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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CC70 it is the complementary color #28338F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CC70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CC70 shade: #DCCC6B, #EDDE7E, #FEF091, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CC70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CC70 shade: #D7CC70, #C6BA5D, #B5A84A, #A49637 and #938424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CC70 shade: #D7CC70, #D7B070, #D79470, #D77870 and #D77070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CC70 shade: #D7CC70, #C6D770, #AAD770, #8ED770 and #73D770

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CC70 shade matches the following richer shades: #D7CC70, #E5D761 and #F4E352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CC70 shade: #D7CC70, #C8C07F, #B9B48D, #AAA99C and #9B9DAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CC70 shade: #D79470, #D7AF70, #D7CB70, #C7D770 and #ACD770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CC70 shade: #BEB036, #CEC050, #D7CC70, #E0D790 and #E9E3B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CC70 shade: #D7CC70, #70D778 and #A170D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CC70 shade: #D7CC70, #70D7CB and #CB70D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CC70 shade: #D7CC70, #70D778, #707CD7 and #D770CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CC70 shade: #D7CC70, #70D797, #707CD7 and #D770AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

Complementary color

CMYK 72 / 64 / 0 / 44

HEX #28338F

RGB 40 51 143

HSL 233.59, 0.56%, 0.36%

LAB 26.16, 28.01, -52.24

 

CMYK 0 / 7 / 51 / 14

HEX #DCCC6B

RGB 220 204 107

HSL 51.5, 0.62%, 0.64%

LAB 81.55, -6.95, 49.85

 

CMYK 0 / 6 / 47 / 7

HEX #EDDE7E

RGB 237 222 126

HSL 51.89, 0.76%, 0.71%

LAB 87.85, -7.54, 48.66

 

CMYK 0 / 6 / 43 / 0

HEX #FEF091

RGB 254 240 145

HSL 52.29, 0.98%, 0.78%

LAB 94.07, -8.04, 47.48

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 0 / 6 / 53 / 22

HEX #C6BA5D

RGB 198 186 93

HSL 53.14, 0.48%, 0.57%

LAB 74.77, -7.94, 48.08

 

CMYK 0 / 7 / 59 / 29

HEX #B5A84A

RGB 181 168 74

HSL 52.71, 0.42%, 0.5%

LAB 68.26, -7.22, 49.2

 

CMYK 0 / 9 / 66 / 36

HEX #A49637

RGB 164 150 55

HSL 52.29, 0.5%, 0.43%

LAB 61.64, -6.34, 50.15

 

CMYK 0 / 10 / 76 / 42

HEX #938424

RGB 147 132 36

HSL 51.89, 0.61%, 0.36%

LAB 54.9, -5.25, 50.67

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 0 / 18 / 48 / 16

HEX #D7B070

RGB 215 176 112

HSL 37.28, 0.56%, 0.64%

LAB 73.98, 6.08, 37.97

 

CMYK 0 / 31 / 48 / 16

HEX #D79470

RGB 215 148 112

HSL 20.97, 0.56%, 0.64%

LAB 67.12, 21.14, 29.17

 

CMYK 0 / 44 / 48 / 16

HEX #D77870

RGB 215 120 112

HSL 4.66, 0.56%, 0.64%

LAB 60.83, 36.11, 20.79

 

CMYK 0 / 48 / 48 / 16

HEX #D77070

RGB 215 112 112

HSL 0, 0.56%, 0.64%

LAB 59.16, 40.25, 18.53

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 8 / 0 / 48 / 16

HEX #C6D770

RGB 198 215 112

HSL 69.9, 0.56%, 0.64%

LAB 82.79, -20.83, 48.54

 

CMYK 21 / 0 / 48 / 16

HEX #AAD770

RGB 170 215 112

HSL 86.21, 0.56%, 0.64%

LAB 80.91, -31.52, 45.82

 

CMYK 34 / 0 / 48 / 16

HEX #8ED770

RGB 142 215 112

HSL 102.52, 0.56%, 0.64%

LAB 79.34, -41.38, 43.53

 

CMYK 47 / 0 / 48 / 16

HEX #73D770

RGB 115 215 112

HSL 118.25, 0.56%, 0.64%

LAB 78.12, -49.73, 41.75

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 0 / 6 / 58 / 10

HEX #E5D761

RGB 229 215 97

HSL 53.64, 0.72%, 0.64%

LAB 85.06, -9.63, 58.73

 

CMYK 0 / 7 / 66 / 4

HEX #F4E352

RGB 244 227 82

HSL 53.7, 0.88%, 0.64%

LAB 89.29, -10.4, 69.93

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 0 / 4 / 37 / 22

HEX #C8C07F

RGB 200 192 127

HSL 53.42, 0.4%, 0.64%

LAB 76.99, -6.83, 33.79

 

CMYK 0 / 3 / 24 / 27

HEX #B9B48D

RGB 185 180 141

HSL 53.18, 0.24%, 0.64%

LAB 72.81, -4.6, 20.58

 

CMYK 0 / 1 / 8 / 33

HEX #AAA99C

RGB 170 169 156

HSL 55.71, 0.08%, 0.64%

LAB 68.98, -2, 6.83

 

CMYK 9 / 8 / 0 / 33

HEX #9B9DAB

RGB 155 157 171

HSL 232.5, 0.09%, 0.64%

LAB 64.98, 2.1, -7.52

 

CMYK 0 / 31 / 48 / 16

HEX #D79470

RGB 215 148 112

HSL 20.97, 0.56%, 0.64%

LAB 67.12, 21.14, 29.17

 

CMYK 0 / 19 / 48 / 16

HEX #D7AF70

RGB 215 175 112

HSL 36.7, 0.56%, 0.64%

LAB 73.72, 6.61, 37.66

 

CMYK 0 / 6 / 48 / 16

HEX #D7CB70

RGB 215 203 112

HSL 53.01, 0.56%, 0.64%

LAB 80.92, -8.03, 46.58

 

CMYK 7 / 0 / 48 / 16

HEX #C7D770

RGB 199 215 112

HSL 69.32, 0.56%, 0.64%

LAB 82.87, -20.44, 48.64

 

CMYK 20 / 0 / 48 / 16

HEX #ACD770

RGB 172 215 112

HSL 85.05, 0.56%, 0.64%

LAB 81.04, -30.78, 46

 

CMYK 0 / 7 / 72 / 25

HEX #BEB036

RGB 190 176 54

HSL 53.82, 0.56%, 0.48%

LAB 71.05, -8.75, 60.84

 

CMYK 0 / 7 / 61 / 19

HEX #CEC050

RGB 206 192 80

HSL 53.33, 0.56%, 0.56%

LAB 76.92, -8.67, 56.69

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 0 / 4 / 36 / 12

HEX #E0D790

RGB 224 215 144

HSL 53.25, 0.56%, 0.72%

LAB 85.23, -7.25, 36.18

 

CMYK 0 / 3 / 24 / 9

HEX #E9E3B0

RGB 233 227 176

HSL 53.68, 0.56%, 0.8%

LAB 89.58, -5.9, 25.71

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 48 / 0 / 44 / 16

HEX #70D778

RGB 112 215 120

HSL 124.66, 0.56%, 0.64%

LAB 78.11, -49.43, 37.76

 

CMYK 25 / 48 / 0 / 16

HEX #A170D7

RGB 161 112 215

HSL 268.54, 0.56%, 0.64%

LAB 56.16, 39.53, -45.88

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 48 / 0 / 6 / 16

HEX #70D7CB

RGB 112 215 203

HSL 173.01, 0.56%, 0.64%

LAB 79.82, -32.89, -3.35

 

CMYK 6 / 48 / 0 / 16

HEX #CB70D7

RGB 203 112 215

HSL 293.01, 0.56%, 0.64%

LAB 60.95, 51.23, -38.01

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 48 / 0 / 44 / 16

HEX #70D778

RGB 112 215 120

HSL 124.66, 0.56%, 0.64%

LAB 78.11, -49.43, 37.76

 

CMYK 48 / 42 / 0 / 16

HEX #707CD7

RGB 112 124 215

HSL 233.01, 0.56%, 0.64%

LAB 54.83, 19.92, -48.25

 

CMYK 0 / 48 / 4 / 16

HEX #D770CE

RGB 215 112 206

HSL 305.24, 0.56%, 0.64%

LAB 62.08, 53.04, -31.07

 

CMYK 0 / 5 / 48 / 16

HEX #D7CC70

RGB 215 204 112

HSL 53.59, 0.56%, 0.64%

LAB 81.18, -8.54, 46.9

 

CMYK 48 / 0 / 30 / 16

HEX #70D797

RGB 112 215 151

HSL 142.72, 0.56%, 0.64%

LAB 78.62, -44.21, 22.55

 

CMYK 48 / 42 / 0 / 16

HEX #707CD7

RGB 112 124 215

HSL 233.01, 0.56%, 0.64%

LAB 54.83, 19.92, -48.25

 

CMYK 0 / 48 / 19 / 16

HEX #D770AF

RGB 215 112 175

HSL 323.3, 0.56%, 0.64%

LAB 60.9, 48.04, -15.27

 

Description

Color code: HEX #D7CC70 | qconv.com Color code: HEX #D7CC70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 204 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 204 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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