGB 158 224 181

HSL 140.91, 0.52%, 0.75%

LAB 83.92, -29.52, 14.49

 

CMYK 7 / 29 / 0 / 12

HEX #D09EE0

RGB 208 158 224

HSL 285.45, 0.52%, 0.75%

LAB 71.72, 30.03, -26.28

 

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

CMYK 29 / 4 / 0 / 12

HEX #9ED6E0

RGB 158 214 224

HSL 189.09, 0.52%, 0.75%

LAB 82.24, -15.56, -10.73

 

CMYK 0 / 29 / 4 / 12

HEX #E09ED6

RGB 224 158 214

HSL 309.09, 0.52%, 0.75%

LAB 72.99, 33.32, -18.71

 

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

CMYK 29 / 0 / 19 / 12

HEX #9EE0B5

RGB 158 224 181

HSL 140.91, 0.52%, 0.75%

LAB 83.92, -29.52, 14.49

 

CMYK 25 / 29 / 0 / 12

HEX #A89EE0

RGB 168 158 224

HSL 249.09, 0.52%, 0.75%

LAB 68.14, 17.66, -32.1

 

CMYK 0 / 29 / 10 / 12

HEX #E09EC9

RGB 224 158 201

HSL 320.91, 0.52%, 0.75%

LAB 72.57, 31.08, -12.19

 

CMYK 4 / 0 / 29 / 12

HEX #D7E19F

RGB 215 225 159

HSL 69.09, 0.52%, 0.75%

LAB 87.39, -13.86, 31.25

 

CMYK 29 / 0 / 10 / 12

HEX #9EE0C9

RGB 158 224 201

HSL 159.09, 0.52%, 0.75%

LAB 84.38, -25.58, 4.61

 

CMYK 25 / 29 / 0 / 12

HEX #A89EE0

RGB 168 158 224

HSL 249.09, 0.52%, 0.75%

LAB 68.14, 17.66, -32.1

 

CMYK 0 / 29 / 19 / 12

HEX #E09EB5

RGB 224 158 181

HSL 339.09, 0.52%, 0.75%

LAB 71.99, 27.87, -2.02

 

Description

Color code: HEX #D7E19F | qconv.com Color code: HEX #D7E19F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 225 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 225 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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