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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7DE5E it is the complementary color #2821A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7DE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7DE5E shade: #DCDE59, #EDF06C, #FEFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7DE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7DE5E shade: #D7DE5E, #C6CC4B, #B5BA38, #A4A825 and #939612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7DE5E shade: #D7DE5E, #DEC25E, #DEA05E, #DE7D5E and #DE5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7DE5E shade: #D7DE5E, #B4DE5E, #92DE5E, #6FDE5E and #5EDE6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7DE5E shade matches the following richer shades: #D7DE5E, #E5ED4E and #F2FD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7DE5E shade: #D7DE5E, #C9CE6D, #BBBE7D, #ADAF8D and #9F9F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7DE5E shade: #DEA05E, #DEC25E, #D7DE5E, #B5DE5E and #93DE5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7DE5E shade: #B9C127, #CED73B, #D7DE5E, #DFE580 and #E8ECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7DE5E shade: #D7DE5E, #5EDE7E and #B15EDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7DE5E shade: #D7DE5E, #5ED7DE and #DE5ED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7DE5E shade: #D7DE5E, #5EDE7E, #645EDE and #DE5EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7DE5E shade: #D7DE5E, #5EDEA4, #645EDE and #DE5E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

Complementary color

CMYK 75 / 80 / 0 / 37

HEX #2821A1

RGB 40 33 161

HSL 243.28, 0.66%, 0.38%

LAB 24.04, 45.18, -66.78

 

CMYK 1 / 0 / 60 / 13

HEX #DCDE59

RGB 220 222 89

HSL 60.9, 0.67%, 0.61%

LAB 86.1, -17.34, 63.13

 

CMYK 1 / 0 / 55 / 6

HEX #EDF06C

RGB 237 240 108

HSL 61.36, 0.81%, 0.68%

LAB 92.31, -17.94, 62.23

 

CMYK 0 / 0 / 50 / 0

HEX #FEFF7F

RGB 254 255 127

HSL 60.47, 1%, 0.75%

LAB 97.68, -17.01, 60.31

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 3 / 0 / 63 / 20

HEX #C6CC4B

RGB 198 204 75

HSL 62.79, 0.56%, 0.55%

LAB 79.44, -18.4, 61.32

 

CMYK 3 / 0 / 70 / 27

HEX #B5BA38

RGB 181 186 56

HSL 62.31, 0.54%, 0.47%

LAB 73.04, -17.64, 61.79

 

CMYK 2 / 0 / 78 / 34

HEX #A4A825

RGB 164 168 37

HSL 61.83, 0.64%, 0.4%

LAB 66.54, -16.7, 61.66

 

CMYK 2 / 0 / 88 / 41

HEX #939612

RGB 147 150 18

HSL 61.36, 0.79%, 0.33%

LAB 59.94, -15.54, 60.41

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 0 / 13 / 58 / 13

HEX #DEC25E

RGB 222 194 94

HSL 46.88, 0.66%, 0.62%

LAB 79, -2.01, 53.05

 

CMYK 0 / 28 / 58 / 13

HEX #DEA05E

RGB 222 160 94

HSL 30.94, 0.66%, 0.62%

LAB 70.51, 15.98, 43.09

 

CMYK 0 / 44 / 58 / 13

HEX #DE7D5E

RGB 222 125 94

HSL 14.53, 0.66%, 0.62%

LAB 62.51, 34.64, 33.25

 

CMYK 0 / 58 / 58 / 13

HEX #DE5E5E

RGB 222 94 94

HSL 0, 0.66%, 0.62%

LAB 56.43, 50.06, 25.44

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 19 / 0 / 58 / 13

HEX #B4DE5E

RGB 180 222 94

HSL 79.69, 0.66%, 0.62%

LAB 83.31, -32.79, 57.11

 

CMYK 34 / 0 / 58 / 13

HEX #92DE5E

RGB 146 222 94

HSL 95.63, 0.66%, 0.62%

LAB 81.38, -45.06, 54.4

 

CMYK 50 / 0 / 58 / 13

HEX #6FDE5E

RGB 111 222 94

HSL 112.03, 0.66%, 0.62%

LAB 79.86, -55.84, 52.24

 

CMYK 58 / 0 / 50 / 13

HEX #5EDE6F

RGB 94 222 111

HSL 127.97, 0.66%, 0.62%

LAB 79.48, -58, 43.76

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 3 / 0 / 67 / 7

HEX #E5ED4E

RGB 229 237 78

HSL 63.02, 0.82%, 0.62%

LAB 90.68, -21.64, 72.46

 

CMYK 4 / 0 / 75 / 1

HEX #F2FD3E

RGB 242 253 62

HSL 63.46, 0.98%, 0.62%

LAB 95.78, -24.72, 82.95

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 2 / 0 / 47 / 19

HEX #C9CE6D

RGB 201 206 109

HSL 63.09, 0.5%, 0.62%

LAB 80.55, -15.47, 47.32

 

CMYK 2 / 0 / 34 / 25

HEX #BBBE7D

RGB 187 190 125

HSL 62.77, 0.33%, 0.62%

LAB 75.37, -11.18, 32.53

 

CMYK 1 / 0 / 19 / 31

HEX #ADAF8D

RGB 173 175 141

HSL 63.53, 0.18%, 0.62%

LAB 70.5, -6.55, 17.24

 

CMYK 0 / 0 / 2 / 38

HEX #9F9F9C

RGB 159 159 156

HSL 60, 0.02%, 0.62%

LAB 65.41, -0.56, 1.55

 

CMYK 0 / 28 / 58 / 13

HEX #DEA05E

RGB 222 160 94

HSL 30.94, 0.66%, 0.62%

LAB 70.51, 15.98, 43.09

 

CMYK 0 / 13 / 58 / 13

HEX #DEC25E

RGB 222 194 94

HSL 46.88, 0.66%, 0.62%

LAB 79, -2.01, 53.05

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 18 / 0 / 58 / 13

HEX #B5DE5E

RGB 181 222 94

HSL 79.22, 0.66%, 0.62%

LAB 83.38, -32.4, 57.2

 

CMYK 34 / 0 / 58 / 13

HEX #93DE5E

RGB 147 222 94

HSL 95.16, 0.66%, 0.62%

LAB 81.43, -44.72, 54.47

 

CMYK 4 / 0 / 80 / 24

HEX #B9C127

RGB 185 193 39

HSL 63.12, 0.66%, 0.45%

LAB 75.2, -20.16, 69.42

 

CMYK 4 / 0 / 73 / 16

HEX #CED73B

RGB 206 215 59

HSL 63.46, 0.66%, 0.54%

LAB 82.93, -21.35, 70.97

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 3 / 0 / 44 / 10

HEX #DFE580

RGB 223 229 128

HSL 63.56, 0.66%, 0.7%

LAB 88.58, -16.35, 48.35

 

CMYK 2 / 0 / 31 / 7

HEX #E8ECA2

RGB 232 236 162

HSL 63.24, 0.66%, 0.78%

LAB 91.57, -12.59, 35.51

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 58 / 0 / 43 / 13

HEX #5EDE7E

RGB 94 222 126

HSL 135, 0.66%, 0.62%

LAB 79.69, -55.76, 36.66

 

CMYK 20 / 58 / 0 / 13

HEX #B15EDE

RGB 177 94 222

HSL 278.91, 0.66%, 0.62%

LAB 54.69, 54.79, -52.06

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 58 / 3 / 0 / 13

HEX #5ED7DE

RGB 94 215 222

HSL 183.28, 0.66%, 0.62%

LAB 79.76, -31.61, -13.66

 

CMYK 0 / 58 / 3 / 13

HEX #DE5ED7

RGB 222 94 215

HSL 303.28, 0.66%, 0.62%

LAB 60.29, 64.86, -38.87

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 58 / 0 / 43 / 13

HEX #5EDE7E

RGB 94 222 126

HSL 135, 0.66%, 0.62%

LAB 79.69, -55.76, 36.66

 

CMYK 55 / 58 / 0 / 13

HEX #645EDE

RGB 100 94 222

HSL 242.81, 0.66%, 0.62%

LAB 46.96, 37.66, -64.89

 

CMYK 0 / 58 / 14 / 13

HEX #DE5EBE

RGB 222 94 190

HSL 315, 0.66%, 0.62%

LAB 59.21, 60.92, -26.35

 

CMYK 3 / 0 / 58 / 13

HEX #D7DE5E

RGB 215 222 94

HSL 63.28, 0.66%, 0.62%

LAB 85.75, -19.02, 60.52

 

CMYK 58 / 0 / 26 / 13

HEX #5EDEA4

RGB 94 222 164

HSL 152.81, 0.66%, 0.62%

LAB 80.35, -48.78, 18.02

 

CMYK 55 / 58 / 0 / 13

HEX #645EDE

RGB 100 94 222

HSL 242.81, 0.66%, 0.62%

LAB 46.96, 37.66, -64.89

 

CMYK 0 / 58 / 32 / 13

HEX #DE5E97

RGB 222 94 151

HSL 333.28, 0.66%, 0.62%

LAB 57.82, 55.62, -5.92

 

Description

Color code: HEX #D7DE5E | qconv.com Color code: HEX #D7DE5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 222 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 222 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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