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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CCAA it is the complementary color #283355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CCAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CCAA shade: #DCCCA5, #EDDEB8, #FEF0CB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CCAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CCAA shade: #D7CCAA, #C6BA97, #B5A884, #A49671 and #93845E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CCAA shade: #D6CBA8, #D6BFA8, #D6B2A8 and #D6A8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CCAA shade: #D6CBA8, #D5D6A8, #C9D6A8, #BCD6A8 and #B0D6A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CCAA shade matches the following richer shades: #D6CBA8, #E1D09E, #EBD694 and #F5DB89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CCAA shade: #D6CBA8, #CCC6B3, #C2C0BD, #B7BBC7 and #ADB6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CCAA shade: #D6B2A8, #D6BEA8, #D6CBA8, #D5D6A8 and #C9D6A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CCAA shade: #BCA970, #C9BA8C, #D6CBA8, #E3DCC4 and #F1EDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CCAA shade: #D7CCAA, #ABD6A8 and #B8A8D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CCAA shade: #D7CCAA, #A8D6CB and #CBA8D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CCAA shade: #D7CCAA, #ABD6A8, #A8B4D6 and #D4A8D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CCAA shade: #D7CCAA, #A8D6B4, #A8B4D6 and #D6A8CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

Complementary color

CMYK 53 / 40 / 0 / 67

HEX #283355

RGB 40 51 85

HSL 225.33, 0.36%, 0.25%

LAB 21.85, 6.28, -22.08

 

CMYK 0 / 7 / 25 / 14

HEX #DCCCA5

RGB 220 204 165

HSL 42.55, 0.44%, 0.75%

LAB 82.44, -0.47, 21.48

 

CMYK 0 / 6 / 22 / 7

HEX #EDDEB8

RGB 237 222 184

HSL 43.02, 0.6%, 0.83%

LAB 88.78, -0.77, 20.52

 

CMYK 0 / 6 / 20 / 0

HEX #FEF0CB

RGB 254 240 203

HSL 43.53, 0.96%, 0.9%

LAB 95.04, -1.05, 19.6

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

CMYK 0 / 6 / 24 / 22

HEX #C6BA97

RGB 198 186 151

HSL 44.68, 0.29%, 0.68%

LAB 75.67, -1.35, 19.3

 

CMYK 0 / 7 / 27 / 29

HEX #B5A884

RGB 181 168 132

HSL 44.08, 0.25%, 0.61%

LAB 69.11, -1.03, 20.33

 

CMYK 0 / 9 / 31 / 36

HEX #A49671

RGB 164 150 113

HSL 43.53, 0.22%, 0.54%

LAB 62.42, -0.65, 21.43

 

CMYK 0 / 10 / 36 / 42

HEX #93845E

RGB 147 132 94

HSL 43.02, 0.22%, 0.47%

LAB 55.6, -0.21, 22.61

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 11 / 21 / 16

HEX #D6BFA8

RGB 214 191 168

HSL 30, 0.36%, 0.75%

LAB 78.69, 4.53, 14.58

 

CMYK 0 / 17 / 21 / 16

HEX #D6B2A8

RGB 214 178 168

HSL 13.04, 0.36%, 0.75%

LAB 75.43, 11.46, 9.97

 

CMYK 0 / 21 / 21 / 16

HEX #D6A8A8

RGB 214 168 168

HSL 0, 0.36%, 0.75%

LAB 72.98, 16.86, 6.46

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 0 / 21 / 16

HEX #D5D6A8

RGB 213 214 168

HSL 61.3, 0.36%, 0.75%

LAB 84.52, -7.82, 22.67

 

CMYK 6 / 0 / 21 / 16

HEX #C9D6A8

RGB 201 214 168

HSL 76.96, 0.36%, 0.75%

LAB 83.62, -12.23, 21.3

 

CMYK 12 / 0 / 21 / 16

HEX #BCD6A8

RGB 188 214 168

HSL 93.91, 0.36%, 0.75%

LAB 82.71, -16.9, 19.89

 

CMYK 18 / 0 / 21 / 16

HEX #B0D6A8

RGB 176 214 168

HSL 109.57, 0.36%, 0.75%

LAB 81.92, -21.1, 18.68

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 8 / 30 / 12

HEX #E1D09E

RGB 225 208 158

HSL 44.78, 0.53%, 0.75%

LAB 83.75, -1.57, 27.01

 

CMYK 0 / 9 / 37 / 8

HEX #EBD694

RGB 235 214 148

HSL 45.52, 0.69%, 0.75%

LAB 85.95, -2, 35.26

 

CMYK 0 / 11 / 44 / 4

HEX #F5DB89

RGB 245 219 137

HSL 45.56, 0.84%, 0.75%

LAB 87.91, -1.8, 43.49

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 3 / 12 / 20

HEX #CCC6B3

RGB 204 198 179

HSL 45.6, 0.2%, 0.75%

LAB 79.89, -1.16, 10.26

 

CMYK 0 / 1 / 3 / 24

HEX #C2C0BD

RGB 194 192 189

HSL 36, 0.04%, 0.75%

LAB 77.78, 0.15, 1.75

 

CMYK 8 / 6 / 0 / 22

HEX #B7BBC7

RGB 183 187 199

HSL 225, 0.13%, 0.75%

LAB 75.9, 0.95, -6.53

 

CMYK 18 / 13 / 0 / 18

HEX #ADB6D2

RGB 173 182 210

HSL 225.41, 0.29%, 0.75%

LAB 74.19, 2.68, -15.16

 

CMYK 0 / 17 / 21 / 16

HEX #D6B2A8

RGB 214 178 168

HSL 13.04, 0.36%, 0.75%

LAB 75.43, 11.46, 9.97

 

CMYK 0 / 11 / 21 / 16

HEX #D6BEA8

RGB 214 190 168

HSL 28.7, 0.36%, 0.75%

LAB 78.43, 5.06, 14.22

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 0 / 21 / 16

HEX #D5D6A8

RGB 213 214 168

HSL 61.3, 0.36%, 0.75%

LAB 84.52, -7.82, 22.67

 

CMYK 6 / 0 / 21 / 16

HEX #C9D6A8

RGB 201 214 168

HSL 76.96, 0.36%, 0.75%

LAB 83.62, -12.23, 21.3

 

CMYK 0 / 10 / 40 / 26

HEX #BCA970

RGB 188 169 112

HSL 45, 0.36%, 0.59%

LAB 69.64, -1.27, 31.91

 

CMYK 0 / 7 / 30 / 21

HEX #C9BA8C

RGB 201 186 140

HSL 45.25, 0.36%, 0.67%

LAB 75.72, -1.69, 25.29

 

CMYK 0 / 5 / 21 / 16

HEX #D6CBA8

RGB 214 203 168

HSL 45.65, 0.36%, 0.75%

LAB 81.75, -1.78, 18.86

 

CMYK 0 / 3 / 14 / 11

HEX #E3DCC4

RGB 227 220 196

HSL 46.45, 0.36%, 0.83%

LAB 87.73, -1.6, 12.64

 

CMYK 0 / 2 / 7 / 5

HEX #F1EDE0

RGB 241 237 224

HSL 45.88, 0.38%, 0.91%

LAB 93.73, -0.87, 6.76

 

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

CMYK 20 / 0 / 21 / 16

HEX #ABD6A8

RGB 171 214 168

HSL 116.09, 0.36%, 0.75%

LAB 81.61, -22.81, 18.2

 

CMYK 14 / 21 / 0 / 16

HEX #B8A8D6

RGB 184 168 214

HSL 260.87, 0.36%, 0.75%

LAB 71.59, 14.76, -21.19

 

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

CMYK 21 / 0 / 5 / 16

HEX #A8D6CB

RGB 168 214 203

HSL 165.65, 0.36%, 0.75%

LAB 82.23, -17.19, 0.5

 

CMYK 5 / 21 / 0 / 16

HEX #CBA8D6

RGB 203 168 214

HSL 285.65, 0.36%, 0.75%

LAB 73.26, 20.96, -18.51

 

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

CMYK 20 / 0 / 21 / 16

HEX #ABD6A8

RGB 171 214 168

HSL 116.09, 0.36%, 0.75%

LAB 81.61, -22.81, 18.2

 

CMYK 21 / 16 / 0 / 16

HEX #A8B4D6

RGB 168 180 214

HSL 224.35, 0.36%, 0.75%

LAB 73.43, 3.09, -18.52

 

CMYK 1 / 21 / 0 / 16

HEX #D4A8D6

RGB 212 168 214

HSL 297.39, 0.36%, 0.75%

LAB 74.1, 23.94, -17.15

 

CMYK 0 / 5 / 21 / 16

HEX #D7CCAA

RGB 215 204 170

HSL 45.33, 0.36%, 0.75%

LAB 82.13, -1.63, 18.34

 

CMYK 21 / 0 / 16 / 16

HEX #A8D6B4

RGB 168 214 180

HSL 135.65, 0.36%, 0.75%

LAB 81.68, -21.68, 11.93

 

CMYK 21 / 16 / 0 / 16

HEX #A8B4D6

RGB 168 180 214

HSL 224.35, 0.36%, 0.75%

LAB 73.43, 3.09, -18.52

 

CMYK 0 / 21 / 5 / 16

HEX #D6A8CB

RGB 214 168 203

HSL 314.35, 0.36%, 0.75%

LAB 73.94, 22.6, -11.35

 

Description

Color code: HEX #D7CCAA | qconv.com Color code: HEX #D7CCAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 204 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 204 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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