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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7DDF14C it is the complementary color #28220E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7DDF14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7DDF14C shade: #DCDDEC4C, #EDEFFF4C, #FEFFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7DDF14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7DDF14C shade: #D7DDF14C, #C6CBDE4C, #B5B9CB4C, #A4A7B84C and #9395A54C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7DDF14C shade: #D5DCF0, #D7D5F0, #DED5F0, #E5D5F0 and #ECD5F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7DDF14C shade: #D5DCF0 and #D5D5F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7DDF14C shade matches the following richer shades: #D5DCF0, #D1D9F5, #CCD7F9 and #C8D4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7DDF14C shade: #D5DCF0, #DADEEC, #DFE1E7, #E3E3E3 and #E8E5DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7DDF14C shade: #D5EAF0, #D5E3F0, #D5DCF0, #D6D5F0 and #DED5F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7DDF14C shade: #98A8DB, #B7C2E6, #D5DCF0, #F4F6FB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7DDF14C shade: #D7DDF1, #F0D5F0 and #E7F0D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7DDF14C shade: #D7DDF1, #F0D5DC and #DCF0D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7DDF14C shade: #D7DDF1, #F0D5F0, #F0EAD5 and #D6F0D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7DDF14C shade: #D7DDF1, #F0D5E9, #F0EAD5 and #D5F0DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 2 / 0 / 2

HEX #D7DDF14C

RGBA 215 221 241 0.3

HSLA 226.15, 0.48%, 0.89%, 0.3

LABA 88.21, 1.81, -10.45, 0.3

 

Complementary color

CMYK 0 / 5 / 20 / 25

HEX #28220E4C

RGBA 40 34 14 0.3

HSLA 46.15, 0.48%, 0.11%, 0.3

LABA 13.39, -0.55, 13.81, 0.3

 

CMYK 2 / 2 / 0 / 2

HEX #DCDDEC4C

RGBA 220 221 236 0.3

HSLA 236.25, 0.3%, 0.89%, 0.3

LABA 88.44, 2.46, -7.44, 0.3

 

CMYK 2 / 2 / 0 / 0

HEX #EDEFFF4C

RGBA 237 239 255 0.3

HSLA 233.33, 1%, 0.96%, 0.3

LABA 94.72, 2.28, -7.93, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF4C

RGBA 254 255 255 0.3

HSLA 180, 1%, 1%, 0.3

LABA 99.93, -0.32, -0.13, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 3 / 2 / 0 / 2

HEX #D7DDF14C

RGBA 215 221 241 0.3

HSLA 226.15, 0.48%, 0.89%, 0.3

LABA 88.21, 1.81, -10.45, 0.3

 

CMYK 3 / 3 / 0 / 4

HEX #C6CBDE4C

RGBA 198 203 222 0.3

HSLA 227.5, 0.27%, 0.82%, 0.3

LABA 81.83, 1.99, -10, 0.3

 

CMYK 3 / 3 / 0 / 6

HEX #B5B9CB4C

RGBA 181 185 203 0.3

HSLA 229.09, 0.17%, 0.75%, 0.3

LABA 75.35, 2.16, -9.55, 0.3

 

CMYK 3 / 3 / 0 / 8

HEX #A4A7B84C

RGBA 164 167 184 0.3

HSLA 231, 0.12%, 0.68%, 0.3

LABA 68.74, 2.35, -9.09, 0.3

 

CMYK 3 / 3 / 0 / 11

HEX #9395A54C

RGBA 147 149 165 0.3

HSLA 233.33, 0.09%, 0.61%, 0.3

LABA 62.01, 2.55, -8.63, 0.3

 

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 10 / 11 / 0 / 6

HEX #D7D5F0

RGB 215 213 240

HSL 244.44, 0.47%, 0.89%

LAB 86.17, 5.81, -12.97

 

CMYK 8 / 11 / 0 / 6

HEX #DED5F0

RGB 222 213 240

HSL 260, 0.47%, 0.89%

LAB 86.71, 8.07, -12.11

 

CMYK 5 / 11 / 0 / 6

HEX #E5D5F0

RGB 229 213 240

HSL 275.56, 0.47%, 0.89%

LAB 87.26, 10.36, -11.23

 

CMYK 2 / 11 / 0 / 6

HEX #ECD5F0

RGB 236 213 240

HSL 291.11, 0.47%, 0.89%

LAB 87.83, 12.67, -10.32

 

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 11 / 11 / 0 / 6

HEX #D5D5F0

RGB 213 213 240

HSL 240, 0.47%, 0.89%

LAB 86.02, 5.17, -13.21

 

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 15 / 11 / 0 / 4

HEX #D1D9F5

RGB 209 217 245

HSL 226.67, 0.64%, 0.89%

LAB 86.89, 2.82, -14.58

 

CMYK 18 / 14 / 0 / 2

HEX #CCD7F9

RGB 204 215 249

HSL 225.33, 0.79%, 0.89%

LAB 86.15, 3.16, -17.84

HEX #CCD7F9

CMYK 21 / 17 / 0 / 0

HEX #C8D4FE

RGB 200 212 254

HSL 226.67, 0.96%, 0.89%

LAB 85.26, 4.61, -21.85

HEX #C8D4FE

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 8 / 6 / 0 / 7

HEX #DADEEC

RGB 218 222 236

HSL 226.67, 0.32%, 0.89%

LAB 88.54, 1.28, -7.3

 

CMYK 3 / 3 / 0 / 9

HEX #DFE1E7

RGB 223 225 231

HSL 225, 0.14%, 0.89%

LAB 89.54, 0.43, -3.17

 

CMYK 0 / 0 / 0 / 11

HEX #E3E3E3

RGB 227 227 227

HSL 0, 0%, 0.89%

LAB 90.24, 0, -0.01

 

CMYK 0 / 1 / 4 / 9

HEX #E8E5DE

RGB 232 229 222

HSL 42, 0.18%, 0.89%

LAB 90.99, -0.2, 3.75

 

CMYK 11 / 3 / 0 / 6

HEX #D5EAF0

RGB 213 234 240

HSL 193.33, 0.47%, 0.89%

LAB 91.36, -5.73, -5.27

 

CMYK 11 / 5 / 0 / 6

HEX #D5E3F0

RGB 213 227 240

HSL 208.89, 0.47%, 0.89%

LAB 89.57, -2.14, -7.92

 

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 11 / 11 / 0 / 6

HEX #D6D5F0

RGB 214 213 240

HSL 242.22, 0.47%, 0.89%

LAB 86.09, 5.49, -13.09

 

CMYK 8 / 11 / 0 / 6

HEX #DED5F0

RGB 222 213 240

HSL 260, 0.47%, 0.89%

LAB 86.71, 8.07, -12.11

 

CMYK 31 / 23 / 0 / 14

HEX #98A8DB

RGB 152 168 219

HSL 225.67, 0.48%, 0.73%

LAB 69.32, 6.1, -27.62

 

CMYK 20 / 16 / 0 / 10

HEX #B7C2E6

RGB 183 194 230

HSL 225.96, 0.48%, 0.81%

LAB 78.67, 3.73, -19.14

 

CMYK 11 / 8 / 0 / 6

HEX #D5DCF0

RGB 213 220 240

HSL 224.44, 0.47%, 0.89%

LAB 87.79, 1.5, -10.57

 

CMYK 3 / 2 / 0 / 2

HEX #F4F6FB

RGB 244 246 251

HSL 222.86, 0.47%, 0.97%

LAB 96.87, 0.24, -2.64

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 8 / 0 / 5

HEX #D7DDF1

RGB 215 221 241

HSL 226.15, 0.48%, 0.89%

LAB 88.21, 1.81, -10.45

 

CMYK 0 / 11 / 0 / 6

HEX #F0D5F0

RGB 240 213 240

HSL 300, 0.47%, 0.89%

LAB 88.16, 14, -9.78

 

CMYK 4 / 0 / 11 / 6

HEX #E7F0D5

RGB 231 240 213

HSL 80, 0.47%, 0.89%

LAB 93.5, -7.64, 12.03

 

CMYK 11 / 8 / 0 / 5

HEX #D7DDF1

RGB 215 221 241

HSL 226.15, 0.48%, 0.89%

LAB 88.21, 1.81, -10.45

 

CMYK 0 / 11 / 8 / 6

HEX #F0D5DC

RGB 240 213 220

HSL 344.44, 0.47%, 0.89%

LAB 87.62, 10.51, -0.02

 

CMYK 8 / 0 / 11 / 6

HEX #DCF0D5

RGB 220 240 213

HSL 104.44, 0.47%, 0.89%

LAB 92.72, -11.41, 10.82

 

CMYK 11 / 8 / 0 / 5

HEX #D7DDF1

RGB 215 221 241

HSL 226.15, 0.48%, 0.89%

LAB 88.21, 1.81, -10.45

 

CMYK 0 / 11 / 0 / 6

HEX #F0D5F0

RGB 240 213 240

HSL 300, 0.47%, 0.89%

LAB 88.16, 14, -9.78

 

CMYK 0 / 3 / 11 / 6

HEX #F0EAD5

RGB 240 234 213

HSL 46.67, 0.47%, 0.89%

LAB 92.65, -1.48, 10.91

 

CMYK 11 / 0 / 11 / 6

HEX #D6F0D5

RGB 214 240 213

HSL 117.78, 0.47%, 0.89%

LAB 92.32, -13.43, 10.18

 

CMYK 11 / 8 / 0 / 5

HEX #D7DDF1

RGB 215 221 241

HSL 226.15, 0.48%, 0.89%

LAB 88.21, 1.81, -10.45

 

CMYK 0 / 11 / 3 / 6

HEX #F0D5E9

RGB 240 213 233

HSL 315.56, 0.47%, 0.89%

LAB 87.97, 12.75, -6.38

 

CMYK 0 / 3 / 11 / 6

HEX #F0EAD5

RGB 240 234 213

HSL 46.67, 0.47%, 0.89%

LAB 92.65, -1.48, 10.91

 

CMYK 11 / 0 / 8 / 6

HEX #D5F0DD

RGB 213 240 221

HSL 137.78, 0.47%, 0.89%

LAB 92.44, -12.34, 6.19

 

Description

Color code: HEX #D7DDF14C | qconv.com Color code: HEX #D7DDF14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 221 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 221 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 2 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 2% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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