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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7DA2B it is the complementary color #2825D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7DA2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7DA2B shade: #DCDA26, #EDEC39, #FEFE4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7DA2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7DA2B shade: #D7DA2B, #C6C818, #B5B605, #A4A400 and #939200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7DA2B shade: #D7DA2B, #DAAD2B, #DA7E2B, #DA4F2B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7DA2B shade: #D7DA2B, #A7DA2B, #78DA2B, #49DA2B and #2BDA3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7DA2B shade matches the following richer shades: #D7DA2B and #EAEE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7DA2B shade: #D7DA2B, #C3C53F, #AFB153, #9C9D67 and #88897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7DA2B shade: #DA7F2B, #DAAE2B, #D7DA2B, #A8DA2B and #79DA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7DA2B shade: #95971B, #B7BA21, #D7DA2B, #DDE04E and #E4E671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7DA2B shade: #D7DA2B, #2BDA50 and #962BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7DA2B shade: #D7DA2B, #2BD7DA and #DA2BD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7DA2B shade: #D7DA2B, #2BDA50, #2E2BDA and #DA2BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7DA2B shade: #D7DA2B, #2BDA85, #2E2BDA and #DA2B7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

Complementary color

CMYK 81 / 83 / 0 / 17

HEX #2825D4

RGB 40 37 212

HSL 241.03, 0.7%, 0.49%

LAB 30.71, 59.04, -85.99

 

CMYK 0 / 1 / 83 / 14

HEX #DCDA26

RGB 220 218 38

HSL 59.34, 0.72%, 0.51%

LAB 84.74, -17.73, 78.93

 

CMYK 0 / 0 / 76 / 7

HEX #EDEC39

RGB 237 236 57

HSL 59.67, 0.83%, 0.58%

LAB 90.91, -18.83, 79.85

 

CMYK 0 / 0 / 70 / 0

HEX #FEFE4C

RGB 254 254 76

HSL 60, 0.99%, 0.65%

LAB 97.01, -19.78, 80.04

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 1 / 0 / 88 / 22

HEX #C6C818

RGB 198 200 24

HSL 60.68, 0.79%, 0.44%

LAB 78.1, -18.49, 75.63

 

CMYK 1 / 0 / 97 / 29

HEX #B5B605

RGB 181 182 5

HSL 60.34, 0.95%, 0.37%

LAB 71.75, -17.11, 72.68

 

CMYK 0 / 0 / 100 / 36

HEX #A4A400

RGB 164 164 0

HSL 60, 1%, 0.32%

LAB 65.31, -15.49, 67.91

 

CMYK 0 / 1 / 100 / 42

HEX #939200

RGB 147 146 0

HSL 59.59, 1%, 0.29%

LAB 58.75, -13.77, 62.46

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 0 / 21 / 80 / 15

HEX #DAAD2B

RGB 218 173 43

HSL 44.57, 0.7%, 0.51%

LAB 72.87, 4.59, 67.31

 

CMYK 0 / 42 / 80 / 15

HEX #DA7E2B

RGB 218 126 43

HSL 28.46, 0.7%, 0.51%

LAB 61.66, 29.74, 57.21

 

CMYK 0 / 64 / 80 / 15

HEX #DA4F2B

RGB 218 79 43

HSL 12.34, 0.7%, 0.51%

LAB 52.59, 52.72, 48.69

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 23 / 0 / 80 / 15

HEX #A7DA2B

RGB 167 218 43

HSL 77.49, 0.7%, 0.51%

LAB 81.03, -39.1, 73.04

 

CMYK 45 / 0 / 80 / 15

HEX #78DA2B

RGB 120 218 43

HSL 93.6, 0.7%, 0.51%

LAB 78.64, -55.62, 69.98

 

CMYK 67 / 0 / 80 / 15

HEX #49DA2B

RGB 73 218 43

HSL 109.71, 0.7%, 0.51%

LAB 77.12, -67.69, 68.03

 

CMYK 80 / 0 / 73 / 15

HEX #2BDA3B

RGB 43 218 59

HSL 125.49, 0.7%, 0.51%

LAB 76.66, -71.3, 62.4

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 2 / 0 / 91 / 7

HEX #EAEE16

RGB 234 238 22

HSL 61.11, 0.86%, 0.51%

LAB 91.1, -21.9, 87.34

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 1 / 0 / 68 / 23

HEX #C3C53F

RGB 195 197 63

HSL 60.9, 0.54%, 0.51%

LAB 77.22, -16.87, 63.69

 

CMYK 1 / 0 / 53 / 31

HEX #AFB153

RGB 175 177 83

HSL 61.28, 0.38%, 0.51%

LAB 70.3, -13.74, 47.16

 

CMYK 1 / 0 / 34 / 38

HEX #9C9D67

RGB 156 157 103

HSL 61.11, 0.22%, 0.51%

LAB 63.48, -9.02, 28.18

 

CMYK 1 / 0 / 10 / 46

HEX #88897B

RGB 136 137 123

HSL 64.29, 0.06%, 0.51%

LAB 56.64, -3, 7.38

 

CMYK 0 / 42 / 80 / 15

HEX #DA7F2B

RGB 218 127 43

HSL 28.8, 0.7%, 0.51%

LAB 61.88, 29.21, 57.41

 

CMYK 0 / 20 / 80 / 15

HEX #DAAE2B

RGB 218 174 43

HSL 44.91, 0.7%, 0.51%

LAB 73.12, 4.06, 67.54

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 23 / 0 / 80 / 15

HEX #A8DA2B

RGB 168 218 43

HSL 77.14, 0.7%, 0.51%

LAB 81.09, -38.72, 73.12

 

CMYK 44 / 0 / 80 / 15

HEX #79DA2B

RGB 121 218 43

HSL 93.26, 0.7%, 0.51%

LAB 78.68, -55.31, 70.04

 

CMYK 1 / 0 / 82 / 41

HEX #95971B

RGB 149 151 27

HSL 60.97, 0.7%, 0.35%

LAB 60.43, -14.91, 58.7

 

CMYK 2 / 0 / 82 / 27

HEX #B7BA21

RGB 183 186 33

HSL 61.18, 0.7%, 0.43%

LAB 73.09, -17.72, 69.09

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 1 / 0 / 65 / 12

HEX #DDE04E

RGB 221 224 78

HSL 61.23, 0.7%, 0.59%

LAB 86.62, -18.59, 68.14

 

CMYK 1 / 0 / 51 / 10

HEX #E4E671

RGB 228 230 113

HSL 61.03, 0.7%, 0.67%

LAB 89.05, -16.24, 56.06

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 80 / 0 / 63 / 15

HEX #2BDA50

RGB 43 218 80

HSL 132.69, 0.7%, 0.51%

LAB 76.82, -69.33, 54.43

 

CMYK 31 / 80 / 0 / 15

HEX #962BDA

RGB 150 43 218

HSL 276.69, 0.7%, 0.51%

LAB 43.17, 69.92, -68.53

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 80 / 1 / 0 / 15

HEX #2BD7DA

RGB 43 215 218

HSL 181.03, 0.7%, 0.51%

LAB 78.56, -39.42, -13.42

 

CMYK 0 / 80 / 1 / 15

HEX #DA2BD7

RGB 218 43 215

HSL 301.03, 0.7%, 0.51%

LAB 53.53, 81.25, -49.57

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 80 / 0 / 63 / 15

HEX #2BDA50

RGB 43 218 80

HSL 132.69, 0.7%, 0.51%

LAB 76.82, -69.33, 54.43

 

CMYK 79 / 80 / 0 / 15

HEX #2E2BDA

RGB 46 43 218

HSL 241.03, 0.7%, 0.51%

LAB 32.64, 58.42, -86.24

 

CMYK 0 / 80 / 17 / 15

HEX #DA2BB4

RGB 218 43 180

HSL 313.03, 0.7%, 0.51%

LAB 51.76, 76.34, -32.18

 

CMYK 1 / 0 / 80 / 15

HEX #D7DA2B

RGB 215 218 43

HSL 61.03, 0.7%, 0.51%

LAB 84.36, -19.68, 77.24

 

CMYK 80 / 0 / 39 / 15

HEX #2BDA85

RGB 43 218 133

HSL 150.86, 0.7%, 0.51%

LAB 77.49, -61.4, 30.05

 

CMYK 79 / 80 / 0 / 15

HEX #2E2BDA

RGB 46 43 218

HSL 241.03, 0.7%, 0.51%

LAB 32.64, 58.42, -86.24

 

CMYK 0 / 80 / 42 / 15

HEX #DA2B7F

RGB 218 43 127

HSL 331.2, 0.7%, 0.51%

LAB 49.7, 70.39, -3.76

 

Description

Color code: HEX #D7DA2B | qconv.com Color code: HEX #D7DA2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 218 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 218 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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