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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7D609 it is the complementary color #2829F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7D609. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7D609 shade: #DCD604, #EDE817, #FEFA2A, #FFFF3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7D609. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7D609 shade: #D7D609, #C6C400, #B5B200, #A4A000 and #938E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7D609 shade: #D7D609, #D79F09, #D76709, #D72F09 and #D70909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7D609 shade: #D7D609, #A1D709, #69D709, #31D709 and #09D718

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7D609 shade matches the following richer shades: #D7D609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7D609 shade: #D7D609, #C5C41B, #B3B22D, #A1A03F and #8F8F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7D609 shade: #D76609, #D79D09, #D7D409, #A4D709 and #6DD709

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7D609 shade: #888806, #B0AF07, #D7D609, #F5F414 and #F7F63C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7D609 shade: #D7D609, #09D72F and #8109D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7D609 shade: #D7D609, #09D7D4 and #D409D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7D609 shade: #D7D609, #09D72F, #090CD7 and #D709B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7D609 shade: #D7D609, #09D76D, #090CD7 and #D70974

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

Complementary color

CMYK 84 / 83 / 0 / 4

HEX #2829F6

RGB 40 41 246

HSL 239.71, 0.92%, 0.56%

LAB 35.38, 67.26, -97.64

 

CMYK 0 / 3 / 98 / 14

HEX #DCD604

RGB 220 214 4

HSL 58.33, 0.96%, 0.44%

LAB 83.61, -16.3, 83

 

CMYK 0 / 2 / 90 / 7

HEX #EDE817

RGB 237 232 23

HSL 58.6, 0.86%, 0.51%

LAB 89.76, -17.75, 86.27

 

CMYK 0 / 2 / 83 / 0

HEX #FEFA2A

RGB 254 250 42

HSL 58.87, 0.99%, 0.58%

LAB 95.83, -19.03, 88.37

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 0 / 1 / 100 / 22

HEX #C6C400

RGB 198 196 0

HSL 59.39, 1%, 0.39%

LAB 76.97, -16.82, 77.7

 

CMYK 0 / 2 / 100 / 29

HEX #B5B200

RGB 181 178 0

HSL 59.01, 1%, 0.35%

LAB 70.64, -15.14, 72.44

 

CMYK 0 / 2 / 100 / 36

HEX #A4A000

RGB 164 160 0

HSL 58.54, 1%, 0.32%

LAB 64.19, -13.42, 67.08

 

CMYK 0 / 3 / 100 / 42

HEX #938E00

RGB 147 142 0

HSL 57.96, 1%, 0.29%

LAB 57.61, -11.65, 61.62

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 0 / 26 / 96 / 16

HEX #D79F09

RGB 215 159 9

HSL 43.69, 0.92%, 0.44%

LAB 68.94, 10.04, 71.62

 

CMYK 0 / 52 / 96 / 16

HEX #D76709

RGB 215 103 9

HSL 27.38, 0.92%, 0.44%

LAB 56.25, 39.71, 62.94

 

CMYK 0 / 78 / 96 / 16

HEX #D72F09

RGB 215 47 9

HSL 11.07, 0.92%, 0.44%

LAB 47.62, 62.72, 57.73

 

CMYK 0 / 96 / 96 / 16

HEX #D70909

RGB 215 9 9

HSL 0, 0.92%, 0.44%

LAB 45.17, 69.71, 56.44

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 25 / 0 / 96 / 16

HEX #A1D709

RGB 161 215 9

HSL 75.73, 0.92%, 0.44%

LAB 79.73, -40.92, 77.77

 

CMYK 51 / 0 / 96 / 16

HEX #69D709

RGB 105 215 9

HSL 92.04, 0.92%, 0.44%

LAB 77.06, -60.01, 74.52

 

CMYK 77 / 0 / 96 / 16

HEX #31D709

RGB 49 215 9

HSL 108.35, 0.92%, 0.44%

LAB 75.62, -71.95, 72.76

 

CMYK 96 / 0 / 89 / 16

HEX #09D718

RGB 9 215 24

HSL 124.37, 0.92%, 0.44%

LAB 75.28, -74.9, 70.34

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 0 / 1 / 86 / 23

HEX #C5C41B

RGB 197 196 27

HSL 59.65, 0.76%, 0.44%

LAB 76.94, -16.87, 74.1

 

CMYK 0 / 1 / 75 / 30

HEX #B3B22D

RGB 179 178 45

HSL 59.55, 0.6%, 0.44%

LAB 70.6, -14.96, 63.27

 

CMYK 0 / 1 / 61 / 37

HEX #A1A03F

RGB 161 160 63

HSL 59.39, 0.44%, 0.44%

LAB 64.22, -12.44, 49.29

 

CMYK 0 / 0 / 43 / 44

HEX #8F8F52

RGB 143 143 82

HSL 60, 0.27%, 0.44%

LAB 58.13, -9.41, 32.38

 

CMYK 0 / 53 / 96 / 16

HEX #D76609

RGB 215 102 9

HSL 27.09, 0.92%, 0.44%

LAB 56.06, 40.21, 62.81

 

CMYK 0 / 27 / 96 / 16

HEX #D79D09

RGB 215 157 9

HSL 43.11, 0.92%, 0.44%

LAB 68.45, 11.11, 71.26

 

CMYK 0 / 1 / 96 / 16

HEX #D7D409

RGB 215 212 9

HSL 59.13, 0.92%, 0.44%

LAB 82.68, -17.39, 81.68

 

CMYK 24 / 0 / 96 / 16

HEX #A4D709

RGB 164 215 9

HSL 74.85, 0.92%, 0.44%

LAB 79.9, -39.76, 77.99

 

CMYK 49 / 0 / 96 / 16

HEX #6DD709

RGB 109 215 9

HSL 90.87, 0.92%, 0.44%

LAB 77.2, -58.84, 74.7

 

CMYK 0 / 0 / 96 / 47

HEX #888806

RGB 136 136 6

HSL 60, 0.92%, 0.28%

LAB 54.92, -13.4, 58.19

 

CMYK 0 / 1 / 96 / 31

HEX #B0AF07

RGB 176 175 7

HSL 59.64, 0.92%, 0.36%

LAB 69.4, -15.73, 70.51

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 0 / 0 / 92 / 4

HEX #F5F414

RGB 245 244 20

HSL 59.73, 0.92%, 0.52%

LAB 93.52, -20.26, 89.82

 

CMYK 0 / 0 / 76 / 3

HEX #F7F63C

RGB 247 246 60

HSL 59.68, 0.92%, 0.6%

LAB 94.32, -19.44, 82.35

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 96 / 0 / 78 / 16

HEX #09D72F

RGB 9 215 47

HSL 131.07, 0.92%, 0.44%

LAB 75.37, -73.78, 64.93

 

CMYK 40 / 96 / 0 / 16

HEX #8109D7

RGB 129 9 215

HSL 274.95, 0.92%, 0.44%

LAB 37.42, 73.98, -76.33

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 96 / 0 / 1 / 16

HEX #09D7D4

RGB 9 215 212

HSL 179.13, 0.92%, 0.44%

LAB 78.12, -42.93, -10.9

 

CMYK 1 / 96 / 0 / 16

HEX #D409D7

RGB 212 9 215

HSL 299.13, 0.92%, 0.44%

LAB 50.8, 85.23, -53.99

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 96 / 0 / 78 / 16

HEX #09D72F

RGB 9 215 47

HSL 131.07, 0.92%, 0.44%

LAB 75.37, -73.78, 64.93

 

CMYK 96 / 94 / 0 / 16

HEX #090CD7

RGB 9 12 215

HSL 239.13, 0.92%, 0.44%

LAB 27.37, 67.38, -93.31

 

CMYK 0 / 96 / 17 / 16

HEX #D709B2

RGB 215 9 178

HSL 310.78, 0.92%, 0.44%

LAB 49.32, 80.73, -34.86

 

CMYK 0 / 0 / 96 / 16

HEX #D7D609

RGB 215 214 9

HSL 59.71, 0.92%, 0.44%

LAB 83.21, -18.38, 82.08

 

CMYK 96 / 0 / 49 / 16

HEX #09D76D

RGB 9 215 109

HSL 149.13, 0.92%, 0.44%

LAB 75.92, -66.84, 40

 

CMYK 96 / 94 / 0 / 16

HEX #090CD7

RGB 9 12 215

HSL 239.13, 0.92%, 0.44%

LAB 27.37, 67.38, -93.31

 

CMYK 0 / 96 / 46 / 16

HEX #D70974

RGB 215 9 116

HSL 328.83, 0.92%, 0.44%

LAB 46.85, 74.29, -1.29

 

Description

Color code: HEX #D7D609 | qconv.com Color code: HEX #D7D609 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 214 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 214 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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