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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CD5A it is the complementary color #2832A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CD5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CD5A shade: #DCCD55, #EDDF68, #FEF17B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CD5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CD5A shade: #D7CD5A, #C6BB47, #B5A934, #A49721 and #93850E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CD5A shade: #D7CD5B, #D7AC5B, #D78A5B, #D7695B and #D75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CD5A shade: #D7CD5B, #C0D75B, #9ED75B, #7DD75B and #5BD75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CD5A shade matches the following richer shades: #D7CD5B, #E8DB4A and #F8E93A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CD5A shade: #D7CD5B, #C7BF6B, #B6B27C, #A6A48C and #95969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CD5A shade: #D78A5B, #D7AC5B, #D7CD5B, #C0D75B and #9FD75B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CD5A shade: #B4A92C, #CFC33A, #D7CD5B, #DFD77C and #E7E19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CD5A shade: #D7CD5A, #5BD769 and #9B5BD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CD5A shade: #D7CD5A, #5BD7CD and #CD5BD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CD5A shade: #D7CD5A, #5BD769, #5B65D7 and #D75BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CD5A shade: #D7CD5A, #5BD78F, #5B65D7 and #D75BA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

Complementary color

CMYK 76 / 70 / 0 / 35

HEX #2832A5

RGB 40 50 165

HSL 235.2, 0.61%, 0.4%

LAB 27.98, 36.7, -62.71

 

CMYK 0 / 7 / 61 / 14

HEX #DCCD55

RGB 220 205 85

HSL 53.33, 0.66%, 0.6%

LAB 81.58, -9.11, 59.94

 

CMYK 0 / 6 / 56 / 7

HEX #EDDF68

RGB 237 223 104

HSL 53.68, 0.79%, 0.67%

LAB 87.86, -9.87, 58.95

 

CMYK 0 / 5 / 52 / 0

HEX #FEF17B

RGB 254 241 123

HSL 54.05, 0.98%, 0.74%

LAB 94.06, -10.51, 57.87

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

CMYK 0 / 6 / 64 / 22

HEX #C6BB47

RGB 198 187 71

HSL 54.8, 0.53%, 0.53%

LAB 74.83, -10.06, 58.11

 

CMYK 0 / 7 / 71 / 29

HEX #B5A934

RGB 181 169 52

HSL 54.42, 0.55%, 0.46%

LAB 68.35, -9.11, 58.68

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 0 / 10 / 90 / 42

HEX #93850E

RGB 147 133 14

HSL 53.68, 0.83%, 0.32%

LAB 55.08, -6.54, 57.33

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 0 / 20 / 58 / 16

HEX #D7AC5B

RGB 215 172 91

HSL 39.19, 0.61%, 0.6%

LAB 72.7, 6.41, 47.01

 

CMYK 0 / 36 / 58 / 16

HEX #D78A5B

RGB 215 138 91

HSL 22.74, 0.61%, 0.6%

LAB 64.47, 24.71, 37.11

 

CMYK 0 / 51 / 58 / 16

HEX #D7695B

RGB 215 105 91

HSL 6.77, 0.61%, 0.6%

LAB 57.37, 42, 28.17

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5B

RGB 215 91 91

HSL 0, 0.61%, 0.6%

LAB 54.75, 48.79, 24.77

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 11 / 0 / 58 / 16

HEX #C0D75B

RGB 192 215 91

HSL 71.13, 0.61%, 0.6%

LAB 82.14, -25.06, 57.33

 

CMYK 27 / 0 / 58 / 16

HEX #9ED75B

RGB 158 215 91

HSL 87.58, 0.61%, 0.6%

LAB 79.97, -38.06, 54.28

 

CMYK 42 / 0 / 58 / 16

HEX #7DD75B

RGB 125 215 91

HSL 103.55, 0.61%, 0.6%

LAB 78.3, -49.28, 51.93

 

CMYK 58 / 0 / 58 / 16

HEX #5BD75B

RGB 91 215 91

HSL 120, 0.61%, 0.6%

LAB 77.03, -58.66, 50.13

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 0 / 6 / 68 / 9

HEX #E8DB4A

RGB 232 219 74

HSL 55.06, 0.77%, 0.6%

LAB 86.16, -11.81, 69.49

 

CMYK 0 / 6 / 77 / 3

HEX #F8E93A

RGB 248 233 58

HSL 55.26, 0.93%, 0.6%

LAB 91.03, -12.78, 79.99

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 0 / 4 / 46 / 22

HEX #C7BF6B

RGB 199 191 107

HSL 54.78, 0.45%, 0.6%

LAB 76.35, -8.85, 43.15

 

CMYK 0 / 2 / 32 / 29

HEX #B6B27C

RGB 182 178 124

HSL 55.86, 0.28%, 0.6%

LAB 71.72, -7.03, 28.17

 

CMYK 0 / 1 / 16 / 35

HEX #A6A48C

RGB 166 164 140

HSL 55.38, 0.13%, 0.6%

LAB 66.94, -3.48, 12.73

 

CMYK 5 / 4 / 0 / 38

HEX #95969D

RGB 149 150 157

HSL 232.5, 0.04%, 0.6%

LAB 62.2, 1.03, -3.81

 

CMYK 0 / 36 / 58 / 16

HEX #D78A5B

RGB 215 138 91

HSL 22.74, 0.61%, 0.6%

LAB 64.47, 24.71, 37.11

 

CMYK 0 / 20 / 58 / 16

HEX #D7AC5B

RGB 215 172 91

HSL 39.19, 0.61%, 0.6%

LAB 72.7, 6.41, 47.01

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 11 / 0 / 58 / 16

HEX #C0D75B

RGB 192 215 91

HSL 71.13, 0.61%, 0.6%

LAB 82.14, -25.06, 57.33

 

CMYK 26 / 0 / 58 / 16

HEX #9FD75B

RGB 159 215 91

HSL 87.1, 0.61%, 0.6%

LAB 80.03, -37.7, 54.37

 

CMYK 0 / 6 / 76 / 29

HEX #B4A92C

RGB 180 169 44

HSL 55.15, 0.61%, 0.44%

LAB 68.21, -9.92, 61.41

 

CMYK 0 / 6 / 72 / 19

HEX #CFC33A

RGB 207 195 58

HSL 55.17, 0.61%, 0.52%

LAB 77.64, -11.02, 66.28

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5B

RGB 215 205 91

HSL 55.16, 0.61%, 0.6%

LAB 81.22, -10.77, 56.78

 

CMYK 0 / 4 / 44 / 13

HEX #DFD77C

RGB 223 215 124

HSL 55.15, 0.61%, 0.68%

LAB 84.87, -9.77, 45.7

 

CMYK 0 / 3 / 32 / 9

HEX #E7E19D

RGB 231 225 157

HSL 55.14, 0.61%, 0.76%

LAB 88.58, -8.08, 34.07

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

CMYK 58 / 0 / 51 / 16

HEX #5BD769

RGB 91 215 105

HSL 126.77, 0.61%, 0.6%

LAB 77.19, -56.89, 43.79

 

CMYK 28 / 58 / 0 / 16

HEX #9B5BD7

RGB 155 91 215

HSL 270.97, 0.61%, 0.6%

LAB 51.1, 49.39, -53.97

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

CMYK 58 / 0 / 5 / 16

HEX #5BD7CD

RGB 91 215 205

HSL 175.16, 0.61%, 0.6%

LAB 79.18, -36.69, -5.45

 

CMYK 5 / 58 / 0 / 16

HEX #CD5BD7

RGB 205 91 215

HSL 295.16, 0.61%, 0.6%

LAB 57.43, 61.84, -43.52

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

CMYK 58 / 0 / 51 / 16

HEX #5BD769

RGB 91 215 105

HSL 126.77, 0.61%, 0.6%

LAB 77.19, -56.89, 43.79

 

CMYK 58 / 53 / 0 / 16

HEX #5B65D7

RGB 91 101 215

HSL 235.16, 0.61%, 0.6%

LAB 47.54, 29.49, -60

 

CMYK 0 / 58 / 7 / 16

HEX #D75BC9

RGB 215 91 201

HSL 306.77, 0.61%, 0.6%

LAB 58.18, 62.04, -34.31

 

CMYK 0 / 5 / 58 / 16

HEX #D7CD5A

RGB 215 205 90

HSL 55.2, 0.61%, 0.6%

LAB 81.21, -10.85, 57.21

 

CMYK 58 / 0 / 33 / 16

HEX #5BD78F

RGB 91 215 143

HSL 145.16, 0.61%, 0.6%

LAB 77.76, -50.7, 25.43

 

CMYK 58 / 53 / 0 / 16

HEX #5B65D7

RGB 91 101 215

HSL 235.16, 0.61%, 0.6%

LAB 47.54, 29.49, -60

 

CMYK 0 / 58 / 24 / 16

HEX #D75BA3

RGB 215 91 163

HSL 325.16, 0.61%, 0.6%

LAB 56.66, 56.38, -14.76

 

Description

Color code: HEX #D7CD5A | qconv.com Color code: HEX #D7CD5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 205 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 205 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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